Авторы

  • Муяссархон Тожиахмедова
    Преподаватель, Наманганский государственный университет

DOI:

https://doi.org/10.47689/2181-1415-vol4-iss4/S-pp228-232

Ключевые слова:

сценарий виды сценария сценарий фильма сценарий цирка сценарий телевидения сценарий культурно-массового мероприятия сценарий радио

Аннотация

В данной статье предствалена подробная информация о реформах в сфере культуры и искусства Республики Узбекистан, культурно-массовые мероприятия и их виды, понятие сценария, порядок написания сценария, сценарий фильма, цирковой сценарий, сценарий телепрограммы, сценарий культурно-массовый мероприятий и сценарий радио.


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Society and innovations

Journal home page:

https://inscience.uz/index.php/socinov/index

Methods of teaching students to create event scenarios
based on the characteristics of cultural events

Muyassarkhon TOJIAKHMEDOVA

1

Namangan State University

ARTICLE INFO

ABSTRACT

Article history:

Received April 2023
Received in revised form

15 May 2023

Accepted 25 May 2023

Available online

15 June 2023

This article provides detailed information on reforms in the

field of culture and art of the Republic of Uzbekistan, cultural

events and their types, the concept of a scenario, the procedure
for writing a scenario, a film scenario, a circus scenario, a TV

program scenario, a scenario for cultural events and a radio

scenario.

2181-

1415/©

2023 in Science LLC.

DOI:

https://doi.org/10.47689/2181-1415-vol4-iss4/S-pp2

28-232

This is an open access article under the Attribution 4.0 International
(CC BY 4.0) license (https://creativecommons.org/licenses/by/4.0/deed.ru)

Keywords:

scenario,

scenario types,

movie scenario,

circus scenario,

television scenario,

public cultural event

scenario,

radio scenario.

Talabalarga madaniy tadbirlar turlari xususiyatidan kelib

chiqib tadbirlar senariysini yaratishni o‘rgatish usullari

ANNOTATSIYA

Kalit so‘zlar

:

senariy,

senariy turlari,

kino senariy,

sirk senariysi,

televizion senariy,

ommaviy madaniy tadbir

senariysi,

radio senariysi.

Ushbu maqolada O‘zbekiston Respublikasidagi madaniyat,

san’at sohasidagi islohotlar, ommaviy madaniy tadbirlar va

ularning turlari, senariy tushunchasi, senariy yozilish tartibi,

senariyning kino, sirk, televizion,ommaviy madaniy tadbir,

radio senariylari haqida batafsil ma’lumot berilgan.

1

Teacher, Namangan State University.


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Методика обучения студентов созданию событийных

сценариев с учетом особенностей культурно

-

массовых

мероприятий

АННОТАЦИЯ

Ключевые слова:

сценарий,

виды сценария,

сценарий фильма,

сценарий цирка,

сценарий телевидения,

сценарий культурно

-

массового мероприятия,

сценарий радио.

В данной статье представлена

подробная информация о

реформах в сфере культуры и искусства Республики

Узбекистан, культурно

-

массовые мероприятия и их виды,

понятие сценария, порядок написания сценария, сценарий

фильма, цирковой сценарий, сценарий телепрограммы,

сценарий культурно

-

массовый мероприятий и сценарий

радио.

Over the past period, the Republic of Uzbekistan has adopted a number of

normative and legal acts on the development of culture and arts [1]. In particular, on May

30, 2019 “On the organization of the activities of the state museum

-

reserves Sarmishsay”,

“Shakhrisabz”, “Termez” and “Kokand” Resolution of the Cabinet of Ministers of the

Republic of Uzbekistan No. 443 of April 21, 2020 [2], “O

n measures to further increasing

the efficiency of the fine and applied arts” Resolution No.

