Volume 03 Issue 04-2023
48
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
03
ISSUE
04
P
AGES
:
48-53
SJIF
I
MPACT
FACTOR
(2022:
5.
445
)
(2023:
6.
555
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
In this article, the issues of renewal of the poetic image in the works of Tolagan Khojamyorov Tavallo are highlighted.
Tavallo's unique approach to existing images, his ability to create images, and his talent for poetic arts are analyzed.
Analysis of the poet's place in modern literature is presented.
KEYWORDS
Jadid literature, poetic image, image renewal, aesthetic thinking, praise, prayer.
INTRODUCTION
One of the primary tasks of literature is to give strength
to the soul with the help of words. Although the
representatives of the literature of the Jadid era turned
literature into a tool for awakening society more than
a tool for aesthetic thinking, these cries and calls
encouraged a person to live in conditions worthy of his
thinking, to be higher than himself. they looked. This
trend in Uzbek poetry at the beginning of the 20th
century was typical of the work of Tolagan
Khojamyorov Tavallo.
It is known that any creator can express his artistic
potential and poetic skills through literary and
aesthetic thinking. That is, it is not a secret to anyone
Research Article
FACTORS OF RENEWAL OF THE POETIC IMAGE IN TAVALLO'S CREATION
Submission Date:
April 20, 2023,
Accepted Date:
April 25, 2023,
Published Date:
April 30, 2023
Crossref doi:
https://doi.org/10.37547/ajps/Volume03Issue04-08
Rakhmonova Dildora Mirzakarimovna
Senior Lecturer Of Tashkent State University Of Uzbek Language And Literature Named After Alisher Navoi,
Uzbekistan
Firuza Kayumova
Associate Professor, Department Of "Tajik Classical Literature", Candidate Of Philology, Khujand State
University Named After Academician B. Gofurov, Republic Of Tajikistan
Journal
Website:
https://theusajournals.
com/index.php/ajps
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 03 Issue 04-2023
49
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
03
ISSUE
04
P
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:
48-53
SJIF
I
MPACT
FACTOR
(2022:
5.
445
)
(2023:
6.
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)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
that artistry requires aesthetic thinking, and literary
aesthetic views require poetic originality. Literary-
aesthetic thinking is the main factor determining the
creative position of the artist.
While paying attention to the phenomenon of poetic
image renewal in Tavallo's work, we will evaluate the
author's approach to ancient themes in Eastern
literature, and analyze the issue of his renewed
aesthetic ideals. Tavallo's literary and aesthetic views
differed not only from those of our classical artists, but
also from those of his contemporaries. It was, of
course, a product of the literary traditions of the
modern period, a renewed literary thought.
METHODS
By this time, aesthetic dimensions in literature have
changed. The reason is that the task of literature began
to purify the human heart, influence it, and respond to
social problems. Literary scholar A. Davlatova said, "If
a work of art is limited only to the depiction of social
events, it naturally undermines its artistry. However,
the imposition of such demands on the literature of the
beginning of the 20th century is justified from the point
of view of the improvement of social life. Therefore,
literary studies also took into account this aspect of the
works" [1; 17]. In his works, Tavallo also dealt with
social issues, social development, pursuit of
knowledge, women's rights, theater, school, and
publishing issues in his own way. This uniqueness
created a different approach to the existing images, a
different aesthetic effect. Let's analyze this approach
on the example of the image of the Creator in his
poems.
In 1936, Fitrat commented on the ideas of Jadid
literature and the form of poetic expression: "The first
period of Jadidism in our country marched under the
banner of Pan-Islamism. The writing of Jadid literature
with Aruz weight corresponds to this period. Gradually,
Pan-Islamism, Pan-Turkism, and Uzbek nationalism will
be separated from each other in certain ways of
behavior," he wrote [2; 9].
