The American Journal of Interdisciplinary Innovations
and Research
6
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TYPE
Original Research
PAGE NO.
6-12
10.37547/tajiir/Volume07Issue03-02
OPEN ACCESS
SUBMITED
03 January 2025
ACCEPTED
05 February 2025
PUBLISHED
07 March 2025
VOLUME
Vol.07 Issue03 2025
CITATION
Konstantin Kochubei. (2025). On-set editing as a modern technology for
real-time video editing. The American Journal of Interdisciplinary
Innovations and Research, 7(03), 6
–
12.
https://doi.org/10.37547/tajiir/Volume07Issue03-02
COPYRIGHT
© 2025 Original content from this work may be used under the terms
of the creative commons attributes 4.0 License.
On-set editing as a
modern technology for
real-time video editing
Konstantin Kochubei
Independent researcher, Los Angeles, USA
Abstract:
The article examines the use of on-set editing
as a modern technology for real-time video editing.
Current trends in video production demand fast yet
high-quality processing of footage directly on set, driven
by the increasing volume of content, significant
acceleration of production workflows, and the growing
need for adaptability. The relevance of this topic is
supported by advancements in automated editing
technologies, improvements in video processing
algorithms, and an increased focus on the importance of
pre-editing preparation. However, contradictions are
observed in scientific publications and online reviews
between algorithmic approaches aimed at automation
and traditional theoretical concepts that emphasize
narrative logic and artistic editing principles.
The objective of this study is to analyze the specific
features and nuances of on-set editing as a tool for real-
time editing, considering its technical implementation,
creative potential, and organizational-production
aspects. The study identifies key advantages, including
the acceleration of post-production, cost reduction in
material reprocessing, and improved coordination
between the production and editing teams.
The findings will be useful for researchers in digital
filmmaking as well as industry professionals, including
directors, editors, cinematographers, producers, and
technical specialists involved in integrating editing
solutions into the filming process.
Keywords:
Algorithms, automation, video production,
visual narrative, filmmaking, editing, real-time editing,
post-production, filming process, technology, on-set
editing.
Introduction:
The modern film and television industry
faces the need for rapid adaptation to changing
production conditions. The issue examined in this study
concerns the integration of editing directly on set, which
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and Research
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The American Journal of Interdisciplinary Innovations and Research
minimizes the risk of reshoots and optimizes the
subsequent post-production stage.
Under tight deadlines and high costs, especially when
complex visual effects and dynamic action scenes are
involved, the traditional approach to editing often
lacks flexibility. This makes it particularly important to
analyze the theoretical foundations and practical
aspects of on-set editing, as well as to assess its impact
on the quality of the final product.
The prospects for implementing real-time editing
significantly influence the creative process in
filmmaking. The ability to immediately evaluate
footage allows directors and cinematographers to
experiment with visual solutions without concerns
about the lengthy time required for corrections. This
dynamic approach positively impacts the development
of innovative directorial techniques, fostering the
emergence of new genres where technical precision
and creativity are closely and harmoniously
interconnected.
METHODS
The issue of integrating on-set editing into modern
video production practices is examined in the
literature from various perspectives. Researchers focus
on both the technical aspects of process automation
and the theoretical models of video narrative
construction. Additionally, challenges related to
adapting traditional methods to new digital
technologies are explored.
Studies focused on algorithmic advancements in video
processing include works by H.Y. Kim and colleagues
[1], K. Lomotin and I. Makarov [3], X. Meng and Q. Deng
[4], and Zh. Wei and co-authors [9]. These publications
emphasize the use of computational methods to
enhance video quality and identify optimal editing
points. They examine the application of special effects
filters for real-time editing and discuss the potential of
quantum computing in video processing, which opens
new opportunities for transformative industry
developments.
Another group of studies addresses theoretical and
conceptual aspects of video editing. P. Li [2] analyzes
the spatial-temporal patterns of editing points, which
are important for developing new paradigms. Zh.
