Volume 03 Issue 11-2023
206
International Journal of Pedagogics
(ISSN
–
2771-2281)
VOLUME
03
ISSUE
11
P
AGES
:
206-208
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
676
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
In this article, the artistry, poetics, language and style of one of the leading representatives of Uzbek literature
Khayriddin Sultan's short story "Kongil ozodadur", the style and views of the writer in emdiving the events of the
work, the idea put forward in the short story, the compositional construction of the work from a scientific and artistic
point of view are detailed, illuminated.
KEYWORDS
Short story, poetics, plot, composition, story.
INTRODUCTION
The structure, plot and composition of a work of art,
features of language, way of telling a story, style of
expression, methods and means of depiction, tone - all
these make up the poetics of the work. The artist's
artistry and originality are primarily determined by his
poetic invention and skill. Moreover, each true work of
art is distinguished by its artistic brilliance, and one
does not repeat the other. A work of art enriches a
person's spirituality and fills his imagination with
national and universal values. Social and cultural
innovations of each era are embodied in literature. The
current literary process evaluates the changes in the
poetics of artistic works and interprets the objective
and subjective factors. The artist strives to convey the
power of words by paying attention to the weight of
the content and the breadth of the generalization.
Lively creation of artistic reality begins with a deep
study of life, feeling the truth of the universe. The value
of the literary process is determined by the creation of
new works. Philosophical-aesthetic nature of the work
of art is of great importance in mastering its place in
the historical and cultural layers. Accepting the model
of creation means to imagine the content of the part in
the whole structure. The content of the literary text
expands in the mind of the reader and opens the way
to mysterious borders.
Research Article
THE MIND IS FREE, THE WORLD DOES NOT NEED ANYTHING
Submission Date:
November 20, 2023,
Accepted Date:
November 25, 2023,
Published Date:
November 30, 2023
Crossref doi:
https://doi.org/10.37547/ijp/Volume03Issue11-40
Adilova Fanuza Shodiyor Qizi
Tashkent State University Of Uzbek Language And Literature, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ijp
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 03 Issue 11-2023
207
International Journal of Pedagogics
(ISSN
–
2771-2281)
VOLUME
03
ISSUE
11
P
AGES
:
206-208
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
676
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
The genre of the short story covers the character of a
person from different perspectives. In illuminating the
character's progress, he unites the virtues and defects
of his nature to the center. His ethical and aesthetic
world reveals his inner mysterious vibration and
restless feelings. A true writer feels how much hidden
power there is in words and can subdue this power. In
this regard, Khairiddin Sultan relies on the national
spirit and humanity in creating a character. In relation
to the heroes who have a negative place in the work,
they do not follow the usual path of black slapping, but
approach them with honesty and human compassion.
In the image of the character, the vagrant avoids the
detailed description, the most important detail or two
paint-lines immediately make the character come alive
in your eyes. Although Khairiddin Sultan is one of the
writers who works in a traditional way, we can see
elements of new composition in each of his works. The
writer, who is well aware of the advanced examples of
world literature, uses these methods blindly, not "for
the sake of form", but in accordance with the national
spirit of the work, the intended purpose and the tone
of the image, so that it turns out decent and neat as
you can see, as a result, the novelties in the
composition of the work are sometimes not even
noticeable, it is so harmonious! The plot of almost all
stories and short stories of the writer has a vital basis;
he mainly writes the reality he sees and knows.
However, it is important that the description of inner
experiences, analytical considerations take the lead
rather than the details of the events. "You will feel that
the attractive language and style of the works of the
master writer Khairiddin Sultan, the writings rich in folk
proverbs and stories not only enrich the heart of the
reader, but also teach him the secrets of life." .
