Authors

  • Aktamova Aziza Utkir kizi

Author Biography

  • Aktamova Aziza Utkir kizi

    (student of Tashkent State transport University)

DOI:

https://doi.org/10.71337/inlibrary.uz.mead.118461

Keywords:

creativity courage fairness thoughtful thought popularism literary critic

Abstract

this article spoke about the importance of the work of Maqsud Shaykhzoda in the education of young people, such qualities as courage, fairness, thoughtful thinking, popularism, expressed in the image of the heroes of the work in Uzbek literature. 


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MODERN EDUCATION AND DEVELOPMENT

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THE CREATION OF MAQSUD SHAYKHZODA-AS A GOLDEN

LEGACY

Aktamova Aziza Utkir kizi

(student of Tashkent State transport University)

Annotation: this article spoke about the importance of the work of Maqsud

Shaykhzoda in the education of young people, such qualities as courage, fairness,

thoughtful thinking, popularism, expressed in the image of the heroes of the work in

Uzbek literature.

Keywords: creativity, courage, fairness, thoughtful thought, popularism,

literary critic

The work of Maqsud Shaykhzoda is so interesting that he was a versatile talent

in Shaykhzoda, who had a very interesting activity not only in one direction, but in

different directions. Along with poems and epics, he also creates dramas with a very

high artistic capacity. Not counting the drama “Beruniy”, which shaykhzoda entered

into writing at the end of his life, but did not finish, his dramas “Jaloliddin

Mangubardi” and “Mirzo Ulugbek” have already become the artistic property of our

people. Shaykhzoda's tragedy “Jaloliddin Manguberdi” (1944), written during the

years of World War II, historically accurately and insults the martial courage of the

last Khwarezmian King, who fought against the Mongol conquerors for the freedom

and independence of his land. Oybek and Ghafur Ghulam gave the work a high

assessment at the time, saying: “the true meaning of the historical process, its inner

meaning” was revealed.Until 1946, some excerpts from the drama” Jaloliddin

Manguberdi “had been printed in the” Armughan " collection. For 43 years after that,

the work was not mentioned and did not see the face of the world. The work was

imprisoned in the sheikhdom shortly after it was taken from the stage.

The work is politically charged that the past is idealized. The confiscated items

included a manuscript of the drama. After the author was acquitted and returned,


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certain organizations did not return the manuscript on the pretext that it was “lost”.

The sheikhzoda was forced to search for him for several years, and finally manages

to find a copy of him from the former soufflés of the theater. But even then the text

of the work will not be published. Look at the play of fate, the author turned a blind

eye from the universe, not seeing that this work was published. The full text of

"Jaloliddin Manguberdi" was first printed and released in Baku in the two-volume

election of Shaykhzoda in Azerbaijani. It was not until 1988 that Jaloliddin

Manguberdi was” first published in full print by an Uzbek-language writer in his book

“The Immortal World”. The sharpness of shaykhzoda's mind of writing and creativity

is once again proven. Another great contribution of Maqsud Shaikhzoda to Uzbek

literature is the tragedy “Mirzo Ulugbek”. The tragedy is written in 1964, the same

year the work is put on the stage of the Hamza Theater, on the basis of which a motion

picture is later created. As a literary critic and critic, shaikhzade also shook an

effective pen, became a famous poet of Uzbek folk oral creativity, works such as"

Alpomish"," sugar with sugar", Babur, Muqimiy, Furqat, Oybek, Ghafur Ghulam,

Hamid Olimjon, Nizami Ganjaviy of world literature, Sh.Rustaveli, A.S.Pushkin,

N.A.Nekrasov, A.N.Ostrovsky, T.G.Shevchenko, A.P.Like Chekhov, he eats works

dedicated to his manifestations. And as an pedagogical scientist and poet, talaygina

makes a worthy contribution to the maturation of the generation of poets, literary

scholars and critics.

