Authors

  • Palvanova Nargiza Abdumuratovna
    Independent researcher at the State Institute of Arts and Culture of Uzbekistan, Uzbekistan

DOI:

https://doi.org/10.71337/inlibrary.uz.ijasr.131757

Keywords:

Literary education poetry comprehension

Abstract

The article discusses the scientific and theoretical foundations of the application of the method of linguistic analysis, which helps students of art education in higher educational institutions to delve into the content of a work of art, understand the meaning of a word, comprehend the art of poetry.


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Volume 04 Issue 06-2024

72



International Journal of Advance Scientific Research
(ISSN

2750-1396)

VOLUME

04

ISSUE

06

Pages:

72-81

SJIF

I

MPACT

FACTOR

(2022:

5.636

)

(2023:

6.741

)

(2024:

7.874

)

OCLC

1368736135


















































A

BSTRACT

The article discusses the scientific and theoretical foundations of the application of the method of linguistic
analysis, which helps students of art education in higher educational institutions to delve into the content
of a work of art, understand the meaning of a word, comprehend the art of poetry.

K

EYWORDS

Literary education, literature, poetry, word, meaning, comprehension, understanding, explanation, literary
and theoretical concepts, rhyme, mastery.

I

NTRODUCTION

Educating a person through art goes back to

ancient history. The arts of singing, cinema, and

theater certainly rely on words, and are

expressed and performed through the medium of
artistic words. However, in recent years, there are

cases of students not paying attention to the

words, not fully understanding the content of the

artistic work, not understanding the true

meaning of the words expressed in the work,

song, script. This is especially evident in the
performance of Uzbek classical works. Future

artists' lack of knowledge of the magic of words

Journal

Website:

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m/index.php/ijasr

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.

Research Article

AN ARTISTIC DIRECTION USING THE METHOD OF
LINGUISTIC AND POETIC ANALYSIS IN THE PROCESS OF
TEACHING LITERATURE TO STUDENTS


Submission Date:

June 20,

2024,

Accepted Date:

June 25, 2024,

Published Date:

June 30, 2024

Crossref doi:

https://doi.org/10.37547/ijasr-04-06-13


Palvanova Nargiza Abdumuratovna

Independent researcher at the State Institute of Arts and Culture of Uzbekistan, Uzbekistan




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Volume 04 Issue 06-2024

73



International Journal of Advance Scientific Research
(ISSN

2750-1396)

VOLUME

04

ISSUE

06

Pages:

72-81

SJIF

I

MPACT

FACTOR

(2022:

5.636

)

(2023:

6.741

)

(2024:

7.874

)

OCLC

1368736135















































and their interpretations has a negative effect on

their performance, as well as undermines the

authenticity of our national heritage. In this sense,

it is becoming necessary to provide special

training courses on the analysis of artistic works

to students of art and culture.

In Uzbek literary studies, literature teaching

methodology, a number of scientific researches
have been carried out on the analysis of the work,

and in them, the content of the work, the service

of the analysis in understanding the author's

intention, and the subtle artistry of the work have

been revealed. Before answering questions such

as what does the concept of "artistic work

analysis" mean, how is artistic analysis carried
out, and in what forms should artistic analysis be

materialized, it is appropriate to come to a certain

conclusion about the basic concept that gave rise

to all these questions - the term "artistic work" [1

]. The great writer and thinker Fitrat, in his

manual "Rules of Literature" created in 1926,

wrote about the need to distinguish the concept
of "art" from "fine art" in order to fully

understand this concept: it is necessary. Art in the

dictionary means craft: it consists in producing

something well. ... There are various arts that are

different from "art" in this sense" [1], he writes.

The scientist spoke about the main characteristics

of "different arts": "...to revive the waves of the

heart, thoughts, feelings with the help of goods

(materials) such as words, sounds, colors, shapes,

letters, movements, and to create these waves in

others. it is called beautiful arts", comes to a stop
in the style [2].

M

ETHODOLOGY

At the moment, the question of what is the

essence of literature, why and how it is taught,

requires a separate approach as a mutually

demanding unit. To date, many opinions have
been put forward about these concepts, and there

are experts in the field who have given certain

recommendations as part of their observations.

Literature "A type of art that creates artistic

images through words and language"[3]

S. Dolimov notes that the main aspect in this is the

historical development of the nation, the feature

of expressing its identity in artistic images: "First

of all, literature describes people and their life,
and this image is inextricably linked with

historical truth and historical events" [4].

