Expression of periodic variations in the publicistic lyric (On the example of the lyrics of I.Yusupov)

Abstract

The article discusses the role of publicistic lyricism in literature, conducts academic research on lyricism, considers scholarly opinions about poetry, and provides feedback.

International Journal Of Literature And Languages
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Ayapov A.T. (2025). Expression of periodic variations in the publicistic lyric (On the example of the lyrics of I.Yusupov). International Journal Of Literature And Languages, 5(01), 29–31. https://doi.org/10.37547/ijll/Volume05Issue01-07
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Abstract

The article discusses the role of publicistic lyricism in literature, conducts academic research on lyricism, considers scholarly opinions about poetry, and provides feedback.


background image

International Journal Of Literature And Languages

29

https://theusajournals.com/index.php/ijll

VOLUME

Vol.05 Issue01 2025

PAGE NO.

29-31

DOI

10.37547/ijll/Volume05Issue01-07



Expression of periodic variations in the publicistic lyric
(On the example of the lyrics of I.Yusupov)

Ayapov A.T.

Nukus branch of Uzbekistan state institute of arts and culture, Uzbekistan

Received:

26 October 2024;

Accepted:

28 December 2024;

Published:

23 January 2025

Abstract:

The article discusses the role of publicistic lyricism in literature, conducts academic research on lyricism,

considers scholarly opinions about poetry, and provides feedback.

Keywords:

Jurnalistic lyrics, poetry, lyrical hero, poem, inner form.

Introduction:

One of the most important issues of

modern times, which reveals the specific content of the
propaganda directions of the poetry of Karakalpak in
the years of independence and the literary disputes in
it, the meaning of the period drama

Because in this period, in addition to the leading
representatives of our poetry, its middle and latest
generations were also active

This is an example of how each of the heroes of modern
literature distributed manuscripts in their newspapers.
At the present stage of our literature's development,
lyrical poetry plays a very important role, the difference
being that poems do not subordinate their thoughts to
themselves, but express them openly.

In addition, the worldly humility, the poverty of the
mind, the materialism, the bureaucracy, the glamour,
the self-indulgence, and so on, are leading us astray.To
overcome them, we need faith, knowledge, gentleness,
strength, courage, a clear conscience, godliness, and
much more. Recognizing the importance of
humanitarianism and humanitarian qualities , reflects
the clarity and purposefulness of the author's position
in our lyrics Such important developments in
contemporary social policy, artistic thought, marked
new directions in the development of publicist lyricism,
ideological-thematic and genre-styled changes. In this
regard , the publicist lyric of I.Yusupov is of great
importance. In one of the most popular lyrical works of
the decade “Munajat”, he writes:

…Кимлер ҳийле менен шалқып жатажақ,

Пулға өтсе, жоқ ийманын сатажақ.

Мириўбет таңлары қашан атажақ,

Журттың бир әрманы сол ғана болар… [1]

These were, in fact, lines that originated from conflicts
all over the world. It is no secret that over the past
decades, economic and financial challenges have
tested the resilience of our people. It was reported in
the daily press, on the radio and on television. But after
money, they go naked, and many sell the truth It's also
true that the black people of Oville have been eating
themselves for a decade because of the lack of fish oil
in the market, not because of the calves.Thus, one of
our most active poets I.Yusupov was able to turn the
contradictions of Turkish realism and modernity into
artistic and literary conflicts and instill them in the
heart of the lyrical hero.

Periodic contradictions are transformed into literary
conflict in the lyrical work in a unique style. Perhaps
that's why the famous Uzbek literature by J.Kamal
describes the periodic contradictions in the phrase
"Omir dramasi", the idiom in his lyrics is: It's typically
seen in lyrical works, such as The Pride of the Camels,
in the form of passersby swapping types. We should not
forget the peculiarities of the genre in the lyrics , which
are defined by specific characteristics In a short period
of time, the supply of lyrical conflict can be irreparably
damaged.At the same time , this direction of folk
lyricism will undoubtedly lead to a lot of scientific
theoretical collections from a relative typological point
of view .

… Қайымшыл ат ҳазар бермес дойнаққа,

Сайлаўларда тилин қосар байраққа.


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International Journal Of Literature And Languages (ISSN: 2771-2834)

Сол ўәделер сөз емес, суў болғанда,

Арал қайтып келер еди

-

аў Мойнаққа….

At the time, the cotton monoculture that had drained
the Amyu and the Aral, we were indifferent because we
were leading the way.These are words that the poet
understood very well with the power of beautiful
figurative ideas.

...The tragedy that resulted from the disruption of the
conflict between nature and man was tasted in the
form of a collection of deeply reflective knuckleheads,
mixed with grief, sadness and emotional emotions,
because its creation affected not only the play of the
people, but also the other joints of existence.

From this point of view, his philosophical song
“Bay

ı

wl

ı”

also clearly shows publicistic ideas and

images For example:

Теңиз толқып турған ўақта иргеде,

Ел қандай мәс еди кеше Үргеде.

Жүрегим даўамас енди көрмеге,

Мәканлап алыпсаң

-

ғо өзиң байыўлы!

Арқадан жағымсыз самаллар есер,

Самал ескен сайын еңсемиз түсер.

Көп узамай бул аўыл көшеди десер

,

Сол ма, айтажағың байғус байыўлы

!

