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IJTIMOIY FANLAR
REFLECTION OF SOCIAL VALUES IN INTERIOR DESIGN
TERMINOLOGY IN ENGLISH AND UZBEK LANGUAGES
XOLMUROTOVA GULNORA SATTOROVNA
Denau institute of entrepreneurship and pedagogy
The teacher of the department of foreign language
and literature for higher courses
E-mail:
UDK: 811.81.373
https://orcid.org/0009-0000-1692-3924
Kalit soʻzlar:
interior design,
social values,
semantics,
axiology, English
and Uzbek
languages,
design terms.
Abstract:
This article is dedicated to analyzing the reflection
of social values in interior design terminology in English and
Uzbek. It provides a linguistic analysis of interior design
terms,
examining
their
semantic
and
axiological
characteristics and how they express societal values.
Additionally, the article highlights the connection between the
language of interior design and social values.
ОТРАЖЕНИЕ СОЦИАЛЬНЫХ ЦЕННОСТЕЙ В ТЕРМИНОЛОГИИ
ИНТЕРЬЕРНОГО ДИЗАЙНА В АНГЛИЙСКОМ И УЗБЕКСКОМ
ЯЗЫКАХ
Ключевые слова:
интерьерный
дизайн,
социальные
ценности,
семантика,
аксиология,
английский и
узбекский языки,
термины дизайна.
Аннотация:
Данная статья посвящена анализу
отражения социальных ценностей в терминологии
интерьерного дизайна на английском и узбекском
языках. В статье проведен лингвистический анализ
терминов
интерьерного
дизайна,
изучены
их
семантические и аксиологические характеристики, а
также то, каким образом они выражают ценности
общества. Кроме того, статья подчеркивает связь языка
интерьерного дизайна с социальными ценностями.
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31
INGLIZ VA O‘ZBEK TILLARIDA INTERYER-DIZAYN
TERMINOLOGIYASIDA IJTIMOIY QADRIYATLARNING AKS ETISHI
Key words:
interyer-dizayn,
ijtimoiy qadriyatlar,
semantika,
aksiologiya,
ingliz va
o‘zbek tillari,
dizayn terminlari.
Annotatsiya
: Ushbu maqola ingliz va o‘zbek tillarida interyer-
dizayn terminologiyasida ijtimoiy qadriyatlarning aks etishini
tahlil qilishga bag‘ishlangan. Maqolada interyer-dizayn
terminlarini lingvistik tahlil qilish orqali ularning semantik va
aksiologik xususiyatlari, jamiyatdagi qadriyatlarni qay tarzda
ifodalayotgani o‘rganilgan. Ushbu maqola, shuningdek,
interyer-dizayn tilining ijtimoiy qadriyatlar bilan bog‘liqligini
ta’kidlaydi.
INTRODUCTION
As a consequence of the scientific and technological revolution, new fields of
knowledge were formed, and new sciences and professions emerged, leading to a
significant increase in specialized lexical units. Consequently, the need arose to
develop a separate, complex discipline dedicated to studying terms and their sets. In
the early 20th century, the necessary conditions emerged for creating terminology
science—terminography, with Austrian scholar O. Wüster and Russian scholars D.S.
Lotte and E.K. Drezen recognized as its founders. Terminology science, as an
independent field, formed relatively recently; as noted by V.M. Leychik, it was only in
1967-1968 that the science of terms began to be recognized as an independent area of
knowledge. In the early stages, the term “terminology” was used to refer to this
scientific discipline, which is now known as “terminography”. According to B.N.
Golovin, the term “terminology” itself was polysemous and used in two main senses:
1) terminology as a set of words and phrases that designate specialised objects and
express professional concepts; 2) a branch of linguistics that studies sets of terms, their
grammatical structure, and functional laws [2, 7].
According to V.M. Leychik, “The foundation of a system of terms does not
necessarily have to be a scientific and exclusively scientific theory; in certain
specialized fields, a concept or even a generalizing idea that logically and fully
describes the field may be sufficient as an approach. For example, in fields like sports,
fishing, philately, certain technical areas, management, and services, there are no
specific theories underlying the system of terms” [5, 104].
To describe the terminological framework, it is necessary to identify the concepts
relevant to a specific field. For this reason, studying the terminology of interior design
is of great importance. Interior design is not only significant aesthetically but also
functionally, with its terminology reflecting the cultural and social values of society.