Therefore, through the process of formation of

literary knowledge in students, a wide way is

opened for them to study the human being, his


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complex inner world and psyche, and to know the

surrounding world.

It is not just a coincidence that there is a question

of self-awareness, which is the basis of education,

in the teaching of literature. Methodist S.

Matchonov emphasizes the place of literary

education in this regard, as he sees spiritual

maturity, which our ancestors have been striving
for for centuries, alongside the process of self-

realization. He notes that self-awareness opens

the way to understanding others, thereby

understanding the world and its mysteries[5].

Professor Q. Yoldoshev's views are consistent

with the above ideas. The scientist draws

attention to the fact that literature is a means of
self-knowledge for any person, and self-

knowledge begins with understanding the other,

and the exercise of understanding the other

begins with feeling the characters in the works of

art [6].

"A person knows his identity from a young age,"

says Professor A. Choriev, - first of all, he uses his

power and, moreover, he prepares to protect

himself from external malicious influences. But
today, this interaction between human sciences

and art, including literature, is not enough.

Literary criticism prevails over the direction of

humanism in fiction and literary studies. After all,

the point of commonality in pedagogy and fiction

is humanities" [7]. As a matter of fact, in the image

object of fiction literature, the complex inner

experiences characteristic of a person are in the
leading position, so it has a great opportunity to

affect emotions. In this regard, it is no coincidence

that the issue of personality development is

mainly expressed in the content of fiction and the

sciences related to its teaching.

There is a need to use new analytical methods in

teaching literature so that students of art and

culture do not make mistakes in using words and

poetry. Today, the attitude of the artists to the
artistic work is not satisfactory in most cases due

to the fact that some of them do not understand

the meaning of the words in their performances.

We found it necessary to present the problems in

this regard in a systematic form in the following

table:


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VOLUME

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SJIF

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(2023:

6.741

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(2024:

7.874

)

OCLC

1368736135















































Table 1.1.1

T/r

Disadvantages in the performance of

works of art:

Causes of the problem:

1.

Poor understanding of the poem's
content

Not using modern analytical
methods in literature classes

2.

Perform without knowing the meaning
of some words in the poem

Not working on verse and
words

3.

Mispronouncing the words in the poem




Lack of necessary knowledge
about the phonetics of poetry

4.

Incorrect pronunciation of syllables in
poetry

5.

Incorrect pronunciation of some vowels
in the poem

6.

Mispronunciation of consonants in
poetry

7.

Incorrect pronunciation of the accent of
words in the poem

8.

Ignoring intonation

9.

Playing

classic

works

without

understanding the idea well

Not analyzing both the poem
and the language and artistic
features together

10.

Ignorance of literary and theoretical
concepts

The lack of literary-theoretical
concepts such as rhythm, hijo,
rhyme, tact, and intonation

The methodology of teaching science as a science

is a rich methodological legacy from the teacher ,
today's modern programs , educational and

methodological acquaintance with literature ;

requires knowledge of and appropriate use of

academic research and best practices in literary

education . The specific features of the

organization of the literary education process in

the conditions of modern and specialized schools
are the effective solution of educational,

educational and developmental tasks ; It also

considers the issue of the formation of

independent working skills with educational


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5.636

)

(2023:

6.741

)

(2024:

7.874

)

OCLC

1368736135















































literature, creative attitude to reading in students

.

If they ask what is a good word, say that it is a

word that benefits people. If they ask what is a

bad word, answer that it is a word that harms

someone" [8] . From these opinions, it is known

that our forefathers dealt with every issue, first of

all, considering its educational importance. After
all, every good deed is thought first, and then its

realization appears in the world through words.

Russian philologist L.A. As Novikov noted in his
book "The Art of the Word", " The word is a unity

of abstract and concrete, general and individual,

neutral and emotional colorful meanings, which

cannot be replaced by anything!" The world of

words is diverse, interesting, fascinating and still

not fully resolved: it is as endless as space and the

Universe. For example, let's take literature: what

a deep abyss of thoughts, ideas, images and

feelings! All these are expressions of those simple

and inconspicuous words arranged alphabetically

in the dictionary. The writer expects to be able to

find them and give them life, to shine semantically
and emotionally like all the colors of the rainbow

in his works" [9] .

