Central Asian scholars’ treatises on music, fiction, and painting allow us to some extent restore some of the broken links in the long chain of historical development of Uzbek folk instruments that have survived to the present day. Hundreds of years have passed, and musical instruments have survived to this day, taking their place in solo, ensemble, and orchestral performance.
Abdullaeva C. Narodnie muzikalnie instrumenti Azerbaydjana. Baku. 1972.- P.53.
Rajabov I. On the issue of status. Tashkent. 1963. - P. 23.
Fitrat A.Uzbek classical music and its history. Tashkent 1993. - P. 55.
Fitrat A. Uzbek classical music and its history. Tashkent. 1993. - P.10.
Rajabov A. Namai Niyogon. Dushanbe. Irfon.1988. - P.63.
Odilov A., Lutfullaev A. Chang. Tashkent. 2002.- P.22
Karomatov F. Uzbek instrumental music. Tashkent. 1972. - P. 39