The following opinion of B. Kasimov about the nature
of the poetry of the period is noteworthy: "The new
poetry formed in the first twenty years of our century
(referring to the 20th century - D.R.) lived side by side
with the traditional religious-mystical poetry" [3; 116].
RESULTS
Tavallo's work also fits these definitions. At first, he
created in the traditional Aruz weight. But the themes
and style he chose were original. Hamid Olimjon, who
analyzed the literature of the Jadid era based on the
criteria of literary studies, notes: "In general, Tavallo
was indistinguishable from other Jadid poets in terms
of direction. What set him apart from the rest was
Tavallo's originality in style. At first, Tavallo wrote
about concrete events rather than abstract subjects.
He was able to hold on to the crooked places of the old
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Publisher:
Oscar Publishing Services
Servi
life and rise to a high degree of artistry in depicting it.
Tavallo's language was simple, lively, very close to the
language of the people... That's why his poems could
and did easily reach the people" [4; 148].
If we pay attention, when the samples of creativity are
presented to the people, the supplication to the
Creator takes the main place in his works. That is, he
addresses himself as "Rab", "Xudoyo", "Qodiru Hayyu
Gafur", searches for ways to enlighten his nation, and
prays. In his poetry, the attributes of constant praise
and supplication to God are prominent. Such units of
appeal to Allah are used 62 times in the collection
"Ravnaq ul-Islam", which includes 69 poems.
This shows that religious motives are not alien to the
essence of his works. As N. Jabborov pointed out,
"Prayer is a plea to the Creator of a person who is
aware of his essence. A confession that is not said in
the presence of anyone but him" [5; 129], intellectuals
like Tavallo, who are aware of the true state of the
nation, begged the Creator for knowledge and
enlightenment.
DISCUSSION
In terms of the same theme, the poets who created at
the beginning of the 20th century seem to repeat each
other. Abdulla Qadiri, describing the state of the
nation:
Ko‘r bizing ahvolimiz, g‘aflatda qanday yotamiz,
Joyi kelgan chog‘ida vijdonni pulga sotamiz.
(See how blind we are, how we lie in ignorance,
We sell our conscience for money when it's time).
Abdulla Awlani said:
Yotursan tobakay g‘aflat quchog‘inda, uyon millat
Jaholat jomasin ustingdan irg‘it tur, zamon millat.
(You are sleeping in the lap of ignorance, wake up
nation
Don't be ignorant, get over yourself, nation of time.)
urges to act.
However, the product of Tavallo's creative thinking
was different from that of his contemporaries and
from the praise of classical poetry. It is known that in
classical poetry praise ghazals are conditionally divided
into two types: tawhid and munojot praise. Tavallo
makes good use of both of them in his work. But he is
more worried about the state of the nation than his
own situation. Perhaps this situation is related to his
faith, never forgetting the remembrance of Allah, and
his love for the Truth and the nation of which he is a
nation.
In the traditional prayers of our classical literature, the
emphasis is more on the weakness and sinfulness of
the servant, while in Tawallo, more attention is paid to
the pitiful state of the nation, to beg God to reform this
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VOLUME
03
ISSUE
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SJIF
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Publisher:
Oscar Publishing Services
Servi
state. We turn to the prayers of Hazrat Navoi to justify
and compare the extent to which the essence has
become different:
Qodiro, ul zaifi osiymen,
Ki boshimdin-ayoq maosiymen [6; 15].
Almighty, I am weak,
That I'm a Maasai from head to toe [7; 15].
That is, the lyrical hero turns to God and describes his
situation like this: "O mighty one! I am such a weak
sinner that I am covered in rebellion (sin) from my head
to my feet. He is asking Khaliq to repent of his sins and
thereby attain "thanks to God":
Yo Rab, agar yetsam o‘shul kunga jazm,
Yoki burun aylasam ul yong‘a azm,
Ul nafas imon manga hamroh qil,
Ko‘nglum aro maxvi sivalloh qil.
