Authors

  • D.Fayzullaeva
    F.F.D.(Phd), Jizzakh State Pedagogical University, Uzbekistan

DOI:

https://doi.org/10.71337/inlibrary.uz.ijasr.131741

Keywords:

Epic Kholdorkhan terms

Abstract

This article analyzes the semantic features of lexical cultural units used in the language of the epic "Kholdorkhan", their types.


background image

Volume 04 Issue 05-2024

48



International Journal of Advance Scientific Research
(ISSN

2750-1396)

VOLUME

04

ISSUE

05

Pages:

48-51

SJIF

I

MPACT

FACTOR

(2022:

5.636

)

(2023:

6.741

)

(2024:

7.874

)

OCLC

1368736135

















































A

BSTRACT

This article analyzes the semantic features of lexical cultural units used in the language of the epic
"Kholdorkhan", their types.

K

EYWORDS

Epic, epic, Kholdorkhan, terms, dress, sarpo, lachak, jiga, crown, kirovka, quarter.

I

NTRODUCTION

The multifaceted Uzbek epic, whose roots go back
to ancient times, occupies a proud place in the
development of the spiritual culture of our nation.
The works related to the people, i.e., the people's
life, their life aspirations, things and events
related to them, their specific language, and the
way of speaking are described, live among the
people for a long time. . The language of such
works is rich in figurative material. One of our
riches is folk epics and its language. In this
section, we found it necessary to analyze the

names of clothes used in the epic "Kholq" and
their appearance in the language of the epic: they
are as follows: In the language of the epic we are
studying, we see that clothes are called by various
common names . As proof of our opinion, let's pay
attention to the following examples taken from
the language of the epic:

Lachak: If I don't go to the Crimea after that, let
my wife's lachak be my head (p. 33).

Journal

Website:

http://sciencebring.co
m/index.php/ijasr

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.

Research Article

DESCRIPTION OF LINGUISTIC AND CULTURAL UNITS IN THE
LANGUAGE OF EPICS


Submission Date:

May 12,

2024,

Accepted Date:

May 16, 2024,

Published Date:

May 22, 2024

Crossref doi:

https://doi.org/10.37547/ijasr-04-05-10


D.Fayzullaeva

F.F.D.(Phd), Jizzakh State Pedagogical University, Uzbekistan


background image

Volume 04 Issue 05-2024

49



International Journal of Advance Scientific Research
(ISSN

2750-1396)

VOLUME

04

ISSUE

05

Pages:

48-51

SJIF

I

MPACT

FACTOR

(2022:

5.636

)

(2023:

6.741

)

(2024:

7.874

)

OCLC

1368736135















































Lachak is a white gauze, or head wrap made of
soap, which old women wear on their heads. It is
not used in modern Uzbek literary language, it is
an obsolete word, it is found only in some rural
dialects. It is used to create speech of heroes or
characters in fiction.

This word is actively used in the language of
classical literature: Is the morning free during the
night, or is the nose in your hair? (A. Navoi
"Khazayinul-maani" p. 1b. 475).

Bracelet (f-t). A piece of jewelry decorated with
precious stones, worn on the headdress (mainly it
is worn on the headdress of the groom at the
wedding of the girl, and on the headdress of the
boy at the circumcision wedding. Nowadays, it is
out of use, it is not found in dialects either.

Bangle: Ten thousand heroes on the forehead, on
the head of the golden bangle (p. 49).

Today, the crown of the king will be placed on the
head of the one whose happiness will be high (p.
97).

Taj: An ornate headdress decorated with precious
stones, a symbol of the rule of kings, derived from
the Persian-Tajik language, now absent from
dialects and literary language. It is found only in
historical works and sources: an independent
king in the world's possessions, the king's crown
is handed over to him. (A. Navoi "Sodda
Iskandari", p. 255).

In the language of the "Khaldor Khan" epic, the
names of summer and winter clothes are

expressed along with the general name of the
headwear. They consist of:

Lynx coat: ... collected the country, fed the hungry,
dressed forty young men in lynx coats, and passed
away like Gorogli (p. 5). The lynx coat belongs to
the cat family, it is a predatory animal with a long
beak and very sharp eyes, it is rare, its skin is
valuable, and the lynx coat is sewn with the skin
and fur of this animal.

Different types of ton are also mentioned in this
epic:

A cold coat from Kirovka, the border of a silver
bird, a collar of a cold coat from Kirovka (p. 107).

Kirovka is a thin, worn-out word made of hard
material or metal, often worn under clothing, not
found in dialects or in colloquial speech. A
historical word typical of the epic language.

Cark Skin: Plays under a blue-skinned animal.
Kark skin on the skirt, isfihan on the waist (page
30).

In this example, kark teri (f-t.) is a type of ready-
made combat clothing made from the skin of a
rhinoceros.

