Авторы

  • Sevara Jumayeva
    Teacher of the National Institute of Fine Arts and Design named after Kamoliddin Bekhzod

DOI:

https://doi.org/10.71337/inlibrary.uz.arims.49924

Ключевые слова:

specific difficulties vocabulary gap utilize artwork teaching method.

Аннотация

This article discusses the specific difficulties that art students encounter while studying English as a second language. It suggests a creative teaching method that utilizes their visual talents and artistic sensibilities. It examines the specific issues faced, analyzes the root causes, and suggests practical solutions to improve their language-learning journey.


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ACADEMIC RESEARCH IN MODERN SCIENCE

International scientific-online conference

47

DEVELOPMENT OF A CREATIVE APPROACH WHEN TEACHING

ENGLISH LANGUAGE TO ART STUDENTS.

Jumayeva Sevara Dusmuratovna

Teacher of the National Institute of Fine Arts and Design

named after Kamoliddin Bekhzod

https://doi.org/10.5281/zenodo.13827397

Abstract:

This article discusses the specific difficulties that art students

encounter while studying English as a second language. It suggests a creative
teaching method that utilizes their visual talents and artistic sensibilities. It
examines the specific issues faced, analyzes the root causes, and suggests
practical solutions to improve their language-learning journey.

Keywords:

specific difficulties, vocabulary gap, utilize artwork, teaching

method.

Introduction

: The art world is by nature international, surpassing

language barriers. For art students who are learning English as a second
language, understanding the intricacies of the language in the art field can be
difficult. While their artistic skills flour anal is, the root question in English may
lag behind, hindering their ability to communicate their creative vision
effectively. This article examines the distinctive challenges of teaching English to
art students and suggests an innovative method that utilizes their artistic
abilities to maximize their capabilities.

Problems:

Vocabulary Gap: Art students frequently come across

specialized terminology related to various art genres, techniques, and
movements, making it challenging to understand and utilize. Lack of Contextual
Understanding. The fear of mispronunciation or grammatical errors can lead to
reluctance in verbalizing artistic ideas and engaging in discussions.

To address these problems, educators can employ an innovative method

that integrates English learning with art education:

1. Visual Language Learning:
2. Art-Based Storytelling: Utilize artwork to inspire storytelling and

creative writing activities, prompting students to delve into narratives,
symbolism, and emotional expression through language.

3. Visual Dictionary Development: Develop interactive visual dictionaries

that explain art terms using images, examples, and real-life contexts.

4. Art History through Language: Merge art history conversations into

language classes, examining artistic movements, important figures, and relevant
vocabulary.


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ACADEMIC RESEARCH IN MODERN SCIENCE

International scientific-online conference

48

These problems stem from the disconnect between the dominant visual

mode of communication in art and the primarily verbal nature of language
learning. This disconnect can result in Limited Communication. Art students may
struggle to articulate their artistic intentions and engage meaningfully in art
critiques and discussions.

Solution:

To bridge this gap, educators can adopt a creative approach that

weaves English learning into the very fabric of art education. Engaging with Art
Discourse: Art Critiques and Discussions, Facilitate structured art critiques that
focus on developing analytical and descriptive language skills.

Guest Artists and Experts: Invite professional artists and art critics to lead

discussions, providing authentic exposure to the language of the art world.

Art Blog Writing: Encourage students to write blog posts or art reviews,

developing their ability to articulate their thoughts and opinions in written
English.

Conclusion:

ironmen that integrates art and language, educators can

empower art students to overcome linguistic barriers and unlock their full
artistic potential. This approach not only enhances their English proficiency but
also enriches their understanding of art and its cultural significance. By
leveraging their visual strengths and nurturing their love for art, we can help art
students express themselves powerfully and confidently in the language of the
world..

References:

1.

McMillan, B. A., & Rivers, D. J. (2011). The practice of policy: Teachers

attitudes toward “English only”. System, (39), 251-263. Morahan, M. (2007).
2.

L1 Use in EFL Classes with English-only Policy: Insights from

Triangulated Data. CEPS JournalVol.5 (2), 162- 175
3.

Salah, N. M. H. & Farrah, M. A. H. (2012). Examining the Use of Arabic in

English Classes at the Primary Stage in Hebron Government Schools, Palestine:
Teachers’ Perspectives. Arab World English Journal 3(2): 400- 436.
4.

Shabir, M. (2017). Student-teachers’ beliefs on the use of L1 in EFL

classroom: A global perspective. English Language Teaching.Vol 10(4).45-52.
Sharma, B. K. (2006).
5.

Mother tongue use in English classroom.Journal of NELTA 11(1), 80-87.

Schweers, W. (1999).
6.

Creative in the E and D (Technical report N30) (1978).

7.

Нафиева А.Г. Креативная компетентность педагога: теоретический

аспект. [Электронный ресурс] //


background image

ACADEMIC RESEARCH IN MODERN SCIENCE

International scientific-online conference

49

8.

Молодежь и наука: реальность и будущее: Материалы III

Международной научнопрактической конференции. – Невинномысск:
НИЭУП, 2010. Том I: Культурология. Педагогика. – C. 315.
9.

Соловьева О.В., Халилова Л.А. Креативность в структуре

педагогического мышления будущих преподавателей высшей школы.
[Электронный ресурс]
10.

Прикладная психология и психоанализ: электронный научный

журнал. 2010. №2. URL: http://ppip.idnk.ru
11.

Шумовская А.Г. Командная работа как условие формирования

креативной компетентности будущего педагога. Magister Dixit:
электронный научнопедагогический журнал Восточной Сибири. – 2011,
№1. URL: http://md.islu.ru/sites/md.islu.ru/ fi les/rar/nafi evaag.pdf

Библиографические ссылки

McMillan, B. A., & Rivers, D. J. (2011). The practice of policy: Teachers attitudes toward “English only”. System, (39), 251-263. Morahan, M. (2007).

L1 Use in EFL Classes with English-only Policy: Insights from Triangulated Data. CEPS JournalVol.5 (2), 162- 175

Salah, N. M. H. & Farrah, M. A. H. (2012). Examining the Use of Arabic in English Classes at the Primary Stage in Hebron Government Schools, Palestine: Teachers’ Perspectives. Arab World English Journal 3(2): 400- 436.

Shabir, M. (2017). Student-teachers’ beliefs on the use of L1 in EFL classroom: A global perspective. English Language Teaching.Vol 10(4).45-52. Sharma, B. K. (2006).

Mother tongue use in English classroom.Journal of NELTA 11(1), 80-87. Schweers, W. (1999).

Creative in the E and D (Technical report N30) (1978).

Нафиева А.Г. Креативная компетентность педагога: теоретический аспект. [Электронный ресурс] //

Молодежь и наука: реальность и будущее: Материалы III Международной научнопрактической конференции. – Невинномысск: НИЭУП, 2010. Том I: Культурология. Педагогика. – C. 315.

Соловьева О.В., Халилова Л.А. Креативность в структуре педагогического мышления будущих преподавателей высшей школы. [Электронный ресурс]

Прикладная психология и психоанализ: электронный научный журнал. 2010. №2. URL: http://ppip.idnk.ru

Шумовская А.Г. Командная работа как условие формирования креативной компетентности будущего педагога. Magister Dixit: электронный научнопедагогический журнал Восточной Сибири. – 2011, №1. URL: http://md.islu.ru/sites/md.islu.ru/ fi les/rar/nafi evaag.pdf