Volume 03 Issue 05-2023
29
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
29-34
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
In this article, the linguopoetics, linguo-folkloristics, linguo-cultural studies, language and culture issues in the work of
the poetess Farida Afro'z, the place of linguo-cultural words and units, their scope of use today, etymology, ancient
mythology, dialect words, analysis of the level of use of new words in the poet's interpretation, phraseology and
methodological functions of lexical units are discussed. The article refers to the work of Farida Afro'z and gives a free
observation of her lyrical feelings, that a poetic image is created through the concept and words in her poems, where
each word is a tool that invites to feel self-sacrifice that serves the poetic activation of other words. It is noted that
the Afroz interpretation of the timeless theme has been given.
KEYWORDS
Farida Afroz, lexical unit, dry tree, dialect words, go to the dragon and break it, khaili dun, achun, swallow without
yamming, get blue.
INTRODUCTION
Research Article
THE ROLE OF WORDS AND LINGUOCULTURAL UNITS IN THE CREATION
OF FARYDA AFROZ
Submission Date:
May 01, 2023,
Accepted Date:
May 05, 2023,
Published Date:
May 09, 2023
Crossref doi:
https://doi.org/10.37547/ijll/Volume03Issue05-07
Topildiyeva Feruza Raximjonovna
Teacher of the Department of "Computer Linguistics and Applied Linguistics" of the National University of
Uzbekistan named after Mirzo Ulugbek, Uzbekistan
Xalmuxamedova Umida Rasulovna
Teacher of the Department of "Computer Linguistics and Applied Linguistics" of the National University of
Uzbekistan named after Mirzo Ulugbek, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ijll
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 03 Issue 05-2023
30
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
29-34
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
A nation can't develop in its own shell, but it rises by
adopting and developing the achievements and
experiences of other nations, the aspects specific to its
mentality. In recent years, in our republic, attention has
literally been paid to our language, which is one of the
main sources of our national spirituality and identity,
and to our scientific research linguistics, and this
process continues consistently in the language of
creators. We will see this in the work of Farida Afroz.
We can see that there is dignity in her words and
essence, it is not an empty dignity, but a dignity that
elevates a person from the earth to the sky, towards
creation. For example,
Sendan shafqat
Kutgandan ko‘ra
Qurigan daraxtga yig‘layman
Etagim olmaga to‘ldirar,
the poetess says in her poem, that is, tears that give life
to a withered tree, crying that appears as an apple, is
not the appearance of needing mercy, but the
understanding and feeling of the presence of more
important feelings. She expresses a poetic image
through words skillfully. Each word used by the poet
serves to activate the next word. Her words are not
just empty words, but words that evoke a sense of
selflessness. [M. Yoldoshev. 2023.]
Sendan mehr kutgandan ko‘ra
Ajdahoga borib bo‘zlayman
Bag‘rimda bolamday uxlaydi
In these verses, each word seems to give up its
meaning to emdiv the shape and form of despair and
glorious hope.
Sendan vafo kutgandan ko‘ra
Ko‘ksimga xanjarlar ekaman,
Ko‘karar, gullaydi.
This is the real original idea, the first and literary
problem of the word, the dark secret, the greatest of
all secrets is to destroy the window of death, not to be
destroyed, but to be the beginning of a new pure life in
the artistic interpretation of Afrozona . [M. Yoldoshev.
2023.]
In particular, it is very important to analyze the lexical
units in the literary language and to fully study their
etymology. That is why linguistic units and linguistic
cultural units in the Uzbek literary language are
theoretically studied and analyzed based on terms
such as lexeme and etymology. Such an analysis
provides an opportunity to learn additional stylistic
meanings of words in addition to their own meaning,
which is useful to the student when studying the works
of creators. Because our vocabulary is constantly
changing. The development and formation of our
language is a phenomenon inextricably linked with
time. A.Nurmonov's "Linguocultural direction in
Uzbek",
D.Khudoyberganova's
"Anthropocentric
study of the text", N.Saidrakhimova's "Some
comments on the scientific basis of linguistics" and
professor M.Yoldoshev's "Farida Afro'z" the article
"drawings to creativity", the poetry of Farida Afro'z
was studied as a source. In these works, the essence,
subject and object of the science of linguo-cultural
studies have been studied. The development of our
language causes words to enter the dictionary in a
Volume 03 Issue 05-2023
31
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
29-34
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
certain sense, and some words to disappear. As a
result, the stage of language development, namely the
lexical layer, is enriched with new words. The words
that entered our literary language are used in the
vernacular for a certain time. Some words are widely
and long used in the language of the people. Some are
used for a certain period of time and then fall off. Some
are used only in the dialect. The longevity, oldness and
newness of words depends on their use in the
vernacular. We study and analyze the lexicon of the
Uzbek literary language divided into layers such as
words with a limited scope of use and words with an
unlimited scope of use. For Uzbek scientists and artists
who have taken a purposeful step into the 21st century,
the issues of linguistic and cultural studies, language
and culture are becoming urgent issues. In the
development of this field, the activities of creators and
the sources of their creation are also important.
