Authors

  • M.M. Nasirov
    Kokand State University

DOI:

https://doi.org/10.71337/inlibrary.uz.aijmr.104406

Keywords:

cognitive linguistics cognitive analysis conceptual analysis macroproposition proposition discourse global coherence local coherence metaphor.

Abstract

This article analyzes the role of the concept of macroproposition in the process of understanding a literary text. The study highlights how identifying macropropositions helps reveal the deeper semantic layers of a literary work, the coherence between its theme and idea, and the semantic mechanisms that ensure the reader’s active cognitive engagement. This approach serves as an important methodological basis for analyzing and interpreting literary texts.


background image

Acumen:

International Journal of Multidisciplinary Research

ISSN: 3060-4745

IF(Impact Factor)10.41 / 2024, VOLUME-2, ISSUE-6

116

Acumen: International Journal of Multidisciplinary Research

THE ROLE OF MACROPROPOSITION IN THE SEMANTIC

PERCEPTION OF A LITERARY TEXT

M.M. Nasirov

Kokand State University

Abstract.

This article analyzes the role of the concept of macroproposition in the

process of understanding a literary text. The study highlights how identifying
macropropositions helps reveal the deeper semantic layers of a literary work, the
coherence between its theme and idea, and the semantic mechanisms that ensure the
reader’s active cognitive engagement. This approach serves as an important
methodological basis for analyzing and interpreting literary texts.

Keywords:

cognitive linguistics, cognitive analysis, conceptual analysis,

macroproposition, proposition, discourse, global coherence, local coherence,
metaphor.

A text being read is a dynamic (active) text, while a text outside the process of

reading is considered static (inactive)

1

. Considering that the creation of a text involves

several complex cognitive processes on the part of the author, it can be said that in
perceiving such a text, the reader is also required to reconstruct various logical and
cognitive structures in their mind.

The primary condition for comprehending the meaning of a text is understanding

the macroproposition it conveys. A macroproposition is an integral proposition derived
from all the details and micropropositions within the text, representing its overall
meaning. This term entered the field of linguistics through the scholarly works of T.A.
van Dijk.

Studies in this field show that identifying a text's macroproposition involves

stages such as omission, generalization, and construction

2

. Identifying

macropropositions plays a crucial role in the analysis of literary texts. For example, in
Nazar Eshonqul’s well-known short story

“Shamolni tutib bo‘lmaydi”

(

“You Cannot

Catch the Wind”

), the events surrounding the death of Zamon the horse herder can be

analyzed through a macroproposition formed by the generalization of several smaller
propositions. This approach aids in understanding the literary text as well as
uncovering the author’s intended message.

Considering that macropropositions are

“cognitive models of linguistic

representations — schemas that allow the observer to focus only on the essential

1

Гальперин И

.

Р

.

О Понятии Текста // Вопросы Языкознания. –

Москва

, 1974.

№6. –

С

. 22.

2

Сафаров Ш

.

Когнитив Тилшунослик. –

Жиззах

:

Сангзор

, 2006.

Б

. 33.


background image

Acumen:

International Journal of Multidisciplinary Research

ISSN: 3060-4745

IF(Impact Factor)10.41 / 2024, VOLUME-2, ISSUE-6

117

Acumen: International Journal of Multidisciplinary Research

features of an object for analysis”

3

, we argue that identifying macropropositions in a

literary text requires selecting only the relevant micropropositions from the text.

In the example below, the macroproposition is expressed as:

“Bayna Momo killed

Zamon the horse herder and cut off his fingers.”

This macro-level meaning is derived

by generalizing various propositions spread across different parts of the text.

The following propositions, drawn from different parts of the text, clearly

contribute to reconstructing a single overarching macroproposition:

“The death of

Zamon the horse herder did not soften Bayna Momo’s heart.”

“Her (Bayna Momo’s)

fingers were trembling, and the room was filled with an unpleasant odor, reminiscent
of the smell of blood.”

“When Polat Chol arrived, he could not find Bayna Momo at

home: she returned late at night like a shadow and did not leave the house again until
the police came asking.”

“Zamon the horse herder died like a dog… his clothes were

torn to shreds, his div mutilated, and all ten of his fingers had been cut off…”

“The

fingers could not be found. The div had to be buried without them.”

“Before her

death, Bayna Momo called for her sister, gestured toward a half-ruined chest, and died
quietly without uttering a word.”

“Eventually, ten human fingers were found in the

chest — dried and darkened over the years, nearly turned to powder, wrapped loosely
in a piece of old cloth.”

These excerpts represent individual propositions from various parts of the story,

yet they all contribute to conveying a unified macroproposition. Specifically, the author
builds the following micropropositions: Bayna Momo did not rejoice at Zamon’s death;
On the day Zamon was killed, Bayna Momo returned home very late and did not leave
her room until the police arrived; Zamon’s fingers had been cut off during the murder;
The fingers were never found, and Zamon was buried without them; Before dying,
Bayna Momo pointed to the chest; After her death, decomposed human fingers were
discovered inside that chest.

These propositions work together to reconstruct the macro-level meaning:

“Bayna Momo killed Zamon the horse herder and kept his severed fingers hidden
until her death.”

