Volume 03 Issue 05-2023
192
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
03
ISSUE
05
Pages:
192-194
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
(2023:
6.741
)
OCLC
–
1368736135
A
BSTRACT
Every culture has its own way of life, official language, religion, etiquette standards, etc., as well as its own
national attire. This article focuses on the subtle aspects of the ancient Korean national attire style.
Additionally, the ancient dress styles of the Koreans and Uzbeks were compared and analyzed.
K
EYWORDS
Similarities in clothing style, paranji,
쓰개치마
(sseugaechima), national costumes, do‘ppi, aesthetic views.
I
NTRODUCTION
"A person’s appea
rance, appearance, appearance,
appearance, appearance, voice, freshness, in
short, the inner and outer world of a person are
similar to the place where he was born, grew up
and matured. will be The people of the seven
climates are of seven kinds. So, a person is a part
of his homeland. Each of us is a part of our
country. No matter where we are, we express our
Uzbekness with our appearance and words.
Therefore, our dressing culture is a reflection of
our spirituality.” [1].
Journal
Website:
http://sciencebring.co
m/index.php/ijasr
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Research Article
CHARACTERISTICS OF THE ANCIENT NATIONAL DRESS
STYLE OF THE KOREAN AND UZBEK PEOPLE
Submission Date:
May 21, 2023,
Accepted Date:
May 26, 2023,
Published Date:
May 31, 2023
Crossref doi:
https://doi.org/10.37547/ijasr-03-05-31
Gulshoda Yunusova
Ph.D., Associate Professor Of The Department Of Korean Philology, Tashkent State University Of Oriental
Studies, Uzbekistan
Zuhra Egamberanova
3rd Year Student Of The Department Of Korean Philology, Tashkent State University Of Oriental Studies,
Uzbekistan
Volume 03 Issue 05-2023
193
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
03
ISSUE
05
Pages:
192-194
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
(2023:
6.741
)
OCLC
–
1368736135
The national costumes of the peoples who live in
Uzbekistan mix characteristics that are shared by
all of the peoples who live in the East with
characteristics that are completely unique and
cannot be found in the clothing of any other
country. We may illustrate this point by
comparing the traditional attire of the Korean and
Uzbek peoples, both of which date back
thousands of years. It is well knowledge that
cultural exchanges between Uzbekistan and
Korea date back to prehistoric times. Take, for
instance, the finding of Korean artifacts among
the Afrosiyab relics unearthed in Samarkand; this
offers a obvious illustration of the point I'm trying
to make. The historic huge mural paintings
discovered during archaeological digs, images
printed on various objects, and book miniatures
created during the Middle Ages all provide us
with the opportunity to get knowledge regarding
the clothing that was worn by the Uzbek people in
the past. An upper shirt, a turban, a cloak, a cap,
and mahsi-kalish or boots, depending on whether
or not they were worn, were the primary
components of the traditional Uzbek attire. The
fact that men's, women's, and children's clothing
all look virtually exactly the same suggests that
they are very old. These two groups of people live
in close proximity to one another and share many
cultural characteristics. Even the manner in
which one dresses contributes to the overall
coherence. As an illustration, one may say that
Uzbek women hide their faces when they go out
into public by wearing burqas, but Korean ladies
cover their faces by wearing
쓰개치마
(or
장옷
).
The majority of Muslim women wear something
called a paranji, which literally translates to
"loose shirt" (faraji) in Arabic. For the purpose of
concealing the female div from head to toe, the
garment takes the form of a wide tunic; the long
sleeves, which are tapered from the shoulders
down to the hem, are connected together near the
bottom of the garment; and a scarf is wrapped
around the woman's head [2].
In this scenario, women were shielded from the
view of onlookers by their long sleeves, which
also served as a decorative element. It was
manufactured in a variety of colors so that it could
serve as an adornment for the veil. Coverups for a
similar purpose may also be found in Korea;
traditionally, Korean women would wear these
whenever they went out in public to prevent their
husbands from displaying their faces. It was
named
장옷
(Jangot),
쓰개치마
(ssgechima) or
장의
jangui). jang-os are garments that resemble
the conventional cuts of cloaks worn by males.
Because it is constructed of a lightweight cloth, it
can be used as a covering for the face when going
out because it meets the purpose of covering the
face.
As can be seen from the aforementioned
instances, the Uzbek and Korean peoples have a
tight historical connection, and this is reflected in
the ways in which they dress, the hairstyles they
choose, the foods they eat, and the clothing
decorations they use. To be more specific, Uzbek
women's national costumes include both their
undergarments and their outerwear. The latter
includes vests, light robes (mursak, kaltacha), and
Volume 03 Issue 05-2023
194
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
03
ISSUE
05
Pages:
192-194
SJIF
I
MPACT
FACTOR
(2021:
5.478
)
(2022:
5.636
)
(2023:
6.741
)
OCLC
–
1368736135
sleeveless waistcoat as examples of the
outerwear component. In addition, the paranji is
a type of outerwear for ladies. It is composed of a
tunic and a chachvan that is made of dark
horsehair. Mahsi, kavush, and kalish were the
types of footwear worn by women. Traditional
Korean dress consists of garments with a similar
cut and style. In our culture, ladies who had not
yet married would plait their hair into a number
of strands, whereas married women would plait
their hair into a single strand. In Korea, young
women typically get their hair cut short and then
allow it to grow out, whereas married ladies
typically get their hair cut short and then put it
back.
In Korea, a woman's profession could be
determined by examining her hair. Accordingly,
crucibles are divided into gold, silver, bronze,
iron, and wood varieties. Nobles could use those
made of precious metals, while commoners could
use those made of iron or wood. Women in
Uzbekistan do’ppi (don hats) or scarves. There
are various varieties of headdresses, including
scarves, capes, and hats, and each is woven from
a distinct fabric and colorful threads. The nobility
wore scarves and headwear made of silk fabric
embroidered with gold threads, whereas the
commoners wore hats and scarves made of plain
fabric decorated with beads. Both Koreans and
Uzbeks wore turbans and caps on their skulls, and
it was possible to determine a person's
occupation based on the size and shape of their
headgear.
National costumes represent a millennium of
history, ancient customs and traditions, taste,
aesthetic views, and the unique characteristics of
each nation. You can learn about the country's
distinctiveness, culture, and climate.
The Korean and Uzbek national costumes also
reflect our peoples' modesty. Especially, our
national values are reflected in our women's
national attire.
R
EFERENCES
1.
O‘zbek milliy etno
-liboslari tarixiga bir nazar.
—
T.: Mirzaeva Shaxrinsa, Asqarova Munojat
Husanov
na “Oriental Art and Culture”
Scientific-Methodical Journal Volume 3 Issue
1 / March 2022.
2.
Encyclopedia of Traditional Korean Clothing
226- 246.
3.
National Folk Museum of Korea, 37
Samcheong-ro, Jongno-gu, Seoul, 2021.
4.
The
Ideology
of
Korean
Women’s
Headdresses during the Choson Dynasty
5.
Seunghye Cho
6.
Pages 553-571 | Published online: 22 Nov
2016, Seoul
7.
https://uztext.com/52681-text.html
