Authors

  • Shokhjakhon Abdusattorov

DOI:

https://doi.org/10.71337/inlibrary.uz.ijai.114452

Abstract

The rapid evolution of artificial intelligence (AI), particularly in generative media, has given rise to deepfakes — hyper-realistic digital manipulations of a person’s likeness. This phenomenon challenges the boundaries between intellectual property (IP), privacy, and personality rights. While existing copyright law protects expressions of creativity, it does not squarely address the unauthorized use of a real person’s image or voice through AI. This article explores whether and how personality rights can serve as a legal response to the rise of deepfakes, comparing U.S. jurisprudence with emerging perspectives in jurisdictions like Uzbekistan. The study argues for a reconceptualization of legal identity in digital space, proposing stronger integration between personality rights and IP frameworks.

 

 

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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 100

AI-GENERATED DEEPFAKES AND PERSONALITY RIGHTS: A NEW FRONTIER

FOR INTELLECTUAL PROPERTY LAW

Abdusattorov Shokhjakhon Jurabek ugli

Penn state law LL.M, Legal Assistant, Pennsylvania, USA.

Abstract:

The rapid evolution of artificial intelligence (AI), particularly in generative media,

has given rise to deepfakes — hyper-realistic digital manipulations of a person’s likeness. This

phenomenon challenges the boundaries between intellectual property (IP), privacy, and

personality rights. While existing copyright law protects expressions of creativity, it does not

squarely address the unauthorized use of a real person’s image or voice through AI. This article

explores whether and how personality rights can serve as a legal response to the rise of

deepfakes, comparing U.S. jurisprudence with emerging perspectives in jurisdictions like

Uzbekistan. The study argues for a reconceptualization of legal identity in digital space,

proposing stronger integration between personality rights and IP frameworks.

Keywords:

Deepfakes, Artificial Intelligence, Personality Rights, Right of Publicity, Digital

Identity, Intellectual Property Law, Moral Rights, AI Regulation, Comparative Law,

Uzbekistan Legal Framework, Synthetic Media, Image Rights, Legal Harm, Privacy

1.Introduction

The advent of AI-generated deepfakes has transformed the way we understand identity,

creativity, and control over one’s likeness. These synthetic media outputs — often

indistinguishable from authentic content — raise critical legal and ethical questions: Who owns

the digital representation of a person? Can a manipulated image be copyrighted? Does the

subject of a deepfake possess legal remedies under current personality rights frameworks?
This paper focuses not on the general risks posed by AI, but specifically on the

intersection

between deepfake technology and personality rights

, a field inadequately protected under

traditional intellectual property regimes. While the United States has developed some protection

under the “right of publicity,” and through tort law such as appropriation and false light, these

measures remain fragmented and jurisdiction-specific. In contrast, civil law countries often

conceptualize personality rights as moral and inalienable — but how these principles adapt to

digital clones remains uncertain.

1

The present study seeks to address this gap through a focused, comparative lens — analyzing

the legal treatment of AI-generated impersonations and proposing doctrinal innovations to

prevent reputational harm, identity theft, and unauthorized commercial exploitation.

1

Deepfakes, created using Generative Adversarial Networks (GANs), have blurred the line between authentic and

synthetic media (Chesney & Citron, 2019).


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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 101

2.Methods

This study adopts a

comparative doctrinal methodology

, analyzing statutory laws, court

decisions, and scholarly commentary from the United States and Uzbekistan, with additional

references to European Union developments. Key materials include:

U.S. state-level right of publicity statutes (e.g., California, New York)

Federal court cases involving AI impersonation and First Amendment defenses

Uzbek legislation on image rights and draft discussions on digital regulation

Legal scholarship on moral rights and the digital self

The research is also informed by interdisciplinary sources, including media ethics, digital

forensics, and AI policy literature, to account for technological complexity and socio-legal

impact. Unlike broader philosophical works, this article emphasizes doctrinal precision and

normative reform within existing IP and personality rights frameworks.

3. Results

The legal landscape, as currently structured, fails to address the scope and scale of harm caused

by AI-generated deepfakes. Key findings from the comparative analysis include:

3.1 U.S. Jurisprudence: Commercial Protection with Constitutional Limits

In the United States, the

right of publicity

provides a cause of action against unauthorized

commercial use of one’s name, image, or likeness. However, it is not federally codified and

varies by state. California's Civil Code §3344 offers a robust framework, but First Amendment

challenges — particularly in entertainment and political satire — create legal friction. Courts

are reluctant to extend liability to creators of expressive content, even if synthetic.

