Volume 04 Issue 12-2024
29
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
04
ISSUE
12
P
AGES
:
29-33
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
The human concept has a special significance in the works of Abdulla Oripov, I. Jabbarov, who carefully studied the
issue of interpretation of historical figures in the works of Abdulla Oripov, using the poet's works as an example, notes
three main features of the issue of human worldview.
KEYWORDS
Human concept, special significance, human worldview.
INTRODUCTION
In the poems of Abdulla Oripov on the theme of the
Motherland, the Motherland, the people, the image of
a middle-aged man who is aware of his personality,
aware of his present past, whose worldview does not
correspond to the standards of time, the height of
philosophically minded observation shows.
Based on the philosophical laws operating in society, a
person interacts with time, in turn influences it, and is
also influenced by it. When a person perceives the
world and reality, he is surrounded by universal
feelings such as will, creativity and truth. Science seeks
to understand the history of mankind as a non-random
link and process in the course of the development of
the universal universe (matter and energy), in which
man, like religion, is the heir and a certain fixed plan of
God for the highest tasks of will and for creation.
Human morality, spiritual level and culture are
reflected in his work and fiction. Man is at the center of
all events occurring in nature and society. That is why
society pays attention to the human concept. A society
that values people will continue to grow spiritually. As
a person understands the laws of nature and social life,
his thinking develops. We can see these situations in
the philosophical observations of the poems of Abdulla
Research Article
INTERPRETATION OF THE HUMAN CONCEPT IN POETRY
Submission Date:
December 14, 2024,
Accepted Date:
December 19, 2024,
Published Date:
December 24, 2024
Crossref doi:
https://doi.org/10.37547/ijll/Volume04Issue12-06
M.N. Narzieva
Named after Sharof Rashidov, Associate Professor of Samarkand State University Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ijll
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 12-2024
30
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
04
ISSUE
12
P
AGES
:
29-33
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
Oripov. The poet sees a strong relationship in the
system of events occurring in nature and society, and
puts into the essence of his poems that man is at their
center and that all philosophical laws are realized
depending on him. The human concept has a special
meaning in the work of Abdulla Oripov. From a
scientific point of view, the term concept, meaning a
complex system, is interpreted as follows:
1) Views, a system of principles, a certain way of
understanding, comprehension and interpretation of
facts and events, the main point of view;
2) the main idea of a work in literature.
The concept expresses the essence of a work of art,
the “I” of the creator. However, the concept of a work
of art in some cases can be more comprehensive than
the subjective opinion of the author. Even if sometimes
a situation arises that contradicts the author’s
intention, with attention to the essence, the work
belongs to the artistic and aesthetic world of the
author according to his intention. Based on the moral
and spiritual level of the student, historical conditions,
the concept of a work of art is emphasized and clearly
expressed. In essence, the concept exteriorizes the
unity of man and being. It is also possible to present the
matter as the concept of a specific artist or the concept
of a real work of art taken separately. In another way,
the concept of a work of art appears as a mechanism
and a way of understanding life through the artistic and
aesthetic, figurative world depicted in it. In general, the
concept determines the place of a work of art in the
history of art, literature and culture, as well as the level
of influence on the readership.
I.Jabborov, who carefully studied the issue of
interpreting historical figures in the works of Abdulla
Oripov, using t
he poet’s works as an example, notes
three main features of the issue of human worldview.
Although they are more extensive, we considered it
permissible to quote them:
First of all, the priority was given to the study and
theoretical generalization of the question of the
human concept, first of all, the evolution of
consciousness and the artist's worldview, the
psychology of the literary process, the leading
tendencies of its development. In particular, when
covering the psyche of man-society-nature, any
question is considered from the point of view of the
interests of the nation and the Motherland, without
being locked in the shell of personal narrow subjective
views. In this sense, whether a historical or
contemporary theme is being studied, it is first of all
considered and studied as a phenomenon in motion,
emdiving the socio-political and aesthetic ideal of the
nation.
