Authors

  • Ishanchayeva Shoirakhan Bakhramdjanovna
    Andijan State Medical Institute Academic Lyceum "Social" Head Of The Science Department. Andijan, Uzbekistan

DOI:

https://doi.org/10.37547/ajsshr/Volume03Issue05-20

Keywords:

Enlightenment great geniuses perfect women

Abstract

In this article, the work of a statesman, a patron of science and enlightenment and a unique creative woman Nodira, the contribution of science and enlightenment to the development of the state. The role of Mohlaroyim's educational-philosophical views in the development of his time and today's society is discussed.


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Volume 03 Issue 05-2023

111


American Journal Of Social Sciences And Humanity Research
(ISSN

2771-2141)

VOLUME

03

ISSUE

05

Pages:

111-117

SJIF

I

MPACT

FACTOR

(2021:

5.

993

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(2022:

6.

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)

(2023:

7.

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OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

In this article, the work of a statesman, a patron of science and enlightenment and a unique creative woman Nodira,

the contribution of science and enlightenment to the development of the state. The role of Mohlaroyim's educational-

philosophical views in the development of his time and today's society is discussed.

KEYWORDS

Enlightenment, great geniuses, perfect women, patron of knowledge, talent, scientific-philosophical views, perfect,

ruling feudalism, realism, "Comila", "Nadira", "Maknuna", loyalty, patriotism, justice.

INTRODUCTION

The history of Uzbek enlightenment is full of great

geniuses, who astonished their time and various pages

emdiving the sound of centuries. On these pages

Lutfiy and Navoi, Furqat and Muqimi, who created in

this oppressive age, where "the enemy is ineffective,

the neighbor is unfaithful, the sky is unfaithful", fought

with enlightenment against ignorance, arrogance and

ignorance, in his philosophy of creation, human dignity

- Enlightenment women who glorified value, friendship

and patriotism, sang the feelings and hopes of

innocent women with high skill, glorified advanced

ideas, write the blessed names of artists like Nadira and

Uvaisiy in golden letters.

Research Article

THE ESSENCE OF SOCIAL-PHILOSOPHICAL VIEWS OF NADIRA, THE
PATRON OF SCIENCE AND ENLIGHTENMENT

Submission Date:

May 21, 2023,

Accepted Date:

May 26, 2023,

Published Date:

May 31, 2023

Crossref doi:

https://doi.org/10.37547/ajsshr/Volume03Issue05-20


Ishanchayeva Shoirakhan Bakhramdjanovna

Andijan State Medical Institute Academic Lyceum "Social" Head Of The Science Department. Andijan,
Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajsshr

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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Volume 03 Issue 05-2023

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Publisher:

Oscar Publishing Services

Servi

The famous poetess, statesman, patron of knowledge

Mohlaroyim Nadira was born in 1792 in the family of the

governor of Andijan, Rahmonqulbi. His mother

Ayshabegim was also an intelligent woman. The

parents of the poetess, whose family tree originated

from the Baburi family, were among the most

prestigious people of their time.

Mohlaroyim's education matured in this environment,

and during the years of his studies, he grew up aware

of the history, culture, and development of science and

education of the Uzbek people.

A unique talent, Mohlaroyim came to poetry early.

Master Alisher Navoi, Abdurahman Jami and Bedil

learned the scientific-philosophical views and grew

spiritually mature.

It is known that in these years, Amir Olimkhan was the

khan in the Kokan Khanate, and his brother Umar Khan

was the governor in Margilon. In 1807, Omar Khan and

Mohlaroyim got married out of love. Because of this,

Mohlaroyim comes to Margilon. After Amir Olim Khan

was executed in 1810, Umar Khan took the throne

instead. Due to this, the fate of Mohlaroyim will be

connected with Kokan. Her entry into the field of

creativity as an enlightened poet began in these years.

