Volume 04 Issue 12-2024
252
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
04
ISSUE
12
Pages:
252-256
OCLC
–
1368736135
A
BSTRACT
The article tells about the life path of the famous Uzbek poetess Zulfiyakhanim Isroilova, her hardships and
the fact that, despite such life difficulties, she always took a step forward and did not stop searching. The
main themes of the poet's work are discussed and proven with poetic lines. Also, the contribution of this
intelligent woman to Uzbek literature, the uniqueness of her works are emphasized.
K
EYWORDS
Poetry, song of loyalty, poetic symbol.
I
NTRODUCTION
All of Zulfiya's work is an inspirational hymn to
the land of Uzbekistan, a hymn to human labor,
love and justice on earth. After all, the poet's life
is an example for every Uzbek woman. The
beloved poetess of the Uzbek people, a prominent
public figure, Zulfiya Isroilova was born on March
1, 1915 in Tashkent into a family of artisans. The
poetess began practicing poetry in literary circles
while still studying at a women's educational
institution. In 1935-1938, she studied at the
postgraduate course of the Institute of Language
and Literature of the Academy of Sciences of
Uzbekistan. Then, in 1938-1948, she worked as
an editor at the Children's Publishing House, as a
Journal
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Research Article
ZULFIYAKHONIM, THE SONGWRITER OF LOVE AND
HAPPINESS
Submission Date:
December 12,
2024,
Accepted Date:
December 17, 2024,
Published Date:
December 22, 2024
Crossref doi:
https://doi.org/10.37547/ijasr-04-12-38
Khurramova Durdona Ibodulla qizi
Tashkent Medical Academy. Student of the Faculty of Medical Pedagogy, Uzbekistan
Volume 04 Issue 12-2024
253
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
04
ISSUE
12
Pages:
252-256
OCLC
–
1368736135
head of department at the State Publishing House
of Uzbekistan, and in 1950-1953, as a head of
department at the magazine "Women of
Uzbekistan" ("Saodat"). In 1953-1980, she
worked as the editor-in-chief. With her first
collection of poems, “Sheets of Life,” writ
ten at the
age of 17, Zulfiya joined the ranks of Aydin,
Muzayyana Alaviya, and Khosiyat Tillakhanova.
The role of Uzbek and Russian classical literature,
folk oral creativity, and the traditions of world
literature was invaluable in Zulfiya’s creative
development. The poetess dedicated her poetic
works, such as “Poems” and “Girls’ Song,” to the
hot lives of the Motherland and the cotton
workers, mechanics, and tractor drivers working
in its fields and deserts. At the same time, the
poems in these collections were also important as
works characterizing the period when the poetess
mastered the secrets of poetic skill.During the
war, the publication of the poet's collections such
as "Uni Farhad der edilar" (1943), "Days of the
Hijran" (1944) was a sign of Zulfia's bold entry
into the ranks of leading poets. The poems in the
collection are characterized by the fact that they
were created in the spirit of love for the
Motherland, hatred for the enemy, and confidence
in victory. Zulfiya's hopeful poems such as "My
Country", "A coat in my hand" and "Wait for us"
are among the works that express the fighting
spirit of wartime Uzbek poetry. A series of poems
written by the poet in the last years after the war,
such as "A day in the field", "Morning song", "I sing
the morning", "People close to my heart", "My
songs to you" and the national anthem in the
collections , the lives of people who are selfless in
the process of work are sung. His essays and epics
such as "I question the poet's poem", "Oydin",
"Sunny pen" are dedicated to the vivid memories
of teachers such as H. Hakimzoda, Oybek, Aydin,
Hamid Olimjon. Zulfiya H. Olimjon's epics
"Semurg", "Zaynab and Amon" and created a peso
and opera libretto. Zulfiya won the Republic State
Prize named after Hamza for her poetry
collections such as "Houses" and "Shalola".
