Authors

  • Yunusova Ganjina Rustamovna
    Bukhara State University, Uzbekistan

DOI:

https://doi.org/10.37547/ajps/Volume03Issue10-11

Keywords:

Mega world macro and microworld fantastic chronotope

Abstract

This article deals with the concept of the literary chronotope and its poetic features occurring  in modern novels.  The following article analyses topical problems of modern literary criticism, the essence, theoretical foundations of the forms of the chronotope, the influence and connection of genre evolution on the storyline, the architecture of a work of art, the basis for creating a plot, drawing up a composition based on the author’s creative intent and the ideological content of a work of art and the perception of reality in the work as a literary process.


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Volume 03 Issue 10-2023

77


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

03

ISSUE

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AGES

:

77-84

SJIF

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MPACT

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(2022:

5.

445

)

(2023:

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555

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

This article deals with the concept of the literary chronotope and its poetic features occurring in modern novels. The

following article analyses topical problems of modern literary criticism, the essence, theoretical foundations of the

forms of the chronotope, the influence and connection of genre evolution on the storyline, the architecture of a work

of art, the basis for creating a plot, drawing up a composition based on the author’s creative intent and the ideological

content of a work of art and the perception of reality in the work as a literary process.

KEYWORDS

Mega world, macro and microworld, fantastic chronotope, physical-astronomical chronotope, biological chronotope,

social chronotope, cultural-historical chronotope, mythopoetic chronotope.

INTRODUCTION

At the last stages of modern scientific and theoretical

literary thinking, the chronotope acts as one of the

poetic elements in describing scenes of the world,

existence, the basis for creating a plot, drawing up a

composition based on the author’s creative intent and

the ideological content of a work of art and the

perception of reality in the work as a literary process.

Chronotope is one of the most important elements

used in describing scenes of the artist’s inner world.

The chronotope determines the national framework of

the creator’s thinking, showing the originality of the

literary method and style. As Bakhtin noted, in addition

to the genre-forming function, the chronotope is the

main plot-forming component. The fact that the

Research Article

THE POETIC FEATURES OF THE CHRONOTOPE PHENOMENON

Submission Date:

October 16, 2023,

Accepted Date:

October 21, 2023,

Published Date:

October 26, 2023

Crossref doi:

https://doi.org/10.37547/ajps/Volume03Issue10-11


Yunusova Ganjina Rustamovna

Bukhara State University, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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chronotope is a form-content category that defines

and denotes the genre of a work of art, the mutual

compatibility of the artistic chronotope and the epic

plot creates an opportunity, a literary and artistic basis,

a basis for historical figures. describe images

convincingly, based on the principles of the realistic

creative method. [1,72.]

The chronotope gradually shapes the internal structure

of the work, based on artistic and aesthetic patterns.

The chronotope, which organizes space and time in a

work of art, introduces the reader to it and at the same

time directs events in the reader’s mind on the basis of

associative-intuitive integrity. In modern fiction, events

can highlight experiences occurring simultaneously at

different times (for example, in The Grapes of Wrath,

Tom Joad, traveling along the roads of Oklahoma,

suddenly finds himself in a California, like a paradise,

where poverty and unemployment have disappeared

in a given time)

LITERATURE REVIEW

In world literary criticism, scientific and theoretical

issues of epic time, artistic time and artistic space, and

chronotopic artistic poetics have been studied for a

number of years. The issues of chronotope were first

covered in his scientific and theoretical works by M.

Bakhtin, and later in Russia by D. Likhachev, N. Shutaya,

N. Gai, A. Nikolaev, B. Meilakh, E. Meletinsky, V.

Khalizev; In Europe, H. Meyerhoff, A. James, A.

Rodriguez, N. Bemong, J. Culler, M. Atkins; In North

America, J. Blommaert, B. Koinen and others analyzed

the categorical and scientific-theoretical problems of

the chronotope.

We can proudly say that in Uzbekistan, for the first time

in Central Asia, special studies of the chronotope were

carried out from a scientific and theoretical point of

view. N. Shodiev, Kh. Boltaboev, E. Abutalieva, U.

Zhorakulov, B. Karimov, D. Kuronov, A. Toychiev, K.

