Authors

  • Mohira Iskandarova
    L’UNIVERSITE NATIONALLE DE L’OUZBEKISTON.

DOI:

https://doi.org/10.71337/inlibrary.uz.ijai.77635

Abstract

The article examines the linguocultural aspects of translating national-cultural archaisms between Uzbek and French. It discusses their linguistic definitions, cultural significance, and the challenges of preserving these nuances in translation. Using examples, the study highlights effective methods like transliteration, equivalents, and annotations, emphasizing the importance of archaisms in reflecting national mentality and history. The research aims to enhance translation practices and deepen cultural understanding.

 

 

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LINGUOCULTURAL SPECIFICITES IN THE TRANSLATION OF NATIONAL -

CULTURAL ARCHAISMS IN UZBEK AND FRENCH LANGUAGES

Iskandarova Mohira Asqaraliyevna

L’UNIVERSITE NATIONALLE DE L’OUZBEKISTON.

Departement de la philologie française. Master première année.

Annotation:

The article examines the linguocultural aspects of translating national-cultural

archaisms between Uzbek and French. It discusses their linguistic definitions, cultural

significance, and the challenges of preserving these nuances in translation. Using examples, the

study highlights effective methods like transliteration, equivalents, and annotations, emphasizing

the importance of archaisms in reflecting national mentality and history. The research aims to

enhance translation practices and deepen cultural understanding.

Keywords:

National-cultural

archaisms

,

linguoculture

,translation

theory

,uzbek

language

,french

language

,linguistic

features

,cultural

specificity

,translation

methods ,explaining archaisms ,mentality and history.

Annotatsiya:

Ushbu maqolada o‘zbek va fransuz tillaridagi milliy-madaniy arxaizmlarni tarjima

qilishda lingvomadaniy jihatlarni tahlil qilishga qaratilgan . Unda arxaizmlarning lingvistik

ta’riflari, madaniy ahamiyati va ularning tarjimada mazmunni saqlashdagi qiyinchiliklari haqida

so‘z yuritiladi. Misollar asosida transliteratsiya, ekvivalentlar va izohlash kabi samarali usullar

ko‘rsatilib, arxaizmlarning milliy mentalitet va tarixni aks ettirishdagi ahamiyati ta’kidlanadi.

Tadqiqot tarjima amaliyotini yaxshilash va madaniy tushunchalarni chuqurlashtirishga qaratilgan.

Kalit so'zlar:

Milliy-madaniy arxaizmlar, lingvomadaniyat, tarjima nazariyasi, o‘zbek tili,

fransuz tili, lingvistik xususiyatlar, madaniy o‘ziga xoslik, tarjima usullari, arxaizmlarni izohlash,

mentalitet va tarix.

Aннотация:

Статья исследует лингвокультурные аспекты перевода национально-

культурных архаизмов между узбекским и французским языками. Обсуждаются их

лингвистические определения, культурное значение и проблемы сохранения этих нюансов

при переводе. На основе примеров исследование подчеркивает эффективные методы,

такие как транслитерация, эквиваленты и аннотации, акцентируя внимание на важности

архаизмов для отражения национального менталитета и истории. Цель исследования —

улучшить практику перевода и углубить культурное понимание.

Ключевые слова :

Национально-культурные архаизмы, лингвокультура, теория перевода,

узбекский язык, французский язык, лингвистические особенности, культурная специфика,

методы перевода, объяснение архаизмов, менталитет и история.

Introduction.

Archaisms refer to words, phrases, or linguistic forms that are no longer in

common use but were once prevalent in a particular language or culture. In linguistics, archaisms


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are considered outdated terms or expressions that have been replaced by more modern

alternatives. However, these words or structures may still hold historical or cultural value and are

often preserved in literature, formal speech, or cultural traditions. Archaisms can be categorized

into lexical (outdated words or expressions), morphological (obsolete forms or conjugations),

and syntactical (old sentence structures) types. These features help to illustrate the historical

evolution of a language and its cultural context. National-cultural archaisms are deeply

intertwined with the history, customs, and worldview of a particular nation. They reflect the

unique cultural identity, practices, and mentalities that were prevalent in a specific time period.