Secondly, artistic characters are depicted in specific
historical conditions, in a specific life environment and
in their content, without losing the sense of historicity,
emdiv a certain state of the psychology of society. In
this regard, man is considered as an axis emdiving
the system of social relations in his destiny-activity. In
this process, man is embodied as a creative,
constructive being, centering in his personality new
social relations, spiritual and intellectual connections,
engaged in the creation of the history of the
Motherland. After all, social systems did not exist and
will not exist without the interests and inclinations of
man, emdiving the interests of the nation and the
Motherland, without the goals and aspirations of man,
without active creative activity. In this sense, the
artistic concept of man serves as confirmation of the
aesthetic richness and originality of the creative
Volume 04 Issue 12-2024
31
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
04
ISSUE
12
P
AGES
:
29-33
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
method, based on the culture of consistent realistic
images.
Thirdly, cultural, religious, historical, etc. consider and
study it as a phenomenon of beauty in the process of
propaganda, protection, glorification of values. In this
sense,
human
consciousness
and
mental
enlightenment are always saturated and enriched by
the leading socio-philosophical ideas of society. This
means that the human concept in works of art has the
potential to change the psychology of people and
influence the spiritual and moral environment of
society. Man is goodness, beauty, justice, etc. This is a
unique value that turns universal human values into
priority principles of social activity. That is, the
individual creative method of the artist, his view, style,
principles of artistic and aesthetic generalization,
genre specification of the work, in a word, the existing
objective and perceived subjective aspects of the
artistic world.
According to Abu Ali ibn Sina, "a person becomes a
person only because he satisfies the needs of others,
and others behave in exactly the same way. Someone
sows a crop, another bakes bread, a third sews clothes,
a fourth makes needles, and everyone gathers to
satisfy each other's needs.
In the poems of Abdulla Oripov on the theme of the
Motherland, the Motherland, the people, the image of
a middle-aged man who is aware of his personality,
aware of his present past, whose worldview does not
correspond to the standards of time, shows the height
of philosophically minded observation. Literary critic
M. Davronova tries to show the features of the style of
Usman Azim and A. Oripov through the human
concept. The researcher writes: "The philosophical and
intellectual poetry of Usman Azim differs from the
philosophical poetry of Abdulla Oripov. Abdulla
Oripov's style is characterized by deep philosophy,
oriental wisdom, deep lyricism. For example, let's pay
attention to the poet's poem "Elephant and Ant":
- Why are you turning into an elephant, ant?
- Because I'm tired of my existence.
- You are an ant, tell me, elephant, why?
- Because I have no peace from the means of existence
(volume 6, 123)
The style of Abdulla Oripov is filled with Eastern
wisdom. The poet looks at the world through the eyes
of a thinker (as K. Yoldoshev noted) and is embodied in
the image of a philosopher, comprehending the
present and predicting the future.
Of course, the image of an Eastern sage does not form
on its own. In particular, a poet needs a lot of strength
and knowledge to look at the world through the eyes
of a thinker and create an image of a sage who is able
to predict the future. Therefore, the poet begins with
the history of Ancient Rome, India, China and Turan to
the history of the Karakhanids, Mongols, Timurids,
Shaibans,
Ashtarkhans
and
Mangits;
From
Muhammad, peace be upon him, Imam Bukhari,
Abduhalik Gijduvani, Yassawi, Naqshband, Pahlavon
Mahmud and Najmuddin Kubra; From Alexander
Magdunli, Genghis Khan, Amir Temur, Bayazid, Hussein
Boykar, Babur to Napoleon Bonaparte; He sought to
join the spiritual heritage of hundreds of great people:
from Dante, Pushkin, Goethe, Tolstoy, Dostoevsky,
Blok, Fet, Bulgakov, Gemenguey, Gandhi to Einstein.