She was awarded the Jawaharlal Nehru
International Prize for her poems on Indian
themes, the international Nilufar Prize for her
works glorifying peace and friendship, and for her
active participation in the movement of
progressive Asian and African writers. Her poems
have been translated into Russian, English,
German, Hindi, Bulgarian, Chinese, Arabic,
Persian, and other languages. The poetess
skillfully translated the works of Nekrasov,
Lermontov, V. Inber, Lesya Ukrainka, Edi
Ognetsvet, M. Dilboziy, and Amrita Pritam into
Uzbek. The wife of the legendary Uzbek poet
Hamid Olimjon, the poetess, who captivated
millions of hearts with her sensitive poetry and
charmed millions of hearts with the magic of true
words, died on August 1, 1996.
In 2004, the Zulfiya State Prize was established in
our country. This award is presented annually on
the eve of March 8 to girls who have achieved
success in the fields of literature, art, science,
culture and education. Today, the growing
number of her followers is a sign of love and pride
for her. The fate of the Uzbek woman occupies a
large place in the poet's work. Her active role in
the life of the country is of great importance. The
Volume 04 Issue 12-2024
254
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
04
ISSUE
12
Pages:
252-256
OCLC
–
1368736135
poetess never tires of glorifying the elegance of
femininity in her poems. Zulfiya's poetry is
permeated with ardent love and affection for
nature and humanity. In her verses, she describes
nature in bright colors, bright paints and
symbols.His lyrics, mixed with nobleness,
courage, national pride, sincere feelings, blue
colors, and unexpected new symbols, give the
reader a wonderful joy, add confidence to the
human's faith in goodness and purity. .
In her poems, Zulfiyakhanim mainly sang about
the happiness and worries of Uzbek women and
daughters. Every verse of it is in harmony with
spring. These can be seen in the most famous
poems of the poetess such as "Hulkar", "I sing the
morning", "People close to my heart", "My spring".
The life of the poetess, who passed through the
trials of life and the sky of literature, will remain
a symbol of loyalty and faithfulness for future
generations. Zulfiyakhanim's high human
qualities serve as an example for young people
today. All lovers of literature love to read his
prolific works and beautiful poetry. The literary
heritage of the poetess is extremely rich. Dozens
of his books have taken a firm place in the
treasury of Uzbek literature. He skillfully
translated the works of many famous foreign
artists into Uzbek. Zulfiya won the love of our
people not only with her artistic creations, but
also as a symbol of loyalty and loyalty typical of an
Uzbek woman.
WITHOUT YOU
Here, I lived a lifetime without you,
Waiting for the return of irreplaceable joys,
When I knelt at the head of your coffin,
Children lifted me up, holding on to the regime.
Since then, I have been standing. Why is there a
shield,
For happiness, spring, winter, sadness.
I cry blood and blood at someone's loss,
I spread it like a lament at a wedding.
But when I stay, my heart is alone,
When feelings are pressing, I listen.
Sometimes when I feel weak and thirsty,
I ask an unanswered question from my pain:
Why didn't you leave me while I was alive?
In love with the beauty of someone more elegant
than me,
No one closer than me attracted you,
And heaven was open to your gaze,
You were crazy about a beautiful place,
Why didn't you leave me?
The stain of living separation is control,
Humiliation gnaws at life!
Volume 04 Issue 12-2024
255
International Journal of Advance Scientific Research
(ISSN
–
2750-1396)
VOLUME
04
ISSUE
12
Pages:
252-256
OCLC
–
1368736135
I would give this to the terrible lord to stand,
Even if you leave, I will feel sorry for you.
I knew that you would breathe,
This complicated world is alive for you too.
You are a stranger, a dark soul, a cage,
Your step today is bigger than yesterday.
Why, why didn't you leave me?
I know that jealousy would have destroyed me,
I would have cursed what you preferred,
I wouldn't have followed you, sad like a shadow,
You would have remained alive for me in life,
I would have waited for the good news of your
pen, my love.
Living with your sad fate,
It is difficult to create joy.
Why didn't you leave me while you were alive,
You didn't leave me, but you didn't leave
control?!
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252-256
OCLC
–
1368736135
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