Kadirov, M. Umarova, U. Karshibaeva, O'. Nazarov, B.

Toraeva covered the problems of this issue in their

research. In the work of N. Chodiev “Horizons of the

Epic,” the unique genre features of the poetics of the

artistic era in large epic forms existing in the literature

of the region are scientifically generalized in a

typological and conceptual way [1, 72].

A new approach to artistic space and time in creativity,

progressive views in accordance with existing

standards in world literature are described in detail in

Bahadir Karim’s monograph “Abdullah Qadiri:

Criticism, Analysis and Interpretation.” Kazakh

scientist A. Temirbolat studied thoroughly the

categorical and rhythmic problems of the chronotope,

the relationship of artistic time and space in modern

novels, and the plot-forming function of the

chronotope.

METHODS AND MATERIALS


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This research paper is written through qualitative data

collection. The scientific works of M. Bakhtin,

A. Temirbolat, B. Turayeva and other scholars are

analyzed, compared and summarized. Through the

analyzing extracts from the “ The Grapes of wrath” of

the novel by John Steinbeck.

DISCUSSIONS

The result of the Chronotope expresses the image of

the character in the work of art and shapes him as a

personality. The main reason for this is that artistic time

and space determine a person’s relationship with the

living world.

The chronotope is depicted in direct communication

with the spiritual world of the heroes of the work. The

plot of the work revolves around a specific

chronotope.

Therefore,

scientists

divide

the

chronotope into such structures as the megaworld,

macroworld and microworld, depending on the pace

of understanding the individuality of a person, his

spiritual world and his inner world. The megaworld

represents the changes taking place in space and time,

the universe and the world, the second represents real

events between people, and the third represents

conflicts between the human psyche, consciousness

and thinking. (8,16) These three levels are inextricably

linked, and changes in the megaworld have a direct

impact on the macro- and microworlds. According to

the state of time, the chronotope is divided into two:

subjective and objective. Objective chronotope refers

to the continuity and continuity of time, taking into

account that the course of events occurs in real life.

According to researchers, the objective chronotope

refers to the typological and metric characteristics of

artistic time. The objective chronotope, on the one

hand, includes the coordinates past-present-future,

and on the other, such coordinates as before-

simultaneously (in parallel)-after. [8, 26].

The convention of depicting a chronotope, as well as

any type of artistic plot, is based on the experience of

a person’s mental state and internal experiences. The

adoption of a chronotope by a specific author, the

assignment of certain parameters to him, the

formation of the boundaries of artistic space and time

in a work is completely subjective. The relationship

between time and space is inextricably linked in a work,

and it is natural to observe the compression and

lengthening of time, the mixing of artistic temporal

and spatial relations. Therefore, an interval is created

between the real form and the artistic form, called

convention [9, 57]. In modern novels, the creator

moves from one space or time to another in a parallel

state, using the chronotope of the road and sleep,

based on the world of imagination. D. According to

Likhachev,

modern literature: “…. This is connected

with the feeling of the world changing, the sense of

time. Time has many different forms, and no two

writers use time as an artistic tool in the same way. This


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is the result of the development of literature over the

centuries [8, 127].

The subjective chronotope shows the conceptual and

conceptual units of time and space. In the unity of

conceptual time and space, human cognitive

knowledge and understanding of pictures of the world

are studied, in conceptual unity, indicators of human

perception of the elements of space and time are

studied.

Naturally, subjective time has no definite boundaries.

Within the boundaries of subjective time, a person can

travel from the present - to the past - to the future. The

boundaries of this journey are limited by human

perception. “The tension of artistic time is reflected in

the intensity of the events taking place in it. Thus, the

chronotope influences the human psyche and

determines his life cycle.” [1,74.]

According to modern literary research, the following

types of subjective and objective space and time are

distinguished: 1) social, 2) cultural-historical, 3)

fantastic, 4) psychological, 5) biological, 6) physical-

astronomical, 7) mythopoetic. Each of these types has

specific characteristics and forms the boundaries of

certain everyday spheres of human life. Here the

astronomical chronotope serves as a center that unites

other chronotopes around itself. According to literary

scholars, the human race is a complex macrosystem

embodied in a living organism and social matter.