Such archaisms are not just linguistic artifacts; they carry meanings tied to traditions, beliefs,

social structures, and historical events that shaped a nation's culture. For example, in the Uzbek

language, terms like "xon" (meaning a ruler or khan) or "oyna" (mirror, symbolizing a certain

cultural or spiritual concept) are archaisms that hold historical and cultural significance.

Similarly, in French, words such as "chevalier" (knight) or "noble" carry historical weight,

reflecting the social classes of medieval France. National-cultural archaisms often serve as

cultural markers, helping preserve the history and heritage of a language and its speakers. They

are also important in understanding a society’s past, providing insight into its collective memory

and identity.

Both the French and Uzbek languages have distinct sets of national-cultural archaisms,

influenced by their respective histories and cultural developments. French Archaisms: french

archaisms are often derived from the medieval and Renaissance periods. These can include

outdated words and phrases related to nobility, feudalism, and social structures. For example,

words like "fief" (feudal estate), "serf" (a peasant bound to the land), or "duc" (duke) reflect the

old social hierarchy. French also retains old forms of addressing nobility or royalty, such as

"Monseigneur" or "Votre Majesté," which are considered archaic but still carry a ceremonial or

literary significance. Uzbek Archaisms: in the Uzbek language, many archaisms reflect the

traditions of the Turkic and Persian-speaking cultures that influenced the region. For instance,

terms like "sultoni" (king) or "bobo" (grandfather, also used as a respectful address for elders)

are archaisms that provide insight into the social structure and family hierarchy of past eras.

Similarly, words tied to ancient forms of governance, like "amir" (prince or ruler), also serve as

markers of Uzbek cultural heritage. Both languages share certain linguistic characteristics in

their archaisms, such as the use of formal address terms or titles to convey respect and hierarchy.

However, while French archaisms tend to preserve the nobility and aristocratic terminology,

Uzbek archaisms are more influenced by regional and nomadic governance systems, as well as

Islamic culture.

Linguocultural specificities refer to the unique linguistic and cultural characteristics

inherent to a language and its speakers. These specificities are shaped by historical, social, and

cultural factors that influence the development of a language's vocabulary, idioms, and

expressions. When studying archaisms in languages like Uzbek and French, understanding these

linguocultural traits is essential, as they encapsulate the essence of a nation’s mentality, values,

and historical identity.

Both Uzbek and French languages exhibit distinct linguistic and cultural features shaped by

their respective histories and social contexts. Uzbek Language: the Uzbek language is deeply

rooted in Turkic linguistic traditions, with significant influence from Persian and Arabic due to

historical trade, governance, and the spread of Islam. This linguistic amalgamation is reflected in

the vocabulary and cultural expressions. Uzbek archaisms often encapsulate hierarchical social

structures, traditional family roles, and Islamic values. For instance, titles such as "amir," "bek,"


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and "khan" reflect past governance systems, while terms like "sahro" (desert) evoke the nomadic

heritage. French Language: the French language, a Romance language derived from Latin, bears

the marks of its feudal and aristocratic past. French archaisms often include terminology

associated with nobility, religion, and medieval societal structures. Words like "chevalier"

(knight) or "abbaye" (abbey) highlight France's chivalric and ecclesiastical history. The cultural

specificity of French is further enriched by the Renaissance and Enlightenment periods, which

introduced a wealth of philosophical and literary terminology. These linguistic traits not only

distinguish the two languages but also highlight their respective cultural priorities: Uzbek

emphasizing collectivism, family, and spirituality, while French focuses on individualism,

nobility, and intellectualism.

1

Reflection of National Mentality and History Through Archaisms : Archaisms serve as

cultural mirrors, reflecting the mentality and historical experiences of a nation. They provide

insights into how societies were structured, what values were prioritized, and how people

interacted with each other and their environment.

Uzbek Archaisms and National Mentality: uzbek archaisms often emphasize respect for

elders, communal living, and spirituality. Terms like "pir" (spiritual leader) and "ustoz" (teacher

or mentor) reflect the importance of guidance and education in Uzbek culture. These words also

reveal a strong connection to Islamic teachings and traditional family values.