Although Umar Khan ruled the country through

tyranny and tyranny, he tried to strengthen his position

with the help of himself and other enlightened people.

They sang ghazals in praise of the Khan. "During Umar

Khan's time, people of words and figures of verse",

writes Khatif, "were writing odes and hymns in great

public display, and they were praying for the highest

threshold". These poets differed from each other in

terms of their talents, their understanding of life, their

outlook on life. "Regardless of their feudal palace

ideology and aspirations", writes Professor V.Zohidov,

"they objectively left a mark on some issues in Uzbek

literature". They have a role in the history of the Uzbek

literary language and in the development of this

language.

During this period, he was opposed to the ruling

feudalism, which sought to preserve its position,

expressed the plight of the workers in life topics in

poetry, protested against injustice and injustice,

oppression and tyranny, and expressed the hopes and

dreams of the people. a lively democratic literary

atmosphere was formed.

Nadira Kokonda Khan, along with being well-versed in

the affairs of the court and the state, worked hard to

raise the literature, art and poetry of the time to a

higher level with the enlightened people. Mohlarayim

and Umar Khan have two sons, Muhammad Ali Khan

and Sultan Mahmud Khan. After Umar Khan's death in

1822, young Muhammad Ali Khan ascended the throne.

Nadira, together with her young son, starts to rule the

country.


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Nadira patronized science and education while

managing state affairs with efficiency and justice.

Peace was maintained in the country during these

years. In her divan, the poet mentioned Nadira's

initiatives in terms of administration, culture and

literature in the country. Intellectuals such as Nadir,

Khatif and Mushrif, who were his contemporaries, also

state this information in their works. In the epic poem

"Haft Gulshan" dedicated to the poet Nadir

Mohlarayim, he mentions that he paid special attention

to the people of knowledge and virtues, and took

under his protection talented poets and enlightened

poetesses and virtuous women. Abdunabi Khatif, who

was a judge of that time, convincingly showed the

scientific and social activities of the poetess in the

unfinished story about Nadira. Khatif says, "My goal in

writing a work is to show that Nadira is an intelligent,

understanding, wise woman who appreciates

knowledge and words".

The guidance of Nadira as a patron of knowledge and

enlightenment is emphasized: "After Umar Khan's

death", writes Khatif, "this pearl of chastity saw it as

ungratefulness that the days would pass with sorrow

and sorrow". He went to the Chahorchaman garden

like Gulistan, and summoned the nobles, scientists,

calligraphers, painters from Fergana, Tashkent,

Khojand, Andijan and other cities to his service.

Spending countless gold and jewels from the country's

taxes, he built a high madrasa, an ornate mosque, a

bathhouse, a caravanserai, and assigned countless

endowments to madrasas and mosques. During these

days, he ordered to write more books and decorate

them, and built a library. The secretaries, calligraphers,

painters were treated with such favors and gifts that

their voice became famous around the world. Writers

from this side of the Amudarya, famous writers, artists

like Mirali, and painters like Moni gathered here. Thus,

this woman with her intelligence and good qualities

was recognized as the only one of the time, "Rare

time" and was praised by the people.

However, the constant internal disputes and

disagreements that arose between the khans hindered

the development of scholars. Unfortunately, the emir

of Bukhara, Nasrullah, attacked the Khanate of Kokand

with various weapons and brutally executed

Mohlarayim and his two sons - Muhammad Ali Khan,

Sultan Mahmud Khan and his 14-year-old grandson

Muhammad Amin Khan.

This is how the life of the unique talent of the Uzbek

people and patron of enlightenment comes to a tragic

end.

From Mohlaroyim, a great scientific heritage of socio-

philosophical importance, created in the Uzbek and

Persian-Tajik languages under the pseudonyms

"Komila", "Nadira" and "Maknuna" has reached us.