Wang and colleagues [8] characterize different
storytelling approaches in editing, highlighting the role
of narrative strategies. M. Yin [10] examines the impact
of big data and the transformation of video content on
the editing process, focusing on how traditional
methodologies adapt to new conditions.
The practical side of the issue is explored by B. Michael
[5] and the contributors of Show Me Shorts [6]. Their
works discuss on-set workflow organization, role
distribution within the production team, and the
significance of the initial post-production stage. While
these sources are more applied than academic, they
provide valuable insights into the realities of the
production process.
The challenges faced by novice editors are described by
R.E. Talabbaev [7], who analyzes common mistakes in
editing. The author emphasizes that insufficient
understanding of rhythm, transition logic, and visual
composition often leads to ineffective editing decisions.
Despite
the
variety
of
perspectives,
certain
contradictions are observed in the literature.
Researchers focusing on automation often overlook
artistic editing principles, while those emphasizing
theoretical approaches do not always account for
modern technological advancements.
The methodology in this study includes content analysis
for examining academic sources and industry strategies,
comparative analysis in the study of narrative
structures, as well as methods of observation,
systematization, and generalization.
RESULTS AND DISCUSSION
Historically, editing has always played a crucial role in
filmmaking, serving as an integral part of the creative
process. However, the traditional post-production
model relies on a sequential workflow, often leading to
delays in finalizing the director's vision [2, 7]. With the
advancement of digital technologies and the emergence
of high-performance computing tools, it has become
possible to conduct the initial processing of filmed
material in real time. This shift has necessitated a
reconsideration of existing production paradigms,
where editing is no longer a postponed task but an
integral component of the filming process.
Until recently, the use of computer systems in this field
was primarily limited to post-production. Modern
solutions now enable not only preliminary scene
assembly but also real-time adjustments to color
correction, sound synchronization, and visual effects
directly on set. By utilizing powerful processors
combined with specialized software, contemporary
cinematographers can immediately assess whether the
captured footage aligns with the creative concept. This
transformation
facilitates
more
precise
scene
adjustments and reduces the time required for
correcting errors in subsequent stages.
It is necessary to examine the principles of integrating
editing into the filming process (Fig. 1).
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The American Journal of Interdisciplinary Innovations and Research
Fig. 1. Highlighting the basic principles according to which on-set editing is integrated into the filming
process
(compiled by the author based on [2-4, 9])
The approach involves parallel execution of filming and
editing, requiring both advanced technical capabilities
and a deep understanding of creative and
organizational aspects. One of the key principles is the
synchronized
collaboration
of
the
director,
cinematographer, sound engineer, and editor,
enabling immediate responses to deviations from the
original script. Such an approach logically demands a
well-structured communication framework (Fig. 2) and
the use of data transmission protocols that ensure
minimal latency.
P
ri
nci
pl
es
Synchronous interaction of the film crew members
A clearly structured communication scheme
Using data transfer protocols with minimal delay
Integration of real-time editing
Flexibility and efficiency of decision making
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The American Journal of Interdisciplinary Innovations and Research
Fig. 2. Communication scheme of filming and editing processes
(compiled by the author)
At the current stage of industry development,
specialized software systems are used to edit filmed
material without delays. These include systems
integrated with high-performance video monitors and
network solutions that enable instant data
transmission between various devices on set. The use
of data compression algorithms and parallel
computing helps maintain image quality even during
real-time processing, which is critically important for
high-budget projects with extensive graphics and
complex visual effects.
Theoretical analysis places particular emphasis on
studying the interaction processes among crew
members. Real-time editing requires not only technical
expertise but also the ability to make quick decisions
under time constraints [5]. Effective collaboration
among specialists on set reduces stress levels and
enhances the efficiency of the creative process. In this
context, training personnel in new technologies and
workflow methods plays a crucial role, ensuring
continuous information exchange and the timely
resolution of emerging challenges.
