This article examines the harmony of the image of nature with the human psyche, the connection of images with mother nature in the work of Togay Murad. A comparative analysis of the successful continuation of the image of man and nature, which has become the sacred principle of artistic creativity, in the stories, narratives and novels of the artist is carried out.
Togay Murad. “Ku-ku-ku”, Selected works. Tashkent. Sharq NMAK. P. 16-17. Togay Murad. “Ot kishnagan oqshomda” (Horse-ticking night). Stories. Tashkent:1994. P. 369.
Chingiz Aitmatov. Stories. Alvido, Gulsari (Goodbye, Gulsari). Tashkent:2016, P. 329-438.
Togay Murad. Foreword to the book Seton-Thompson. There is not death in this world. Tashkent: 2001. P. 190.