Авторы

  • Malohat Jabborova
    Teacher of the Department of Uzbek and Russian Languages of BuxDPI Independent student of BuxDU
  • Shahzoda Safoyeva
    Student of Bukhara State Pedagogical Institute

DOI:

https://doi.org/10.71337/inlibrary.uz.sspme.53265

Ключевые слова:

traditionalism work of art sun cult nature mountain war fortitude celestial symbol primitive period time spring.

Аннотация

This article discusses the artistic-aesthetic scope of the image of the sun, its true essence, and its role in the lives of the heroes of the work. The whole can be expressed in a single symbolic image, including in the image of the Sun we see the same artistry.


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SOLUTION OF SOCIAL PROBLEMS IN

MANAGEMENT AND ECONOMY

International scientific-online conference

165

THE IMAGE OF THE SUN IN EPIC WORKS

Jabborova Malohat Valijon’s daughter

Teacher of the Department of Uzbek and Russian

Languages of BuxDPI

Independent student of BuxDU

jabborovamalohat@buxdpi.uz

Safoyeva Shahzoda Ahmadovna

Student of Bukhara State Pedagogical Institute

https://doi.org/10.5281/zenodo.11108078

Abstract:

This article discusses the artistic-aesthetic scope of the image

of the sun, its true essence, and its role in the lives of the heroes of the work. The
whole can be expressed in a single symbolic image, including in the image of the
Sun we see the same artistry.

Key words:

traditionalism, work of art, sun cult, nature, mountain,

war, fortitude, celestial symbol, primitive period, time, spring.

The image of the sun has a very ancient history in terms of tradition,

and it expresses various symbolic meanings from the point of view of the human
psyche and era in fiction, folklore, folk crafts, age-old customs and traditions.
"Historian L.I. Rempl found that in the art of ancient times, the cult of the sun
and moon, day and night, light and darkness, heat and cold dualism, heavenly
symbols such as the tree of life and the eternity of the universe take a leading
place. Also, "Among the ancient Turks, there was a widespread custom of
hanging a circular plate with the image of the sun above the door of the house.
This custom was kept in the memory of our people for a long time, and later the
custom of embroidering the sun symbol on the door itself was born. They say
that the pattern representing the image of the sun protects this house from the
evil eye. Even in prose works, the Sun is extensive in terms of imagery. As soon
as we hear the word sun, first of all, the golden rays appear in our eyes and mind
shines, rise red from the early morning, and the dew is like dew on the plants,
but there is a miracle in the sky that is very far from us. It is no exaggeration to
say that the sun is not only a miracle of nature, but also an image from the heart
of the works of our poets and writers. As we mentioned above, in ancient times
primitive people worshiped many things, natural phenomena, creatures. For
them, the sun, fire, and water are sacred. They believed and obeyed the power of
such natural miracles. Since ancient times, the sun has been glorified as a symbol
of power, confidence, and pride. Even later, the sun served as time. People
determined the clock based on the location of the sun. In this way, over time, our
writers and poets began to write works in praise of it.


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A work of art is a means of artistic communication. Fiction and art live in