2

French Archaisms and National Mentality: french archaisms, on the other hand, frequently

highlight the hierarchical nature of society during the feudal era. Words like "vassal" (feudal

subordinate) and "seigneur" (lord) underscore the societal stratification of medieval France.

Additionally, French archaisms often reflect the nation's revolutionary spirit, as terms tied to

monarchy and feudalism gradually fell out of favor following the French Revolution. By

studying these archaisms, one can trace the evolution of societal values, from Uzbek collectivism

and religious devotion to French individualism and intellectual pursuit.

Comparison of Uzbek and French Archaisms in Culture and History: a comparative analysis

of Uzbek and French archaisms reveals both similarities and differences in how each language

reflects its cultural and historical roots.

Similarities: both languages use archaisms to preserve the memory of past societal

structures and values. Titles of respect, terms for leadership, and words associated with historical

professions are common in both. For example, Uzbek "amir" and French "duc" both denote

rulers, while Uzbek "mehtar" (servant) and French "valet" (servant) highlight social hierarchies.

Differences: the key difference lies in the cultural context these archaisms represent.

Uzbek archaisms are often tied to nomadic traditions, Islamic practices, and Persianate

governance, reflecting the region's geopolitical and religious influences. In contrast, French

archaisms are more rooted in European feudalism, Catholic traditions, and Enlightenment ideas,

showcasing a trajectory from monarchy to republicanism. For instance, Uzbek terms like

"do‘ppido‘z" (skullcap maker) highlight traditional craftsmanship, while French terms like

"écuyer" (squire) emphasize chivalric roles. These differences illustrate how each language's

archaisms preserve unique aspects of their respective cultural identities.

3

1

Baker M. In other words: A course book on translation. - New York: Routledgs, 1992. -P.35.

2

Bynon T. Historical linguistics.- Cambridge: Cambridge University Press, 1977. -P.324.

3

Musayev Q. Tarjima nazariyasi asoslari. -Toshkent: Fan, 2005.-P.114.


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Translation Theory and Archaisms : archaisms hold a unique place in the linguistic and

cultural history of a language. Translating them is a complex task as they are deeply embedded

in the cultural and historical contexts of the source language. Below is a detailed exploration of

the challenges, strategies, and methods used to translate archaisms, with a focus on Uzbek and

French languages. General Challenges in Translating Archaisms: the translation of archaisms

involves several challenges that stem from their nature and function in the source language:

Cultural Embeddedness: archaisms often reflect specific cultural, historical, or social

phenomena unique to the source language. Translating these terms requires a nuanced

understanding of their context. For example, Uzbek terms like amir (a ruler) or pir (spiritual

guide) are tied to Islamic governance and spiritual traditions, which may not have direct parallels

in French.

Lack of Equivalents: many archaisms do not have a one-to-one equivalent in the target

language. For example, the French term seigneur (lord) refers to a specific role in the feudal

system, which might not align precisely with Uzbek historical titles like bek.

Symbolic and Connotative Meanings: archaisms often carry connotations beyond their

literal meanings. For instance, the Uzbek term do‘ppido‘z (skullcap maker) reflects traditional

craftsmanship and cultural identity, which may be lost in a literal translation.

4

Balancing Archaic and Modern Sensibilities: translators must decide whether to preserve

the archaic feel of a term or modernize it for clarity. Striking this balance is crucial for

maintaining the authenticity of the text while ensuring its accessibility to the target audience.

Strategies for Preserving Linguocultural Specificities in Translation. To maintain the

cultural and linguistic nuances of archaisms, translators use various strategies:

Transliteration: retaining the original word from the source language in its native form. This

method is useful when the term has no direct equivalent in the target language but holds

significant cultural value. For example, the Uzbek term qorako‘l (a type of sheep) could be

transliterated into French as qorako‘l.

Cultural Adaptation: adjusting the translation to align with the cultural context of the target

audience. This involves finding an equivalent concept in the target culture. For instance, the

French term chevalier (knight) could be adapted to sarkarda (military leader) in Uzbek to reflect

a comparable social role.