Khairiddin Sultan's short story "Kongul ozodadur" is
somewhat different from other short stories both in
terms of writing style and meaning. In the story,
Ghulam Muhammad Sharif lives with Gulkhani, who has
a clean heart, talks to him and relieves his pain, but he
can only be seen with the eyes of the heart and heard
with the ears of the heart. Asar Gulkhani's work
"Zarbulmasal" shows the bottoms of people who live
like animals in contrast to the birds who live like people
and talk. At the beginning, the beginning of the play is
uneven, even if it starts smoothly, the events of the
play develop as soon as he moves to Shadiyor's
apartment in the middle of the play. The work was
given a special meaning and charm by Gukhani's
stories, proverbs, verses. Each proverb, story is found
and used in accordance with the work's plot. The
characters of the characters in the work are not similar
to each other, do not repeat each other, and the writer
mainly uses simple proverbs and details to reveal the
character. Artistic details play a major role in typifying
life, in its artistic expression, in revealing the facets of
the hero's character, in expressing the idea of the
work, and in increasing its emotional impact. For
example, Ghulam Gulkhani's mention of his colleague
Jalaluddin when telling the story of Yadgor Postindoz
reveals his character, that is, it is understood that
Jalaliddin is a liar like Yodgor Postindoz. As the hero
said, "After every saying of Maulana Gulkhani, a
window of destiny is clearly visible." "The cauldron of
the heart does not boil, even if it boils, it cannot be
poured" - the description given to Ghulam, who is a
repressed person by nature. "The bastard's tail is a
tuft" - this belongs to Jalaliddin, who is now hiding his
tail. The proverb "A dry spoon tears the mouth" was a
proverb directed at the hero's father, who was barely
supporting eight people in the village. "It is better to
eat fistfuls in a wide place than to eat soup in a narrow
Volume 03 Issue 11-2023
208
International Journal of Pedagogics
(ISSN
–
2771-2281)
VOLUME
03
ISSUE
11
P
AGES
:
206-208
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
676
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
place", "The original is not a mistake, the fault is the
father", "The deer does not lie on the mountain of
trust", "Those who eat without chewing will leave
without pain", "If you give your soup to the earth, the
earth will wipe your head, If you give your food to a
dog, dogs will pull your head", "Tell the word, don't
listen, don't kiss the soul, don't tell, don't kill your
mother..." were also directly addressed to the heroes
of the play. The work is rich in proverbs and wise
words, and unique similes are also used. If we pay
attention to the following passage: "The blue rain does
not fall on us, our tears fall on the ground, the ground
becomes mud - our situation is woeful, the foundation
dries up - our salt and the sun shine - we are also we cry,
pasta soup boils, crickets boil, monkeys cry - we don't
cry." The language of the work is also somewhat
variable. "A Turk has a field ten miles away, he has no
stalks, there are peanuts in his field, there is no time to
dig, but there is a pest in his house, the pest has no
tongue, but his tongue, his tongue has no courage, but
there is pain, there is the heat of the moon, there is a
lonely sun, there is no difference between day and
night for a workaholic, there is work, there is work,
there is only work!" - if he remembers the language and
style of Uncle Murad, Erkin Azam, the use of
contradictory words in his sentences, "My hope was
that if I forget the worldly scabies, listening to the
chatter of the birds and the wisdom of the owner, If I
write the meanings of wisdom without giving to gems
and pearls..." and the sentences resemble the
language of the Middle Ages. The image of pure love in
the work is also very beautifully expressed. Ghulam's
love story for Gulkhani was described as "...the very
first time I met him, it was like a strange parable. And
the last time I met him was a true lament", - even from
the beginning, it can be clearly felt that the heroine has
not been able to reach her love, that she has lost it, and
that she has become a dreamer. Ghulam "...His name
was Kunduz. His name was Kunduz, but he was a star.
A star beyond my reach. A star that faded in the sky of
Tole'im...", he recalls. Unfortunately, the "sin" of
Kunduz, who revealed the flower of love in the play,
remains a mystery. "First love is like a cloud in a clear
spring sky. Pure, transparent... He doesn't even know
where the wind will take him." Ghulam's love was not
carried away by the wind like a cloud, but by
hurricanes, but it will remain in his heart forever. All
human virtues and vices are literary subjects. These
vices include lying, betrayal, bribery, and adultery. We
can include this story in the list of literary works. The
deep meaning of the story will not stop the reader who
can understand human experiences and who is no
stranger to emotions.
REFERENCES
1.
Literary theory. 2 volumes. Literary-historical
process. Volume 2. Tashkent: Science, 1979.
2.
Sultanov H. The sun is equal to everyone. Stories.
Tashkent: Literature and Art Publishing House,
1980.
3.
Sultanov Kh. One evening's tale. Stories, historical
sketches, short stories. Tashkent: Literature and
Art Publishing House, 1983.
4.
Sultanov H. Mother's land. Short stories and
stories. Tashkent: Literature and Art Publishing
House, 1987.
