Authors

  • Oybek Barziev
    Doctor Of Philosophy In Philological Sciences (Phd) Teacher, Department Of “Uzbek Language And Literature”, Fergana State University, Uzbekistan

DOI:

https://doi.org/10.37547/philological-crjps-02-06-13

Keywords:

Lyrical protagonist auto-psychological lyrical “I” the work of the heart the motives of emigration bloodshed fullness

Abstract

The article interprets the lyrical “I” used by Anbar otin, Dilshodi Barno, Samar Bonu in the genres of ghazal, muhammas, mustahzod. In the comprehensive coverage of the fate of poets and the discovery of the problems of their time, the auto-psychological lyrical “I” method is included in the scope of analysis.

References

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