From a pragmatic perspective, a macroproposition represents the core message

the author intends to convey through the text, while from the reader's point of view, it
is the final conclusion drawn based on the content of the text. This interpretation clearly
demonstrates that the macroproposition is a phenomenon directly related to cognition.
There is no doubt that identifying the macropropositions of literary texts helps to more
precisely grasp the author's intended meaning.

3

Ван Дейк Т

.

А

.

Язык

.

Познание, Коммуникация. –

М

., 1989.

С

. 46


background image

Acumen:

International Journal of Multidisciplinary Research

ISSN: 3060-4745

IF(Impact Factor)10.41 / 2024, VOLUME-2, ISSUE-6

118

Acumen: International Journal of Multidisciplinary Research

One of the key features of literary texts is their metaphorical nature. When

analyzing metaphorical content, it is important to note that the propositional structure
also manifests in a unique way. As scholars note,

“such texts possess a dual-layered

semantic structure — the meaning expressed through the syntactic form and the deeper
meaning intended by the author.”

In such cases, the referents expressed on the surface

level and the internal meaning implied by the author may correspond to two different
propositions. In this process, it is crucial to recognize the symbolic nature of the
compared concepts and cognitive constructs. As D. Khudoyberganova emphasizes,
reconstructing the macroproposition of metaphorical texts should be based on this
comparative foundation.

To illustrate this idea, let us consider the following metaphorical microtext from

Nazar Eshonqul’s novella

“Prison Bars of the Night”

:

“I am the spoiled, rotten part of

the apple of childhood. When eating an apple, people always cut off the rotten part.
Even if I feel that I can still be useful for something, I must cut away the rotten part of
this apple of life.”

In this microtext, the referents such as

childhood

,

apple of life

,

spoiled, rotten

part

, and

cutting off

constitute the external (surface) elements of the text.

Meanwhile, the internal semantic layer includes concepts like

life

,

painful memories

,

and

forgetting

. Through cognitive interpretation of these symbolic meanings, the reader

reconstructs the macroproposition:

“In order to succeed in life, one must let go of

painful childhood memories.”

The phenomenon of macroproposition is closely connected with global and local

coherence. Local coherence refers to the semantic relationships between adjacent
propositions in a text, while global coherence is a more complex phenomenon
reflecting the overall semantic connection among all propositions expressed
throughout the text. The two previously analyzed excerpts are clear examples of how
macropropositions emerge through both global and local coherence.

The ability to segment reality and synthesize it through generalization is a

cognitive capacity unique to humans. Only this specific cognitive ability allows
individuals to perceive new objects and phenomena by drawing upon prior experience.
The macroproposition, in turn, represents the general purpose or core idea of a text. It
reflects the logical and cognitive connections present in the structure of a text —
particularly how words, sentences, and sections are interconnected.

The significance of macroproposition in text linguistics, especially in the process

of textual comprehension, is substantial. Through macroproposition, the central topic,
primary ideas, and logical relationships within a text become more clearly visible. It
also plays a vital role in interpreting the hidden meanings behind metaphorical texts,
thereby helping readers or listeners to understand the text more fully. This contributes


background image

Acumen:

International Journal of Multidisciplinary Research

ISSN: 3060-4745

IF(Impact Factor)10.41 / 2024, VOLUME-2, ISSUE-6

119

Acumen: International Journal of Multidisciplinary Research

to more focused attention on important details and facilitates efficient information
processing.

Macropropositions enable readers to view long or complex texts as cohesive

wholes and clearly identify their core content and direction. Therefore, in linguistics,
the macroproposition serves as an essential tool for structuring, analyzing, and
summarizing texts. It also plays a critical role in advancing the study of language and
communication theories.

Reference:

1.

Эшонқул Н. Ялпиз ҳиди. Қиссалар ва ҳикоялар. –Тошкент: Шарқ, 2008.

–Б.236.

2.

Худойберганова

Д.

Ўзбек

тилидаги

бадиий

матнларнинг

антропоцентрик талқини: Филол. фан. д-ри … дисс. – Тошкент: ЎзР ФА ТАИ,
2015. – Б 62.

3.

Сафаров Ш. Когнитив Тилшунослик. – Жиззах: Сангзор, 2006. – Б. 33.

4.

Гальперин И.Р. О Понятии Текста // Вопросы Языкознания. – Москва,

1974. – №6. – С. 22.

5.

Ван Дейк Т.А. Язык. Познание, Коммуникация. – М., 1989. – С. 46



References

Эшонқул Н. Ялпиз ҳиди. Қиссалар ва ҳикоялар. –Тошкент: Шарқ, 2008. –Б.236.

Худойберганова Д. Ўзбек тилидаги бадиий матнларнинг антропоцентрик талқини: Филол. фан. д-ри … дисс. – Тошкент: ЎзР ФА ТАИ, 2015. – Б 62.

Сафаров Ш. Когнитив Тилшунослик. – Жиззах: Сангзор, 2006. – Б. 33.

Гальперин И.Р. О Понятии Текста // Вопросы Языкознания. – Москва, 1974. – №6. – С. 22.

Ван Дейк Т.А. Язык. Познание, Коммуникация. – М., 1989. – С. 46