Volume 04 Issue 06-2024
105
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
06
P
AGES
:
105-109
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
The language and style of Alisher Navoi's works have been extensively researched and researched by literary scholars,
linguists, textologists, and source scholars. His rare works are so wide in terms of subject matter that there are many
questions that still require study and await solution. In particular, his Nasoyim ul Muhabbat contains detailed
information about the stylistic functionalization of words and sentences related to the science of Sufism.
KEYWORDS
S
ufis, Navoi’s poems, Nasoyim ul muhabbat, Arbain, litera
ture, poets.
INTRODUCTION
As we mentioned above, Navoi's work "Nasayimul
Muhabbat" was written based on Jami's work, and in
the process of studying it seriously, it made us come to
a clear opinion that it has its own language and style,
narrative, and individuality. In the creation of this
tazkira, the strong influence of Jami's work can be felt.
This, of course, is one of the main reasons for the
importance of mysticism in Jami's work. It is connected
with the fact that Abdurahman Jami took lessons from
the Naqshbandi sheikh Sa'duddin Muhammad
Kashgari in the years 1414-1492. Later, Jami established
friendly relations with Khoja Ubaidullah Ahror, and at
certain times he worked in Hossein Boygaro's palace.
In these periods, examples of creativity in Persian and
Arabic languages included masnavi, pand-nasihat and
Research Article
STYLISTIC FUNCTIONALIZATION OF WORDS AND SENTENCES RELATED
TO SUFISM IN THE WORK "NASOYIMU-L MUHABBAT"
Submission Date:
June 17, 2024,
Accepted Date:
June 22, 2024,
Published Date:
June 27, 2024
Crossref doi
https://doi.org/10.37547/ajps/Volume04Issue06-22
Ubaydullaev Abdulloh Khabibullo ugli
Oriental University, Teacher of Department of Oriental languages, Tashkent, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ajps
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 06-2024
106
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
06
P
AGES
:
105-109
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
narrations, and in his book "Nafahot al-uns min hazarot
al-quds" the names of 608 Sufis who lived until the 15th
century are mentioned. . Navoi fills this list with Turkish
Sufis and, as we mentioned above, brings the number
of saints to 770 in "Nasayim al-Muhabbat". This is why
he fundamentally distinguishes Navoi's work from
Jami's work. The work "Nasayimul Muhabbat" appears
as an independent and original work, as it differs from
the work "Nafahot al-uns min hazarot al-quds" in many
ways. In particular, unlike other works, Navoi provides
information about 36 Indian women. F. Attar's
"Tazkira" with information about 19 saints, more than
100 Turkish saints, as well as describing Jami among the
saints in the work proves another uniqueness of the
work.
According to sources, in 1476, Alisher Navoi gave his
hand to Jami and accepted Naqshbandism. He
observes and studies the harmony of Naqshbandiyya
and wahdat al-wujud teachings in Jami's work. Giving a
philosophical-mystical spirit and scientific-theoretical
power to the sect, which has acquired a political-social,
practical-religious character with its universal mystical-
mystical works - the greatest service of the Naqshbandi
pir in the history of mysticism and mysticism-
philosophy has a great influence on Navoi's work.
This is the impetus for Sufism to take place in Navoi's
work. As a result, the ascension of a person towards
God (uruj) is raised to the level of the main idea in
Navoi, and even the epics "Khamsa" and "Lison at-
Tayr" are among the works depicting uruj. Now, in
Navoi's work, the beauty of the world begins to be
considered as a continuation and material expression
of divine beauty. The question of searching for purely
religious ideas or purely secular ideas takes place in his
works. In Navoi's works, the motif of expressing each
expression with a bright and deep meaning, hidden
within seven layers of veils, is strengthened.
At this point, it can be said that in his works, the
functionalization of language units, stylistic features,
stylistic possibilities, maturity are expressed in a
completely different way.
For example, Beloved means God, the Prophet, Pir, and
one's loved one; to take into account the same four
concepts when saying ``saki'', and when saying ``lab'',
the word of the pir, divine grace; eyebrow means the
border between the divine world and the material
world; the waist means a perfect human imagination, a
thin waist means the thinness of a perfect human
imagination; it is clear that it is impossible to
understand the Sufi poem without understanding the
symbols of the perfect human being.
Navoi's mystical philosophy is extremely broad, and his
works are understood by Sufis in their own way, and
ordinary readers in their own way. In this work, it can
be seen that his opinions and conclusions about the
main principles and ways of the Naqshbandi leech are
openly stated in small genres such as khita and ghazal.
