Volume 05 Issue 11-2024
55
CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES
(ISSN
–
2767-3758)
VOLUME
05
ISSUE
11
Pages:
55-58
OCLC
–
1242423883
Publisher:
Master Journals
ABSTRACT
The article analyzes the artistic function of the lyrical hero and poetic images in the expression of lyrical experience,
the artist's style and skill in creating a psychological image, and the harmony of content and form in free poems, using
the example of the work of the modern Karakalpak poet S. Ibragimov. In the work of the poet, the specific aspects of
the mental state of the lyrical hero are revealed.
KEYWORDS
Lyrical hero, poetic image, lyrical experience, content and form, free verse, modernism.
INTRODUCTION
In today's developed world, where the process of
globalization is taking place at a rapid pace, changes
continue in literature. In the poetry of the Turkic
peoples of the 21st century, great innovations took
place both in content and form. Also, in the expression
of the experiences of the lyrical hero, researches in the
work of poets are visible.
The main purpose of poetry is spiritual purification of a
person. The poet reflects his mental state in his poem,
"the reaction of the lyrical hero to positive and
negative events in the society in which he lives, or the
impact of life on the lyrical hero's heart and world of
thought is described in the form of his inner
experiences" [5:7]. For this reason, the main character
in poetic works is the poet himself.
Karakalpak poetry acquired a new content and form
through the work of Karakalpak poet S. Ibragimov. The
reason is that the poet's poetry is ideologically,
artistically, and formally different from the works of
Karakalpak poets of the previous period. He is
Research Article
IN THE POETRY OF S. IBRAGIMOV LYRIC HEROES AND POETIC
IMAGES
Submission Date:
November 19, 2024,
Accepted Date:
November 24, 2024,
Published Date:
November 29, 2024
Crossref doi:
https://doi.org/10.37547/philological-crjps-05-11-10
Satbaev A
Karakalpak State University named after Berdak, Uzbekistan
Journal
Website:
https://masterjournals.
com/index.php/crjps
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 05 Issue 11-2024
56
CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES
(ISSN
–
2767-3758)
VOLUME
05
ISSUE
11
Pages:
55-58
OCLC
–
1242423883
Publisher:
Master Journals
recognized by prominent literary community as a poet,
writer and translator, a creator of high artistic skills.
Poet's "Fields" (1982), "The Fifth Season" (1986),
"Between the Earth and the Sky" (1990), "Selected
Poems" (2016), "Brno Notebook" (2021) and "Midway"
(2021) poetry collections were published.
Poems of the artist are considered examples of
intellectual poetry, and thoughts are given freely as
they are mostly written in a free weight. The poet
compares and describes his lyrical experiences through
metaphors, metaphors and symbols and creates
images with a special quality that cannot be found in
other artists.
Example:
I'm tired of being human -
I wouldn't land on the ground if I turned into a bird.
In the above lines of the poet, the lyrical hero, tired of
walking in human form, wants to become a bird. A bird
is a symbol of freedom and liberty in literature. The
poet used the sarbast form of poetry to express his
inner transformations and mental state. In a two-line
poem, rhymes are not noticeable, but there is a
rhythm:
I'm tired of speaking in human language,
I wish I could forget this language...
At the end of the poem, the poet addresses himself:
No one reads in the stars
you keep writing things.
The lyrical hero, who is tired of speaking in human
language, is not satisfied with what the poet writes.
We can say that this is not due to lack of need for
creativity in his heart, but a unique way of expressing
inner suffering and loneliness. The reason is that the
above two verses are completely metaphorical.
"Writing" something in the stars is the joy of poetry.
The reasons for the depressed mood in the previous
four lines are given in the last lines, that is, the desire
to become a bird, to forget the human language - the
fact that no one reads poetry nowadays, and the
attitude of people to literature.
Professor U. Normatov said about the changes taking
place in poetry: "Non-traditional poetry does not find
its way easily here. Perhaps, the initial fate of
unconventional events, new, "untraveled" paths will
always be like this. And then comes the stages of
getting used to it, accepting it, and even loving it"
6:247 We can say that these thoughts also apply to
the lyrics of Karakalpak. Because it is very difficult to
read and understand poems belonging to modernism.
The poet we are analyzing is considered a
representative of intellectual poetry, recognized by
literary critics as a modernist poet and recognized by
leading literary critics [2:27]. In the poems of the poet,
the image of some people in the society is embodied,
not only of the author. Especially when describing
them, we understand that the artist's skill of
psychological imagery is high.
"When the poet and the person whose inner
experiences and inner world are reflected in the lyrics
unite and become a whole div, the generalized image
of the author and the image of the lyrical hero are
born" 1:15 . Therefore, the use of artistic images,
including lyrical characters and poetic images, is of
great importance in expressing the lyrical experience.
A person's psychology is a collection of his subjective
views. For this reason, in order to understand the
mood in the poem, we need to focus on the subjective
character, and in this process, objective images serve
as a key for us.
Based on its nature, the lyrical experience affects the
content and emotional color of the poem more. For
Volume 05 Issue 11-2024
57
CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES
(ISSN
–
2767-3758)
VOLUME
05
ISSUE
11
Pages:
55-58
OCLC
–
1242423883
Publisher:
Master Journals
this reason, the image, feeling, and thought are
considered as the basis of the lyrical experience in the
works of art belonging to the lyric. In S. Ibragimov's
poetry, dissimilar poetic images are widely used. These
images, in addition to expressing the experiences of
the lyrical hero, play a special role in ensuring the unity
of the artistic form with the content of the poem. For
example, consider the following lines:
Why did I catch this butterfly
why did i fold your wings -
hieroglyphs in the eye
although I know I can't read.
