SOLUTION OF SOCIAL PROBLEMS IN
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International scientific-online conference
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A NEW PHENOMENON OF THE DEVELOPMENT OF
RELATIONSHIPS WITHIN THE MARKET ECONOMY
Dilnozakhon Moydinova Madaminovna
PhD student of Namangan State University, Uzbekistan
Ferghana, Uzbekistan
E-mail: dilnozamaribxonova1997@gmail.com
Phone: +998911572787
https://doi.org/10.5281/zenodo.15229690
Abstract:
This article highlights the activities of the master Shakir
Mingbashi, who was at the forefront of the development of Rishton pottery at a
new stage. The master's influence on the modern market economy is briefly
described.
Key words:
Rishton, practical art, ornament, pottery, design, master,
festival, folk art, technology.
Master potters from Rishton, honoring the thousand-year-old traditions
passed down from generation to generation through the school of master
apprentices, are practicing technology, reviving lost and forgotten technologies,
and are making bold and radical changes to the interpretation of the forms of
objects and the nature of decorative compositions. Along with the in-depth study
and restoration of traditional forms and patterns, individual creative initiative,
integration of new methods, technologies and decorations are increasingly
expanding. Young potters with such innovative methods, as noted above, have a
number of privileges under state support and demonstrate the national values of
our country to the whole world.
One of the potters who has been working in this direction is Akhmadjonov
Shokirjon Nosirovich, who is considered a descendant of dynastic potters. He
first learned the secrets of the craft from his father Akhmadjonov Nosirjon, and
later from master Botirjon, master Bahrom, and master Sherzodjon Rizaboev,
and achieved the status of a master. On this path, the master was also mentored
by his brother, master Sobirjon Akhmadjonov.
The master is known among the people as Shokir Mingboshi, and together
with his two brothers, masters Sobirjon (born in 1987) and Sodirjon (born in
1988), in 2011 he opened the family enterprise "Mingboshi Ceramic" and a
workshop for the production and decoration of ceramic products. Initially
operating as a small workshop since 1996, this facility has now become a 20-
square-meter museum, exhibition hall, and pottery workshop. In addition to this
museum, the enterprise has more than 10 production workshops. One of the
most visited museums in the Rishton region by foreign and local tourists visiting
SOLUTION OF SOCIAL PROBLEMS IN
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International scientific-online conference
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the valley is the Mingbashi Ceramics Workshop, which continues to amaze
visiting tourists, artists, specialists and art historians with its attractive ceramic
products.
In the early days of independence, when the master began his career,
selling ceramic products was somewhat difficult. However, by the 2000s, the
master began exporting his products to foreign countries. Currently, the master
regularly participates in exhibitions in our country and around the world,
demonstrating products created in harmony with tradition and innovation, and
concluding cooperation agreements with various countries on export and trade
issues. Among them, master Shakir Mingboshi exports more than 300 types of
products to more than 10 countries, including the USA, Canada, Russia, Japan,
China, Azerbaijan, Qatar, Tatarstan, Turkey, Germany, Italy, Spain, Latvia,
Lithuania, Kazakhstan, Kyrgyzstan, Tajikistan. With the help of a master, 3,560
home-made apprentices are engaged in the global trade of ceramic products
made in small family workshops set up in their homes and private workshops.
After receiving the master's blessing, the young master opened a small
workshop in his home and began teaching several apprentices the craft. The
number of apprentices of the young master has now exceeded a thousand. The
enterprise itself employs more than 10 senior and junior craftsmen and their
apprentices.
During his 30-year career, the master has been creating objects in various
directions and technologies, constantly researching new things. At the same
time, he is engaged in the restoration of ancient traditions. The master carefully
studies the types of ancient Rishton pottery and strives to create objects at all
stages. Among the collections of the museum, you can find blue-blue items
typical of Khazrakipaz, as well as dark brown and reddish dishes of Khazrakipaz.
Also, in the collection located near the Master's Museum, you can see items
made on the basis of porcelain technology, which is considered as a heritage
from the ancient Timurid period, and decorated with ancient ornaments and
motifs, pomegranate, almond, chetan, chess, chaydisha, kachcord, and bakhori
motifs.
Also, in the collection located near the Master's Museum, you can see items
made on the basis of porcelain technology, which is considered as a heritage
from the ancient Timurid period, and decorated with ancient ornaments and
motifs, pomegranate, almond, chetan, chess, chaydisha, kachcord, and bakhori
motifs.
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One of the last creations of the master is the restoration of the technology
of hammering, which was made in the Rishton region until the beginning of the
20th century, and then was forgotten. This project was carried out in
collaboration with Italian collectors.
Adding elegance to ancient forms, the alkaline jars, bowls, and vases,
decorated in the Qalami style using traditional pomegranate, almond, and
Islamic motifs and adorned with gilded border designs using gold ore imported
from Italy, combine antiquity and modernity at a glance.
Unfortunately, items of this style make up only 20% of Mingboshi's
enterprise. 80% of the produced products are considered to be mass decorative
items of modern style, not characteristic of the traditions of Rishton pottery.
The products manufactured at the Mingboshi enterprise are divided into 4
different styles:
1.
Traditional style. This direction includes products made on the basis
of ancient forms and motifs, and the technology of drawing patterns in the pencil
style, which are characteristic of the Rishton classical style, are preserved in
museum collections and are studied as examples of products made by our
traditional masters.
1.
Black pen style. This style uses Islamic and Greek patterns and
colors used in painting and ganjkar to decorate objects. Unlike the traditional
style, patterns are first drawn in graphite pencil to decorate objects. That is why
the style is called black pen.
2.
Mekhrob style. Based on the patterns given to the products
produced in the Rishton pottery factory in the last century, the style that is being
performed to this day and, unfortunately, with the help of the mass media, is
considered to be a tariff paper as Rishton ceramics.
3.
Artistic style. The style of the sovhabop "Souvenir" objects, which is
not typical of Rishton pottery, is characterized by Turkish patterns, satin fabric
patterns, miniatures and portraits, and innovations in form and artistic
technology.
Conclusion: Rishton pottery is a school that has a thousand-year history
and is the birthplace of our national values. Modern Uzbek potters, such as
Shakir Mingbashi, continue these pottery traditions while introducing
innovative techniques. The work of such craftsmen is considered to be of great
importance in promoting Uzbekistan as a national brand and developing our
economy.
SOLUTION OF SOCIAL PROBLEMS IN
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International scientific-online conference
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asrlar, xozirgi zamon. Toshkent. Zilol buloq
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