Annotation and Explanation: adding footnotes or parenthetical explanations to provide the

reader with additional context. For example, when translating the French term abbaye (abbey)

into Uzbek, an annotation might explain its religious and architectural significance.

Equivalent Substitution: finding modern or approximate equivalents in the target language

that preserve the original term’s meaning. For example, the French duc (duke) might be

translated into Uzbek as khan to reflect a similar hierarchical status.

Literal Translation with Contextual Notes: in cases where literal translation is necessary,

contextual notes can help clarify the cultural and historical background of the term.

Translation Methods for Archaisms in Uzbek and French. Both Uzbek and French

languages have rich histories that influence their approaches to translating archaisms. Common

methods include:

4

Xojiyev A., Axmedov A. O’zbek tili leksikologiyasi. - Toshkent: Fan, 1981. -42-43p


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Transliteration: this method preserves the original sound and form of the word while

introducing it to the target language. Example: translating bek (Uzbek ruler) as bek in French,

retaining its original form.

Equivalents: this method involves identifying culturally or historically appropriate terms in

the target language. Example: translating French seigneur (lord) as amir in Uzbek.

5

Annotation and Explanation: translators often include footnotes or marginalia to provide

historical or cultural context for the reader. Example: adding a note to explain the cultural

significance of the Uzbek pir (spiritual leader) when translating it into French.

Hybrid Translation: combining transliteration with explanation to strike a balance between

preserving the term’s original form and providing clarity. Example: translating qorako‘l as

qorako‘l (a type of sheep unique to Central Asia) in French .

6

Modernization: updating the term to make it comprehensible to contemporary readers while

maintaining its essence. This approach is often used in literary translations.

Practical Examples of Translation [french to uzbek example and uzbek to french exemple].

Chevalier: In a historical text, this could be transliterated as shevalye, or translated as sarkarda

(military leader) to better match Uzbek cultural concepts.

Pir: In Sufi literature, pir might be transliterated directly as pir in French, with an

explanatory footnote describing its role in Islamic spiritual tradition.

Archaisms are linguistic elements that reflect the historical, cultural, and social dimensions

of a language. Uzbek and French, with their rich histories and cultural depth, contain numerous

archaisms that provide insight into their respective civilizations. Below, we explore a list of

national-cultural archaisms, their translations, the challenges encountered in translation, and the

importance of linguistic and cultural annotations.

List of National-Cultural Archaisms in Uzbek and French.

Uzbek Archaisms:

1. Amir: A feudal ruler or leader.

2. Pir: A spiritual guide or mentor in Sufism.

3. Bek: A noble or a regional ruler.

4. Mehtar: A servant or attendant.

5. Do‘ppido‘z: A skullcap maker, symbolizing traditional craftsmanship.

6. Qorako‘l: A specific breed of sheep associated with Central Asian culture.

French Archaisms:

1. Chevalier: A knight or a mounted soldier in the feudal system.

2. Abbaye: An abbey or a monastery.

3. Seigneur: A feudal lord or noble.

4. Vassal: A person loyal to a lord in exchange for protection or land.

5. Écuyer: A squire, typically an attendant to a knight.

6. Duc: A duke, a high-ranking noble.

These words are embedded in the socio-historical fabric of their respective cultures,

carrying nuances that make them difficult to translate without loss of meaning or context.

Example 1: Translating Uzbek to French.

Bek:

5

Xolmonova Z. Tilshunoslikka kirish. -Toshkent, 2007. -95-96p.

6

Campbell L. Historical linguistics: an introduction. - Edinburgh: Edinburgh University Press,, 1999. -P.248.


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Translation: Seigneur (Lord).

Challenge: The term bek carries specific connotations related to Central Asian feudal

structures.

Solution: Annotate with a note explaining the role of bek in Uzbek history and governance.

Do‘ppido‘z:

Translation: Fabricant de chapeaux traditionnels (Maker of traditional caps).

Challenge: Capturing the cultural significance of traditional Uzbek craftsmanship.