In modern filmmaking, on-set editing has become an
integral part of the production process, requiring high
precision. For instance, in projects involving action
sequences, where every second of footage may contain
critical moments, real-time processing allows for
immediate identification and correction of staging
errors. Implementing this method significantly reduces
the time spent on reshoots and ensures more accurate
adherence to script instructions.
In television production, this approach to editing
facilitates adaptation to dynamic live broadcast
conditions. The application of this technology in news
coverage and talk shows enables timely adjustments to
visual and audio elements while allowing rapid
responses to unforeseen situations. Case studies
demonstrate that integrating editing directly into the
filming process enhances content quality, making it
better suited for live broadcasting requirements.
One of the main challenges in adopting this method is
the high cost of equipment and the necessity of staff
training. Implementation requires specialized server
capacities, reliable data transmission systems, and
highly qualified specialists (Table 1).
Data transfer protocols
(ensures effective exchange of
information)
Director
(leads creative vision)
Operator
(responsible for visual content)
Sound engineer
(controls sound elements)
Editor
(combines footage into a final
product)
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The American Journal of Interdisciplinary Innovations and Research
Table 1 – Characteristics of the technical difficulties of on-set editing and ways to overcome them
(compiled by the author based on [1, 6-8, 10])
Technical Difficulty
Ways to Overcome
High equipment costs
Budget optimization through equipment rental, grant applications,
and investment sourcing
Need
for
stable
communication channels
Implementation of modern network technologies, backup channels,
and QoS configuration
Data transmission delays Optimization of compression algorithms, use of high-performance
servers, and network protocol adjustments
Software compatibility
issues
Development of unified standards, compatibility testing, and use of
modular integration solutions
Limited computational
power
Scaling server capacities, upgrading hardware, and implementing
distributed computing
Challenges
in
staff
training
Conducting specialized training, developing intuitive interfaces,
and involving experts for mentoring
When comparing traditional editing methods with on-
set editing, it becomes evident that integrating editing
directly into the production process offers several
significant advantages (Fig. 3). In addition to reducing
time costs, real-time editing enables immediate
adjustments to artistic and technical decisions. This
approach minimizes the risk of accumulating errors,
which is particularly important in dynamic and high-
budget projects. Despite the need for substantial
investments in technology and specialist training, the
economic benefits from shortened production timelines
and improved quality become apparent.
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The American Journal of Interdisciplinary Innovations and Research
Fig. 3. Systematization of the advantages of on-set editing
(compiled by the author based on [1, 9])
Despite its clear advantages and numerous positive
effects, on-set editing is accompanied by certain
limitations. One of the primary challenges is the need
for stable communication channels to transmit large
volumes of data in real time. Delays or data loss can
negatively impact the final
product’s quality.
Additionally, integrating various software platforms
requires the development of unified standards, which
remains a complex task for the entire industry.
CONCLUSIONS
On-set editing represents a groundbreaking approach
to filmmaking, allowing the integration of editing
directly into the filming process. The application of this
method contributes to reducing time costs, minimizing
the need for reshoots, and enhancing the quality of the
final product.
Despite
existing
technical
and
organizational
challenges, the prospects for development in this field
remain promising. The integration of real-time editing
requires significant investments in infrastructure and
specialist training; however, the economic and creative
benefits justify these expenditures.
Contemporary research and practical experience
confirm that the implementation of this method opens
new opportunities in filmmaking. The advancement of
technology, automation of processes, and improvement
of communication systems not only reduce production
timelines but also ensure a closer alignment with the
artistic vision. As a result, this approach becomes an
essential tool for modern filmmakers, facilitating the
creation of high-quality and timely content.
Further research in this area should focus on the
development of unified standards, increasing the
reliability of data transmission systems, and
implementing innovative processing algorithms. A
Advantages
Reducing time costs
Minimizing the need
for reshoots
Rapid detection and
correction of errors
More accurate match
to creative intent
Improving
communication
processes
Optimization of
production resource
utilization
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The American Journal of Interdisciplinary Innovations and Research
systematic approach to addressing these issues
appears to be the key to fully realizing the potential of
real-time editing in the current production
environment.
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