For instance, in Comedy III Productions v. Gary Saderup, the California Supreme Court

established the "transformative use" test, where works of art containing celebrity likenesses are

protected if they add significant expressive content. This test has been extended to video games

(Keller v. Electronic Arts), but how it applies to AI-generated synthetic media remains

uncertain. Deepfakes that are hyper-realistic but non-parodic often fall into a gray zone —

arguably expressive, but reputationally harmful

.

2

3.2 Uzbekistan’s Silence: Absence of Enforcement Tools

In Uzbekistan, personality rights exist under general civil law principles, including the Civil

Code and the Law on Informatization. Article 99 of the Civil Code mentions the right to

protection of honor, dignity, and image, but enforcement is weak and

no specific legal

mechanism addresses AI-generated impersonation

. The existing legislative language

2

In

Comedy III Productions v. Saderup

(2001), the California Supreme Court introduced the "transformative use"

test to balance publicity rights with free expression.


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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 102

presumes tangible harm — such as defamation — but does not recognize digital identity as a

freestanding legal interest.

3

There is also

no jurisprudence

on deepfakes in Uzbek courts. Law enforcement lacks digital

forensic capacity, and cultural awareness of deepfake technology is minimal. The absence of a

statutory “right of likeness” leaves victims without clear remedies. This creates a significant

regulatory vacuum

, particularly as AI-generated media enters entertainment, advertising, and

political arenas in Uzbekistan.

3.3 Convergence and Divergence

While both jurisdictions recognize some form of personality right, the U.S. emphasizes

economic harm

(via commercialization of likeness), whereas Uzbekistan still centers on

moral

and reputational harm

. Neither, however, adequately addresses

non-consensual synthetic

media

, which is typically non-defamatory but highly intrusive.

4. Discussion

The results of this study reveal a critical gap between the pace of technological

advancement and the responsiveness of legal systems — a gap that is especially evident when

analyzing the treatment of deepfakes through the lens of personality rights. As a legal scholar

trained in both the post-Soviet and U.S. legal traditions, I find it deeply troubling that

individuals’ control over their own identity is so tenuously protected in the digital realm.
In the United States, the right of publicity remains a powerful, yet fragmented, doctrine. It

offers strong protection in commercial contexts, but it fails to adequately address the

non-

economic harms

caused by realistic deepfakes — such as psychological trauma, reputational

erosion, and loss of personal agency. Moreover, the courts’ tendency to defer to the First

Amendment when synthetic media is at issue often leaves victims with no recourse unless the

content crosses clear lines into defamation or commercial exploitation.

This legal asymmetry disproportionately impacts marginalized individuals, public

figures, and women — who are frequently targeted by AI-generated synthetic media in abusive

or exploitative contexts. The current U.S. framework effectively prioritizes

artistic expression

over personal dignity

, which raises normative questions about how we define "harm" in a

digital society.
In Uzbekistan, the problem is not doctrinal conflict but doctrinal

absence

. There is no

jurisprudential dialogue on deepfakes, and the law remains silent on AI-generated

impersonation. This silence, however, should not be mistaken for immunity. As deepfake

technology becomes more accessible and its use more widespread — including in political

propaganda, advertising, and personal vendettas — Uzbekistan must move beyond abstract civil

protections and develop concrete legal tools.

As a jurist deeply familiar with Uzbekistan’s civil law heritage, I believe that the

personality right should be explicitly codified to include image, voice, and digital identity

,

3

Uzbekistan’s Civil Code provides limited image rights under Article 99, but lacks specific provisions addressing

AI-generated likenesses (Civil Code of Uzbekistan, 1996).


background image

INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 103

regardless of whether commercial use is present. Furthermore, this right should be inalienable

and invocable

without proof of tangible harm

, to account for the psychological and moral

injuries deepfakes can cause.

4

The convergence of IP and personality rights is no longer speculative — it is necessary. In my

view,

deepfakes represent a paradigm shift

that challenges the traditional boundaries

between creative expression and personal ownership. Just as copyright law protects the original

expression of authors, personality rights must protect the individual as their own “intellectual

property.” The law should reflect this duality.