More than four hundred names of people, about five
hundred names of places, cities, mountains, rivers and
seas found in the poet's works testify to the fact that
Volume 04 Issue 12-2024
32
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
04
ISSUE
12
P
AGES
:
29-33
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
he studied tirelessly and was the owner of an
extraordinary talent . The example of Abdulla Oripov's
work proved that innate talent alone is not enough for
real creativity; it can be elevated by encyclopedic
knowledge. "Armenia", "Spring", "Uzbekistan", "Song
of Resistance", "Mirage", "Letter to Generations",
"Bloody Shirt", "Othello", "Face to Face", "Into the
Album", "Pushkin", "I Hit Myself in the Womb of My
Brahma", "Mistakes", "Point of Latitude", "Harmony of
Years", "Word of a Zoroastrian", "Uzbek Mother",
"Homeland". In his poems "Alisher", "Alloma",
"Alisher's Mother", "Babur" one can feel the poet's
emotional experiences and the rebellious breath of the
soul, thirsting for spiritual freedom. "Mythological-
religious-philosophical systematization in thinking is
characteristic only of creative thinkers; only in them are
the global realities of all human life written and
universal human ideas presented in artistic form. There
is no corner of life where the gaze of a creative thinker
does not fall. In such cases, the artist enters the field
of history not only as a creator writing works, but as a
thinker with his own concept of the development of
society, a thinker-intellectual capable of creating public
opinion, and sometimes even a genius determining the
course of history. Abdulla Oripov moderately
expanded poetry, elevated it to the glory of the nation,
showed that the heart of the nation is contained in
every emotion, feeling, allegory. Even if we take any
very intimate poem of the 60-70s, we can see in it the
national experience and national pain.
In his poem "Opportunity" Abdulla Oripov reflects on
the laws that operate in human life. He uses
information about the names and activities of such
historical figures as Marx, Alexander the Great and
Timur to describe the fact that the balance of truth in
social life has long been unequal: "Before Marx, there
were such statements: . // Okay, let's soften the hint, //
Those who have the means, and those who do not. //
While he has the opportunity, Temurdain, // It is true
that he has captured half the world. // You can't afford
it, you don't care, // This old bathtub, this old basin
(volume 8, 159). It seems that by the concept we mean
the figurative manifestation of the universe in artistic
creativity and the ideological and aesthetic orientation
of the work, in which the problems are considered
separately by the creator. In the poem, the poet points
out the existence of a bitter rule, a judge, dividing
people into two classes - the rich and the poor. The
name of this referee is opportunity. In fact, this law has
been in force since the beginning of mankind. It was
also used by the greatest conquerors of the world,
Alexander the Great and Timur. It is such a driving force
in society that it makes great scientists gather
firewood, makes people like Hotam, known for his
generosity among the people, stand hand in hand:
Hazrat Beruni in the Balkh desert, // O' Twice a year he
collected tin. // He was forced to do everything he
could, // The rest of the time was devoted to science
(vol. 8, 159).
At the end of the poem, the poet admits that the
criterion of human relations depends on opportunity,
and notes that only capable people can live well in
society.
Thus, in the work of Abdulla Oripov, the concept of
man is expressed in his soul and spirit. The poet is able
to change the attitude of today's readers to religion on
the basis of such religious concepts as jihad, merit and
sin. Religious interpretations in his poems are not
given simply, but are carried out through rhetorical
questions and rhetorical appeals. This not only makes
the student more alert, but also leads to the expansion
of his religious views.
Volume 04 Issue 12-2024
33
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
04
ISSUE
12
P
AGES
:
29-33
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
REFERENCES
1.
Davronova M. Poetics of individual style in modern
Uzbek poetry. Dissertation. - Samarkand, 2019 - P
228.
2.
Jabbarov I. Interpretation of a historical figure in
the poetry of Abdulla Oripov. - Tashkent: Science,
2008 - P 29-30.
3.
Oripov A. Selected works. Volume 8. - Tashkent: G.
Gulom Publishing House, 2016 - 324 p.
4.
Razumov A.E. Freedom of creativity and
imagination: man and time // Higher education in
Russia. 2018. Vol. 27. No. 5 - P 130.
5.
Raximov S.R. Psychological and pedagogical views
of Abu Ali ibn Sina. - Tashkent: Teacher, 1979. - P.
120.
6.
Ganiev I., Afokova N. Philosophy of the Free Spirit.
- Tashkent: Subject, 2006. - P. 13-14.
