International Journal Of Literature And Languages
47
https://theusajournals.com/index.php/ijll
VOLUME
Vol.05 Issue02 2025
PAGE NO.
47-48
10.37547/ijll/Volume05Issue02-13
Representation of the lyrical passage with nature images
Fayzullaeva Sayatkhan Uzakbaevna (PhD)
Nukus branch of Uzbekistan state institute of arts and culture, Uzbekistan
Received:
21 December 2024;
Accepted:
23 January 2025;
Published:
25 February 2025
Abstract:
This article reveals the methods and peculiarities of conveying experiences about the paysage in the
poems of poets M.Jumanazarova and P. Mirzabayeva. The lyrical hero in the poems of the poets demonstrates
the artist's skill in a unique style through the descriptions of the paysage. In the works of the poets, experiences
are artistically expressed on the basis of various details.
Keywords:
Lyrical excitement, poetry, lyrical hero, inner form.
Introduction:
There isn't a poet who hasn't been
touched by the beauty of nature, who hasn't been
inspired by it, who hasn't been inspired to create. The
bright sunshine, the silver fountains, the green fields,
the flowers, the gentle movement of the birds and the
silence - all this adds beauty to the outlook of the
beautiful heart and renews the outlook on life. Artistic
works full of spiritual waves taken from the poet's
nature arouse the reader's passion for his work.
Paysage lyric is the oldest genre in literature. "Paysage"
is the French word for ""paisaj", which literally means
"place or place", and "country".
An important component of the artistic reality
represented in a literary work is the image of an open
space (closed space) in which the reality takes place. [1]
Often, landscape is understood to be a representation
of nature, but such a concept is seen in a narrower
sense. It is desirable that both natural and man-made
environments are under consideration.
Moreover, the nature given in the landscape lyric
suggests that the lyric represents the heart of the
subjectWe agree with the opinion of the Uzbek
scientist T.Boboyev: Literature is not just a guide in the
eternal work. Chunkir, landscape lyric features objects
depicted with heads. However, in this type of work, the
landscape is also associated with human life and
emotions.[2] Thus, in artistic works depicting
landscapes, the experiences that affect the human
heart show their influence. The pisage we've described
serve to convey the essence of the poem, the essence
of the poem. Uzbek scientist DKuronov's dictionary
"Ádebiyattanıw sózligi" paysage not only reflects the
appearance of literature, but also lyrically divides the
hero's efforts based on the pisage into thematic types,
which can be socio-political (A. Oripov's "Gúzek
hayollari" ), socio-political (A. Oripov's "Bahor kunlarida
kuzning havosi" ), intimate (A. Oripov's "Sen bahorni
sag'inmadingmi") and other directions.[3] So, based on
the content of our work, we try to see the cases in
which the lyric is given with the help of landscape
images of the past. Lyric in landscape expression will be
filled with patriotic ideas in accordance with the style
of poet M.Jumanazarova In his lyrics to "Jazdń noseri",
he refers to the spring as dry and the summer as rainy.
Lyrically, the cha
racter talks to nature, saying "jawındı
berseń jerge tuqım shashpastan ber".
Ala báhár. Qaqsap tur quw dala,
Duzlı shańǵıt eser, ala
-
sapıran,
Оtlaqlar kúyregen, zar tamshı suwǵa,
Jawın, jawın ber, ey saqıy aspan.
Jaz оrtası, Nóser. Selletti nóser,
Jer
qatıwash ashtı endi eńbek hesh,
Qatqalaq, qalaysha tuqım kógerer,
Bul nóser keshikti, júdá ǵana kesh.[4.]
The poet is pained by the injustice and cruelty of
nature. The lack of rain during planting, the crop failure
of the farmers, the fact that our fields have lost their
crops, the fact that the crops have suffered more in the
hot summer than we have used the water. The poet
International Journal Of Literature And Languages
48
https://theusajournals.com/index.php/ijll
International Journal Of Literature And Languages (ISSN: 2771-2834)
laments the damage to agriculture after the flood.
We've said before that a paysage is not just a natural
phenomenon, it's also a human-made place. In her
song "Iyesiz, húwilder góne tam... ", the lyrical
protagonist expresses her sad feelings about the
destruction of her childhood home, which was a place
of interest, and the abandonment of the house because
it was uninhabited.
Iyesiz góne tam húwilder,
Qap tutıp qоyıptı áynekke,
Al qálbim qulazıp eńirer,
Bawırım kúyedi mıń dártke.
Saǵınıp kelgenmen bárin de,
Balalıq biyǵubar pákligim,
Kútip almadı hesh kim de,
Ákem de, apam da jоq búgin [4]
The lyrical heroine misses her father, home, parents
and loved ones, who spent the happiest days of her life
with her parents and had a carefree childhood. On top
of that, she worries that the house is deserted and
there is no one to turn on the lights. So he's a master at
using old wall details to create a sense of nostalgia for
his parents, a memory of a happy childhood. The old
wall around it may be lifeless inside, but the lyrical hero
receives some spiritual power as he hears the sweet
breaths that pass through the space. He is immediately
encouraged. Patriotic ideas are reflected in the lyrics of
Shair P.Mirzabayeva about nature. She shall be
satisfied with his land, and his belly shall be satisfied
with his breadth.
Siz bilseńiz edi:
Mına keń dalanıń tatlı ármanın!
Оnıń buyralanǵan sarǵısh qumların
Gezseńiz edi! [5]
The poet knew his own destiny and the destiny of the
land of his birth and he called it the wilderness of the
plain, and the wilderness of the great plains, The
wilderness of the peoples. Its congregations are busy
receiving spiritual food. These fields come with
mysteries and mysteries of historical events that have
seen the past.
She encourages us to carry out his commands. The
poetic mastery of the poet can be seen in the song of
the pafos penen, which expresses the feelings of love
for the place of birth. She is a gift to the land of her
birth, to the mother's soil as a living entity, and shares
with her future aspirations.
Of course, this place may not be worth anything in the
wilderness, in the vast plains, but it represents the
future and the glory of its native people who live in this
land. In short, we can see that the depictions of nature
are based on the synthesis of the lyrical heroine's deep
socio-philosophical thoughts about the Motherland,
the people, intimacy. We understand that poetry not
only expresses literary beauty, but also creates a
subjective world and an artistic nature created by man,
able to express his ethical-aesthetic tendencies in deep
meanings.
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