Why did I catch this butterfly -
in a moment's lifetime
in love with clean things,
lover of dear things.
Everyone knows that a butterfly is a delicately created
miracle of nature that lives only for a day. However, in
these lines, the image of a butterfly means the not-so-
subtle feelings and emotions in the poem, and helps to
effectively describe the thoughts that a person is
always guilty of his fate, knowingly and unknowingly
hurts someone and something. The image of colors in
the inner world of the lyrical hero, the mental state of
the poet, wants infinity and freedom in form. And this
freedom cannot be limited by rhymes. The poem is
non-rhymed, based on rhythm, written in a non-
traditional way, but in form it is close to the genre of
tolgov, a common genre of Karakalpak folklore. The
rhymes mainly consist of long lines of 7-9 syllables,
linked rhymes. The poet's poem is composed of 9
syllables and has a rhythm. Therefore, it is easy to read
even if there are no rhymes. So, the poet was able to
reform the examples of national folk art based on his
own style.
The current of modernism consists of new ways of
expression. In this stream, which is based on new
principles both in terms of content and form, a great
burden is placed on poetic images in the expression of
lyrical experience. The reason is that images are of
great importance in understanding the author's mental
state through the lines that are burning in the heart of
the creator and have become poems. Turkish
researcher A. Gokcek writes in his doctoral dissertation
that almost all modernist images are elements and
details of nature: "Famous representatives of world
literature connect their visions of life, society, fate with
nature and its elements, which are familiar to
everyone, and the relationship between man and
nature. for example, he writes about universal issues.
For this reason, most of the images in modernism are
about nature..." 3:162 . We can see the image of
animate and inanimate things in nature in the work of
the poet we are analyzing. Through this, the author's
subjective views, spiritual world, and lyrical state are
expressed.
A cold snake lies in my chest -
if my spirit falls, it will lift its head
(he has no business with a dry div),
the eye is drawn from high up to the roof
temirganot a palaponni.
My nights.
In the poem, there is a trio of images consisting of the
narrator, the snake, and the snake. Thoughts are
expressed on page 1 by the author, and objective
images are created due to the processes in his mental
world. The inner depression of the lyrical hero, his
poignancy of the poet's heart, attacking his inner, inner
world, not his outer world, is expressed by the example
of the symbolic image of a snake. A small palapon with
snake bait is hope. Such figurative images may confuse
Volume 05 Issue 11-2024
58
CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES
(ISSN
–
2767-3758)
VOLUME
05
ISSUE
11
Pages:
55-58
OCLC
–
1242423883
Publisher:
Master Journals
the reader a little. But rather than surprising, it leads to
observation and thinking.
According to literary critic V.E. Khalizev: "Human
mental states are reflected in lyrics in different ways:
through direct and open, sincere expression,
monologues in the spirit of tazarru, and through the
image of the external environment (descriptive lyrics,
in most cases, landscape) or in the form of an
expression of the essence of a certain reality. will be
delivered" 7:200-201 . In the work of the poet we
studied, microplots, nature and its scenes and
elements were also effectively used to express
subjective thoughts.
What did not flow from this river...
You followed by the river.
If you want to go to the other side -
boats drifting in the current of water.
In Eastern literature, life and time are compared to a
river. The poet continues this tradition and connects
the stubbornness of life with the natural description of
the river. The poem, written in the form of a second-
person address of the lyrical hero, symbolically
describes the transience of life, the boats, that is,
opportunities, quickly disappearing with the flow of
life, as periods of living on two shores.
Lyric differs from other genres of literature in that it
expresses human anguish and inner feelings with
lyricism. In our article, we analyzed the artistic function
of the lyrical hero and poetic images, unity of content
and form in the poetry of S. Ibragimov, a well-known
representative of Karakalpak literature, in expressing
the lyrical experience. The poet used a lot of free
weight free verse poems in his work. Because of this, it
is felt that he is free to express his opinion. This shows
that content and form are harmonious in the poet's
lyrics, S. Ibragimov has his own methodological
research in creating lyrical heroes and poetic images.
REFERENCES
1.
Дабылов П.
Қ
ора
қ
алпо
қ
шеъриятида
лирик
қ
а
ҳ
рамон
образининг
яратилиш
хусусиятлари
(
Т
.
Матмуратов
ва
К
.
Рахманов
шеърияти
мисолида
).
Филология
фанлари
бўйича
фалсафа
доктори
(PhD)
диссертацияси
автореферати
.
Нукус
, 2018.
2.
Гайлиева О. Муста
қ
иллик
даври
туркий
хал
қ
лар
лирикасида
шаклий
изланишлар ва уларнинг
типологияси (ўзбек,
қ
ора
қ
алпо
қ
ва
туркман
лирикаси
мисолида
).
Докторлик
(
ДС
c)
диссертацияси
автореферати
.
Нукус
, 2019.
3.
Gökçek A. Romantik Şiirden Günümüze İngiliz
Şiirinde Doğa Kirliliği Kavramına Ekoeleştirel Bir
Yaklaşım. Doktor tezı.
Ankara, 2020.
4.
Ibrohimov S. Yo'l o'rtasi. Toshkent, «Аdabiyot»,
2021.
5.
Жумабоева Ж. ХХ аср ўзбек шеъриятида
психологик тасвир ма
ҳ
орати
.
Тошкент
,
«Фан»
,
2004.
6.
Норматов У. Ижод се
ҳ
ри
.
Тошкент
,
«Шар
қ
»,
2007.
7.
Xализев В.Е. Теория литературы. Москва,
«Высшая школа», 1999.