As a result, his life passes through different boundaries

of space and time and is united around a single

astronomical chronotope. [8, 17]

Social chronotope covers the history of all humanity, a

specific country or a specific city. Therefore, one of the

main features of the social chronotope is the focus and

emphasis on traditions. Society is, as it were, built on

the basis of certain cyclical rules and gradually

develops according to these rules. There are two types

of social chronotope: diachronic and synchronic. The

diachronic view prioritizes sequence based on social

connections, whereas the synchronic view examines

the adaptation of social events over time.

Social time in fiction can slow down, speed up,

condense with unexpected intensity, and the literary

space is narrowed to a minimum and even expanded

on a global scale. Unlike the physical chronotope, the

social chronotope is based on a person's life

experience and the character's past based on the social

information environment. Therefore, the parameters

of the social chronotope change chronically. In doing

so, it becomes easier to reveal the character's inner

psyche from a social perspective. The creation of a

stylistic coloring of a social chronotope is formed on

the basis of the author’s imagination.

Social reality, no matter how intense and radical the

changes in society, the strong will of the hero cannot

be broken; Social chronotope is the social, cultural and


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spiritual space of a person who is in conditions of social

and spiritual conflicts and upheavals of time. [1, 76]

The cultural-historical chronotope studies the national

specifics of a certain people on our planet. “In other

words, the social chronotope analytically studies the

pace of change, cyclicality, origin and vision of a

particular civilization. [8,21]

By the cultural-historical model of time and space we

understand a specific type of representation of

objective temporal and spatial relations in the human

mind, culturally and historically conditioned and fixed

in patterns. [9, 57] The concept that acts as a bridge

connecting

the

cultural-historical

and

social

chronotopes is the world in which we live. The primary

unity of artistic space and time, manifested in it, is

everyday events that occur in everyday life. This type

of chronotope covers reality based on everyday life

and the life of a person and the entire society.

The cultural and historical chronotope is directly

related to the mythopoetic chronotope. A certain

culture is a set of worldviews, expressed in figurative

form and reflecting the values and beliefs shared by

certain subjects.The specific characteristics of the

mythopoetic chronotope are the following: a) the

transformation of space into a specific form as a result

of time compression (the fourth dimension); b)

“temporalization” of space, enveloping it with

internally intense symbols, creating a plot or myth

taking place in a turbulent, fast-flowing artistic time; c)

study of the chronotopic nature of events occurring in

the world through mythopoetic consciousness.

Accordingly, understanding and analysis of the

mythopoetic chronotope includes the study of the

material content of the universe and nature.

A fantastic chronotope is created in the course of

everyday events

created by alien ideas, “scientifically

unreal” facts and creatures. The area of use of the

fantastic chronotope is mainly art and literature, since

these areas are the most extensive and productive

areas where the human mind and imagination know no

boundaries. Fantastic chronotope - based on the image

of an imaginary, miraculous, supernatural time and

space, the motive of warning about future dangers as

a result of achievements of science and technology is

artistically expressed.

The world of figurative symbols and events created on

the basis of artistic fabric, striking the world of human

imagination, comes to life in the author’s work through

a fantastic chronotope. Time and space are reflected in

various forms of fantasy such as alternative history,

cyberpunk and turbo-realism. [1,75] If we consider

these directions in detail, then in an alternative history,

events take place in a parallel universe or in a time

travel path.

The real goal of the creator is to reflect in such

directions events that could have happened in history,


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but did not happen. In this perspective, the road and

the chronotope of sleep are actively displayed. The

path to past intersects along different roads, and each

road chronotope performs its own artistic and

aesthetic function. The path of the past is closely

related to the path of the future.

Depicting the future through pessimistic events is a key

feature of cyberpunk. Particular attention is paid to the

integration of the human factor with computers and

artificial intelligence, as well as subordination to

modern technologies. Turborealism as a philosophical-

psychological-intellectual fiction, the mental world of

the hero is expressed in an abnormal state. One of the

unique aspects of turborealism is the meaning behind

the text [3, 32. ] Contrary to the laws of our world,

living in a fantastic chronotope, the sequence of events

constructed only in the world of imagination stands

out with the power of an imaginary image that does

not exist in real life.