Solution: Provide an annotation explaining the role of skullcaps in Uzbek culture.

Example 2: Translating French to Uzbek.

Chevalier:

Translation: Sarkarda (Military leader).

Challenge: Translating the chivalric and feudal connotations of the term.

Solution: Annotate with a note on the chivalric ideals of medieval Europe.

Abbaye:

Translation: Monastir (Monastery).

Challenge: Conveying the term’s connection to Christian monastic traditions.

Solution: Include an annotation on the cultural and religious role of abbeys in France.

7

To sum up , national-cultural archaisms are an essential part of both Uzbek and French

linguistic landscapes. These terms not only reflect the evolution of each language but also

encapsulate the cultural and historical contexts in which they emerged. Understanding these

archaisms allows for a deeper appreciation of the unique mentalities, traditions, and histories

embedded in the languages. In translation, it is crucial to maintain the cultural and historical

nuances that these archaisms represent, as they play a vital role in preserving the identity and

heritage of a nation. Understanding the linguocultural specificities of Uzbek and French

archaisms provides valuable insights into the historical and cultural evolution of these languages.

Archaisms act as linguistic artifacts, preserving the societal values, beliefs, and practices of their

time. A deeper exploration of these features not only enriches linguistic studies but also fosters

greater cross-cultural understanding and appreciation. In translation, capturing these nuances is

critical for conveying the rich cultural heritage embedded in the language.The translation of

archaisms is not merely a linguistic task but a cultural one. It requires a deep understanding of

both the source and target languages, as well as their respective histories and cultural contexts.

By employing strategies such as transliteration, annotation, and cultural adaptation, translators

can preserve the linguistic and cultural richness of archaisms while making them accessible to

modern audiences. This process not only bridges languages but also fosters a deeper appreciation

of the shared human heritage embedded in linguistic history.The translation of national-cultural

archaisms between Uzbek and French is a complex task that requires a nuanced approach. By

recognizing the cultural and historical roots of these terms and employing techniques like

annotations, translators can preserve the richness and authenticity of the source text. This process

not only ensures accurate translation but also fosters a deeper appreciation of the cultural

heritage embedded within each language.

BIBLIOGRAPH:

7

Rahmonov N., Sodiqov Q. O’zbek tili tarixi . -T.:O’zbekiston faylasuflari milliy nashriyoti, 2009. -P.160.


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1. Baker M. In other words: A course book on translation. - New York: Routledgs, 1992. -P.35.

2. Bynon T. Historical linguistics.- Cambridge: Cambridge University Press, 1977. -P.324.

3. Campbell L. Historical linguistics: an introduction. - Edinburgh: Edinburgh University

Press,, 1999. -P.248.

4. Rahmonov N., Sodiqov Q. O’zbek tili tarixi . -T.:O’zbekiston faylasuflari milliy nashriyoti,

2009. -P.160.

5. Xolmonova Z. Tilshunoslikka kirish. -Toshkent, 2007. -95-96p.

6. Musayev Q. Tarjima nazariyasi asoslari. -Toshkent: Fan, 2005.-P.114.

7. Xojiyev A., Axmedov A. O’zbek tili leksikologiyasi. - Toshkent: Fan, 1981. -42-43p

References

Baker M. In other words: A course book on translation. - New York: Routledgs, 1992. -P.35.

Bynon T. Historical linguistics.- Cambridge: Cambridge University Press, 1977. -P.324.

Campbell L. Historical linguistics: an introduction. - Edinburgh: Edinburgh University Press,, 1999. -P.248.

Rahmonov N., Sodiqov Q. O’zbek tili tarixi . -T.:O’zbekiston faylasuflari milliy nashriyoti, 2009. -P.160.

Xolmonova Z. Tilshunoslikka kirish. -Toshkent, 2007. -95-96p.

Musayev Q. Tarjima nazariyasi asoslari. -Toshkent: Fan, 2005.-P.114.

Xojiyev A., Axmedov A. O’zbek tili leksikologiyasi. - Toshkent: Fan, 1981. -42-43p