Authors

  • Ochilova S.O.
    1st-year Master’s Degree, Termiz State University, Uzbekistan

DOI:

https://doi.org/10.37547/ajps/Volume04Issue12-10

Keywords:

lexical problems proper nouns literary translation

Abstract

In this article, we examine lexical challenges of proper names in translating Stephenie Meyer’s Twilight novels between Uzbek and English languages. It demonstrates how language differs across changes in proper names, and how these variations contribute to language forming its unique identity. Twilight as a case study, the research investigates strategies for balancing linguistic fidelity. The findings reveal that English significantly influences modern Uzbek vocabulary, particularly in the fantasy genre, and offer broader insights into the dynamics of literary translation in a globalized world.


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Volume 04 Issue 12-2024

52


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

04

ISSUE

12

P

AGES

:

52-59

OCLC

1121105677
















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

In this article, we examine lexical challenges of proper names in translating Stephenie Meyer’s Twilight novels

between Uzbek and English languages. It demonstrates how language differs across changes in proper names, and

how these variations contribute to language forming its unique identity. Twilight as a case study, the research

investigates strategies for balancing linguistic fidelity. The findings reveal that English significantly influences modern

Uzbek vocabulary, particularly in the fantasy genre, and offer broader insights into the dynamics of literary translation

in a globalized world.

KEYWORDS

lexical problems, proper nouns, literary translation, language, novel, fantasy specific terms.

INTRODUCTION

According to Catford, “translation is an operation

performed on languages: a process of substituting a

text in one language for a text in another; translation

must make use of a theory of language, general

linguistic theory.” The topicality of this articl

e lies in

the fact that in world linguistics, issues related to

lexical problems in interlingual translation from a

comparative perspective remain controversial due to

global development and the increasing importance of

social relations in translation has become an essential

tool for transferring information, whether it be a novel,

article, short story, or manual originally written in

Research Article

LEXICAL PROBLEMS OF LITERARY TRANSLATION (ON THE EXAMPLE

OF “TWILIGHT” NOVELS BY STEPHANIE MEYER)

Submission Date:

December 03, 2024,

Accepted Date:

December 08, 2024,

Published Date:

December 13, 2024

Crossref doi

:

https://doi.org/10.37547/ajps/Volume04Issue12-10


Ochilova S.O.

1st-

year Master’s Degree, Termiz State University, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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Publisher:

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English. Translation involves the interpretation of the

meaning of a text in one language, and semantics

refers to the aspects of meaning or interpretatn of

linguistic signs such as symbols, words, expressions, or

formal representations. The aim of this study is to

analyze how to translate proper names of the work

according to the three types of translation between

English-Uzbek languages. The analysis of proper names

has established that the narrative choices present in

The Twilight Saga are predictable, and the heroes and

heroines reflect the first impression that a reader gets

from reading the books. The main objectives of the

research are as follow: To examine how lexical

variations contribute to the development of English

literature. The Twilight book series has been studied by

many scholars and researchers from various linguistic

perspectives. Examples of notable contributions

include: Kirsten Malmkjer: Explored challenges in

translating popular literature, including the Twilight

series, with a focus on how linguistic features are

handled across languages. Zoe J.D. Harmer: Analyzed

the language of Twilight, particularly how character

speech and discourse structure contribute to identity

and themes; Margarita Sanchez: Discussed the

challenges of translating fantasy literature like

Twilight, focusing on the treatment of neologisms

(e.g., vampire-related terminology) in languages such

as Spanish and French; Emma Mayfield: Investigated

how Twilight translations reflect the broader impact of

English on global literary translations and how cultural

and linguistic contexts influence the series’ reception.

Currently, research has been conducted on the lexical

aspects of translation, especially literary translation.

Literary translation involves working with a text in its

original language to prepare a version in another

language, promoting broader readership and

distribution of the work.

METHODOLOGY

In this article, a comparative study of translation was

conducted, along with an examination of linguistic

terms as well as contrastive and descriptive, statistical

method, as well as a lexical analysis of literary

translation. The findings can be viewed from three

perspectives. First, whether names should be

translated or if certain translators have translated

them, and if so, how they were translated into the

target language. Second, to examine the strategies

and methods used for translating objects and to

propose solutions, to study the lexic or descriptive

meanings of names through English-to-Uzbek

comparison and contrast.