Therefore, a deep study of interior design terminology enables the development of
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high-quality and purpose-orientated solutions at every stage of the design process.
Understanding terms and their meanings allows professionals in the design field to
express their ideas clearly and effectively, as well as to communicate efficiently on an
international level. This, in turn, enhances the professional standards within the interior
design field.
LITERATURE REVIEW AND METHODOLOGY
The concept of “
design
” emerged before the field of “
interior design
” was
established. The formation of design as a professional activity dates back to the late
19th century, associated with the Industrial Revolution, the rapid development of mass
production, and the resulting division of labor. Experts in design theory, history, and
practice, as well as scholars of material culture, consider several possible answers to
the question of when design took shape as a professional field.
M.V. Pankina defined the term “
interior
” as follows: “An interior is a spatial
artistic composition filled with structural elements that define the space, architectural
details, equipment, furniture, and objects. Its formation process is governed by the
general principles of artistic composition” [6, 3].
The emergence of design as a professional field is associated with the name of
19th-century English artist William Morris, the leader of the Arts and Crafts movement.
Morris demonstrated his ideas most vividly by working as both an architect and interior
designer in designing his own home, thoughtfully considering every detail in its
decorative elements [4, 19].
According to O.E. Yatsevich, “Design encompasses numerous terms that acquire
specific meanings, as contrasting shifts are observed in art, craft, technology, and even
mass media” [7, 69].
Additionally, initially, the study of terms related to the field of “interior design”
in linguistics was encountered in the scientific research of several foreign and local
scholars (C. Alexander, C.A. Jencks, A.S. Grinev, A.Z. Abdurakhmanova, M.M.
Bekmurodov, N.Sh. Saloydinova, and others) dedicated to the study of architectural
and construction terminology.
A.S. Grinev’s work, “Comparative Analysis of English and Russian Architectural
Terminology” [3], is dedicated to the comparative formal-structural analysis of
architectural terminology, while D.Z. Gaynutdinova's research, “Term Metaphors of
the Architectural and Construction Subfield: Systemic-Structural and Cognitive-
Discursive Approaches” [1], explores the systemic-structural and cognitive
characteristics of architectural and construction term metaphors.
According to O.E. Yatsevich, “Design encompasses numerous terms that acquire
specific meanings, as contrasting shifts are observed in art, craft, technology, and even
mass media” [7, 69].
Initially, the study of terms related to the field of “interior design” in linguistics
TADBIRKORLIK VA PEDAGOGIKA. ILMIY-USLUBIY JURNAL. ISSN: 2181-2659. [3/2024].
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was encountered in the scientific research of several foreign and local scholars (C.
Alexander, C.A. Jencks, A.S. Grinev, A.Z. Abdurakhmanova, M.M. Bekmurodov,
N.Sh. Saloydinova, and others) dedicated to the study of architectural and construction
terminology.
A.S. Grinev’s work, “Comparative Analysis of English and Russian Architectural
Terminology” [3], is dedicated to the comparative formal-structural analysis of
architectural terminology, while D.Z. Gaynutdinova’s research, “Term Metaphors of
the Architectural and Construction Subfield: Systemic-Structural and Cognitive-
Discursive Approaches” [1], explores the systemic-structural and cognitive
characteristics of architectural and construction term metaphors.
The following methodological approaches provide an opportunity for an in-depth
analysis of social values in interior design terminology for the study in this article:
1.
Lexical-semantic analysis
: study the lexical and semantic aspects of interior
design terms, including their meanings and contextual usage.
2.
Axiological analysis
: determine the connection between terms and social values,
assessing their cultural and aesthetic significance.
3.
Comparative analysis
: compare interior design terminology in English and
Uzbek to identify differences and similarities.
RESULTS AND DISCUSSION
Social values serve as the foundation of any society, guiding people’s norms and
principles of life. These values also directly influence the field of interior design.