the form of a work of art. Various images and symbols are illuminated in these
works. And we will dwell on the image of the sun. The image of the sun in O’lmas
Umarbekov's work "Don’t be quick Sun" gives a person new feelings. The work is
very impressive and will not leave any reader indifferent. The main character of
the work is a woman named Sanobar, who experiences severe difficulties.
Sanobar lost his only son Bahram and grandson Ilhom. Her rampart a spouse
who gave him her infinite love, but he did not turn out to be the person she
thought he was, because of his cowardice and lack of pride, he abandoned his
wife to the torture of his enemy, and indifferently waited for her to be saved.
Sanobar could not bear this cruelty, abandoned her husband and raised her son
alone. At that time, while the breath of war was wandering, Sanobar's son also
went to war and died bravely. Sanobar continues to live with his daughter-in-
law Risolat and grandson Ilhom. When his grandson grows up, he goes to the
army. Sanobar is an elder in the neighborhood and does his work with justice.
Unfortunately, the news brought by two soldiers suddenly sinks Sanobar. Her
grandson dies fighting the invaders at the border. Hearing this news, Sanobar
and her bride are deeply saddened. After all, their joy, dream and hope came
from Ilhom. However, Sanobar is such a strong and tenacious woman that she
will never give up. ... " I only regret one thing. Life is passing by. I still have a lot
of work to do. Especially now. Now I have to work not only for myself, but also
for my son and grandson. Every evening, looking at the setting sun, I want to
stop it. Don't hurry , Let the sun shine a little more, let me finish my work! She is
comparing the rising sun to time. If time waits for her for a while, she wants to
earn money for her lovers who have left this world. At first glance, the sun looks
like you can hold it in your hand, but it is very big. Time is also measured in the
same way, after all, a person's life passes in a moment. Time does not keep
anyone waiting! Sanobar does not think that she is unhappy, on the contrary, she
constantly repeats that she is happy. True, she suffered all the bitterness of life.
Grief, pain, death, evil followed her steps. But in the early morning, the Sun took
on a blue face. She radiated strength, perseverance, hope for a new day, and
patience with her bright rays. So Sanobar, realizing this, stood up again and told
the Sun that she had not yet finished her work, and asked for some more time. In
the work, the sun is depicted in the image of time, which is the biggest part of
human life. In Luqman Bo’rikhon's work "The sun has not yet set", the image of
the sun has been a symbol of infinite power, love and friendship. If we look at
the essence of the work, we will see a clear proof of this. The play tells about


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young wrestlers Norsoat and Davron, as well as a girl named Tanzila. Davron
was the leader of the "Kengsoy Eagles" gang, which Norsoat joins and becomes
close friends with Davron. The slogan of this gang is "The sun hasn't set yet!"
They shout this slogan with their fists in the air. This was a sign of their true
friendship and strength. In this village there was a man named Usta Abil, who
had no children. He takes a donkey to sell and brings a little girl with him. Her
name was Tanzila. Tanzila could not get used to a new family and would run
away, only Norsoat would catch her. Norsoat and Davron were interested in
wrestling. Because Davron's father was rich, he sent them to a remote village, in
the heart of a mountain, in the heart of a peaceful nature, to be apprenticed to
Absal, a famous wrestler. In order to test their strength, they participated in
wrestling competitions held at weddings.

- The sun hasn't set yet! "But that night, for the first time, it was as if the sun

had set." This sentence from the Norsoat language has a deep meaning. At first
we said that the sun has become a symbol of strength and friendship. So why is it
included? There was a fight that night. A famous sambo master from the city
brought two of his students. Davron and Norsoat went with them. At first,
Davron entered the circle, unfortunately, Davron was defeated by a wrestler
from the city and left the circle. It is clear from this that their Sun, which they
always say is our strength, has set at this time, because the Age has been
defeated. But the sun had not fully set, after all, they had friendship. Norsoat ran
after Davron, waited for Davron to come to his senses for a long time and went
to him. He encouraged Davron. Together they shouted "The sun hasn't set yet!"
with fists in the air, and the children from the "Kengsoy gang" joined them.

You

see what a beautiful meaning there is in the fact that this one Sun does not set.
They will never let their sun, i.e. their power, go down and be defeated. They
imagine their friendship, pride, affection, love, power in the image of the Sun. We
talked about a girl named Tanzila above. Growing up friends, Norsoat fell in love
with Tanzila, but when he saw Davron and Tanzila together, he felt bitter
towards his friend. In fact, he does not speak properly for a long time because he
is afraid of Davron. Later, Norsoat realizes that he suspected his friend in vain
and that his friend will not betray him. After all, there is a holy motto, the sun,
among them. At the end of the play, Norsoat and Davron leave for military
service. Their friendship, love, and strength will last forever, like the Sun. In the
story "Boychechak" from the "Season of the Sun" story collection, the Sun is
expressed with a special freshness. The hero of the story, Lutfulla, loves his
village, especially the first small garden that opened in the spring, so much so


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SOLUTION OF SOCIAL PROBLEMS IN

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168

that when the small garden opens, he leaves all his work and immediately goes
to his village. His wife and children do not like the village at all, but Lutfulla
describes the village in such a way that, in my opinion, anyone who hears it
wants to go. "Hey... you don't appreciate it," said Lutfulla, coming out of his room
to meet him, "Pox will die in 5C° cold and 5C° heat... It will come out as soon as it
snows. If you look after a week, no... it will die." It is necessary to see it now... We
will show it to the children. They will remember it..." If we pay attention to these
words of Lutfulla, after the silver winter, the first spring sun shines and the snow
melts. The first spring sun not only breathes new life into people's hearts, but
also gives life to plants. Without the sun, without its golden rays, no plant can
grow. In the story, the emergence of the flower is represented by the first spring
sun.

