Volume 03 Issue 11-2023
245
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
03
ISSUE
11
Pages:
245-248
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
(2023:
6.741
)
OCLC
–
1368736135
A
BSTRACT
In this article, it is mentioned that Alisher Navoi used phytonyms in his works to express his thoughts and
ideas impressively and vividly, and showed the richness and beauty of the Uzbek language. In this process,
it is shown that the great creator created works that are deep in content and artistically beautiful, skillfully
referring to phytonym words.
K
EYWORDS
Phytonyms, artistic style, stylistic features, artistic art, diagnostic art, metaphor.
I
NTRODUCTION
The highest expression of artistry is manifested in
the use of words with a hidden meaning through
artistic arts.
One of the under-examined aspects of the lexicon
of artistic works is the analysis of artistic tools in
a linguistic aspect. In linguistics, such issues as
artistic arts, its creation, the role of speech art in
its formation have not been well studied
linguistically, there are few studies written in
connection with the role of artistic art in the
formation of poetic tools, the language of artistic
works.
Alisher Navoi used poetic arts in his works to
express his thoughts and ideas impressively and
vividly, and showed the richness and beauty of
the Uzbek language. In this process, the great
Journal
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Research Article
METHODICAL FEATURES OF PHYTONYMS IN THE WORKS OF
ALISHER NAVOI
Submission Date:
November 13, 2023,
Accepted Date:
November 18, 2023,
Published Date:
November 23, 2023
Crossref doi:
https://doi.org/10.37547/ijasr-03-11-40
Usmanova Makhfuza Sadikovna
Jizzakh Dpu, Associate Professor, Uzbekistan
Volume 03 Issue 11-2023
246
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
03
ISSUE
11
Pages:
245-248
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
(2023:
6.741
)
OCLC
–
1368736135
creator skillfully applied phytonym words and
created works that are deep in content and
artistically beautiful. The art of using several
other words to express one concept is one of the
important features of Navoi's work, the scholars
of Navoi studies have pointed out. This quality is
also evident in Navoi's use of words to express
plant concepts.
Navoi uses flower names to create a stunning
display of diagnostic art. The flowers in the
garden - roses, narcissus, tulips, violets, sunbulbs
- take pity on the unconscious Qays and "break his
collar" and "shed tears"; share his pain:
He saw himself in the grass,
Cypress flower in jasmine.
To look like a flower,
Gulgun bribed his collar.
Nargis Shabnamdin is out of love,
He is a young man.
Because there is a stain on your chest,
He has a burnt spot on his chest.
Your wound is blue, sorrow is in purple,
He wears a mourning dress.
It's a long time ago.
Open and black zulfi mushborin.
The water running down the river is crying hard,
He was crying.
The tongue that makes itself a vegetable,
You can say it in any language...
In "Layli and Majnun" Navoi created the most
beautiful and beautiful example of the art of
revitalization through flowers.
Sometimes the poet withdraws from his image
and uses a new allusion, then withdraws again
and enriches the new allusion with stronger
expressions. Navoi describes Layli in the epic
"Layli and Majnun" and uses phytonyms such as
sprout, cypress and shamshad:
Nakhliyu ne nakhl, Sarvi is free
Sarviyu, ne sarv, rashki shamshad (MAT,LM,64).
At first, Laili is likened to a sapling, then it is
compared to a cypress tree, and then it seems to
turn back, and it is emphasized that the cypress
tree is not an ordinary one, but a cypress tree that
makes Shamshod jealous.
It is known that metaphors are composed of
simple (one word) or complex (combined)
metaphors according to their structure. Navoi's
skill is that he used both types of metaphor
effectively and appropriately in his ghazals:
I will pour tulips over the saffron
Tulips don't bloom, pargolas are forgiving. (MAT,
G'S, 138)
In this stanza, the word "saffron" meaning "yellow
face" is a simple metaphor, and the expression
"tokarmen tulips" meaning "bloody youth pour
out" is a complex metaphor.