Peculiarities of the method of linguopoetic

analysis. That's it in place lingopoetic analysis

sample too to bring appropriate it will be , we

think . Lingopoetics - in the text of the author the

meaning to understand take coming pictorial the

words separate show ( pic words the chain create

, they name with how dependence ). Text
linguopoetic analysis to do method the following

own into takes :

Linguistic analysis

- slow, repeated reading of
the text;

- identifying the most
important words in terms of
meaning;

- rereading the text,

method

- to determine what means of
expression the poet was able to
express his inner feelings;

explain the relationship between
these words ;

- choosing the most vivid,
characteristic 5-7 techniques for
the poet and the work.


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(2024:

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)

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C. Kambarova: " Language has several functions.

The most important of them is the

communication function or communicative

function, but this is not its only feature . The word

should be both expressive and figurative, of

course, when necessary. The imagery of a word is
fully and deeply manifested when it enters into a

relationship with other words and fulfills its

aesthetic function. Literature is qualitatively

different from painting, sculpture, music and

other forms of art, because its material is an inner

image associated with words, an artistic image

created creatively by the writer and rediscovered
by the reader. According to him , intellectual

phenomenon is the most flexible and mobile

material of art " [10] .

It is natural that literature as a subject of study

reflects the latest achievements of literary

studies. "Since the main goal of studying fiction is

to have a positive effect on human education, it is

impossible to take a step forward without

knowing at least the general laws of some
pedagogical and psychological laws. This count

can be continued again" [11]. It seems that

research in methodology in recent decades is

related to similar processes taking place in

general pedagogy and psychology of artistic

perception, sociology and aesthetics, art history

and educational theory. There is an inextricable

connection between the methodology of teaching

literature and literary studies, didactics and

pedagogical psychology.

There is a relationship between form and content.

Regarding which of them is the main and

leadership, Professor Q. Yoldoshev thinks like
this: "Usually, changes in the form are understood

as due to the content and after it. A closer look

reveals that the relationship between form and

content in art, especially fiction, is different from

the relationship between form and content in

philosophy. Artistic content consists of a person,

event, behavior, feeling and mood reflected in a
certain artistic work.

And the artistic content is the way of expressing
the essence of a certain artistic work through the

means of artistic representation in an aesthetic

way " [12].

Literary scholar D. Kuronov emphasizes that form

does not exist without content, and content does

not exist without form, and emphasizes that they

require, influence and pass each other in a

dialectical relationship: " The content takes the

lead in the relationship between artistic form and


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SJIF

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(2023:

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(2024:

7.874

)

OCLC

1368736135















































artistic content, and it is very active in creating

the form. Based on the creative intention of the

artist, the content of the future work determines

its form, more precisely, the content of the future

work determines its form” [13]. Therefore, it is

necessary to distinguish two sides that are
integrally connected with each other in the

content of the work. A work of art reflects life,

therefore, when talking about the content, one

always thinks about certain features of the reality

shown by the writer.

Professor M. Mirkosimova defines literary

analysis in her scientific research as follows:

"Literary analysis begins with reading and

studying any literary work, understanding its
content. Literary analysis relies on these

emotional awareness and perceptive abilities of

the students. Literary analysis is a method of

revealing the aesthetic features of the work by

"sparkling" before the eyes of the reader. This

method is used in the study of literary works.

Analytical skills are formed in students during the
study of examples of artistic creation[14]".

In the study "Linguopoetics of a literary text" by
M. Yoldoshev, the problems of the linguopoetic

approach to the analysis of the text, the phonetic-

phonological, lexical-semantic and grammatical

features of the artistic text were highlighted [15].

N. Mahmudov notes that such an organic,

two-way and regular connection between

language and thinking, language and culture,

language and the speaking person, the

harmonious relationship of grammar and

thinking is recognized even today, especially in
anthropocentric interpretations. emphasizes,

quotes GAZolotova's opinion that "The science of

grammar is a part of philology, this science is not

a collection of different paradigms, rules and

prohibitions, but is the key to enter the

construction of language, the construction of

texts, the construction of human thinking" [16] .

Professor L.A. Novikov emphasizes that the

perception of reality in a person usually exists in
a hidden (latent) state. According to him, "When

necessary, they come to life, they are introduced

into the "center" of consciousness under the

influence of some signals, external stimulus or

word - ideas and impressions about the world"

[17]. In our opinion, such a set of knowledge,

ideas and impressions about the world serves as
the basis for linguistic communication of people,

development of speech, creation and perception

of text.