The scientific studies of Nadira's life path and

enlightenment by T.Jalilov, O'tkir Rashid, V.Abdullaev,


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V.Zohidov, S.Ainiy, Fitrat, Lutfulla Olim, and especially

A.P.Qayumov are noteworthy.

Also, the following manuscripts written at the end of

the 19th century and the beginning of the 20th century:

"History of Turkistan" and "History of Kokanda" by

Mullah Olim Muhammad, "Tarihi Shahrukhi" by Niyaz

Muhammad, "History of Kazan and Bulgar",

"Tawarikh" by Imam Qurban Ali Khamsai Sharqiy",

Azizi's "Tarihi Azizi", Fazil Qazi Muhammad Otabek's

son's "Perfect History of Farghana", Junayd Awaz

Muhammad's "Tarihi Jahonnamo", Abu Ubaidullah

Muhammad's "Khulosatul Ahavol", Ishaq Khan Ibrat's

"Tarihi Farg" "mother", Imam Ali Kunduzi's "Tawarihi

manzuma", Mirza Olim Mushrif's "Ansobus-salatin wa

tawarihi al-khawaqin", "Gharaibi sipohi Kho'qand"

(author unknown), Muhammad Amin Rozi bin Attar's"

Information about Nadira's biography and socio-

philosophical thinking can also be found in sources that

report on the political, economic and educational life

of the Kokand khanate, such as "Tuhfatut Tavorikh",

Polatjon Qayumov's "Kokand History and Literature". .

These works are stored in the manuscript fund of the

Institute of Oriental Studies named after Abu Rayhan

Beruni of the Academy of Sciences of the Uzbek SSR.

The socio-philosophical views of Nadira's works, which

have been formed on the basis of our national thinking

and expressed in various scientific and educational

fields, have a special place in the concept of New

Uzbekistan.

As a result of many years of scientific research and

research, a number of sources of the rich creative

heritage of the poetess were identified. As a result of

tireless research, the manuscript of the poet's office

was found, and a number of scientific works were

carried out on their study and analysis. It became

known that the divan of an enlightener from

Samarkand, under the pseudonym Komila, compiled in

Uzbek and Persian-Tajik languages, was copied during

his lifetime. A collection of works under the

pseudonym Nodira was found in the city of Namangan.

Another collection of Persian-Tajik poems created

under the pseudonym Maknuna was discovered in

Tashkent.

Contemporaries called the poetess "Rare period" due

to her high appreciation of the poetess' passion for

culture and science and her beautiful talent.

Nadira considers Alisher Navoi a mentor in her work.

The main content of Navoi's philosophy is explained by

the idea of "perfect man". Nadira praised the inner

mental state of a person. The poet's ghazal "Aziz" with

radicle:

The nobles of all the people of the world have come.

These verses are reminiscent of Navoi's rubai

beginning with the words "Jondin, I love you very

much, O dear life".

Following in the footsteps of great teachers such as

Jami, Fuzuli, Bedil, Babur and Mashrab, Nadira enjoyed


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Publisher:

Oscar Publishing Services

Servi

the world surrounding man and its beauty in his works.

Nadira loved life, appreciated it, she recognized true

love as a gift from God Almighty, and sang that it is

something that is in the hearts of people:

A person without love is not a person. If you are a

person, choose love!

Burn, O Nadira, reveal the language of love to the

world!

The enlightened poetess looked at the light of

knowledge, i.e. as a way to get closer to the beauty of

God, through qualities such as patience, honor, and

modesty. describes asramok in a certain figurative way.

As long as a person lacks these qualities, he enters the

path of hypocrisy and ignorance. These philosophical

views serve as wings for the spiritual development of

people, especially the young generation, which is a

topical issue today. New Uzbekistan is an enlightened

state.... . It is our duty to organize continuous spiritual

and educational work in the society, to make selfless

and patriotic youth, based on the idea of

"enlightenment against ignorance", our Head of State

did not point out without reason.