Volume 04 Issue 06-2024
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American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
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P
AGES
:
105-109
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
He expresses each of his thoughts in the epics in
connection with a certain ideological intention, within
the framework of the artistic context. In his works, he
openly admits his attitude to Sufism, in particular, the
Naqshbandi order. It is also important that his attitude
to certain social currents and associations, which had a
great influence on his worldview, is hidden behind the
veil skillfully woven by the thinker in the work.
Navoi's attitude to futuvvat (juvenility), which had a
great influence on the formation of the concept of a
perfect human being, is a unique branch of futuvvat in
Asia Minor and is called "javonmard" in Khurasan and
Movarounnahr, to create a vivid image of the
representative of the "Akhiyyah" movement. we can
see that it was motivated. In the poet's own language:
Muruvvat means that everything is given, there is no
work, Futuvvat means that everything is done, that is,
no
In the works of the poet, the terms "futuvvat" and
"courage" are often mentioned as a positive
characteristic of perfect people.
Alisher Navoi is loyal to the Naqshbandi leech through
his "Nasayimul Muhabbat" and many other mystical
works. Although Navoi himself emphasized that there
is no mention of jahr, samo' and khilvat in
Naqshbandiya's demands, according to Babur's
information, "the mystics gathered under Alisherbek
(like Kamoliddin Husayn Gozurgohi) and wojd (jahr)
and they are doing samo'.
Recognition of the diversity of opinions on any issue,
respect for different sects and sects, an impartial
attitude to different sects and sects, indirect - veiled
expression of one's opinion in very sensitive places,
and most importantly, the stability of the sense of
justice in all issues is Navoi's genius. is one of the
characteristic features for Alisher Navoi pays special
attention to the Naqshbandi tariqa, follows the
instructions of the tariqat and has close relations with
the Naqshbandi pirs (teachers).
In the 15th century, the largest property owner in
Movarounnahr, the head of the Naqshbandi leech, was
Khoja Ahrori Vali, and the same person in Khurasan was
Alisher Navoi. The reason is that Navoi does not love
possessions and positions, he completely frees the
heart from their thoughts and turns it into a place of
God's love, a pure mirror where the Beloved resides.
Asceticism in Navoi's work:
“Оltun, kumushgа hirs mаn’ikim, tutmоg‘i Ilikni qоrа
qilur vа muhаbbаti kо‘ngulni. Kо‘p оltun, kumush sаri
qо‘l sо‘nmаg‘il, Ki tutsаng, kаfingni qаrо zаng etаr.
Kо‘nguldа dоg‘i mаylini аsrаmа, Ki kо‘nglungni dоg‘i
hаmul rаng etаr” .
During the early period of Alisher Navoi's work,
Naqshbandi doctrine spread widely in Movarunnahr
and Khorasan, and its influence began to be seen in
Volume 04 Issue 06-2024
108
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
06
P
AGES
:
105-109
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
written literature. The information presented in the
second meeting of the masnavis of Amir Sayyid Qasimi,
"Majalis" indicates that there were poets belonging to
this sect not only in the youth of Navoi, but also among
creative people belonging to the environment of
Herat. Although the time of Alisher Navoi's official
entry into the Naqshbandi leech is marked by his hand
to Jami (1476-77), in fact, the official result of the long
gradual development of Navoi's faith is determined by
this event.
From this point of view, we would like to focus below
on the use of parcellated units in Alisher Navoy's work
"Nasayimul Muhabbat".
There are such syntactic constructions in the text,
which are formed by the transformation of a single
syntactic
construction
into
two
independent
communicative units. One of them is distinguished
from the others by the prominence of stylistic coloring
and intonation independence. This is referred to as a
parcellation in expressive syntax. Therefore, parcellets
are separated from the main sentence, have an
independent expressive value and become syntactic
forms that serve to provide emotionality in the text. A
simple syntactic analysis of such constructions is
insufficient, it cannot fully reveal the content they
contain and the intended purpose.
Parcellates have a dynamic character, a construction
that is distinguished by its semantic function and,
accordingly, its own intonation, and the syntactic
structure of the sentence is complicated both
syntactically
and
meaningfully.
Therefore,
parcellations are considered as a methodological tool
that creates communicative expressiveness.
CONCLUSION
Alisher Navoi widely used dialogic speeches in this
work and effectively used parcellations in their
composition. This method gives the reader the
impression that the narrated events are happening
live, that the interlocutors are live participants. This is
very important for the aesthetic impact of the artistic
text. Syntactic constructions in dialogues, of course,
served to express different poetic and stylistic
intentions of the author, emphasize logic, and
strengthen expression.
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Alisher Navoi. A perfect collection of works. 20
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3.
Alisher Navoi. A perfect collection of works. 20
volumes. Volume 11: Saddi Alexandria. - Tashkent:
Science, 1993.
4.
Haqqul Ibrahim. Destiny and thinking. -Tashkent:
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109
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
06
P
AGES
:
105-109
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
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