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SJIF

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(2024:

7.874

)

OCLC

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Professor Q. In his speech on "Leading principles

of modern philological education", Yoldoshev

shows the root of the problems in teaching and

comes to the following conclusions: should be

formed as a person who can have a healthy

relationship... It is not the status or popularity of
the writer or the work, but the level of serving to

create a noble moral quality that should be

formed in the spirituality of the student" [18].

V. G. Belinsky: "Poetry does not aim at any goal

outside of itself. He said that it is the goal itself,

like truth in knowledge and goodness in

action[19].

The great Spanish philosopher and esthete

Ortega-y-Gasset

wrote

in

1925

"The

Dehumanization of Art": "The saying that

literature saves a person can only be used in the
sense that it awakens childhood in a person and

saves him from the seriousness of life." is of great

importance in terms of reflecting its

characteristics.

Q. According to Yoldosh, "although there is

no consensus on the mechanism of analysis, there

have been attempts for a long time to determine

the essence of the concept of analysis of a work of

art and to assign its characteristics in Achun

literary studies. One of the most healthy views in

this regard is the famous Russian literary critic V.

According to Belinsky: "...in my opinion, the first

and main issue that a critic should solve is to

determine whether this work is really elegant,

whether the author of this work is really a poet"
[12].

"The main goal of the philological analysis

of the literary text is to fully understand the image

of the author and achieve it. This situation should

be the basis of the analysis of the artistic text"

[23].

Psychologist L. S. Vygotsky's opinion: "Art

can be said to be more of a delayed relationship,

because there is always a more or less time gap

between its birth and its impact"[24].

C

ONCLUSION

In conclusion, it can be said that there are

different ways of understanding a word, a poem,

any artistic work. The methodology of teaching

literature mainly analyzes the work of art from an

artistic point of view, and the language of the

work of art is partially discussed. This may be

sufficient for the teaching of literature in general
secondary education, but may be insufficient for


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SJIF

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(2024:

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the future specialist involved in verbal influence.

In particular, art and culture students need to be

able to analyze artistic text and language from an

artistic point of view. In this sense, it is effective

to include the method of linguopoetic analysis in

the methodology of teaching literature, to teach a
complete analysis of a poem or drama text to a

student studying in this direction.

R

EFERENCES

1.

Yoldosh Q., Yoldosh M. Fundamentals of

artistic analysis. - Tashkent: Kamalak, 2016. -

p. 122.

2.

Abdurauf Fitrat. Selected works. Volume IV. -

T.: "Spirituality", 2006. 11- p.

3.

An explanatory dictionary of the Uzbek

language. Volume I. - Tashkent: "National

Encyclopedia of Uzbekistan" State Scientific

Publishing House, 2006. - p. 38.

4.

Dolimov S., Ubaidullaev H., Akhmedov Q.
Literature teaching methodology. - Tashkent:

Teacher, 1967. - p. 225.

5.

Matjon S. Independent works from literature

at school. - Tashkent: Teacher, 1996. - p. 27.

6.

Yoldoshev Q. Fundamentals of teaching

literature / Development of global education

and national methodology. Proceedings of the

republic scientific-practical conference. -

Tashkent, ToshDO'TAU, 2018. - P. 36.

7.

Choriev A., Choriev I. Methodological basis of

pedagogy and scientific research methods. -

Tashkent: Nishan publisher, 2016. - p. 45.

8.

Koshifi, Husayn Voiz. Futuvvatnomai Sultani
or the sect of youth. Translation from Persian-

Tajik by N. Komilov. - Tashkent: Publishing

House of People's Heritage named after

Abdulla Qadiri, 1994. - p. 58.

9.

Novikov L.A. Isskustvo slova. - 2nd ed., dop. -

M.: Pedagogy, 1991. - S. 5.

10.

Kambarova.S. Methodology of teaching
literature as a subject and art form. Doctoral

diss. - Tashkent. 2024. 284 p.

11.

Tokhliev B. Literature teaching methodology.

- Tashkent: New age generation, 2006. - p. 13.

12.

Yoldoshev M. Linguistics of literary text. -

Tashkent: Science, 2008. - 160 p.

13.

Mahmudov N. Regularity of language science
and education // Language and literature

education. 2021. No. 10. - p. 8.

14.

