Authors

  • Alikulov Alisher Makhmudovich
    National Institute Of Fine Art And Design Named After K.Behzod, Professor Of The Department “Monumental Painting”, Academician Of The Academy Of Fine Arts Of Uzbekistan

DOI:

https://doi.org/10.37547/tajssei/Volume06Issue05-09

Keywords:

Uzbekistan architecture monumental painting

Abstract

This study explores the harmony between architecture and monumental painting in the art of Uzbekistan. It investigates how architectural forms and decorative elements are integrated with painting techniques to create a cohesive visual language. Through an analysis of historical and contemporary examples, the research elucidates the cultural significance and aesthetic principles underlying this symbiotic relationship. By examining the interplay between architectural space and pictorial composition, this study offers insights into the unique artistic traditions of Uzbekistan and their enduring influence on architectural design and decorative arts.

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