Rahmati omingni nisor et manga,
Lutfi amiyming manga yor et manga [8; 15].
(O Lord, if I do, I will wait for that day,
Or if I turn my nose, I will eat walnuts,
That breath of faith accompany me,
Please bless my heart.
Thank you very much,
Lutfi amymin, enlighten me) [8; 15].
In Tawallah, the meaning of prayers is more different:
he sees more in asking for a cure for the pain of the
nation, in reaching the enlightenment of God's mercy:
Egub dargohingga boshlar bugun yolboramiz, yo rab,
Oquzub qon ila yoshlar, tilarmiz choramiz, yo rab.
Hamma millat o‘qub turluk fununlar hosil etganda,
Bulardan ibrat olmay biz qayonga boramiz, yo rab.
Jahonda jumla inson ilm qayg‘usi ila bo‘lsa,
Hamon to‘y
-
ma’raka deb nafs ila ovoramiz, yo rab...
Tarahhum qil, Tavallo ayladuk mahrum edub qo‘yma,
Habibing ummatimiz, bandamiz, bechoramiz, yo rab
[8; 26].
(Today, we beg you, my dear,
Young people with flowing blood,
we will cross our tongues, dear Lord.
When all the nations produce different kinds of fununs,
Where will we go without learning from them, Lord?
If the world is full of human knowledge,
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American Journal Of Philological Sciences
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2771-2273)
VOLUME
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SJIF
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OCLC
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Publisher:
Oscar Publishing Services
Servi
We are still lusting after the wedding ceremony, oh
Lord...
Take care, don't lose Tavallo,
Habib is our ummah, our servant, our poor man, Lord)
[8; 26].
CONCLUSIONS
From these arguments, we understand that for Tavallo,
retreating from the sorrow of knowledge is the main
reason for the decline of the nation. Who is the nation?
A people who are the ummah of Allah's beloved. If he
is heedless, every servant's life will be spent in slumber.
A person who is lazy does not know God, nor does he
seek His pleasure. That's why Tavallo is praying for the
whole nation. This plea is evident both in content and
expression. In classical poetry, praise is mainly
expressed by the first person singular participle, while
in contemporary literature, "I" has changed to "we",
and the adjectives such as "begging", "loving", "poor"
have become commonplace. Since the sufferings are
characteristic of all compatriots and not of a single
person, it was shown to express the goal in the form of
plural.
Even when describing problems related to the life of
the nation, it sees the solution in the will of God,
therefore, in many cases, the praise of the ghazal is
expressed in the context of a prayer to God. It is
appropriate to explain this situation by the fact that
Islam is one of the most sacred concepts for the Jadids
as well as for the majority of Turan people.
He believes that every situation is from the power of
God and sees the solution in Him. In particular, in the
"Blessed history written by Mr. Ubaidullahoja
Asadullahojaev published in Tashkent for the
newspaper "Sadoyi Turkistan"" he describes the
newspaper as the grace of God [9; 24].
In fact, in Turkestan at the beginning of the 20th
century, there was no better tool for the development
of science, knowledge of the world, and understanding
of world events than newspapers and magazines.
It is often observed that such traditional images have
acquired new poetic features in the poet's poetry.
Almost all of these images are artistically perfect. They
are characterized by the position of responsibility for
the development of the Motherland and the nation.
The most active images in the artist's poetry can be
classified as follows: 1) the image of the Motherland
and the nation; 2) image of enlightened and ignorant
contemporaries; 3) The image of European people.
Each image has its own characteristics based on the
poet's artistic intention. These images express the
concept of the poet's creativity, the literary-aesthetic
ideal is perfectly poetically interpreted and are unique
in our national poetry.
REFERENCES
Volume 03 Issue 04-2023
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American Journal Of Philological Sciences
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2771-2273)
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ISSUE
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48-53
SJIF
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445
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(2023:
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)
OCLC
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1121105677
Publisher:
Oscar Publishing Services
Servi
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