Authors

  • Abdupatto Ahmadjonovich Ibragimov
    Head Of The Department Of Music Education Namangan State University,, Uzbekistan
  • Sardor Sayfitdinovich Bannoev
    Master, Namangan State University, Uzbekistan
  • Gulomjon Boqievich Imomberdiev
    Master, Namangan State University, Uzbekistan

DOI:

https://doi.org/10.37547/pedagogics-crjp-02-12-17

Keywords:

Fiction musical instruments sources work analysis masnas masna

Abstract

Central Asian scholars’ treatises on music, fiction, and painting allow us to some extent restore some of the broken links in the long chain of historical development of Uzbek folk instruments that have survived to the present day. Hundreds of years have passed, and musical instruments have survived to this day, taking their place in solo, ensemble, and orchestral performance.

References

Abdullaeva C. Narodnie muzikalnie instrumenti Azerbaydjana. Baku. 1972.- P.53.

Rajabov I. On the issue of status. Tashkent. 1963. - P. 23.

Fitrat A.Uzbek classical music and its history. Tashkent 1993. - P. 55.

Fitrat A. Uzbek classical music and its history. Tashkent. 1993. - P.10.

Rajabov A. Namai Niyogon. Dushanbe. Irfon.1988. - P.63.

Odilov A., Lutfullaev A. Chang. Tashkent. 2002.- P.22

Karomatov F. Uzbek instrumental music. Tashkent. 1972. - P. 39

Most read articles by the same author(s)

Abdupatto Ahmadjonovich Ibragimov, Konstantin Konstantinovich Shalankov, Fatima Yaqubjon Kizi Jumanazarova, THE PEDAGOGICAL SIGNIFICANCE OF THE WORK OF MODERN UZBEK COMPOSERS , CURRENT RESEARCH JOURNAL OF PEDAGOGICS: Vol. 2 No. 12 (2021)