Volume 03 Issue 05-2023
99
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
03
ISSUE
05
Pages:
99-103
SJIF
I
MPACT
FACTOR
(2021:
5.
993
)
(2022:
6.
015
)
(2023:
7.
164
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
This article examines the features of repetition used in the poetry of Halima Akhmedova. The meanings emerging
through them, the types of repetitions according to the place of use are analyzed. Repetition is considered as a stylistic
tool, and it is emphasized that it performs the task of giving emotional color and poetic tone to language units that
are the constituents of oral and written speech.
KEYWORDS
Repetition, anaphora, assonance, consonance, epiphora, imagery, syntactic repetition, chiasm.
INTRODUCTION
It is important to clarify the meaning of the word used
in every style of artistic speech, especially in the
language of poetic texts, in the eyes of the listener or
reader. It is possible to achieve this result by
highlighting the understood meaning, separating it
and reusing it in necessary places.
In the language, repetitions form a certain system:
phonetic repetition, lexical repetition, morphological
repetition, syntactic repetition. Repetition is one of the
methods of syntactic stylistic expression, mainly
characteristic of artistic speech. Repetition is the most
ancient stylistic expression, widespread in fiction, and
Research Article
THE ROLE OF SYNTACTIC REPETITION IN ENSURING POETIC
INDIVIDUALITY IN THE POETRY OF HALIMA AKHMEDOVA
Submission Date:
May 21, 2023,
Accepted Date:
May 26, 2023,
Published Date:
May 31, 2023
Crossref doi:
https://doi.org/10.37547/ajsshr/Volume03Issue05-18
O.S. Yusupova
Assistant Professor Of Samarkand State University Named After Sharof Rashidov Uzbekistan
Bekmuradova I. Z.
Samarkand State University Student Of The Faculty Of Philology, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ajsshr
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 03 Issue 05-2023
100
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
03
ISSUE
05
Pages:
99-103
SJIF
I
MPACT
FACTOR
(2021:
5.
993
)
(2022:
6.
015
)
(2023:
7.
164
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
wordsmiths used it to express subjective attitudes to
the object they are describing, to evaluate it, and to
attract the attention of the listener or reader. The
function of repetition is to make the author's speech
impressive, to make the idea concrete and, most
importantly, to express such features as convincing the
listener or reader.
According to this aspect, repetition is one of the most
actively used stylistic methods in artistic style. "The
function of repetition in the artistic style is not limited
to highlighting and highlighting a certain event or
situation. In a work of art, as in all methodological
tools, repetition is responsible for giving emotional
color, a special tone, and charm to language units. If
possible, in addition to performing these tasks, it
should also be able to give the subjective attitude of
the author or the hero of the work to reality." [2.
–
P.55-
56]
There are several types of repetition depending on the
position of language units, in particular words, and
sometimes phrases, and in general there are about
thirty of them. Different forms of repetition are
distinguished in scientific literature, such as
alliteration, anaphora, epiphora, rhyme (rhyme),
assonance, consonance, tautology. Accordingly, the
repetition of a word, phrase or sentence at the
beginning of a poem or stanza constitutes an
anaphora.
The linguostylistic and linguopoetic significance of
repetition is, first of all, related to the expression of an
additional meaning besides the main meaning, and a
certain artistic and aesthetic effect on the reader or
listener. Creators actively use this method based on the
goal of making the expression effective. This activity,
in turn, led to an increase in the number of repetitions.
A. Mamajonov in his article entitled “Repetition and its
syntactic-
stylistic function” noted that there are
phonetic, lexical-morphological and syntactic types of
repetition, they have a special place in poetic speech;
he says that it is one of the rich sources of stylistic
resources of the language. and writes that “The
function of repetition is to make the author's speech
impressive, to make the idea concrete and, most
importantly, to express such features as being able to
convince the listener and the reader”. [3. –
P.4]
The poetess Halima Akhmedova, who has a special
place in the world of literature with her appropriate
repetitions and incomparably attractive melodic
verses, used all types of repetition in her poems.
Undoubtedly, through this, the poem is provided with
an attractive tone and color. The repetitions used by
the poetess with their simplicity show the scene that is
alive before the eyes of the poet in a clearer and clearer
way:
A light burns in the distance,
I don't like it.