Those who love poetry will find deep truth in this poem
One of the realities of being self-sufficient, and one of
the sharpest conflicts, clearly shows us this. The song's
lyrical content refers to the vileness of a rich man in a
folk tale, then the lyrics are guided by the protagonist's
thoughts on socio-political and social contexts.

"Plaha izlep" by I. Yusupov. The song also reflects
philosophical,

humanistic

and

publicistic

features.Inspired by the novel of the famous writer
Sh.Aytmatov, this song has a deep poetic meaning of

the

ancient

"Jańaǵashqa",

where

astonishing

contradictions in the socio-political life of the 20th
century, nasty diseases, wild animals hidden from the
environment and nature are visibly depicted our eyes.

See also:

Тайга қарағайының бийигин сайлап,

Әйдик еменлерди қыйратып шықтық.

Түбине зәҳәрли изей суў айдап,

Саялы гүжимди қуўратып жықтық.

At the same time, it is necessary to emphasize the
breadth of the world of thought and communication of
the poem, the depth of the contradictions in which the
poem contains contradictions on a global scale, the

impact of the specific words and artistic means in the
poetic system.

For example:

Ашкөзлер шанағы терең қурымдай,

Байлық

-

үстемликти аңсар бир тынбай.

Жуўҳаланып теңиз суўын симирип,

Нәпси өрбир шегирткениң қуртындай.

Жаўрап Миссисипи, Әмиўдәрьялар,

Жағысларын таслап қашады Арал.

I feel that in addition to the specific philosophical and
enlightenment connotations of these works, the
publicistic spirit in which the truth isspoken, the
dominating thoughts, once read, affects the emotions
of the person who reads them, causing him to think
along with the lyrical hero, to think correctly.

Environmental disasters, mental breakdown, and
other deadly diseases are also evidence of this Thus,
I.Yusupov, in the "Plaha izlep" that we are considering,
had a way of expressing his feelings about conflicts of
great social and societal significance.The author's
insight, sophisticated vocabulary, and detailed
illustrations captivate the reader.

The poetic servant of the world of ideas, imbued with
the great patriotism expressed in the songs of the great
masters of the word, including "Sagalayaq", "Aral
elegiyalari", "Sawbetli aqsham", "Jol samali", "Watan"
and many others, comes to mind. For example, in a
friendly conversation with a friend of the poet:

"Bilesenǵoy baratırǵan aǵımdı, Endi duris sózdiń
zamanı bolar", "Sen súygen jollarǵa jazbappan qosıq",

it seems that the truth of your words is deeply imbued
with the spirit of a new era, a renewed era. In addition,
in the song "Aral elegiyalari", the poet describes the
consequences of the Aral catastrophe:

Суўы қумайытланған бир Әзим дәрья,

Руўхым арқалы ағып барады.

Демиккен ең соңғы балықлар онда,

Есеңкиреп қалаш қағып барады.

- gives full lines to the sharp and fierce contradictions
In a nutshell, the deeply spiritual and tragic qualities of
each of these elegies are inextricably linked to the
acute wounds and acute losses of our time, of the 20th
century. At the same time, there are words in the
literature that deserve the attention of many due to the
content and significance of these works

For example:

… «Зәрредей пайда жоқ сениң жаныңнан,

Деп күлгендей гүўлеп дузлы самаллар.

Гүзги күн сығыраяр асырылып шыңнан,


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International Journal Of Literature And Languages (ISSN: 2771-2834)

Тамыры жалаңаш жатар томарлар.

Кеше толқып жатқан қайырды қара,

Қанлы урыс болғандай қып

-

қызыл сора.

Бир ғарры үш ешки менен аўара,

Алыстан аўыз суў тасыр ҳаяллар. [4]

So all of this is contrary to the truth and belief, as well
as to what has happened to us in the past. Let's say
hello to them, because their makeup is very realistic.

In general, "both publicity and poetry, standing in the
front, nodded to the problems of the time, created the
anxiety to wake up the sleeping country" [5] I.Yusupov
actively intervenes in the important issues of his time,
deeply penetrating them by strengthening the publicist
spirit in whatever song, whatever poetry. As a result, its
components increase political and social activism in the
organs of our society.

REFERENCES

Юсупов И. Беглигиңди бузба сен. Қосықлар. Нөкис.
«Қарақалпақстан», 1995, 5

-

б.

Камалов Ж. Лирик шеърият, Тошкент, «Фан», 1986,

38-

б.

Оразымбетов Қ. Ҳәзирги қарақалпақ лирикасында
көркем

формалардың

эволюциясы

ҳәм

типологиясы: Нөкис, «Билим», 2004, 30

-

б.

Юсупов И. Таңлаўлы шығармалары… Нөкис, 2

-

том,

13-

бет.

Тўлаков И. Аты көрсетил. док.дисс. авторефер., 16

-

б.

References

Юсупов И. Беглигиңди бузба сен. Қосықлар. Нөкис. «Қарақалпақстан», 1995, 5-б.

Камалов Ж. Лирик шеърият, Тошкент, «Фан», 1986, 38-б.

Оразымбетов Қ. Ҳәзирги қарақалпақ лирикасында көркем формалардың эволюциясы ҳәм типологиясы: Нөкис, «Билим», 2004, 30-б.

Юсупов И. Таңлаўлы шығармалары… Нөкис, 2-том, 13-бет.

Тўлаков И. Аты көрсетил. док.дисс. авторефер., 16-б.