Volume 03 Issue 05-2023
42
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
42-45
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
This article is devoted to the problem of interpreting the image of Jesus Christ (Iso Masih) in the lyric couch of the
“Curiosity of the End” (“Navodir un
-
nixoya”) by Alisher Navoi. It analyzes
the motif of the revival depicted through
the symbolic image of Jesus in the poet's lyrics. However, attention is paid to the image of the image of Christ, which
was considered the universal ideas of the poet and humanistic views.
KEYWORDS
Classical poetry, gazelle genre, lyrical divan, artistic image, motive of revival, poetic function, divine miracle, artistic
interpretation.
INTRODUCTION
Alisher Navoi, the great figure of the Uzbek classical
literature, occupies a special place in the world of
artistic aesthetics. Especially, the lyric couches of the
poet are unique examples of oriental literature. Poetry
of Alisher Navoi consists of eight lyrical sofas. They
include sixteen traditionally literary genres. In the
couch of the poet are classic samples of these genres.
One of these sofas is called “End of Curiosity”
(“Navodir un
-nihoya"). He is considered the second
perfect sofa of the poet. This sofa is a rare example not
only in Uzbek, but also in East poetry. It reflects with
high skill all the poetic laws inherent in the tradition of
lyrical couch oriental literature. In particular, the
interpretation of images of historical figures listed in
Research Article
ARTISTIC INTERPRETATION OF THE IMAGE OF JESUS CHRIST IN
THEDIVAN “THE WILDERS OF END” BY ALISHER NAVOI
Submission Date:
May 02, 2023,
Accepted Date:
May 06, 2023,
Published Date:
May 11, 2023
Crossref doi:
https://doi.org/10.37547/ijll/Volume03Issue05-09
Kobilov U. U.
Samarkand State University Uzbekistan, Samarkand
Journal
Website:
https://theusajournals.
com/index.php/ijll
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 03 Issue 05-2023
43
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
42-45
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
sacred sources is attractively depicted. This is mainly
clearly reflected in the interpretation of the image of
Jesus Christ, repeatedly depicted in the lyrics of Alisher
Navoi, in particular Couch "curiosities end". As it is
known, Jesus Christ is considered a person, connecting
three great religions. The poet’s repeated appeal to
the image of Christ shows a sign of the great humanism
of Alisher Navoi. Studies show that the image of Christ
in the poetry of Alisher Navoi was used more than 200
times and reflects a variety of poetic paintings. From
this, in the sofa of the “Curiosity of the End” was used
more than 30 times as a craft and performs various
symbolic and metaphorical images. In the lyric couch,
but in the whole poetry of Alisher Navoi, the image of
Jesus is compared to the beloved and her words. It is
known that in the poetry of the East and Sufi literature
the image of the beloved is considered polysemantic.
She is portrayed as a metaphorical image of a mentor,
a friend, a prophet and the Most High. In the lyrics of
Alisher Navoi, the beloved and her words are likened to
the miracles of Jesus from the side of revival. Because
in the story of the prophecy the miracle of the revival
refers only to Jesus. This is evidenced by the holy books
of Torah (“Tavroth”), the Gospel (“Inzhil”), the Koran
(“Kurioni Karim”). In classical poetry, “lab” (“lips”),
“nose” (“speech”), the beloved is compared to the
miracle of Jesus' revival. In this, the miracle of revival
reflects the inspiration of the heart and soul of the
lover.
Оразингдур офтоби олам ородин
ғ
араз
,
Жон
физо
нут
қ
ингдур
анфоси
Маси
ҳ
один
ғ
араз
[2.347.1].
(Contents: The beloved’s beloved is the sun of the
universe. The animating speech is the miracle of Jesus).
In the poem it is clear that a lyrical picture was created
through the prism of the images “skid” (“face”) and
“nose” (“speeches”). In the poetry of the thinker, the
image of the “face” in its internal meaning means the
divine and nation and beauty. “Nuth” (“speech”) hints
at the divinity of words. From this, these images reflect
such meanings as the sun - the divine beauty, the spirit
of Jesus - the divine word. Among them there is a
dependence in the meaning of the motive of revival. As
the sun illuminates the universe, so does speech revive
man and his heart. In this regard, the image of Jesus in
the lyrics of Alisher Navoi is a sign of revival. In the
couch of the poet “The Endeavor of the End” the motif
of revival-inspiration depicted in the image of Jesus
apply in a variety of meanings.
Лаъли майнинг жав
ҳ
ари
ру
ҳ
ўлди
чун
ҳ
ар
қ
атраси
,
Гўйи иъжози Маси
ҳ
о
зо
ҳ
ир
айлар
майфуруш
[
НН
2.332.4].
(Contents: The lips of the beloved as every drop of
wine became a spirit for the div. It looks like a
kravchy as if showing the miracle of Jesus).
In the poem one can see the illumination of poetic-
aesthetic thought through mystical themes and
images. It created a poetic picture through the
metaphorical images “lab” (lips), “may” (wine),
“mayfurush” (kravchy), the miracle of Jesus. In this,
beat the lips means the divine word, wine - divine love,
mayfurush - the distributor of divine love, the miracle
of Jesus - inspiring. In addition, love is likened to divine
words, and the beloved is inspiring. Therefore, the
divine love of the Almighty is interpreted as the
animating soul of the beloved. It is seen that the poet
juxtaposes the divine word and love to the miracle of
Jesus. In the other beat the couch of the “Curiosity of
Volume 03 Issue 05-2023
44
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
42-45
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
the End”, the “lab” (lips) is evaluated as the wonders
of the prophet.
