Authors

  • Sevinchoy Qodirova
    Urgench Ranch Technological University

DOI:

https://doi.org/10.71337/inlibrary.uz.ijai.122132

Abstract

This scientific article provides a comparative analysis of the universal ideas of humanity expressed in the works of Alisher Navoi's "Khamsa" and Dante Alighieri's "Divine Comedy" - such themes as spiritual quest, justice, love, and the pursuit of divine truth. The study examines the artistic style, symbolism, and philosophical views in the works of these two great representatives of Eastern and Western cultures, as well as their significance for modern humanity

 

 

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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 2025

NAVAI AND DANTE: IDEALS OF HUMANITY IN "KHAMSA" AND "DIVINE COMEDY"

Qodirova Sevinchoy Azim qizi

Urgench Ranch Technological University

Annotation:

This scientific article provides a comparative analysis of the universal ideas of

humanity expressed in the works of Alisher Navoi's "Khamsa" and Dante Alighieri's "Divine

Comedy" - such themes as spiritual quest, justice, love, and the pursuit of divine truth. The

study examines the artistic style, symbolism, and philosophical views in the works of these two

great representatives of Eastern and Western cultures, as well as their significance for modern

humanity

Keywords:

Alisher Navoi, Dante Alighieri, "Khamsa", "Divine Comedy", Comparative

Literature, Sufism and Divine Love, Spiritual Perfection, Hell, Purgatory, Paradise

In literary studies, the interaction and comparative studies of Eastern and Western cultures are

of great importance. In this regard, the analysis of universal human values ​ ​ in the works of

Alisher Navoi (1441-1501), a prominent figure in 15th-century Turkish literature, and Dante

Alighieri (1265-1321), a great representative of 14th-century Italian literature, is of particular

importance. Both thinkers created the greatest artistic and philosophical legacies of their time,

and Navoi's "Khamsa" and Dante's "Divine Comedy" emdiv such eternal themes as

humanity's spiritual quest, the pursuit of moral ideals and divine truth.

Although much research has been conducted on these works in the pre-modern period,

their comparative analysis is a relatively new and promising direction. It is a necessary

scientific issue to deeply study the common aspects in the works of Navoi and

Dante, as well as the differences that arise due to the cultural context.

The main purpose of this article is to conduct a comparative analysis of the ideas of

humanity in the works "Khamsa" and "Divine Comedy", as well as to identify similarities and

differences in their artistic style, symbolism and philosophical views. The research uses general

scientific and philological analysis methods based on the methodology of

comparative literary studies.

The works of Alisher Navoi (1441-1501) and Dante Alighieri (1265-1321), the greatest

representatives of Eastern and Western cultures, widely illuminate the eternal problems of

humanity - spiritual quest, moral perfection, and the pursuit of divine truth. Navoi's "Khamsa"

(consisting

of

five

epics)

and

Dante's

"Divine

Comedy"

are

unique

legacies that express the philosophical and artistic values ​ ​ ​ ​ of their times.

In "Khamsa", Navoi shows the path to human perfection through five epics:

1. "Khairat ul-abror" – the search for justice and wisdom

2. "Farhod and Shirin" – pure love and devotion

3. "Leyli and Majnun" – the pursuit of divine love"

"Saba'ai Sayyor" – moral education and wisdom

"Saddi Iskandari" – the search for the ideal ruler

In Dante's "Divine Comedy," the path of the human soul's purification from sin and

achievement of perfection is described in three stages:

1."Duzox" – gunoh va jazolanish


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2.

"Poklanish" – tavba va tozalanish

3.

"Jannat" - ilohiy haqiqatga yetish

In both works, the spiritual quest of man occupies a central place. Navoi's works reflect the

ideas of human perfection developed under the influence of Sufism, while Dante's works reflect

the concept of spiritual purification in the Christian tradition. However, both authors aimed at

the moral and spiritual perfection of man as their ultimate goal.

"Khamsa": A guide for spiritual quests:

It offers Sufi ideals (love, patience, selflessness) to

fill the spiritual void of modern man. For example, the romance "Layla and Majnun" helps

today's youth understand the meaning of true love.

"The Divine Comedy":

Offers the concept of "spiritual purification" for those seeking

guidance in times of psychological distress (e.g., during social isolation following the COVID-

19 pandemic).Global madaniyatlar dialogi:

"Khamsa": UNESCO's declaration of 2021 as the Year of Navoi spoke of the modernity

of Eastern ideas. "Divine Comedy": Global events marking Dante's 700th anniversary in

2020 brought Western and Eastern cultures closer together.

Importance in the education system:

"Khamsa": Taught in Uzbek schools in "Literature

Studies" classes as a source of national pride. "Divine Comedy": One of the main sources

in Harvard University's "Modern Humanities" program.

Influence on political philosophy:

"Khamsa": The ideas of a just ruler in "Saddi Iskandari" are

being applied in modern Uzbek reforms. "Divine Comedy": Influenced the

unified value system of the European Union.

In gender studies:

"Khamsa": Female characters such as Shirin and Layla are discussed in

modern feminist studies. "Divine Comedy": The character of Beatrice shows the role

of women as spiritual leaders.