RESULTS AND DISCUSSION

This article analyzes several notable nouns based on

their lexical characteristics. The research addresses

some problematic aspects of proper names

exploring the connections between names and terms

related to people, places and various solutions are

proposed. The analysis reveals that translators of


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Publisher:

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Twilight into Uzbek frequently rely on transliteration

for names and borrowing for fantasy terms. While this

preserves the original’s linguistic identity, it can create

a sense of foreignness for Uzbek readers. Cultural

references are often adapted, but this approach risks

altering the text’s authen

ticity. The study also

highlights that English influence is evident in the Uzbek

translation, with borrowed words increasingly

entering the Uzbek lexicon. This phenomenon reflects

the growing role of English in shaping modern Uzbek

vocabulary, particularly in genres like fantasy

literature.

Due to the lexical features of language the meanings of

words, their usage, ability to combine with other

words, associations awakened by them, the «place»

they hold in the lexical system of a language do not

concur for the most part.

As a rule they belong to the following lexical groups:

1) Proper names and geographical names;

2) Scientific and technical terms;

3) The months and days of the week, numerals

Lexical analysis proceeded from the extraction of the

twenty most frequent lexical words found through the

corpus search. It must be said that clusters were also

taken into consideration, as one of the approaches

normally found in corpus stylistics. However, for The

Twilight Saga the search for clusters did not produce

relevant results to be considered for analysis in the

present study.


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Publisher:

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1.

The chronological diagram of researchers conducted experiences at “Twilight”

novels

1. Proper Nouns

One of the most prominent issues in translating

Twilight is the handling of proper nouns, such as names

of characters, places, and invented terms. For

example: Twilight introduces names like Bella Swan,

Edward Cullen, and Forks, which have no direct

equivalents in Uzbek. Translators often face a choice

between

transliteration,

where

the

name’s

pronunciation is preserved (e.g., Bella Svon), or

adaptation, where the meaning of the name is

localized. Proper names also carry connotations in

English that may not translate into Uzbek. For instance,

Swan (meaning “white and graceful”) adds symbolic

meaning to Bella’s character. Such nuances are often

lost unless explicitly explained in the translation.

2. Fantasy-Specific Terminology


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Fantasy literature frequently uses invented or genre-

specific terms, such as vampire, werewolf, and

immortal. In the context of Uzbek, there are no

established equivalents for some of these terms.

Translators must decide whether to: 1. Borrow the

original term directly (e.g., qonxo'r for vampire). 2.Coin

new words using Uzbek linguistic structures (e.g.,

adapting werewolf as bo’ritus). Both approaches have

their pros and cons, but the challenge lies in

maintaining

consistency

and

ensuring

reader

comprehension.3. Cultural References and Idiomatic

Expressions. Twilight is deeply rooted in Western

culture, with numerous references to American

traditions, food, and landscapes. Examples include:

American high school culture, which has no direct

parallel in Uzbek. References to foods like hamburgers

or pizza, which may require cultural substitution to

align with Uzbek tastes.

Transcription, or copying the sound form of the source

language word by means of the target language

letters.

Transliteration or copying the letters of the source

language by the target language letters of another

system.

Calque is translation by parts: extralinguistic. Since the

calqued word is not just a mechanical borrowing of the

form but it undergoes some changes, this device is, to

some extent, an actual translation, which includes

form transformations.

N|e Names of personages

Translation ways

Transliteration

Transcription

1

Esme Cullen

Esme

Kallen

2

Carlisle Cullen

Karlayl Kallen

3

Edward Cullen

Edvard Kallen

4

Bella Swan

Bella

Soon

5

Jacob Black

Jeykob Blek

6

Jasper Hale

Jasper

Hel


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7

Rosalie Hale

Rosali Hel

8

Alice Cullen

Elis Kallen

9

Charlie Swan

Charli Svon

10 Emmett Cullen

Emmet Kallen

11 Renesmee Cullen

Renesme Kallen

Table 1. The analyses of people’s names

N|

e

Names of places

Translation ways

Transliteration Transcription

Calque

1

The Carver Cafe

Karver Kafe

2

Silver Falls State Park

Silver

Folks

Davlat bog’i

3

Forks

Forks

4

Squamish

5

Rio de Janeiro

Rio de

Janeyro

6

Ecola State Park

Ekola

Davlat bog’i

7

The Cullen house

Kallenlar

Uyi

8

Santa Clarita

Santa

Klarita


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9

Volterra

Volterra

10 Forks Police station

Forks

Politsiya

stansiyasi

11 New Quimby St (Cullens’

House)

Nyu Kuimbi

(Kallenlar uyi)

Table 2. The analyses of places’ names

CONCLUSION

In conclusion, in this article we analyzed how to

translate proper names of the work according to the

three types of translation between English-Uzbek

languages and attempted to explain various minor

issues in the translation of proper names focusing on

their meanings in the text and their lexical nuances.