In this article, we will discuss the stylistic functions of
some lexical units used in Farida Afro'z's poem
"Dunyoda hech narsa bejiz bo‘lmagay" and their
current state of use, change in meaning, or preserved
lexical meanings.
Bejizga sendan ham qolmagan ko
ʻ
nglim.
Yo
ʻ
llarning oxiri tugangan misol,
Tugab bitdi,
axir,
daryoday mehrim.
In these verses, the Afro-Zona style is clearly visible, it
is not for nothing that she is disappointed, that the end
of the roads has ended, even the example of the river
emphasizes that love has ended and is not left.
Sababsiz sabablar sodir bo
ʻ
lmaydi,
Axir besababmas, ayriliq, hijron.
Bir tomchi yosh kelmas, ko
ʻ
zlaringga nam,
Kuning bitmasa
gar,
uzilmaydi jon.
Any parting is not without a reason, even in a broken
heart, not a single drop of tear came to the eye, even if
there is no moisture in the eye, it continues to live.
expresses this observation philosophically.
Sharaflar, olqishlar, unvon, mukofot,
Kimlardir sen uchun bo
ʻ
lgandir fido.
Har qilmish sababi, o
ʻ
zingsan, o
ʻ
zing,
Kimsan, bugun
sen,
shohmisan, gado?
In the works of Farida Afro'z, simple and
understandable words, words that suddenly give an
uplifting mood; honors, applause, title, award, or
rhetorical interrogative address "shohmisan, gado?"
the verses mentioned above can emphasize that she
used words with opposite meanings appropriately, and
that the poet has a strong skill in choosing words. The
skill of the creator is clearly visible in the use of
meaningful words. The artist doesn't just say words,
but instead uses a series of meaningful words that call
a person to think.
Boshing ko
ʻ
kka yetsa, sababchisi bor,
Volume 03 Issue 05-2023
32
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
29-34
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
O
ʻ
zaging, ildizing, tomiring, beshik.
Yerning ostidasan yoki osmonda,
Demak, fe
ʼ
ling
sabab, niyating, beshak.
If a person's head reaches the sky, it will be the cause
of your origin, your family tree, your ancestors, that is,
this explanation is described by Farida Afro'z as
"o‘zaging, ildizing, tomiring beshik".
Bas, shunday, sababning sababin axtar,
O
ʻ
yla, izla, top, qilgin, taffakkur.
Sababchiga sabab top, huzuriga chop,
Ta
ʼ
zim qil,
ehtirom, ibodat, shukur.
In the work of Farida Afro'z, the words "o‘yla, izla, top,
ehtirom, ibodat, shukur" are expressed in a unique
way. It can be seen from this that she finds a reason to
run to the presence of the good ones and teach them
to pay their respects by bowing. We know that Farida
Afro'z was born in Ferghana, and when we read her
poems, we come across linguistic and cultural units
that are used in a poetic way, from simple vocabulary
used in the environment where she lived. However, if
we look at the etymology of lexical units in the lexicon
of the author, we will also find lexical units and
expressions specific to the dialect. For example, we
can see that she skillfully expresses the phrases that
are widely used in the folk language and oral speech,
such as
"boshing ko‘kka yetdi, tugab bitdi, joni uzildi,
taloto‘p, yamlamay yutar”.
Yuragimning qayeridir kuyadi,
Simillaydi,
Charsillaydi,
Sanchar,
Go‘yo ming yil yuraksiz yashab,
Bir qadoq og‘riqqa kunim qolganday...
SENI SOG‘INGANMA
-A-A-A-A-N..
"Baribir yurakning qayeridir simillaydi, charsillaydi,
sanchadi", the poet expresses this feeling of longing as
if she has been without a heart for a thousand years,
like a person who has only one more day to suffer pain.
