Authors

  • Sultanova Nilufar

DOI:

https://doi.org/10.71337/inlibrary.uz.jnci.103761

Keywords:

Keywords: Alisher Navoi ghazal teaching methodology literary analysis aesthetic education interactive methods modern education competency-based approach.

Abstract

Annotation: This article explores the methodology of teaching the ghazals of Alisher Navoi, a great Uzbek poet and thinker. It highlights the distinctive features of the ghazal genre, methods of analyzing and interpreting them, as well as approaches to using them as a tool for literary and aesthetic education. The study examines ways to spark students’ interest in ghazals and deepen their understanding through interactive methods, modern technologies, and a competency-based approach in the classroom. Furthermore, the spiritual and aesthetic significance of Navoi’s ghazals and their role in the moral upbringing of the younger generation are discussed.


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METHODOLOGY OF TEACHING ALISHER NAVOI’S GHAZALS

Sultanova Nilufar

Annotation:

This article explores the methodology of teaching the ghazals of

Alisher Navoi, a great Uzbek poet and thinker. It highlights the distinctive features of
the ghazal genre, methods of analyzing and interpreting them, as well as approaches to
using them as a tool for literary and aesthetic education. The study examines ways to
spark students’ interest in ghazals and deepen their understanding through interactive
methods, modern technologies, and a competency-based approach in the classroom.
Furthermore, the spiritual and aesthetic significance of Navoi’s ghazals and their role
in the moral upbringing of the younger generation are discussed.

Keywords:

Alisher Navoi, ghazal, teaching methodology, literary analysis,

aesthetic education, interactive methods, modern education, competency-based
approach.

Alisher Navoi is a great thinker, poet, and statesman who holds an unparalleled

place in the history of Uzbek literature. His works, especially his ghazals, stand out not
only for their artistic value but also for their spiritual and aesthetic educational
significance. The profound philosophical content, the brilliance of poetic imagery, the
idea of the perfect human being, and the interpretation of universal human concepts
such as love, loyalty, patience, and endurance in Navoi’s ghazals serve as an important
means for the moral, spiritual, and aesthetic education of students.

Today, the study of Alisher Navoi's works in general education schools, colleges,

and higher educational institutions is one of the most pressing issues, requiring a
renewed approach based on interactive methods and modern educational technologies.
In particular, when teaching Navoi’s ghazals, it is essential not only to read the texts
aloud but also to guide students toward analysis and comprehension, revealing the
essence and meaning of the ghazals. This process plays a vital role in developing
students’ literary and aesthetic taste.

The methodology for effectively teaching Alisher Navoi’s ghazals, including

interactive techniques applicable in the classroom, methods of analysis, and ways to
foster a creative and reflective approach to ghazals among students, is examined from
a scientific and methodological perspective.

Alisher Navoi’s ghazals — particularly his works in the ghazal genre — represent

one of the highest peaks of Uzbek literature and spiritual heritage. His ghazals emdiv
Sufi thought, the philosophy of love, moral values, the image of the perfect human
being, and profound social reflections on society. These poems are rich in layered
meanings and make extensive use of artistic devices such as simile, metaphor,


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paronomasia, antithesis, and other stylistic techniques. These aspects make the task of
conveying the content of the ghazals to students both complex and essential.

The ghazal genre stands out to students with its unconventional artistic form and

philosophical content. Therefore, methodological approaches to teaching it should
encompass the following aspects:

Explaining the historical and aesthetic context – providing students with an

understanding of the era in which the ghazal was created, the literary environment, and
the stages of Navoi’s creative work.

Teaching poetic form and genre characteristics – explaining terms such as radif

(refrain), qafiya (rhyme), bahr (meter), and bayt (couplet).

Linguistic and semantic analysis – uncovering the essence of the ghazal through

the interpretation of archaic words, imagery, and artistic expressions.

Developing creative thinking – encouraging students to write essays based on

the ghazals, engage in discussions, and organize dramatizations.

The current education system is based on interactive methods. In studying

ghazals, the following methods have proven to be highly effective:

Analyzing the content of the ghazal schematically through clusters and conceptual

maps.

Activating students’ thinking activities through technologies such as “Circle of

Ideas,” “Fishbone Diagram,” and “Insert.”

Enhancing an emotional and impactful approach by listening to ghazals and

watching their musical adaptations using multimedia tools (audio, video,
presentations).

