The poetry of Erkin Vahidov

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Курбанбаева, Д. (2022). The poetry of Erkin Vahidov. Третье возрождение:проблемы и решения, 1(02), 59–64. извлечено от https://inlibrary.uz/index.php/renaissance_solution/article/view/15223
Дильшода Курбанбаева, 41-я школа Кунгиротского района

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Аннотация

The article examines the issue of artistic expression of the human spiritual world in Uzbek poetry. Detailed comments are made about the artist's artistic skills. The topic is studied on the example of E. Vahidov's work, and the results of theoretical and artistic analysis are summarized


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THE POETRY OF ERKIN VAHIDOV

Kurbanbayeva Dilshoda

Teacher of the 41st school of Kungirot district

Abstract. The article examines the issue of artistic expression of the human

spiritual world in Uzbek poetry. Detailed comments are made about the artist's

artistic skills. The topic is studied on the example of E. Vahidov's work, and the

results of theoretical and artistic analysis are summarized.

Key words: individuality, artistic expression, imagery, artistic thinking,

philosophical interpretation.

SUMMARY. The article deals with the spiritual world and artistic description

of the Uzbek poetry. There are different views about authors' skills. The article

analyzes the examples of works E. Vakhidov.

Key words: individuality, literary interpretation, literary idea, imagery,

philosophical interpretation

The role of fiction in educating a person in the spirit of spiritual perfection,

patriotism and universal humanity is incomparable. After all, the concepts of

spirituality, enlightenment, and humanity are closely related to each other. In this

sense, the fiction that glorifies the values of the whole humanity, glorifies the fate

of man and his dreams, serves not only for spirituality, but for all aspects of life.

Because the goal and idea expressed in each work certainly have an impact on the

reader in a certain sense, and invite him to draw his own conclusions from the

content of the work. Because in any artistic work, in particular, in poetry, a certain

reality of life is reflected. After all, "Each lyrical genre is born in the world of

artistic creation with its own ideological and artistic task. Otherwise, there can be

no talk of genre diversity. Usually, a poem is born out of a vital, spiritual need.


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The category of genre is the formation of this need and necessity in different

ways, content worthy of form, appearance of form worthy of content" [Haqkulov

2009: 287].

In the works of the Hero of Uzbekistan, national poet Erkin Vahidov, we can

find poems of various genres and themes, reflecting different views of the human

spiritual world. It is known that the poet, while creating many poetic forms, was

also able to demonstrate his skills in aruz and finger weights. In all the poems

written by the poet, ideas such as patriotism, universality, glorification of national

values, as well as a better analysis of life for the reader and understanding of the

essence of the given life are leading.

Main oscillator watch case,

Der: people who do not know my value.

Each of my seconds is precious,

Why don't people care?!

Main oscillator watch case,

Hurry up, man, time is running out.

Everything will come to an end

Stop shaking your head, man! [Vahidov 1990: 287].

In this poem called "Bosh tebratar saat kafgiri", the poet called people to look

deeply into the essence of their life, not to be careless, and even expressed the need

to value every passing second ("Sekundlarim gavhar"). In the above lines, the

artist's artistic idea is expressed so clearly and clearly that there is no need to

explain it with extra words. This situation testifies to the charm of poetry, the

poet's high artistic skills and deep understanding of life.

In the words of literary scholar D. Kuronov, "A poem is distinguished by its

ability to have a stronger aesthetic effect than a prose work and to give a unique

pleasure. Of course, this quality of the poem is also related to the expression of


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feelings in a suitable rhythm and musical tone. However, the power of the poem is

not provided by melodiousness alone. Since a poem is an expression of feelings, its

effect is largely realized on the basis of this image, and the poet can describe his

feelings in the image or describe them like a picture [Kuronov 2011: 173].

In fact, the concept of each artistic form is based on ideological-aesthetic tasks.

The transformation of a vital need into a spiritual need is caused by internal

functional characteristics. We find many such features in the work of E. Vahidov.

In the poet's poem "Planet of the Earth", we can see a summary of very deep

philosophical observations on the communication between man and the earth:

"O land!?"

What do you have left to do?

My stomach turns and your soul is destroyed.

- Don't suck

I put saltiness to this tune -

Life is work,

Charkhi is the sky.

I am not the sun

Nor a pile of gold,

If I kill, it's in heaven.

My boss is the sun

Being a propeller

I'm happy to be around all year round.

As if that wasn't enough,

Stealing during the day

I need to show my best... [Vahidov 2015: 91].

The poem expresses the earth's meaningful answer to a single question asked

by a person, based on a great vital logic. If we pay attention to its content, every


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line in it describes human behavior and character traits based on the laws of nature.