Notable nouns arise for specific reasons, each carrying

its own historical, biographical, and geographical

significance. he study reveals that while English

influences modern Uzbek vocabulary, translation

choices must also consider the cultural expectations of

the target audience. By striking a balance between

preserving the original’s essence and adapting it for

local readers, translators can ensure that works like

Twilight resonate across linguistic and cultural

boundaries. Beyond the necessity of distinguishing

individuals, names also reflect the specific intentions of

the namer according to social-linguistic functions.The

translation of Twilight into Uzbek illustrates the

complex interplay between linguistic fidelity and

cultural adaptation. Lexical problems, particularly

those related to proper nouns, fantasy-specific terms

require creative and flexible solutions. The study

underscored the importance of balancing the original

text’s essence with the nee

ds and expectations of

Uzbek readers.

REFERENCES

1.

A linguistic Theory of translation.Catford J.C.

Oxford University Press

2.

An Analysis Language Found in “Twilight” Novel.

Remida Sitorus. Herman. Dumaris E. Silalahi.

Partohap Saut Raja Sihombing. Nommensen HKBP

University, Medan, Indonesia

3.

Exploring the Emotional Language in the Twilight.

Novel as a Literary Discourse: An Appraisal Theory.

Analysis. Susan Ataei

4.

https://www.litmaps.com/

5.

Lexical Variations in Pakistani English: A Case Study

of the Novel Twilight in Delhi. Maha Sarfraz. MPhil


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Volume 04 Issue 12-2024

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American Journal Of Philological Sciences
(ISSN

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VOLUME

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ISSUE

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:

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OCLC

1121105677
















































Publisher:

Oscar Publishing Services

Servi

Scholar, Department of English, GC Women

University, Sialkot, Punjab, Pakistan

6.

Linguocultural Deviations in Russian Translation of

the Novel “Twilight” by S. Meyer. August 2021.

7.

1. Sorokin Yu.A. Translation studi

es: a translator‘s

status

and

psychohermeneutic

procedures.//Yu.A.Sorokin.

M., 2003.

8.

Alexeyeva L.M. Professional training of a

translator.// L.M.Alexeyeva. -St.P.2002.

9.

Grinev S V 1991 Terminology and Scientific

Cognition (Мoscow) 1 15

-27 pp

10.

Mo’minova, D.

A. (2019). Translation problems of

some english expressions into uzbek in

intercultural communication. Buxoro Davlat

Universiteti Ilmiy Axboroti, 3, 98-101 pp.

11.

https://twilightsaga.fandom.com/wiki/Filming_loc

ations

12.

Theory of translation (English and Russian). Zoya

Proshina. Vladivostok. Far Eastern University Press.

2008. 33-34 pp

References

A linguistic Theory of translation.Catford J.C. Oxford University Press

An Analysis Language Found in “Twilight” Novel. Remida Sitorus. Herman. Dumaris E. Silalahi. Partohap Saut Raja Sihombing. Nommensen HKBP University, Medan, Indonesia

Exploring the Emotional Language in the Twilight. Novel as a Literary Discourse: An Appraisal Theory. Analysis. Susan Ataei

Lexical Variations in Pakistani English: A Case Study of the Novel Twilight in Delhi. Maha Sarfraz. MPhil Scholar, Department of English, GC Women University, Sialkot, Punjab, Pakistan

Linguocultural Deviations in Russian Translation of the Novel “Twilight” by S. Meyer. August 2021.

Sorokin Yu.A. Translation studies: a translator‘s status and psychohermeneutic procedures.//Yu.A.Sorokin. – M., 2003.

Alexeyeva L.M. Professional training of a translator.// L.M.Alexeyeva. -St.P.2002.

Grinev S V 1991 Terminology and Scientific Cognition (Мoscow) 1 15-27 pp

Mo’minova, D.A. (2019). Translation problems of some english expressions into uzbek in intercultural communication. Buxoro Davlat Universiteti Ilmiy Axboroti, 3, 98-101 pp.

Theory of translation (English and Russian). Zoya Proshina. Vladivostok. Far Eastern University Press. 2008. 33-34 pp