PD

4688 of May 26,

2020 “Culture Decree No. PD

-6000 of May 23 [3], Decree of the President of the Republic

of Uzbekistan “On measures to further increase the effi

ciency of the field of fine and

applied arts” of April 21, 2020, No. PD

-4688, Decree of the President of the Republic of

Uzbekistan “On additional measures related to supporting the entrepreneurial activity

and employment of young people, their social protection and meaningful organization of

their free time” of April 20, 2021, Decree No. PD–

6208 of. It is known that the 20th

century was a period of sharp changes in the art of Uzbek music, “unconventional”

compositional creativity and new forms of concerts appeared. In this regard, the concept

of “variety” entered our circulation in musical culture.

Scenarios are divided into several types depending on the types of cultural and

educational events and the purpose of the activity, and each has its own characteristics.

If we analyze the term scenario at this point, the word “Scenarios” is taken from

the Italian word, according to U. Karaboev in his book “Artistic and public events”, and

means “the plan, scheme of the work”. In the dictionaries, the scenario:

1) screenplay;

2) the plan of the dramatic work performed in the theater, the plot line, the

description of the dramatic movement in the opera, in the ballet

the perfect description

of the subject including all the dances and mimes;

3) it is explained that the time and order of the participants in the play are shown

in the first guide.

Khaidar Muhammad writes in his book “Screenwriting skills” that “Screenwriting”

was taken from the Persian “Navosanda” meaning writer, and the term “Screenwriting”

was created and introduced. In this book, the author has provided valuable information

on the scenario of television, film and theatrical performances.

In other sources “Scenario” (“Scenario” in Italian means "literary

-dramatic work")

is a literary descenarioion of the content of the event, in which, based on a serious

sequence, the theme and idea are elements of action. It is written that the transition from


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one piece to another, blocks, decorations, and texts are fully displayed. But in any case, it

is appropriate to describe that the scenario is a complete written description of the

events, celebrations, and performances. Poetic works created by representatives of

classical literature are highly valued by our people as examples of high creativity [4].

The following tasks are performed during scenario writing:

the venue of the event is studied;

the idea of the topic and event originated from the local conditions resources are

sought without;

documentary materials are artisticized;

ways of using stage techniques are sought, effective means are selected.

Associate professor V. Rustamov, a specialist in the organization of public cultural

events, said that directing has many specialties (for example, theater directing, television
directing, radio directing, puppet theater directing, public holidays and performances
(such as directing, etc.) screenplay is also divided into several types according to their
different specialties and nature. For example:

1. Film scenario

(scenario of feature films, scenario of documentary films,

scenario of popular scientific films, scenario of puppet and animated films). This is one of
the unique fields, it is a work that is carried out in a combination of creative and
organizational work that requires great skill. Not all screenwriters write screenplays.
In the film scenario, the realities in the frame, the place to be filmed, various noises,

sounds and voices, the actor’s position, actions, various conflicts, in a word, all artistic

and creative elements that serve for the success of the film (cinema), technical processes
are reflected in the written statement. The art of cinema is an important tool in shaping
the audience

s perception, vision, and aesthetic taste of reality [5].

The creation of screenplay itself is written based on the characteristics of several

types. For example, there are differences and similarities between making a feature film
and making a documentary film. In feature films, the director interprets the texture
image, improvisation, or performance as he wishes. In documentaries, work is carried out
within the framework of specific objects and subjects.[6] It is necessary to artisticize the
given facts clearly and succinctly without changing them.

2. Television scenarios

(scripts of literary-artistic shows, publicist-informative

shows, scenarios of spiritual-educational shows, the scenario of socio-political shows,
entertainment scripts of shows, the scenario of television films, the scenario of music
shows, etc.). If the film is created on the basis of a single script taken separately, in the
process of filming in the desired place, at the desired objects, television scripts are mainly
considered from the point of view of programs on different topics. This process is carried
out in the form of various conversations, interviews, meetings, and dialogues, and when
making a film, filming can be done at any time depending on the director's proposal and
the actors' time. When creating a film, it is necessary to have the exact text of the script.
There will be many opportunities to make changes and additions in the process of filming
it. However, we think that it is not necessary to have a complete, perfectly written script
when preparing shows. For example, when it is necessary to organize a meeting with a
father who has reached the age of 100 and to film it, the presenter asks various questions
prepared by the editor or the author of the program, and the father answers them, and
the presenter can end the show by giving a conclusion.