To sum up, when a writer writes a certain work, he writes in search of life

and existence. The images that occupy his thoughts acquire a deep meaning at
first glance. We have seen several views of the image of the Sun above. This
natural wonder, the Sun, embodies such beautiful images in the works. During
the works, we considered the symbolic expressions of the first shining sun and
the sun setting between the clouds at the end of the day in the lives of the heroes
of the work. The author of the work expresses the first sun as a symbolic sign of
the beginning of a new life, draws the sunset with life lines and decorates it with
artistic decoration.

References:

1.Ремплъ Л.И. Цень временю Верковы образы и бродячие сюжеты в
традицищнном искустве Средней Азии. Тошкент, 1987.-Б.13-17.
2.Жавлиев.Т. Табиат, инсон ва дин. Тошкент:”Фан” publishing house, 1986.-
Б.20
3. "Quyosh fasli" hikoyalar. Toshkent:"Yozuvchilar" nashriyoti 1995. 95-101 B.
4. Luqmon Boʻrixon "Quyosh hali botmagan" www.ziyouz.uz.com. 21.01.2018.
5.Oʻlmas Umarbekov "Shoshma quyosh" www.ziyouz.uz.com.
6. Jabborova M. THEORETICAL INTERPRETATION OF STUDENTS'ACADEMIC
ACHIEVEMENT //Solution of social problems in management and economy. –
2023. – Т. 2. – №. 12. – С. 36-40.
7. Malohat J. O’ZBEK SHE’RIYATIDA ILOHIY ISTILOHLAR VA KOSMOGONIK
TIMSOLLARMUSHTARAKLIGI //PEDAGOGICAL SCIENCES AND TEACHING
METHODS. – 2022. – Т. 2. – №. 18. – С. 209-211.
8. Jabborova M. MUMTOZ SHE’RIYATDA UCHRAYDIGAN OY, YULDUZ, QUYOSH
TIMSOLLARINING SHAXS QIYOFASIDA TIMSOLLANISHI //Theoretical aspects
in the formation of pedagogical sciences. – 2024. – Т. 3. – №. 1. – С. 48-52

Библиографические ссылки

Ремплъ Л.И. Цень временю Верковы образы и бродячие сюжеты в традицищнном искустве Средней Азии. Тошкент, 1987.-Б.13-17.

Жавлиев.Т. Табиат, инсон ва дин. Тошкент:”Фан” publishing house, 1986.-Б.20

"Quyosh fasli" hikoyalar. Toshkent:"Yozuvchilar" nashriyoti 1995. 95-101 B.

Luqmon Boʻrixon "Quyosh hali botmagan" www.ziyouz.uz.com. 21.01.2018.

Oʻlmas Umarbekov "Shoshma quyosh" www.ziyouz.uz.com.

Jabborova M. THEORETICAL INTERPRETATION OF STUDENTS'ACADEMIC ACHIEVEMENT //Solution of social problems in management and economy. – 2023. – Т. 2. – №. 12. – С. 36-40.

Malohat J. O’ZBEK SHE’RIYATIDA ILOHIY ISTILOHLAR VA KOSMOGONIK TIMSOLLARMUSHTARAKLIGI //PEDAGOGICAL SCIENCES AND TEACHING METHODS. – 2022. – Т. 2. – №. 18. – С. 209-211.

Jabborova M. MUMTOZ SHE’RIYATDA UCHRAYDIGAN OY, YULDUZ, QUYOSH TIMSOLLARINING SHAXS QIYOFASIDA TIMSOLLANISHI //Theoretical aspects in the formation of pedagogical sciences. – 2024. – Т. 3. – №. 1. – С. 48-52