In her views, Nadira, based on the Naqshbandi

direction of Sufism along with secularism, expressed

the spiritual world in an expressive manner and with

vivid verses, with one integrity, regarding the

interaction of man with society and nature, divine love.

For him, it is an honor to sing and feel both the

excitement of love and its pain. The poetess expresses

the following in her radifli ghazal "Otash ast":

I don't have much to say, Maknuna.

My notebook is full of stains and my book is on fire.

Contents:

"I have nothing but burning in Maknuna's words. My

notebook is a collection of spots and my book is fire,"

he wrote. In Nadira's poems on the subject of love,

qualities such as loyalty and loyalty, which express this

love at a high level, are sung with enthusiasm:

As long as it happens, my life will be eternal, I will be

faithful.

Nadira says that if a person's heart does not burn with

the fire of morality, he does not appreciate love and

"don't enter the field of love rudely".

Nadira, who was the queen of enlightenment of her

time, came to our time with the virtue of being an artist

of spiritual perfection of an elegant person. As soon as

Nadira's scientific heritage and manuscript works came

into the hands of our people, they were eagerly

studied, and her first selection, published in the 60s,

was later enriched as separate volumes of the poet's

works. In the 1970s, the poet's book in Uzbek and

Persian-Tajik, consisting of two volumes, reached

scholars (along with a prose translation of Persian

ghazals). Also, Nodira's works were published in


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neighboring Tajikistan and Afghanistan, and their

Russian translations were translated by Russian

orientalist S.N. Ivanov and reached the hands of

Russian readers.

High human qualities are clearly visible in the creative

philosophy of the poetess. In it, thought, intuition, and

feeling are extremely strong, and are manifested with

unique signs in the expression of human psychology.

He mentioned this in the preface of his divan: They

used to ask questions with a verse from the contents, I

would answer with a verse at the end of the

philosophies and I would make fun of their nature. One

of them is that one day they asked me a question, the

verse:

- Why is there such a thing as a dull person?

I answered that the verse:

"Who are these guys, they have a good friend"

Through this poem, the poet has seen the social

inequality in the society, the gap between the rich and

the poor, and expresses her sympathy for the poor.

During this period, the poet expressed the joy of life in

her cheerful and cheerful ghazals expressing her inner

feelings, excitement, and love, emdiving sincere

love, pure loyalty, loyalty to the country, joy of life, joy,

and happiness.

In several ghazals, the poetess sang about the

importance of the interests of the people over the

interests of the khan. He emphasized that a just king or

governor, a khan, must live with the pain of the people,

not offend them and act in their interests; He said that

he was useless and called him to be a philanthropist.

The poetess criticizes arrogance, boasting, arrogance,

careerism, attachment to the throne in Tajik language,

and praises honesty, generosity, justice and balance of

mind, acting bravely, and living with people's pain and

concern.

In Nadira's socio-philosophical views on the political

issues of her time, it can be seen that her actions

towards such patriotism and justice were limited to a

certain extent.

Despite this, he took a bold step among the

enlightened people of his time, against the arrogance

of corrupt and selfish officials who wanted to

implement their inappropriate intentions in the feudal

society, respecting fairness and justice and human

dignity.

Her contemporaries envied Nadira's intelligence. Thus,

one of the poets was the enlightened poetess Dilshod

Barno (1800-1905). His favorite teacher was Nadira and

Uvaisi, patron of poetry. The poetess herself described

it as: "The poems of the great horses Jahanbibi and

Nadira Khanim give strength to my soul." Dedicating

special poems to Dilshad Nadira, he describes her with


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the qualities of "the star of the sky of literature and

poetry", "the ghazal house of usshoks", "the sugar-

scattering nightingale".