A long national dress with an open front

Chapon is a long top Uzbek national dress. In the
language of folk epics, both are used in almost the
same sense. This situation is also used in today's
colloquial speech with the same names and
meanings.


background image

Volume 04 Issue 05-2024

50



International Journal of Advance Scientific Research
(ISSN

2750-1396)

VOLUME

04

ISSUE

05

Pages:

48-51

SJIF

I

MPACT

FACTOR

(2022:

5.636

)

(2023:

6.741

)

(2024:

7.874

)

OCLC

1368736135















































As can be seen from the above, Bakhshi was able
to use the names of summer and winter clothes
appropriately. Outdated, but characteristic words
for the old Uzbek language were skillfully used.

In the epic language, shoe names are a
disadvantage. But this does not affect the artistry
of the epic. It does not give the impression that the
vocabulary is not rich, but it is the use of the word
property according to the need. Only one word is
used in the epic.

Skirt - Hasan got up from his seat, bent his back,
pulled back the skirt, took his hand out of the
sleeve of the coat (p. 88). The words "sleeve" and
"hem" in this passage refer to parts of clothing.
The part of the sleeve that is worn on the hand,
according to the standard of literary language, is
within the scope of wide consumption. The wide
part of the hem that hangs down from the bottom,
i.e. unguri (synonymous with the word ungur).

There are also jewelry names in the epic, which
are of great importance in the lexicon of the epic
language. For example: Why did you send Munav?
Mushtiparni wearing beads (p. 148).

A bead is a round or other shaped women's
ornament made of glass and stone, usually strung
on a thread and worn around the neck. In the
language of the epic, the word munak is used to
fully illuminate the reality, that is, to express the
weakness of the person who entered the
battlefield and is not equal to his opponent.

Armor: On steel armor, Horse galloping high
below (p. 38). Armor - a garment woven from
steel wire (now called) worn to protect the div

from spears and bullets. In the process of reading
the epic, there are also such appearances as white
cold, steel cold, and golden cold. The word "Sovut"
is now considered an obsolete word, it is not
found even in dialects. Preserved only in
historical works. Another example: Turkman is
the father of the land, the collar of Sovut ton (p.
41). Sovat ton, as we said above, is a garment
made of steel wire for self-defense, designed for
the battlefield.

R

EFERENCES

1.

Abdiev M. Soha leksikasining sistem tahlili
muammolari: Monografiya.

Toshkent:

Xalq merosi, 2004.

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asarlarining

sintaktik

xususiyatlari

bo‘yicha kuzatishlar. –

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1971.

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Bektemirov

X.

Chorvachilik

atamaalogiyasi va undagi har xilliklar //


background image

Volume 04 Issue 05-2024

51



International Journal of Advance Scientific Research
(ISSN

2750-1396)

VOLUME

04

ISSUE

05

Pages:

48-51

SJIF

I

MPACT

FACTOR

(2022:

5.636

)

(2023:

6.741

)

(2024:

7.874

)

OCLC

1368736135















































O‘zbek tili atamaologiyasi. Byulleten 1

Chiqaruv.

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References

Abdiev M. Soha leksikasining sistem tahlili muammolari: Monografiya. – Toshkent: Xalq merosi, 2004.

Abdurahmonov X. O‘zbek xalq og‘zaki ijodi asarlarining sintaktik xususiyatlari bo‘yicha kuzatishlar. –Toshkent: Fan, 1971.

Abdurahmonov G‘. Atamaologiya muammolari // O‘zbek tili atamaologiyasi va uning taraqqiyot perespektivalari. –Toshkent: Fan, 1984..

Alefirenko N.F. Lingvokulturologiya. sennostno-smыslovoe prostranstvo yazыka. Uchebnoe posobie. –Moskva: Flinta.Nauka, 2010.

Alimjanova. G.M.Sopostavitelnaya frazeologiya. –Alma-Ata: Mir yazыka, 1999.

Ashurov T. O‘zbek xalq dostonlarida satira va yumor. –Toshkent: Fan, 1974.

Bektemirov X. Chorvachilik atamaalogiyasi va undagi har xilliklar // O‘zbek tili atamaologiyasi. Byulleten 1 Chiqaruv. –Toshkent: Fan, 1987.

Bozorova D. O‘zbek tilida ot ranglarini ifodalovchi atamalar // O‘zbek atamaologiyasi va uning taraqqiyot perespektivalari. –Toshkent: Fan, 1986.

Doniyorov X. Qipchoq shevalarini o‘rganishda xalq dostonlarining roli // O‘zbek xalq ijodi. –Toshkent: Fan, 1967.

Babushkin A.P. Tipы konseptov v leksiko-frazeologicheskoy semantike yazыka. –Voronej: VGU, 1996.

Bayburin A.K. Semioticheskie aspektы funksionirovaniya veщey// Etnograficheskoe izuchenie znakov sredstv kulturы. –Leningrad: Nauka, 1989.

Boltaeva I. O‘zbek xalq dostonlarida epitet tabiati –– Toshkent: Meros, 2002.

O‘rinboev B.O‘zbek tili so‘zlashuv nutqi sintaksisi masalalari.T.:- Fan,1974.

Vohidov E. So‘z latofati. Toshkent: “Ozbekiston”, 2018

Uluqov N. “Tilshunoslik nazariyasi” Toshkent-2016.