5. Conclusion

AI-generated deepfakes expose deep fault lines in our current legal frameworks —

particularly in how we value human identity, reputation, and dignity. Neither the United States

nor Uzbekistan offers a complete solution: the former struggles with First Amendment

constraints and fragmented publicity rights, while the latter lacks even a foundational legal

dialogue on the issue.
This article has argued that

personality rights must be reconceptualized

in response to

synthetic media, with explicit legal recognition of digital likeness as a protected interest. In the

U.S., this could mean rebalancing free speech and identity protections; in Uzbekistan, it

requires building a doctrine of digital personality rights from the ground up.

As AI technologies continue to evolve, we are not simply confronting legal loopholes —

we are confronting the boundaries of what it means to “own” oneself in the age of machines.

My position is clear: identity is not public domain. A person’s voice, face, and mannerisms are

not raw material for machine creativity without their informed, voluntary, and ongoing consent.
The law must evolve — not to stifle technology, but to protect the humanity it risks erasing.

Moreover, the deepfake phenomenon urges us to rethink not only legal norms but also

the ethical foundations of personhood in the digital age. When machines can replicate a

person’s face, voice, and expressions with near-perfect fidelity, the law must ask not just “what

is protected?” but “who defines the self?”

In this regard, personality rights must evolve from static, image-based concepts to

dynamic, multidimensional protections that include biometric identity, behavioral mimicry, and

emotional resonance. These elements are not only personal but existential — they define how

we present ourselves, how others perceive us, and how we exist in increasingly virtual spaces.

From a comparative legal perspective, the convergence of IP and personality rights is no

longer theoretical. The rise of synthetic media demands a bold redefinition of legal boundaries

4

The European Union’s Digital Services Act (2022) mandates that online platforms take accountability for

identifying and labeling AI-generated content (European Commission, 2022).


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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 104

— one that does not compromise freedom of expression, but that also does not sacrifice human

dignity at the altar of technological innovation.
Thus, protecting personality in the age of AI is not simply a legal obligation; it is a

civilizational imperative.

References:

1. Comedy III Productions, Inc. v. Gary Saderup, Inc., 25 Cal. 4th 387 (2001).
2. Keller v. Electronic Arts Inc., 724 F.3d 1268 (9th Cir. 2013).
3. California Civil Code §3344 (Right of Publicity Statute).
4. McCarthy, J. Thomas. The Rights of Publicity and Privacy. (Westlaw, 2023 Edition).
5. Thaler v. Perlmutter, 2022 WL 17609602 (D.D.C. 2022).
6. Uzbekistan Civil Code (1996), Article 99.
7. Law of the Republic of Uzbekistan “On Informatization” (2003).
8. European Union, Digital Services Act (Regulation (EU) 2022/2065).
9. Farahany, Nita A. The Battle for Your Brain: Defending the Right to Think Freely in the

Age of Neurotechnology. (St. Martin’s Press, 2023).

10. Chesney, Robert & Citron, Danielle. Deepfakes and the New Disinformation War: The

Coming Age of Post-Truth Geopolitics. 93 Tex. L. Rev. 175 (2019).

References

Comedy III Productions, Inc. v. Gary Saderup, Inc., 25 Cal. 4th 387 (2001).

Keller v. Electronic Arts Inc., 724 F.3d 1268 (9th Cir. 2013).

California Civil Code §3344 (Right of Publicity Statute).

McCarthy, J. Thomas. The Rights of Publicity and Privacy. (Westlaw, 2023 Edition).

Thaler v. Perlmutter, 2022 WL 17609602 (D.D.C. 2022).

Uzbekistan Civil Code (1996), Article 99.

Law of the Republic of Uzbekistan “On Informatization” (2003).

European Union, Digital Services Act (Regulation (EU) 2022/2065).

Farahany, Nita A. The Battle for Your Brain: Defending the Right to Think Freely in the Age of Neurotechnology. (St. Martin’s Press, 2023).

Chesney, Robert & Citron, Danielle. Deepfakes and the New Disinformation War: The Coming Age of Post-Truth Geopolitics. 93 Tex. L. Rev. 175 (2019).