The author outlines a process that is expected to occur

in the future if it has not occurred. “Fantasy is a

figurative form that helps you see life in a new, unusual

way. In our century, the need for imaginative thinking

has not only grown with the rapid influx of scientific

and technological discoveries into the world of

ordinary fiction in recent years, but rather has become

a breeding ground for terrible conflicts, such as

economic, political, ideological. and racial. The world

we live in is rich in incredible metaphors.[2, 29]

The psychological chronotope is related to the

subjective chronotope and manifests itself in a holistic

connection with each other. In the psychological

chronotope, spatial images, moments, minutes and

hours, years acquire a stylistic coloring and acquire an

emotional and sometimes illusory character. The

psychological chronotope reflects the totality of

emotions in the character’s heart, his inner

experiences, his psyche, and the existing view of the

society associated with him. Thus, it is possible that the

psychological chronotope paints the scenery of the

world in different colors depending on the mental

state and mood of a person and, on the contrary,

reflects the brilliance of depression.

It would not be an exaggeration to say that the

dynamics of the hero of a work is measured by a

psychological chronotope. The image of the psyche is

convincing only when character, reality, chronotope,

state and situation are naturally combined. [7,54] The

psychological chronotope is revealed on the basis of an

internal monologue, a dream, a road motive and verbal

and non-verbal elements. . The manifestation of the

road chronotope in the psychological chronotope is

widely observed in works of art.

The path chosen by the hero of the play reflects his

psychological state. In this case, the psychological

chronotope is the main chronotope of the work, and

the road chronotope acts as a small chronotope

(motive chronotope), creating a psychological


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chronotope: entering the war and making his way to

California, full of hardships, but paradise, and his choice

of freedom, despite the dangers of life, to live in the

midst of his dreams, reflects Joe's psychological

experiences and state of mind.

Conclusion. To sum up, the chronotope determines the

national framework of the creator’s thinking, showing

the originality of the literary method and style, besides,

chronotope acts as one of the poetic elements in

describing scenes of the world, existence, the basis for

creating a plot, drawing up a composition based on the

author’s creative intent and the ideological content of

a work of art and the perception of reality in the work

as a literary process.

REFERENCES

1.

B. Turayeva. Badiiy zamon konsepsiyasining

uzbek adabiyotshunosligida urganilishiga doir.

Ilmiy xabarnoma, ADU, N-1, 2018, pp-72-74.

2.

Hamroyeva Sharifa Shukur Qizi. (2023). ISSUES

OF TRANSLATING NATIONAL COLORING

WORDS -

REALIAS IN THE NOVEL “NAVOI” BY

OYBEK. International Journal Of Literature And

Languages,

3(04),

29

33.

https://doi.org/10.37547/ijll/Volume03Issue04-

06

3.

Hamroyeva Sharifa Shukur Qizi. (2023). THE

ANALYSIS OF THE ENGLISH TRANSLATIONS OF

ABDULLA KADIRI’S “O’TKAN KUNLAR”.

American Journal of Philological Sciences,

3(05),

82

87.

https://doi.org/10.37547/ajps/Volume03Issue05

-15.

4.

Urayeva Darmonoy Saidjanovna, & Yunusova

Ganjina Rustamovna. (2022). THE ANALYSES

OF CHRONOTOPE OF THE ROAD IN JOHN

STEINBECK’S NOVEL “THE GRAPES OF

WRATH” . EPRA International Journal of

Research and Development (IJRD), 7(9), 46

48.

Retrieved

rom

http://www.eprajournals.net/index.php/IJRD/a

rticle/view/877

5.

Sayidova S. N., Mirzayeva M. R. TYPES OF

PEDAGOGICAL TECHNOLOGIES AND THEIR

ROLE IN THE DEVELOPMENT METHODS IN

PEDAGOGY //Theoretical & Applied Science.

2020.

№. 4. –

С. 976

-980.

6.

Sayidova Shahrizoda Nasrulloyevna. (2023).

WORKS DEDICATED TO THE IMAGE OF AMIR

TEMUR IN ENGLISH LITERATURE. International

Journal Of Literature And Languages, 3(05),

20

24.

https://doi.org/10.37547/ijll/Volume03Issue05-

05

7.