After Uzbekistan gained independence, in 1992, the

200th anniversary of the birth of the enlightened

poetess was widely celebrated in Kokanshahr, Andijan

and other cities. The festive mood was shared with the

scientific conferences, conventions and gala evenings

held in our capital. During these years, the books "Davr

Nodirasi" and "Ey sarvi ravon" were published. In 1994,

the publishing house "Fan" published another new

publication of Uzbek enlightened poets, consisting of

"Poems of Uvaysiy and Nadira". In cities and villages,

cinemas, streets, libraries and cultural centers named

after this great sage and enlightening creator were

built.

He had an indomitable will, an unquenchable

character, and a desire to spread enlightenment while

living in the pain of the people until the last moments

of his life. Only generations like us, worthy of a poetess,

need to join forces to build New Uzbekistan and the

Third Renaissance.

REFERENCES

1.

Kadirova M. Nodira: life and work. T., "Science"

1965.

2.

Photocopy of Nadira's book in Uzbek.

3.

V. Zohidov, from the history of Uzbek literature. T.,

"Uzadabiynashar" 1961.

4.

Nadira. "Haft gulshan". UzSSR FA Institute of

Oriental Studies, inv. 1801.

5.

Avazmuhammad

Attar

Khoqandi.

"Tarihi

jahonnomoi" ("History that shows the world") is

the first volume of Avazmuhammad's work, which

is kept in a single copy at the Institute of Oriental

Studies of the Russian Academy of Sciences in St.

Petersburg. It was written in 1284-1876-78 AH.

6.

Abu Ubaidullah Toshkandi. Summary of the

situation. // Manuscript. OZR FASHI, #2084

7.

"Ansab us-salo-tin va tavorikh al-khavoqin" by

Mirza Olim Mushrif (published under the title

"History of the Khanate of Koqan". Tashkent, 1995;

scientific edition in Russian by Salijon Yoldoshev.

Tashkent, 2007)

8.

The manuscripts of the poet's books are in the

funds of the Institute of Oriental Studies named

after Beruniy and the Institute of Manuscripts

named after H.S. Sulaimanov of UzRFA. Inventory

4182.

9.

Rare. Devon, Volume 2, Book 3, 1968-72.

10.

Rare. Ghazals. State publishing house of fiction

literature of the UZSSR. T., 1958.

11.

Mirziyoyev Sh.M. New Uzbekistan strategy. T.,

"Uzbekistan" publishing house, 2001.

12.

Literary heritage of Dilshodi Barnova. "Irfon"

publishing house, Dushanbe, 1970.

References

Kadirova M. Nodira: life and work. T., "Science" 1965.

Photocopy of Nadira's book in Uzbek.

V. Zohidov, from the history of Uzbek literature. T., "Uzadabiynashar" 1961.

Nadira. "Haft gulshan". UzSSR FA Institute of Oriental Studies, inv. 1801.

Avazmuhammad Attar Khoqandi. "Tarihi jahonnomoi" ("History that shows the world") is the first volume of Avazmuhammad's work, which is kept in a single copy at the Institute of Oriental Studies of the Russian Academy of Sciences in St. Petersburg. It was written in 1284-1876-78 AH.

Abu Ubaidullah Toshkandi. Summary of the situation. // Manuscript. OZR FASHI, #2084

"Ansab us-salo-tin va tavorikh al-khavoqin" by Mirza Olim Mushrif (published under the title "History of the Khanate of Koqan". Tashkent, 1995; scientific edition in Russian by Salijon Yoldoshev. Tashkent, 2007)

The manuscripts of the poet's books are in the funds of the Institute of Oriental Studies named after Beruniy and the Institute of Manuscripts named after H.S. Sulaimanov of UzRFA. Inventory 4182.

Rare. Devon, Volume 2, Book 3, 1968-72.

Rare. Ghazals. State publishing house of fiction literature of the UZSSR. T., 1958.

Mirziyoyev Sh.M. New Uzbekistan strategy. T., "Uzbekistan" publishing house, 2001.

Literary heritage of Dilshodi Barnova. "Irfon" publishing house, Dushanbe, 1970.