Volume 02 Issue 12-2022
116
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
02
I
SSUE
12
Pages:
116-120
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
METADATA
IF
–
7.356
A
BSTRACT
Music is a melody that reflects the inner emotional experiences of a person. "Music (Greek - art of muses)
is an art form that reflects human emotional experiences, thoughts, imagination through the consistency
or set of musical sounds (tones, melodies)." The genesis of music goes back to primitive times. There are
different theories about this in science. Some researchers associate the emergence of music with a
primitive ritual, some with the labor process, others with hunting processes (pre-hunting and post-hunting
games).
K
EYWORDS
Music, genesis, feelings, primitive, ritual, research, perform.
I
NTRODUCTION
Music has accompanied man for centuries,
reflecting his work, life, feelings and experiences,
thoughts and hopes. It is known from the
researches that the music developed in
Journal
Website:
http://sciencebring.co
m/index.php/ijasr
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Research Article
THE ROLE OF MUSIC IN HUMAN’S LIFE
Submission Date:
December 08, 2022,
Accepted Date:
December 13, 2022,
Published Date:
December 18, 2022
Crossref doi:
https://doi.org/10.37547/ijasr-02-12-16
Islom Umurzakov
Phd Student, National University Of Uzbekistan
Volume 02 Issue 12-2022
117
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
02
I
SSUE
12
Pages:
116-120
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
METADATA
IF
–
7.356
accordance with the general development of the
human society and the specific historical living
conditions of any nation. So, historical living
conditions played a big role in the development of
music.
Materialists think about the origin of music
mainly as follows: during the primitive communal
system, people hunted animals in large numbers
and ate their meat raw. When man discovered
fire, that is, after learning to make fire by striking
flints together, they learned to cook and eat the
animals they hunted. After eating, around this fire
there was a need for joy and entertainment, and
they circled and danced around the fire.
For this, the first simple instruments are drums
and drum-like instruments appeared, and later
rattle, windpipes, and later learned to sing. So, in
primitive times, there were musical instruments
that were struck, blown, and clicked. When
primitive people came from hunting, they played
musical instruments, danced and rejoiced after
the hunt. The first musical instruments were
made of animal skins and wood.
Gradually, as a result of the growth of living
culture, people learned to live as a family, to make
hunting and working tools from metal, and to
make various musical instruments from wood
and metal.
According to academician A.Askarov, the
information contained in the book "Avesta"
supplemented by the analysis of archaeological
monuments can give a complete picture of the
social culture of our people at the end of the
Bronze Age and the beginning of the Iron Age. It is
important to emphasize that the texts in this book
were unique songs in the context of ritual
performance and from the point of view of artistic
perception for the community that listened to it.
Also, its texts are subjected to special forms of
recitation as well as songs. This is the basis for our
conclusion as follows:
A) The art of singing and the art of music in
general existed in the peoples of Central Asia and
the East in general even before the Avesta, and its
traditions are reflected in this book.
B) In ancient times, in Central Asia and other
countries of the East, religion and singing
appeared as cultural and ideological factors that
corresponded to each other and at the same time
complemented each other.
In our opinion, it is not surprising that the authors
of "Avesta" have presented it in the form of a song
and recitation. After all, such a method did not
cause too much difficulty for those who mastered
it. In this book, it seems that the cultural-
ideological level and level of the peoples living in
this area, their social demands and needs are
taken into consideration. Because its inner
dimensions are seen in the special poetic
syllables, rhymes and stop measures that meet
the requirements of song performance.
According to the opinion of the famous musician
T. Zufarov: "The history of the music culture of the
peoples living on the Turanian land, including the
Uzbek people, began behind the horizons of BC.
The structure of the instruments created in
Turanian lands in ancient times, the presence of
various types and performance methods, and
Volume 02 Issue 12-2022
118
International Journal of Advance Scientific Research
(ISSN
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2750-1396)
VOLUME
02
I
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12
Pages:
116-120
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
METADATA
IF
–
7.356
their perfection in terms of tuning are expressed
in the instruments described in the Ayritom find.
Due to the high musical culture and the
development of the field of music, the Turanian
land took a special place in the music culture of
the peoples of the world and became the place of
creation of new musical instruments (ud, gijjak,
chang).
Between the 2nd century BC and the 8th century
AD, the instruments made by Turonzamin spread
beyond the borders of the country and spread
throughout the Eastern and Maghreb countries.
The maturity and development of the music of the
peoples of Turkestan became a factor in the
realization of the scientific theoretical knowledge
of the art of music - "music science" already in the
8th-9th centuries. The theoretical and practical
maturity of the music of Turkestan was the basis
for the creation of the miracle of the Uzbek
national musical art, and it has come down to our
times over the centuries. The more the performer
feels the music or the song, the more the listener
will feel it and the level of influence will increase.
Music can't just be played. It is essential that the
heart, mind and skills work together while
performing.
As we mentioned above, even in primitive times,
music was reflected in various ceremonies. By the
21st century, this field has developed in such a
way that today it is even possible to control a
person with the help of music. That is, the method
of using music to instill a thought, an idea into
another person will help a lot. "The content of
music consists of specific musical-artistic images
that represent changing mental states.
Music embodies various human moods (for
example, elation, joy, pleasure, observation,
sadness, fear). In addition, music vividly reflects a
person's volitional qualities (perseverance,
aspiration, thoughtfulness, restraint, etc.) and his
nature (customer). These expressive and
descriptive possibilities of music have been
highly evaluated, commented and scientifically
researched by Greek scientists: Pythagoras, Plato,
Aristotle and Eastern thinkers: Farobi, Ibn Sina,
Jami, Navoi, Babur, Kavkabi, Sufism figures: Imam
Ghazali, Kalabadi Bukhari and others".