Novikov L.A. Art word. - Moscow: Pedagogy,

1991. - S. 24

25.

15.

Maksudova M. Communication psychology.

Study guide. - Tashkent: Turon-Iqbal, 2006. -

p. 23.


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International Journal of Advance Scientific Research
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VOLUME

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ISSUE

06

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72-81

SJIF

I

MPACT

FACTOR

(2022:

5.636

)

(2023:

6.741

)

(2024:

7.874

)

OCLC

1368736135















































16.

Belinsky V. G. Literary dreams. -T.: G'.

Publishing house of literature and art named

after Ghulam, 1977. 108 pages.

17.

Gasset y Jose Ortega. The art of

dehumanization. V book "Sovremennaya

kniga po estetice." Anthology". -Moscow.
"Inostr. lit"., 1957. p. 451.

18.

Gukovsky G.A. Izuchenie literaturnogo

proizvedeniya v schole. (Methodological essay

on methodology). -Moscow-Leningrad. 1966.

S. 41.

19.

Asmus V.F. Voprosy teorii i istorii esthetics. -

M., 1968. S. 56.

20.

Bobylev

B.G.

Teoreticheskie

osnovy

filologicheskogo

analizakhudojsstvennogo

texta v natsionalnom pedvuze. Diss. dr. ped.

science - Moscow. 1991. -S. 296.

21.

Vygotsky L. S. The art of psychology. - Moscow.

"Pedagogy", 1987. -S. 341.

References

Yoldosh Q., Yoldosh M. Fundamentals of artistic analysis. - Tashkent: Kamalak, 2016. - p. 122.

Abdurauf Fitrat. Selected works. Volume IV. -T.: "Spirituality", 2006. 11- p.

An explanatory dictionary of the Uzbek language. Volume I. - Tashkent: "National Encyclopedia of Uzbekistan" State Scientific Publishing House, 2006. - p. 38.

Dolimov S., Ubaidullaev H., Akhmedov Q. Literature teaching methodology. - Tashkent: Teacher, 1967. - p. 225.

Matjon S. Independent works from literature at school. - Tashkent: Teacher, 1996. - p. 27.

Yoldoshev Q. Fundamentals of teaching literature / Development of global education and national methodology. Proceedings of the republic scientific-practical conference. - Tashkent, ToshDO'TAU, 2018. - P. 36.

Choriev A., Choriev I. Methodological basis of pedagogy and scientific research methods. - Tashkent: Nishan publisher, 2016. - p. 45.

Koshifi, Husayn Voiz. Futuvvatnomai Sultani or the sect of youth. Translation from Persian-Tajik by N. Komilov. - Tashkent: Publishing House of People's Heritage named after Abdulla Qadiri, 1994. - p. 58.

Novikov L.A. Isskustvo slova. - 2nd ed., dop. - M.: Pedagogy, 1991. - S. 5.

Kambarova.S. Methodology of teaching literature as a subject and art form. Doctoral diss. - Tashkent. 2024. 284 p.

Tokhliev B. Literature teaching methodology. - Tashkent: New age generation, 2006. - p. 13.

Yoldoshev M. Linguistics of literary text. - Tashkent: Science, 2008. - 160 p.

Mahmudov N. Regularity of language science and education // Language and literature education. 2021. No. 10. - p. 8.

Novikov L.A. Art word. - Moscow: Pedagogy, 1991. - S. 24–25.

Maksudova M. Communication psychology. Study guide. - Tashkent: Turon-Iqbal, 2006. - p. 23.

Belinsky V. G. Literary dreams. -T.: G'. Publishing house of literature and art named after Ghulam, 1977. 108 pages.

Gasset y Jose Ortega. The art of dehumanization. V book "Sovremennaya kniga po estetice." Anthology". -Moscow. "Inostr. lit"., 1957. p. 451.

Gukovsky G.A. Izuchenie literaturnogo proizvedeniya v schole. (Methodological essay on methodology). -Moscow-Leningrad. 1966. S. 41.

Asmus V.F. Voprosy teorii i istorii esthetics. -M., 1968. S. 56.

Bobylev B.G. Teoreticheskie osnovy filologicheskogo analizakhudojsstvennogo texta v natsionalnom pedvuze. Diss. dr. ped. science - Moscow. 1991. -S. 296.

Vygotsky L. S. The art of psychology. - Moscow. "Pedagogy", 1987. -S. 341.