Below, we present examples and linguistic analyses to illustrate the reflection of social
values in interior design terminology as evidence of our argument:
Minimalizm
(minimalism) – simplicity, rejection of excess, and the aim to
simplify life. In today’s society, the trend against overconsumption and the pursuit of
order in life reflect values associated with minimalism. The word “
minimalism
” comes
from the Latin
minimum
(the least) [8, 169]. This term encompasses the concepts of
modesty and compactness in a semantic sense, promoting a simple lifestyle among
people. For example:
minimalistik interyer
(minimalistic interior),
minimal mebel
yechimlari
(minimal furniture solutions),
minimalist rang palitrasi
(minimalist color
palette). In language, we can also find phrases expressing the meaning of
“minimalism”: “
Kam – bu ko‘p
” (“Less is more”). The phrase “
Kam – bu ko‘p
” reflects
the core philosophy of minimalism, conveying the idea of creating a significant impact
with minimal resources or elements. This expression, as a social value, reflects
simplicity and modesty, supporting the contemporary principle of rejecting excess and
simplifying life.
Ekologik dizayn
(eco-design) – environmental protection, sustainability, and
living in harmony with nature. These values express a commitment to social
responsibility and ecological sustainability. The term “
ekologik dizayn
” (ecological
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design) is derived from the Greek words
oikos
(house) and
logia
(study), meaning
design practices that align with nature [11, 247]. Morphologically, the term reflects
ecological principles through the prefix “
eko
” (eco). For example: “
ekologik toza
interyer
” (eco-friendly interior), “
ekologik barqaror dizayn
” (sustainable design).
Phrases expressing the concept of “
ekologik dizayn
” (ecological design) can also be
found: “
Tabiat bilan hamohang
” (In harmony with nature); “
Yashil iz qoldirish
” (Leave
a green footprint). The phrase “
Tabiat bilan hamohang
” (In harmony with nature)
reflects the main goal of ecological design: creating a balance between the living
environment and nature. The expression “
Yashil iz qoldirish
”(Leave a green footprint)
conveys the principle of causing no harm to the environment. These phrases emdiv
modern values of environmental consciousness and sustainability.
Loft
– urban life, creativity, and freedom. The
loft
design style represents modern
urban values, including creative freedom and the use of industrial spaces. The word
“
loft
” comes from English and originally means
an upper floor
or
attic
. Semantically,
it reflects a culture of creative and free living by transforming industrial spaces into
residential areas. For example: “
loft uslubidagi xona
” (loft-style room), “
sanoat loft
dizayni
” (industrial loft design), “
ochiq loft makoni
” (open loft space) and etc. Phrases
associated with the meaning of “
loft
” include “
ochiq makonda yashash
” (living in open
space) and “
sanoat ruhini his qilish
” (feeling the industrial spirit). The phrase “
ochiq
makonda yashash
” (living in open space) reflects the main characteristic of the loft
style, emphasizing large, open spaces. “
Sanoat ruhini his qilish
” (Feeling the industrial
spirit) reflects an aesthetic inspired by industrial buildings. These phrases demonstrate
the societal values of urbanism and an appreciation for a creative lifestyle.
Comfort
– well-being, safety, and peace. It reflects a social value of ensuring the
protection of family and personal life. The English word “
comfort
” is derived from the
Latin
confortare
(to strengthen). Semantically, it emphasizes physical and mental
comfort, aligning with human needs: “
maksimal comfort
” (maximum comfort),
“
comfort xona
” (comfort room), “
comfort mebel
” (comfort furniture), “
comfort joy
”
(comfort space). Examples of phrases expressing the meaning of “
comfort
” include:
“
Uyga o‘xshagan shinamlik
” (Home-like coziness) and “
To‘rt devor orasidagi
farovonlik
” (Comfort within four walls). The phrase “
Uyga o‘xshagan shinamlik
”
(Home-like coziness) conveys the goal of creating a cozy and comfortable
environment, while “
To‘rt devor orasidagi farovonlik
” (Comfort within four walls)
highlights the peace and well-being within a living space. These phrases reflect the
modern societal demand for comfort, safety, and convenience [9, 103].
Hi-tech
– emphasis on technology, futurism, and practicality. The aspiration to
improve life through technology and science reflects modern societal values [12, 219].