Ecological Thought:

"Khamsa": The ideas of nature conservation in "Khairat ul-Abrar" are interpreted as a solution

to today's ecological crisis. "Divine Comedy": The metaphors of purification in "Purification"

have become symbols for ecological movements.

Analysis

parameters

Navoi

"Khamsa"

Dante's "Divine Comedy"

Comparative analysis

Period of

creation

15th

century

(1493-1498)

14th century (1308-1321)

Both were created in the Middle

Ages, but in different cultural

contexts

Structure

of the work

5 independent

epics (in the

form

of

a

masnavi)

3 parts (Inferno, Purgatorio,

Paradiso)

"Khamsa" is a collection of

different stories, while "Divine

Comedy" is a single plot

Main

theme

Human

perfection,

divine

and

worldly love

The purification of the

human soul from sin

In both, the theme of spiritual

development plays an important

role

Artistic

style

Sufi symbolism,

traditions

of

Turkic poetry

Christian symbolism, terza

rima poetic meter

Stylistic differences between

Eastern and Western poetry

Main

Farhad, Majnun, Dante

(himself),

Virgil, In "Khamsa" each epic has a


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characters

Iskandar

Beatrice

separate hero, in "Divine

Comedy" the central hero

Influence

of religion

and

philosophy

Islamic Sufism. Christianity (doctrine and

philosophy)

In both works, the deep

influence

of

religious

philosophy is felt

Social

content

The idea of

​ ​ a just ruler

Criticism

of

Florentine

political life

In "Khamsa" - an ideal society,

in "Divine Comedy" - a

criticism of the shortcomings of

society

Language

features

Chigatay Turkic

language

Italian language (Tuscan

dialect)

Both played an important role

in the formation of national

literary languages

Modern

influence

The foundation

of

Uzbek

culture

and

literature

A classic work of Western

literature

Both are being reinterpreted in

modern culture

Scientific

significance

The

central

object

of

Turkish literary

studies

The main object of study of

Western literary criticism

Both works have canonical

status within their culture

Both works are unique legacies that represent the philosophical and artistic achievements of

their time. Navoi's "Khamsa" is the pinnacle of Eastern mystical traditions, while Dante's

"Divine Comedy" is the most vivid example of Western philosophical poetry. Today, in the

context of globalization, their interaction and comparative study open up new possibilities for

intercultural dialogue. The main strength of the works is that they deeply approach the eternal

problems of humanity - such topics as spiritual quests, moral choices, and the pursuit of divine

truth. The ideas of human perfection expressed in "Khamsa" and the concept of spiritual

purification

in

"Divine

Comedy"

are

values

​ ​ that

respond to the spiritual searches of modern man.

Although Navoi and Dante used different artistic means in their works, both of their

works achieved a high level of artistry. The oriental symbolism and figurative concepts in

"Khamsa" and the western systematicity and architectural metaphors in "Divine Comedy"

demonstrate the richness of the artistic heritage of humanity.

As a final thought, the comparative study of Navoi's "Khamsa" and Dante's "Divine

Comedy" is of great importance not only for literary studies, but also for philosophy, cultural

studies, psychology and other disciplines. These works are unique masterpieces of the spiritual

heritage of humanity, and by studying them we gain a deeper understanding not only of the past,

but also of the future. In modern conditions, their importance is growing, because they express

immutable truths about the eternal values ​ ​ ​ ​ of humanity.


background image

INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 2028

REFERENCES USED:

1. Navoiy, A. (1991). Khamsa. Tashkent: Gafur Ghulom Publishing House of Literature and

Art.

2. Alighieri, D. (2014). Divine Comedy (trans. A. Ahmadjonov). Tashkent: Akademnashr. 3.

Karimov, N. (2018). Literary relations between the East and the West. Tashkent: Fan

Publishing House. 245 p.

4. Qodirov, M. (2019). Methods of comparative literary studies. Tashkent:

5. Yusupova, D. (2021). "Spiritual research in the works of Navoi and Dante". Oriental Studies,

No. 2, 34-41.

6. Abdullayeva, S. (2022). Moral ideal in "Khamsa" and "Divine Comedy". Philology.

Dissertation. Tashkent. 154 p."Dante Alighieri's Divine Comedy: A Digital Edition"

(2023).

https://digitaldante.columbia.edu

References

Navoiy, A. (1991). Khamsa. Tashkent: Gafur Ghulom Publishing House of Literature and Art.

Alighieri, D. (2014). Divine Comedy (trans. A. Ahmadjonov). Tashkent: Akademnashr. 3. Karimov, N. (2018). Literary relations between the East and the West. Tashkent: Fan Publishing House. 245 p.

Qodirov, M. (2019). Methods of comparative literary studies. Tashkent:

Yusupova, D. (2021). "Spiritual research in the works of Navoi and Dante". Oriental Studies, No. 2, 34-41.

Abdullayeva, S. (2022). Moral ideal in "Khamsa" and "Divine Comedy". Philology. Dissertation. Tashkent. 154 p."Dante Alighieri's Divine Comedy: A Digital Edition" (2023). https://digitaldante.columbia.edu