After all, the sad cries of the earth are given through such clear details that they

reflect the high artistic thinking and skill of the poet. The sentence "My head is the

sun" in the poem expresses the criteria that people follow in life in a natural

phenomenon such as the rotation of the earth around the sun. Many examples of

such places can be given in the poem's response to mother-land. All of them are

reflected in unique artistic findings:

... - To the land of commerce

Atorit keeper,

I will be aware and watch out for him

What did I hide

You know

Trade people also need experts.

I visit Zuhal every day,

Harvest planet - why not be friends?

I need him

For life

I have four billion children

It's not easy for me... [Vahidov 2015: 92].

In these verses, the unique balance between nature and human destiny is

artistically interpreted. If we pay attention, the earth admits that it has to

compromise with Atorid, Saturn, Mars and other planets in order to feed its four

billion children. Now, if we compare the needs of life that force the earth to the

fate of a human being, it is as if we are listening to the laments of a human being in

the poem, not of the planet earth. Similar images can be found in other places of

the poem:

- I'm sick of the heart game, my friend,


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I put ice on my chest and shoulders.

And I am a fist of arrows to the saltiness,

The distant comets... [Vahidov 2015: 92].

In the poem, the cry of the earth continues in this way, and all the lines reflect

the issues related to human needs, life, and destiny. At the end of the work, the

following conclusion is heard from the language of the earth towards man:

- You are five days old

In your short life

You will be rewarded for your hard work.

Think about my marriage

give thanks

Live forever, man [Vahidov 2015: 92].

The artistic skill of the poet in this poem is that he shows his own life to a

person through the answer of the earth to the given question. At the end of the

poem, the sentence "Live forever, O man" spoken by the earth should be

understood in a broad sense. Because life is fleeting, life is eternal. Therefore, the

fate of the earth will continue to be reflected in the lives of other people and new

generations.

In one of the interviews with Erkin Vahidov, the poet answered the questions

asked: "A poet must first admit that he does not have a personal life. The pain of

the poet is the pain of the people. Like the sun reflected in a drop, the heart of the

people is seen in the gem of the poet's talent! He must take care of this gem in his

private life. If every word is the cry of the people, the era, he is a happy poet"

[Vahidov 1990: 141].

The subject scope of E. Vahidov's poetry is extremely wide. In the work of the

poet, we can find a lot of sad poems that lead a person to thoughts, sometimes

philosophical poems that express some of his virtues and vices, and sometimes


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humorous poems. In all of them, we can see a unique image of the spiritual world

of man in the interpretation of allusions, symbols and characters, unique to E.

Vahidov.

Commenting on the poet's work, literary critic S. Mirzaev writes: "In his poetry,

Erkin Vahidov refers to various forms and genres of poetry and creates new

examples of it every time. It is important to note that in his serious poems about the

fate of the people and society, the poet does not describe the events and incidents

in a dry manner, but instead creates simple and figurative, concise and deep verses.

goes from li and achieves serious achievements" [Mirzaev 2001: 194].

Fiction is a unique art that reflects human experiences and desires, therefore, it

expresses the aesthetic ideal of the creator, a unique way of life. Poetry is

especially important in this regard. After all, in the lyrics of E.Vahidov, a number

of works of artistic discovery were created, expressing life, human life and its fate,

glorifying its value through colorful poetic forms. In them, the poet showed his

creative originality in various themes and tones and created new aesthetic

principles.

References:

1. Vahidov E. Suffering. - T.: Uzbekistan. 1990.

2. Vahidov E. Works. Summer temperature. - T.: Sharq, 2015.

3. Mirzaev S. Life and literature. - T.: Sharq, 2001.

4. Kuronov D. Geometric researches in poetry // Eastern star. 2011. No. 3.

5. Hakkulov I. Climate of creativity. - T.: Science, 2009.

6. Zukhra, N. (2022). THE IMPORTANCE OF PEOPLE’S ORAL

CREATIVITY IN FOLK PEDAGOGY IN TEACHING LOGICAL THINKING

TO YOUNG CHILDREN. Modern Journal of Social Sciences and Humanities, 5,

599–561.

Библиографические ссылки

Vahidov E. Suffering. - T.: Uzbekistan. 1990.

Vahidov E. Works. Summer temperature. - T.: Sharq, 2015.

Mirzaev S. Life and literature. - T.: Sharq, 2001.

Kuronov D. Geometric researches in poetry // Eastern star. 2011. No. 3.

Hakkulov I. Climate of creativity. - T.: Science, 2009.

Zukhra, N. (2022). THE IMPORTANCE OF PEOPLE’S ORAL CREATIVITY IN FOLK PEDAGOGY IN TEACHING LOGICAL THINKING TO YOUNG CHILDREN. Modern Journal of Social Sciences and Humanities, 5, 599–561.

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