Volume 03 Issue 05-2023
101
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
03
ISSUE
05
Pages:
99-103
SJIF
I
MPACT
FACTOR
(2021:
5.
993
)
(2022:
6.
015
)
(2023:
7.
164
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
In the voice of kalandars
Sadness begins to sing.
A light burns in the distance,
The hand of the night pulls me.
After all, you start to feel sad,
Enchanted path to the kingdom?
A light burns in the distance,
A breathing star is heavy.
Of my seventy two veins
Pain is medicine.
A light burns in the distance,
The wind blows me away.
Until the last cell of the month
A thought excites me.
A light burns in the distance,
I don't like it.
In the voice of kalandars
Sadness begins to sing. [1.
–
P.93]
In this poem of the poetess, the repetition of the first
line at the beginning of each stanza and the complete
repetition of the first stanza at the end of the poem are
stylistically
syntactic
repetition,
artistically
emphasizing the expression of thought in the poem as
well as emphasizing the melody. ridden. The suffering
of the lyrical hero in the clutches of suffering, the
sadness of his heart left in the darkness of the night, is
revealed by the image of his lack of light, even though
a lamp is lit in the distance.
I don't envy the rich world.
I couldn't find a cry for my heart,
If I get to the end of the day, that's it
I'm on the mat, I'm on the mat. [1.
–
P.110]
Syntactic repetition can be used not only as a stylistic
tool that enhances the emphasis of thought, but also
as a factor determining the compositional basis of the
poem. In this case, the separation of verses is
determined according to the position of the repeating
line or stanza. Undoubtedly, in the process of word
repetition, a unique tone and rhythm is formed.
Go away, go away, wind,
Go away, go away, wind,
Don't be afraid of my dark shadow, traveler -
This is the worst fantasy you have ever asked for. [1.
–
P.195]
Appeals and exclamations occupy a special place in the
poet's poetry. The lyrical hero calls out to the grass, the
Volume 03 Issue 05-2023
102
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
03
ISSUE
05
Pages:
99-103
SJIF
I
MPACT
FACTOR
(2021:
5.
993
)
(2022:
6.
015
)
(2023:
7.
164
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
wind, the sun, the path, the eyes, and even happiness,
and describes them with the most tender experiences
of his heart. The wind in the experiences of the lyrical
hero is, in fact, a passenger. Always revealed the
journey of a person on the “way of life” through the
image of a traveler moving from one destination to
another.
Another unique type of repetition used in Halima
Akhmedova's poetry is chiasm. A chiasm is defined in
dictionaries as a syntactic parallelism in reverse order,
a stylistic figure based on repeating words in a verse in
reverse order. [3.
–
P.5]
This is how I live:
love fire to ice
And the ice to fire ... [1.
–
P.215]
The combination of ice and fire and fire and ice, used in
the passage, unites the basis of the content with its
surroundings as a means of clearly creating the main
content and idea in the poem through reverse
repetition.
I see Shirak every morning
My heart suddenly turned into a light.
I will repeat it like a divine verse...
"Life is Motherland, Motherland is life." [1.
–
P.6]
Although the similitude of life in the example appears
to be a simple comparison of the country to the
country, and the country to life, its inverted repetition
at the end of the poem, with particular emphasis, lends
gloss to the image. provided. Through this,
melodiousness, impressiveness of thought and
emphasis were achieved.
The analysis shows that in the poetry of Halima
Akhmedova, various forms of repetition are
appropriate and skillfully used with a specific goal in
mind. This, as we mentioned above, gave the poem a
special touch as a means of melodiousness,
attractiveness,
and
musical
polish.
Although
repetitions do not create a specific image when used in
an artistic work, they are considered one of the
phonetic methods that serve to create them, beautify
the expression, and express the thought in a resonant
and impressive way.
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Volume 03 Issue 05-2023
103
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
03
ISSUE
05
Pages:
99-103
SJIF
I
MPACT
FACTOR
(2021:
5.
993
)
(2022:
6.
015
)
(2023:
7.
164
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
1.
4.Yusupova O. S. Syntactic units as linguopoetics
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