Жон берурда лаълидин Исо сифат жононае,
Кўнгул олурда юзидин Юсуф ойин дилбаре[НН
2.747.3].
(Contents: The lips of the beloved are similar to the
miracle of Jesus, the face is the beauty of Joseph).
The word of the beloved is likened to the animating
miracle of Jesus , and the face to the beauty of Joseph.
The sources say about the gift of nine parts of the ten
beauty of the world to Joseph. Therefore, Joseph is
interpreted as the most beautiful man, not only among
the prophets, but also of all mankind. Therefore,
Joseph is considered a symbol of beauty in classical
poetry. The poet depicts the words of the beloved as
an animating miracle, and the face - the encompassing
beauty of the soul. In it, the poet emphasizes the image
of the beloved as a sign of absolute divine beauty.
Сабо дебон хабар ул гулдин элни тиргузди,
Маси
ҳ
ча
деса
бўл
ғ
ай
анинг
рисолати
бор
[
НН
2.176.3].
(Contents: The wind brought the smell of flowers.
People came alive from these scents. Therefore, the
wind is similar to Jesus).
Above “lips,” “wine,” logically likened to the miracle of
Jesus. In this regard, the "wind" is estimated like the
miracle of Jesus. The image of the wind in the poetry
of Alisher Navoi is quite fruitfully portrayed. One of
them is the meaning of "herald". In it the wind serves
as a messenger between the lover and the beloved. If
you look from the outside, you can see that "the wind
carries the fragrance of flowers on all sides." However,
on the inside is reflected a different picture. In this
poetic picture, flowers express the symbol of the
beloved, and the people - the lovers, the message -
love. Therefore, the message from the beloved
animates the lover. Alisher Navoi in his poetry always
expresses the motif associated with the recovery along
with the image and the image animates the water and
Khizr.
Дарди
ҳ
ажрим
ғ
а
ул
ики
лаъли
хандондур
даво
,
Ким ўлар Исо дамию оби
ҳ
айвондур
даво
.
Не даво Исо дамин фа
ҳ
м
айла
,
не
ҳ
айвон
суйин
,
Ҳ
ажр жонин ол
ғ
ан
элга
васли
жонондур
даво
[
НН
2.41.1.2].
(Contents: Lips are a healing for separation of pain to a
lover. If someone dies, then the breath of Jesus and the
quickening water will be healing. Do not think Jesus’s
breath and the living water and the separation for
separation in love. Only a loved one can heal in love
with the separation).
The poet in these beits reveals the motive of love,
which is special in the poetry of the East with the help
of images of a lover, a lover, and separation.In this
“lips,” “reviving water,” “Jesus’s breath,” they are
considered images of a revival motif. In the classical
poetry of the East, when it comes to the topic of love,
the image of a lover and a lover is always present. It
necessarily depicts the concept of separation and
achievement. On the interpretation of this motive,
Oriental literature has created a great invention. Based
on this, separation in real life of a lover and beloved is
an achievement in eternal life. This motif invented the
eternal themes of the East, in particular in the works of
Alisher Navoi. Therefore, such classical dastans as
Volume 03 Issue 05-2023
45
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
42-45
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
“Farhad and Shirin”, “Leyli and Majnun”, “Joseph and
Zuleikha” and others were created. Indeed, as there is
life, death is indispensable. Representatives of the
literature of the East, in particular, Alisher Navoi
interprets death as a achievement by the Almighty, and
this is not an easy path to life. It requires me to be
morally pure, spiritually cheerful, and highly
humanistic.
CONCLUSION
In conclusion, it should be noted that the image of
Jesus is portrayed in the lyric poetry of Alisher Navoi,
including in the sofa of “The Enigma of the End” as a
perfect, virtuous, wonderful image. In the poetry of
the thinker, the image of Jesus reflects a variety of
poetic functions and paintings. At the same time, it
shows the humanism and tolerance of Alisher Navoi.
REFERENCES
1.
Алишер Навоий. Мукаммал асарлар
тўплами. Биринчи том. Бадойиъ ул
-
бидоя. –
Тошкент: Фан, 1987. –
724 б.
2.
Алишер
Навоий.
Мукаммал
асарлар
тўплами. иккинчи том. Наводир ун
-
ни
ҳ
оя
.
–
Тошкент
:
Фан
, 1987.
–
620
б
.
3.
Алишер Навоий:
қ
омусий
лу
ғ
ат
.
–
Тошкент
:
“Шар
қ
”
, 2016
йил
4.
Комилов Нажмиддин. Маънолар оламига
сафар: Алишер Навоий
ғ
азалларига
шар
ҳ
лар
.
–
Т
.:
Тамаддун
, 2012.
–
316
б
.
5.
Ҳ
а
ққ
улов
И
.
Навоийга
қ
айтиш
.
–
Тошкент
:
Фан
, 2007.
–
224
б
.
6.
Шар
қ
мумтоз
поэтикаси
.
–
Тошкент
:
Давлат
илмий
нашриёти
, 2006.
–
430
б
.