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3. Radio broadcasting scenario

(socio-political broadcasting scenario, literary-

artistic broadcasting scenario, journalistic-informational broadcasting scenario, musical

broadcasting scenario, spiritual-educational broadcasting scenario, entertainment

broadcasting scenario, etc.)

mainly the text plays a big role in this. It is important to

know how to create a scenario when developing a mix of different concert programs and

broadcasts on different topics that will appeal to listeners and meet their interests [7].

In radio broadcasting, ready-made information can be freely used based on the

assignment given by the editor.

4. The scenario of circus shows

(It will consist of a sequence of different sports

shows, acrobats, animal performances, clown and solo acts, doorman, etc.). It is also

necessary to create a scenario for circus performances. Because the sequence of

performances, a scenario is needed to prepare for the next numbers. The program is

often used in such shows. Preparation and demonstration will be carried out according to

the program. The person who prepared the number is responsible for the work

performed in each individual number.

5. Scenario of public events and shows

(public theatrical performances, theatrical

concerts, literary-artistic, literary-musical compositions, ceremonial performances,

public sports performances, performances held on water and ice, carnival, folk

performances, art-publicistic compositions etc. scripts are included). Organization of

public holidays, theatrical performances is a field that needs to be studied separately.

Concepts of public holidays in Uzbekistan are directly related to director B. Saifullaev’s

work at the Tashkent State Institute of Culture in the 1980s and 1990s after he went to

study in Leningrad. The director, who deeply understood the need for a separate school

for the organization of public events and performances, managed to carry out great

scientific and practical work on the development of this field. An example of this is field

performances on various topics in those times [8].

The peculiarity of organizing a public event and performance is that it is

distinguished by the fact that the places where the performances take place are not

standard, but are held in non-traditional stage spaces. It is not difficult to understand that

it is an area that requires a serious approach, which is characterized by the lack of

equipment, the lack of special skills of its participants, the large number of participants and

other aspects. The most difficult aspect is the absence of a ready-made dramatic source, as

in staging a play. When writing a script for events held on the fields, it is a process that

requires a special skill for the screenwriter to correctly understand the director’s opinion,

his point of view, and to fully use the tools that give meaning to the field.

Currently, scenarios are being written for the organization of scientific

conferences. An example of this is the lectures held at the State Institute of Art and

Culture of Uzbekistan. Such events are called scientific and educational events.

A vivid example of this is the program prepared for the video selector (conference)

on the topic “Reading culture” held by professors and teachers of State Institute of

Culture of Uzbekistan for all higher education institutions.[9] For such events, the

scenario is not completely written, but the scenario program is prepared. (Lectures and

other materials within the program are submitted based on the required forms).

Any program should be short and concise, covering all aspects of the process.

Another one of the scientific conferences are lectures. Lectures are held in the form

of lectures and opinions of scientists on a specific topic. Lectorium

(Krt. lectorium,

German: Lettner)

a high wooden pulpit placed during worship in ancient Catholic


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churches. Lectures appeared in Italy in the 11th century, and later in Germany and

France. [10] Currently, lectures are more related to scientific events, where scientific

opinions are exchanged based on a certain topic. Such activities greatly impact the

scientific potential of people, expanding their worldviews, and increasing their

knowledge. Being clear about the types and genres of events makes it easier to create a

scenario. Because the screenwriter does not get distracted when working on a specific

genre, he follows a straight path. It is worth mentioning that each event has its own

procedure (procedure, work steps, requirements) that requires a unique approach. Its

dramatic basis and these features and requirements must be taken into account when

creating a script. In conclusion, it can be said that the program of each event should be

prepared in a way that is thorough, clear and understandable to everyone.