Xushyor tortar ruhim-imtihon berar,
Qaltiraydi,
Dildiraydi,
Titrar
Go‘yo ming yil ko‘ngilsiz yashab,
Bir ahmoq aqlga kunim qolganday.
SENI SOG‘INGANMA
-A-A-A-A-N..!
In these verses, the delicate, incomprehensible
mystery of the work of the heart is emphasized, as if
she had lived without a heart for a thousand years, and
now she felt longing for a fool like a day left for her
mind.
Derazamni yopaman, etim uchadi,
Jondan o‘tar,
Izg‘irin,
Volume 03 Issue 05-2023
33
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
29-34
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
Shamol,
Go‘yo ming yil quyoshsiz yashab,
Bir nuqra xo‘inga kunim qolganday,
SENI SOG‘INGAN
MA-A-A-A-A-N..!
When she says "Derazamni yopaman", the poetess
closes the window of her heart, when she says that
"etim uchib, jondan o‘tgan izg‘irin shamolni ming yil
quyoshsiz yashab, bir nuqra xoinga kuni qolgan
insonday sog‘inishini", that bitter sou
l does not give me
peace, even if a point in her memories is treacherous,
she seems to emphasize that she misses the sweet
times.
Sizni sog‘inaman, ox, nima qilay,
Nima qilay,
Axir, ayt,
nima?!
Go‘yo ming yil seningsiz yashab,
Bit yutam hayotga kunim qolganday,…
SENI SOG‘INGANMA
-A-A-A-A-N..!
Before analyzing the lexical units given in the poem, we
divide them into two groups: widely used lexical and
phraseological lexical units. Expressions such as "Bir
nuqra chog‘, bir tomchi iqror, bir qadoq og‘riq, bir
axmoq aql, bir yutam hayot" are expressed as author's
realities.
SENI SOG‘INGANMA
-A-A-A-A-
N… fusion, that is,
lengthening of the vowel, is observed. This
strengthened the sphere of influence of the poem. She
appropriately used simple lexicons such as "Yana
simillaydi, charsillar, jimirlar, qaltiraydi, dildiraydi, titrar,
ufuradi, bug‘lanar". Because we can say that such
lexicon was widely used where the poetess lived.
As a result of the comments, it can be said that when
we analyze the poetry of Farida Afroz, the words
unfamiliar to us, such as maloik, sozolar talatop, khaily
dun, ochun, kaddimu dol, dildiraydi are expressed in a
unique way. In addition, it is possible to emphasize the
etymology of phraseologism and author's words. Such
an analysis of lexical units encourages students to read
such works, increases their interest, and becomes a
resource for us to learn the meanings of existing lexical
units and realia given by the language of the creator.
We can see that synonyms, opposite words, and
repetitions are widely used in the work of the poetess.
In the development of modern directions of Uzbek
linguistics, the language and culture of Farida Afroz's
creative examples are of great importance. In the art
of Farida Afro'z, special attention is paid to language
and culture issues with the skill of using words. It is no
exaggeration to say that Farida Afro'z's work is a
unique material from the point of view of
linguopoetics, linguo-folkloristics, and linguocultural
sciences. In her poems, there is a description of such
feelings, in which thoughts become philosophical,
awaken and expand human thinking, invite deep
observation of the continuation of life, in some places
we clearly feel the philosophical observation of Sufism.
For example, these thoughts of the poetess can be a
vivid example of this.
Men yig‘ladim
Qo‘limdagi gul ham
Mung‘aydi.
Volume 03 Issue 05-2023
34
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
05
Pages:
29-34
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
The feelings of the poetess are expressed by describing
the mood, the fact that her crying affected even the
flower child in her hand, her sadness, the words used
by her in the verses express originality and diversity.
REFERENCES
1.
N. Jiyanova. O‘zbek tilining amaliy uslubiyati.
Toshkent, 2018 yil.
2.
M.Yo‘ldoshev. Farida Afro‘z ijodiga chizgilar.
Toshkent, 2023yil.
3.
М. Йўлдошев. Бадиий матн ва унинг
лингвопоэтик та
ҳ
лили
асослар
.
Тошкент
,
Фан
, 2007
йил
.
4.
M. Saidova, U.Kuviev. Lingvokulturologiya
(uslubiy qo‘llanma). Namangan. 2017
5.
M.Xudoyberganova .Matnning antroposentrik
tadqiqi. Toshkent. 2015 yil.
6.
https //t.me./Farida Afro‘z.