One of the greatest discoveries of human thought
is the art of music, and it has an ancient history.
For more than a thousand years, along with
handicrafts and various trade products, our
musical culture reached East Turkestan, China,
Korea and even Japan through the Great Silk
Road. The Chinese scholar Sun Xiang said that the
songs, dances and musical instruments of the
Sugdians were constantly spread through the
streets of the city and villages of the Chin country.
In addition, musicians from Central Asia and
Eastern Turkestan were highly respected for their
high art in the palaces of the emperor and high
officials.
In the course of the development of the history of
our culture, music has been enriched with its
colorful genres, and as an integral part of people's
lives, it has passed from generation to generation
and has reached us. About the impact of music on
a person and its educational value, the Greek
philosopher Plato said in the IV century BC: "The
greatest educational factor is musical art. After all,
Volume 02 Issue 12-2022
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International Journal of Advance Scientific Research
(ISSN
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VOLUME
02
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SJIF
I
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FACTOR
(2021:
5.478
)
(2022:
5.636
)
METADATA
IF
–
7.356
if education is done correctly, rhythm and
harmony will find a deeper way to the soul and
give strength, make it beautiful otherwise; it will
turn out to be its opposite.
His student Aristotle (Arastu) supported this
idea: "Music affects the moral side of a person's
soul to a certain extent, so it is one of the subjects
that educate young people and should serve."
Musical aesthetics and scientific-theoretical
teachings based on Greek music theory and
musical traditions of local peoples were first
formed within the framework of mathematics (al-
Kindi, Farabi, Ibn Sina), and later as an
independent science (Urmawi). Ishaq Mavsili and
Kindi invented the first (literal) music notation in
the East. And Urmavi adapted this writing to the
purdah system.
Abu Nasr Muhammad al-Farabi described the
effect of music on personality formation as
follows: "This science is useful in the sense that it
brings order to those whose character has lost its
balance, perfects those who are not perfect, and
maintains the balance of those who are in balance.
This science is also useful for the health of the
div.
Musicians were considered as role models for the
people at all historical stages. Kaikovus says
about the behavior of musicians in the court of
Sultan Mahmud, who lived in the city of Ghazna in
the 11th century: "If you are a hafiz, be cheerful,
cheerful, keep yourself clean all the time, let a
pleasant smell come from you, be sweet-spoken,
busy with your work, rude. Don't be a tax on
words and frowns. Do not always take difficult
paths (status) and do not always take easy paths,
because you should not take the same path,
because not all people are the same, and their
natures are not compatible with each other,
because people are diverse.
That is why the masters of music science
arranged the musical instruments in such a way
that first they composed epic epics for the
gathering of kings, and then they composed a
weightless heavy path that can be sung with two
pieces of music, and they called it a heavy path.
This path suits the nature of old people and
educated people.
This road was created for such a people. Then the
masters saw that not all people are old and
serious people. Therefore, they developed a
suitable way. Then they made light tracks for
lighter weight poems, they named them "hafif",
they played this light track after the heavy track,
they thought that both the old and the young
would enjoy it. Then the young children and
people of pleasant nature were desolate. They
have created a song for this people, so that this
people can also enjoy it, because among all the
songs, there is no song that is more pleasant than
the song.
It can be seen from this opinion of Kaikovus that
the ways of music became clear in the 9th-10th
centuries of human society and began to differ
from each other. Even in those times, music
related to age, profession, character, and social
status was created. Kaikovus also gave valuable
advice to musicians and singers about human
Volume 02 Issue 12-2022
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International Journal of Advance Scientific Research
(ISSN
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2750-1396)
VOLUME
02
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Pages:
116-120
SJIF
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(2021:
5.478
)
(2022:
5.636
)
METADATA
IF
–
7.356
psychology, prudence, ingenuity, intelligence,
musical education and upbringing:
"When you are sitting in a meeting, look at the
people in the meeting, if the listener is red-faced,
with a mossy beard, play on the second string of
the musical instrument, if he is yellow-faced, play
music on the boom string, if he is dark-faced, thin,
play more music on the third string, if the div is
white and fat and moist, it is thick. Because, the
rude musical instrument was prepared for the
four natures of man. Don't learn every song
without weight; don't write tarana and ghazal
without weight. When you sing, don't sing from
another place, don't have your tune from another
place.
Don't say every song with a different meaning.
Memorize a lot of poems and ghazals and know
how to write different kinds of poems. Also, know
ghazals about emigration, wasl, admonition,
blame, rejection, displeasure, satisfaction, loyalty,
malice, kindness, gift giving, pleasure, and
complaint, read ghazals that are appropriate for
each time. Don't read ghazals suitable for autumn
in spring, suitable for spring in autumn, suitable
for summer in winter and suitable for winter in
summer.
It seems that our ancestors deeply studied the
nature of music and knew its influence on people.
They advised their students to know and
understand which music is suitable for each
person and play the music that suits them.
The conclusion is that as the times passed, views
on music and art changed over the centuries.
Music does not require nationality, language and
translation. It can be a work that the whole world
can understand, regardless of the language (here
we mean songs, chants) in which it is performed.
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Жумаев
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А.,
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https://qomus.info/encyclopedia/cat-
m/musiqa-uz/
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QOMUS.INFO. ONLAYN ENSIKLOPEDIYA.
https://qomus.info/encyclopedia
4.
ХХХVІІI
Міжнародна
науково
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практична
інтернет
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конференція.
Conferences.neasmo.org.ua