Developing figurative thinking through role-playing games or dramatizations.

Navoi’s ghazals are not only analyzed but also serve to develop students’ aesthetic

taste and moral virtues. The presentation of concepts such as love, patience, loyalty,
humility, and kindness through the ghazals contributes to the spiritual growth of
students. Therefore, the teacher should not only analyze the ghazals but also explain
their ideas by connecting them to modern life.

When teaching Alisher Navoi’s ghazals, it is important not only to provide ready-

made knowledge but also to enable students to form their own opinions, express
personal attitudes toward the text, and conduct reasoned analysis. To achieve this, it is
advisable to use the following methods:

Working through questions and answers — creating questions about the content

of the ghazal and finding answers to them.

Working in small groups — dividing students into groups of 3–4 and assigning

each group the analysis of a couplet or a figurative expression.


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Organizing the lesson around problem-based questions — for example: “How

does Navoi interpret love?” or “How is this ghazal reflected in modern life?”

Integrating the teaching of Navoi’s ghazals with other subjects, especially history,

Sufism, philosophy, and musical art, makes lessons more meaningful. Providing
additional information about historical figures, concepts, and religious-philosophical
views mentioned in the ghazals broadens students’ worldview. In particular, listening
to the musical form of the ghazals and analyzing songs created based on them enhances
the emotional atmosphere of the lesson.

Stages of Ghazal Analysis. When teaching ghazals, it is recommended to follow

the following stages of analysis:

Familiarization with the text – reading the ghazal aloud or listening to it.

Literal translation – explaining unfamiliar and archaic words.

Content analysis – clarifying the main ideas in the couplets.

Identifying artistic devices – explaining poetic techniques such as simile,

antithesis, and paronomasia.

Aesthetic evaluation – helping students form their personal attitude toward the

ghazal.

Conclusion

Teaching Alisher Navoi’s ghazals not only enriches students with literary

knowledge but also helps to shape their spiritual and aesthetic taste, encourages
independent thinking, and nurtures the virtues of a perfect human being. The ghazal
genre, with its complex structure and deep layers of meaning, is an important tool for
developing students’ thinking.

Effective use of modern educational technologies, interactive methods, integrated

approaches, and learner-centered principles is essential in studying Navoi’s ghazals. In
particular, deeply revealing the artistic analysis, imagery system, and aesthetic ideas of
the ghazals during lessons fosters literary and aesthetic thinking in students.

Teaching Alisher Navoi’s ghazals should be seen not only as a task of literature

lessons but also as an educational and nurturing process that develops young people’s
national identity, historical memory, and respect for cultural heritage.

References:

1. Husanboyeva Q. Adabiyot o‘qitish metodikasi va muammoli ta’lim. Toshkent. Innovatsiya-Ziyo.
2022-yil.
2. G‘ulomov A., Nematov H. Ona tili ta’lim mazmuni. – Тоshkent. O‘qituvchi, 1995.
3. Qosimova К., Маtchonov S., G‘ulomova Х., Yo‘ldosheva Sh., Sariyev Sh. Ona tili o‘qitish
metodikasi. – Тоshkent. Noshir, 2009.
4. Matchonov S. va boshq. Boshlang‘ich sinflarda ona tili o‘qitish metodikasi. – Toshkent: Ishonchli
hamkor, 2021.
5. Yusupova Sh. Hozirgi o‘zbek adabiy tili darslarida o`quvchilar tafakkurini o‘stirishning ilmiy-
metodik asoslari. – Тоshkent, 2005.

References

Husanboyeva Q. Adabiyot o‘qitish metodikasi va muammoli ta’lim. Toshkent. Innovatsiya-Ziyo. 2022-yil.

G‘ulomov A., Nematov H. Ona tili ta’lim mazmuni. – Тоshkent. O‘qituvchi, 1995.

Qosimova К., Маtchonov S., G‘ulomova Х., Yo‘ldosheva Sh., Sariyev Sh. Ona tili o‘qitish metodikasi. – Тоshkent. Noshir, 2009.

Matchonov S. va boshq. Boshlang‘ich sinflarda ona tili o‘qitish metodikasi. – Toshkent: Ishonchli hamkor, 2021.

Yusupova Sh. Hozirgi o‘zbek adabiy tili darslarida o`quvchilar tafakkurini o‘stirishning ilmiy-metodik asoslari. – Тоshkent, 2005.