Maqsud Shaykhzadeh as the owner of high knowledge, his entire creation was

filled with a deep political publicistic spirit. His poetic, dramatic works are in

harmony with the times, no matter what theme they are devoted to. That is why it is

not accidental that the creator serves in the direct publicistic genre of this type. His

publicistic articles and speeches, which have an excellent artistic genre, are a bright

badge from the content and variety of this talented adib creativity. The talented poet

was also a skilled translator. He serves greatly in translating the works of classical

poets of world literature into Uzbek. In particular, Shakespeare's” Hamlet “and”

Romeo and Juliet " are staged on the stage of Uzbek drama theaters in the translation

of the Sheikhzoda. The growth of the poet's skill was also due to the fact that he


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studied the classical works of World Literature in great love, masterfully mastering

their rich artistic experience. He had also thoroughly studied his fatherland literature

- the heritage of Oriental poetry-with an excellent knowledge of Western European

and Russian literature. Maqsud Shaykhzoda is imprisoned completely unreasonably

at the beginning of the 50s and exiled for 25 years. After Stalin's death, the case of

those who were unjustly imprisoned with slander was re-seen. Thus, in 1955,

Shaykhzoda, among many of our dedicated intellectuals, was acquitted. But as a result

of 5 years of prison suffering, the poet's health had deteriorated greatly. Nevertheless,

he was forced to live on the top floor of a tall house for 10 years until the end of his

life. Even in such harsh conditions and illness, sira nolimay from her life did not stop

creating for the rest of her life. No matter how many sorrowful days have passed from

the beginning, it has not been oppressed at all. His faith, his view of the world, Theran

is described in the above verses. He never lived in alamzada. On the contrary, he did

not say anything, nowhere about those who betrayed him, subjected him to suffering,

serious illnesses. True to his human qualities, shaykhzoda always lived on a rise with

benevolence and high qualities.

Because he had no few genuine, loyal friends either. These included Oybek,

Ghafur Ghulam, Hamid Olimjan, Komil Yashin, Mirtemir, Shukur Burkhan.

Translation Mukhim played a role in the expansion of the sphere of literary

knowledge of the sheikhzoda, the enrichment of his work with the artistic experience

of classical world writers. It Is Located At.Rustaveli's epic" The paxlavon with the

tiger skin covered", U.Shakespeare's sonnets, a.S.Poems by Pushkin, epic" The

Copper rider", tragedy" Mozart and Salieri", M.Yu.Lermontov's poems and the epic

"prisoner of the Caucasus" also translated with great skill into Uzbek The Works of

Nizami, Fuzuli, Mirza Fatali Okhundov, Ezop, Aeschylus, Goethe, Byron,

Mayakovsky, Nozim Hikmat and some other writers. The Hall of study named after

writer, literary playwright, master of translation, great educator, linguist and literary

critic Maqsud Shaykhzadeh and the exposition was organized in an incredibly delicate

taste and in essence in harmony with the great art of Dargasiyu, great historical figures

such as Jalaliddin Manguberd. The decision of the Cabinet of Ministers of the


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Republic of Uzbekistan dated September 24, 1998 “on the celebration of the 800th

anniversary of the birth of Jalaliddin Manguberdi”, announced by the signature of our

President Islam Karimov, which adequately addressed the history of our people,

including the fate and struggle of Jalaliddin Manguberdi, defended the truth, also

reaffirms. The poet dies of illness on February 19, 1967. After his death, a six-volume

"works"will be published. During the years of independence, the work of the late

Maqsud Shaikhzoda and his services found real value.

LITERATURE USED:

1.

Maksud Shayxzoda zamondoshlari xotirasida, T., 1983 y.

2.

Shayxzoda Maksud. Shoir qalbi dunyoni tinglar (Tanlangan asarlar) //

Toshkent, „Nihol“, 2008. – 28

3.

Boboyev T. “Adabiyotshunoslik asoslari”. Toshkent. 2002. 558 b.

4.

Mamurova, F. I. (2021, May). ARTIST OF UZBEKISTAN MAKSUD

SHEIKHZADE. In

E-Conference Globe

(pp. 176-178).

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Mamurova, F. I., & ugli Abdubahabov, A. A. (2023). TWO FOLK

POETS.

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(3), 23-30.

6.

Islomovna, M. F., & Abduvoxob o’g’li, A. A. (2023, January). Maqsud

Shayxzodaning Hayoti Va Ijodi. In

Interdisciplinary Conference of Young Scholars

in Social Sciences (USA)

(pp. 19-20).

7.

Mamurova,

F.

(2023).

MAQSUD

SHAYXZODANING

ADABIY

MEROSI.

Бюллетень студентов нового Узбекистана

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1

(11), 9-11.