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INTRODUCTION AND DEVELOPMENT OF THE GOTHIC GENRE IN
UZBEK LITERATURE
Hasanova Gavharhon
Researcher of
Namangan state university
https://doi.org/10.5281/zenodo.13896657
Annotation:
In our country, the principle of learning new methods and
approaches in world literature, creative assimilation and active use in research
was formed. Also, in the Uzbek literature of the period of independence, there
was a practice of combining the principles of artistic re-embodiment of the
world developed in the West with Uzbek literary and aesthetic traditions.
Key words:
devil, peep, fantasize,
aesthetic, colloquial column, soulless
technocracy, controversy, consciousness, imperceptible
It is known that the picture of science fiction dates back to the second half
of the 20th century-an unparalleled period of development of socio-economic,
scientific and technical progress in its social development. "At the end of the last
century," writes Herbert Welles, " no one was brilliant at Magic, no one believed
in it and its results. At such a time, an idea came to my mind. Instead of
confrontingthe reader with a devil or a peep, spells, you can follow the path
shown by science if you can fantasize a little. It was not a big discovery. I just
replaced the old fetish with a new one.
At the level of opportunity, I brought it closer to the real theory".
Vivid examples of science fiction in world literature can be found as far back as
Jules Verne and Herbert Welles. Notable works include Tamazzo Campanella's
"City of The Sun" in 1623, Francis Bacon's "new Atlanta" in 1627, and Jonathan
Swift's "Gulliver's travels".
These works promote the achievements of Science and technology, ideas of
social progress. However, Balinese as a branch of literature, as a new
independent type of science fiction J.Verne and G.Welles progressed in every
way in his work.
This, of course, had a great influence on the national literature of other
peoples. Today, Uzbek fiction is being laid the foundation by such young creators
as Mahmudov, Tohir Malik, Khojiakbor Shaykhov, Murad Khidir, Anvar Kasimov.
The first work written by G.Jakhongirov in the science fiction genre was
published in the 3rd issue of ― “Gulhan” magazine in 1969. 1974 writer Tohir
Malik collected and published his fantasy stories under the title "Black Angel". In
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Tashkent, 1977, a council of young Uzbek fantasy writers was formed under the
magazine "Science and marriage".
Even during this period, Uzbek fantastic literature was at the stage of
learning from World Literature. Therefore, it was still necessary for him to
continue and develop his achievements, relying on the main ideas and aesthetic
directions in World fantastic literature. Because literary critics at the time had
observed and criticized Tohir Malik's "the Black Angel" as sounding too much
like Alexander Belyaev's "man-amphibian", "Professor Deuel‘s head". This was
like an ax war on the vein of the Uzbek fantastic literature that was just
emerging. Just as universal literary themes of any art, it is natural for fantastic
literature to have its own and proper universal eternal themes.
The story's protagonist, Belden, a Western alien scientist, gathers homeless
children under as if humanistic views and transposes them to large people by
passing a terrible experiment on them, taking some of the Centers in their
brains. With his" scientific "experiments, on the one hand, he prolongs the life of
money bearing people, and on the other, he enslaves the poor by turning them
into a"production" weapon". According to Belden's philosophy, humanity is
made up of those who are engaged in science, control the state, and living
robots-who are subject to their will, mat. This work by Tohir Malik calls for the
separation of Science from cold, soulless technocracy. The story "I am not me" by
Sam Mahmudov is also devoted to the topic of the controversy of "physicists
«and "lyricists".
Traditional fantastic colloquial column in the work. With the emergence of a
new painting teacher, Khamavi, at the Academy of Arts, where Nem studied, the
idea spreads that the riches of innumerable and colorful nature drive humanity
away from useful labor. The result of many years of scientific research, Ham
creates new human eyes. These eyes are aimed at looking at nature the same
"cold"look standard. Nem finds himself unable to find a place in the well when
he hears hat every student should replace his eyes with these "robotic" eyes, and
does not know how he came to the Garden on the outskirts of the city. Suddenly,
a storm rises, a thunderstorm raining, and NEM is struck by his fire spear...
When he regained consciousness, he sees a young man next to him. It was his
second Me. In the story, an imperceptible person is condemned. True, even if the
best qualities of NEM remain on the other side of it, the work ends well. Nem
returns to his original. The work glorifies a person with a sense of love, high
feelings.
Literature used:
1.
SHarafiddinov O. On the paths of spiritual maturation. Tashkent, 2001
DEVELOPMENT AND INNOVATIONS IN SCIENCE
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2.
O‘zbekiston Milliy Ensiklopediyasi. Birinchi jild. Toshkent,2000 yil
3.
Hojiakbar (2001). Ikki jahon ovorasi (2001).pdf 23. Ziyouz
4.
(2020).
Hojiakbar
nasri.
Retrieved
07.03.2021
from:
https://n.ziyouz.com/
5.
books/uzbek_nasri/Hojiak