Volume 03 Issue 11-2023
247
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
03
ISSUE
11
Pages:
245-248
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
(2023:
6.741
)
OCLC
–
1368736135
1.
In Alisher Navoi's works, there are 63 words
made using the word flower. 8 of them are
simple artificial words formed by additions,
and 55 are compound words. The main part of
compound words (including components)
belong to the Persian language.
2.
Plant names (in this case, the names of flowers
and vegetable crops) are of the following
types: root, simple compound, compound
word and word combination (mostly Turkish,
Persian suffixed combination) according to
their structure, and according to their use,
they have primary (terminological) meaning
and portable (general consumption) meaning.
3.
In Navoi's works, the following words were
formed by word-forming suffixes and new
words based on words: arguvongun, arguvani,
arguvonrez, arguvonkhad, lolazor, nasrinfom,
nilufargun, savsani, sumanbo'(y), sunbuliston,
rummani,
bogbon,
afyuniy,
sabzalig',
kamishlig', nayistan, shorazor, zafarani,
khoristanini, khorbast, khorpusht.
4.
There are many words based on cypress and
sandalwood plants: sarvbun, sarvboyluq,
sarvsifat, sarvqad, sarvqadliq, sarvkomat,
sandaloso/sandalso,
sandalbu/sandalboy,
sandali, sandalgun, sandalnasim, sandaloyin,
sandalposh, sandalfom.
5.
Alisher Navoi used poetic arts in his works,
expressed
his
thoughts
and
ideas
impressively and vividly, and created deep
and artistically beautiful stanzas through
phytonym words. The phytonyms in the
poet's works - fruit, pomegranate, flower,
savsani, hyacinth, cypress, orange, violet,
narcissus, tulip, shamrock, wheat, barley -
served as an important lexical tool in the
creation of poetic arts such as simile, tashbeh,
diagnos, allusion, tajnis, proverbial parable.
6.
Names of fruitless trees have the meaning of
"tree" and its "div" (wood) as a term, they do
not have the meaning of "fruit". In general
usage, it can have different meanings. In
Navoi's works, it is common to use the shape,
color, smell, and other signs of fruitless trees
to convey meaning, simile, and describe them
as an artistic tool.
R
EFERENCES
1.
National Encyclopedia of Uzbekistan. Volume
10. - Tashkent: State Scientific Publishing
House of the National Encyclopedia of
Uzbekistan, 2005, 536-b
2.
Kasimov A.I. Nabiev M.M. A short dictionary
from botany. - Tashkent: Teacher, 1990; Well,
Monov T. Explanatory dictionary of Polysism
terms. - Tashkent, 1990
3.
Isankulov Yu. To the history of the uninvited
fruits of Uzbek writing. - Tashkent, 1985.
4.
Begmatov E. Lexical layers of the Uzbek
literary language. - Tashkent: Science, 1985,
Art. 9
5.
Usmanova, M. (2013). General description of
the name of the plant in the works of Alisher
Navoi. AND STUDIES (8).
6.
Usmanova, M. (2021). Lexical and semantic
properties of phytonyms in properties of
phytonyms in the works of Alisher Navoi.
Mental
Enlightenment
Scientific-
Methodological Journal.
Volume 03 Issue 11-2023
248
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
03
ISSUE
11
Pages:
245-248
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
(2023:
6.741
)
OCLC
–
1368736135
7.
Usmanova, M. (2023). GENETIC STUDY OF
ALISHER
NAVOISK
WORKS.
Finland
International Scientific Journal of Education,
Social Science & Humanities, 11 (4), 2348-
2351.
8.
Usmanova, M. (2021). WORDS AND THEIR
LEXICO-SEMANTIC
WORDS
IN
TREE
ENVIRONMENT
USED
IN
ALISHER
LANGUAGE
9.
Alisher Navoi: 4 volumes. - Tashkent: Science,
1983-1985. T. I - 782 T. II - 642. T. III - 622. T.
IV - 636.