REFERENCES:

1. Mirhakimova F. Activity of Mutal Burkhanov House Museum //CENTRAL ASIAN

JOURNAL OF SOCIAL SCIENCES AND HISTORY.

2022. https://scienceweb.uz/publication/4566

2. Topildiev Odiljon Rakhimjonovich, Mirkhakimova Feruza Kholdorjon kizi.

REFORM IN THE FIELD OF CULTURE AND ART IN THE REPUBLIC OF UZBEKISTAN. Web
of scientist: International scientific research journal. ISSN: 2776-0979, Volume 3, Issue 5,
May., 2022.196-198 pp.

3. Mirhakimova, F. K. (2021). The state museum of history and culture of Namangan

region past and today. Asian Journal of Multidimensional Research, 10(8), 84-89.

4. TOJIAKHMEDOVA MUYASSAR. THE ROLE OF MUSIC IN THE DEVELOPMENT OF

SOCIETY.NOVATEUR PUBLICATIONS JournalNX- A Multidisciplinary Peer Reviewed
Journal ISSN No: 2581

4230 VOLUME 7, ISSUE 1, Jan. -2021. 85-87 pp.

5. Tojiakhmedova Muyassarkhon Khaydarovna. MAIN STAGES OF DEVELOPMENT

OF WORLD AND NATIONAL CINEMATOGRAPHY. GOSPODARKA I INNOWACJE. Volume:
21.2022.59-61 pp.

6. Egamberdiyev F.T. Direction of pop and public shows.

Tashkent: Science and

Technology, 2018.

P. 356.

7. Usmanov R.I. Director.

Tashkent: Science, 1997.

P. 222.

8. Rizayev Sh. Spirituality of the scene.

Tashkent: Ma'naviyat, 2000.

P. 176.

9. Sayfullaev B.S., Mamatkasimov J.A. Acting skills.

Tashkent: Science and

technology, 2012.

P. 388.

10. Sayfullaev B. History and theory of performing arts.

Tashkent: Science and

Technology, 2014.

P. 152.

Библиографические ссылки

Mirhakimova F. Activity of Mutal Burkhanov House Museum //CENTRAL ASIAN JOURNAL OF SOCIAL SCIENCES AND HISTORY. – 2022. https://scienceweb.uz/publication/4566

Topildiev Odiljon Rakhimjonovich, Mirkhakimova Feruza Kholdorjon kizi. REFORM IN THE FIELD OF CULTURE AND ART IN THE REPUBLIC OF UZBEKISTAN. Web of scientist: International scientific research journal. ISSN: 2776-0979, Volume 3, Issue 5, May., 2022.196-198 pp.

Mirhakimova, F. K. (2021). The state museum of history and culture of Namangan region past and today. Asian Journal of Multidimensional Research, 10(8), 84-89.

TOJIAKHMEDOVA MUYASSAR. THE ROLE OF MUSIC IN THE DEVELOPMENT OF SOCIETY.NOVATEUR PUBLICATIONS JournalNX- A Multidisciplinary Peer Reviewed Journal ISSN No: 2581 - 4230 VOLUME 7, ISSUE 1, Jan. -2021. 85-87 pp.

Tojiakhmedova Muyassarkhon Khaydarovna. MAIN STAGES OF DEVELOPMENT OF WORLD AND NATIONAL CINEMATOGRAPHY. GOSPODARKA I INNOWACJE. Volume: 21.2022.59-61 pp.

Egamberdiyev F.T. Direction of pop and public shows. - Tashkent: Science and Technology, 2018. - P. 356.

Usmanov R.I. Director. - Tashkent: Science, 1997. – P. 222.

Rizayev Sh. Spirituality of the scene. - Tashkent: Ma'naviyat, 2000. – P. 176.

Sayfullaev B.S., Mamatkasimov J.A. Acting skills. - Tashkent: Science and technology, 2012. –P. 388.

Sayfullaev B. History and theory of performing arts. - Tashkent: Science and Technology, 2014. - P. 152.

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