Sh, H. S. (2018). SIR WALTER SCOTT’S ARTISTIC

SKILL IN THE EXPRESSION OF HISTORICAL

FACTS AND LITERARY FICTION IN HIS

HISTORICAL NOVELS. Мировая наука, (5 (14)),

35-37.


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(2022:

5.

445

)

(2023:

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)

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8.

Temirbolat A.B. Kategorii xronotopa i

temporalnogo ritma v literature (Categories of

chronotopa and temporal rhythm in literature),

Kazakhstan: Almaty, 2009, 499 p.

9.

Yunusova Ganjina Rustamovna. (2023). THE

ROLE OF THE ROAD CHRONOTOPE ON THE

PLOT AND COMPOSITION OF THE LITERARY

WORK. International Journal Of Literature And

Languages,

3(04),

57

62.

https://doi.org/10.37547/ijll/Volume03Issue04-

11

10.

Юнусова Г. ХРОНОТОП ДОРОГИ В РОМАНЕ

ДЖОНА СТЕЙНБЕКА «ГРОЗДЬЯ ГНЕВА»

//Innovative Development in Educational

Activities.

2022.

Т. 1. –

№. 3. –

С. 44

-48.

References

B. Turayeva. Badiiy zamon konsepsiyasining uzbek adabiyotshunosligida urganilishiga doir. Ilmiy xabarnoma, ADU, N-1, 2018, pp-72-74.

Hamroyeva Sharifa Shukur Qizi. (2023). ISSUES OF TRANSLATING NATIONAL COLORING WORDS - REALIAS IN THE NOVEL “NAVOI” BY OYBEK. International Journal Of Literature And Languages, 3(04), 29–33. https://doi.org/10.37547/ijll/Volume03Issue04-06

Hamroyeva Sharifa Shukur Qizi. (2023). THE ANALYSIS OF THE ENGLISH TRANSLATIONS OF ABDULLA KADIRI’S “O’TKAN KUNLAR”. American Journal of Philological Sciences, 3(05), 82–87. https://doi.org/10.37547/ajps/Volume03Issue05-15.

Urayeva Darmonoy Saidjanovna, & Yunusova Ganjina Rustamovna. (2022). THE ANALYSES OF CHRONOTOPE OF THE ROAD IN JOHN STEINBECK’S NOVEL “THE GRAPES OF WRATH” . EPRA International Journal of Research and Development (IJRD), 7(9), 46–48. Retrieved rom http://www.eprajournals.net/index.php/IJRD/article/view/877

Sayidova S. N., Mirzayeva M. R. TYPES OF PEDAGOGICAL TECHNOLOGIES AND THEIR ROLE IN THE DEVELOPMENT METHODS IN PEDAGOGY //Theoretical & Applied Science. – 2020. – №. 4. – С. 976-980.

Sayidova Shahrizoda Nasrulloyevna. (2023). WORKS DEDICATED TO THE IMAGE OF AMIR TEMUR IN ENGLISH LITERATURE. International Journal Of Literature And Languages, 3(05), 20–24. https://doi.org/10.37547/ijll/Volume03Issue05-05

Sh, H. S. (2018). SIR WALTER SCOTT’S ARTISTIC SKILL IN THE EXPRESSION OF HISTORICAL FACTS AND LITERARY FICTION IN HIS HISTORICAL NOVELS. Мировая наука, (5 (14)), 35-37.

Temirbolat A.B. Kategorii xronotopa i temporalnogo ritma v literature (Categories of chronotopa and temporal rhythm in literature), Kazakhstan: Almaty, 2009, 499 p.

Yunusova Ganjina Rustamovna. (2023). THE ROLE OF THE ROAD CHRONOTOPE ON THE PLOT AND COMPOSITION OF THE LITERARY WORK. International Journal Of Literature And Languages, 3(04), 57–62. https://doi.org/10.37547/ijll/Volume03Issue04-11

Юнусова Г. ХРОНОТОП ДОРОГИ В РОМАНЕ ДЖОНА СТЕЙНБЕКА «ГРОЗДЬЯ ГНЕВА» //Innovative Development in Educational Activities. – 2022. – Т. 1. – №. 3. – С. 44-48.