The term “
Hi-tech
” is an abbreviation of the English “
high technology
”. Semantically,
it embodies technological advancements and innovative solutions. Examples include:
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“
Hi-tech interyer
” (Hi-tech interior), “
Hi-tech uy
” (Hi-tech house), “
Hi-tech mebel
”
(Hi-tech furniture). Phrases associated with the concept of
Hi-tech
include: “
Kelajak
interyeri
” (Interior of the future) and “
Texnologiyaga asoslangan yashash tarz
”
(Technology-based lifestyle). The phrase “
Kelajak interyeri
” (Interior of the future)
describes interiors enriched with modern technological innovations characteristic of the
Hi-tech
style. “
Texnologiyaga asoslangan yashash tarz
” (Technology-based lifestyle)
reflects the principle of managing home conditions through technology. These phrases
illustrate the significant emphasis placed on technology and innovation in modern
society.
Interior design terms in English also emdiv the reflection of social values, with
terminology in this field capturing the needs and cultural perspectives of modern
society. English terms possess unique semantic and axiological characteristics, with
their lexical meanings closely linked to societal values:
Scandinavian
– warmth, simplicity, and functionality. Scandinavian design
emphasizes a cozy, minimalist lifestyle centered around comfort and practicality. This
style reflects values of simplicity and connection to nature, seen in phrases like “
hygge-
inspired interiors
” (
hygge
– coziness and well-being) and “
Scandi simplicity
”. Terms
such as “
Scandinavian-inspired furniture
” and “
Nordic color palette
” highlight a clean,
natural aesthetic.
Bohemian
(Boho) – freedom, individuality, and artistic expression.
Bohemian
design embraces eclectic, vibrant elements that represent individuality and artistic
creativity. This term is often associated with phrases like “
free-spirited interiors
” and
“
boho-chic décor
”, which capture a carefree approach. Terms like “
bohemian rugs
”
and “
boho wall art
” reflect a lifestyle valuing self-expression and a relaxed
environment.
Industrial
– ruggedness, authenticity, and utilitarian aesthetics. Industrial
design, inspired by repurposed warehouses and factories, emphasizes raw materials and
unfinished surfaces. Terms such as “
raw industrial interiors
”, “
exposed brick walls
”
and “
metal fixtures
” reflect a design approach valuing authenticity and functionality.
Phrases like “
urban industrial vibe
” express a connection to the historical and urban
roots of industrial spaces.
Art Deco
– luxury, elegance, and boldness.
Art Deco
design reflects a sense of
opulence and visual drama, often associated with geometric patterns and rich colors.
Common terms include “
geometric Art Deco
”, “
glamorous interiors
” and “
vintage-
inspired décor
”. Phrases like “
Roaring Twenties style
” encapsulate the luxury and bold
aesthetics of this style, which values beauty and bold expression.
Mid-century Modern
– innovation, simplicity, and timelessness. Rooted in the
mid-20th century, this style emphasizes functionality with a sleek aesthetic. Terms such
as “
mid-century modern furniture
”, “
retro interiors
” and “
timeless design
” reflect
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values of practicality and innovative simplicity. Expressions like “classic modernity”
capture the blend of modern innovation with enduring appeal.
These English terms reflect the diverse values in interior design, allowing us to
explore societal values such as creative freedom, closeness to nature, aesthetic
elegance, and historical connection.
The above phrases demonstrate the connection between interior design
terminology and social values. Through them, we can observe modern trends such as
technological advancement, environmental responsibility, simplicity, and comfort in
society. Each phrase reflects the unique needs and values of society [10, 109],
illustrating how the language of interior design is evolving. All these descriptions and
analyses can also be visualized through the following chart:
This chart illustrates the significance of interior design terms in reflecting social
values in modern society. Each bubble represents a specific design style, and its size
and position indicate the term’s role within the system of values. As seen in this
graphic, design terms express modern values such as simplicity, sustainability,
creativity, and a focus on technology to varying degrees, aiding in a deeper
understanding of social and cultural influences.
CONCLUSION
In conclusion, the reflection of social values in interior design terminology
enhances the significance of this field in modern society. Through design styles such
as minimalism, eco-design, loft, comfort, and hi-tech, people embrace values like
simplicity, ecological sustainability, creative freedom, and a focus on technological
progress. Terms in English and Uzbek are expressed with distinct semantic and
axiological aspects. Thus, interior design terminology provides an opportunity to
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observe cultural and social changes and understand societal needs based on these terms.
This article has demonstrated the connection between the language of design and social
values.
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