LANGUAGE FUNCTIONS AND THEIR APPLICATION IN POETIC TEXT

Abstract

This article discusses language functions and the representational function of language, as well as their application in poetic text.

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Iroda Artikmashrabovna Ibragimova. (2024). LANGUAGE FUNCTIONS AND THEIR APPLICATION IN POETIC TEXT. American Journal of Philological Sciences, 4(06), 17–22. https://doi.org/10.37547/ajps/Volume04Issue06-04
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Abstract

This article discusses language functions and the representational function of language, as well as their application in poetic text.


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Volume 04 Issue 06-2024

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American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

04

ISSUE

06

P

AGES

:

17-22

OCLC

1121105677
















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

This article discusses language functions and the representational function of language, as well as their application in

poetic text.

KEYWORDS

Poetic text, language functions, representationality of language, expressiveness, aesthetics.

INTRODUCTION

Language has naturally emerged and evolved over the

course of human development, serving various

functions within its system and advancing alongside

societal progress. It performs several tasks, such as

fulfilling the role of communication in society,

conveying specific messages, expressing emotions,

and evoking feelings, thereby serving an expressive-

informative function. Furthermore, it articulates

sensations, feelings, and emotions, fulfilling an

expressive-emotional function . With over a hundred

functions attributed to language, linguistic units serve

to investigate language from a functional perspective.

The linguistic-poetic analysis of poetic texts, based on

language functions, determines the linguistic and

aesthetic value of the text. The expressive power of

the creator, being the product of poetic thought,

demonstrates the influential force of poetic texts.

When a text's author creates poetic works, they

address issues such as transmitting information and

conveying messages to readers. According to the

Research Article

LANGUAGE FUNCTIONS AND THEIR APPLICATION IN POETIC TEXT

Submission Date:

June 01, 2024,

Accepted Date:

June 06, 2024,

Published Date:

June 11, 2024

Crossref doi

:

https://doi.org/10.37547/ajps/Volume04Issue06-04


Iroda Artikmashrabovna Ibragimova

PhD Candidate, Namangan State University, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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classification by psychologist and linguist K. Bühler ,

the representational function of language is

considered as conveying information. Research on

language functions has been primarily analyzed from

psychological

and

linguistic

viewpoints.

The

representational, expressive, and appellative functions

of language are analyzed based on psychological

concepts. Psychologist and linguist K. Bühler

emphasize the importance of understanding and

experiencing events and phenomena through the lens

of these three functions.

K. Bühler categorizes language's three functions as

follows: the designation of various types of speech acts

as the "representational function of speech," the

expressive function as the expression of sensations

and emotions, and the appellative function as

conveying a directive towards action .

The representational function among these functions

forms the basis of our dissertation work.

Representation is a phenomenon related to thought.

In the representational function of language, neither

the addresser nor the addressee directly perceives the

congruence of ideas between them. Only the observer

who notices this situation can comprehend it. The

addresser (speaker) does not necessarily attach

significance to visuality in poetic text. However, only

the addressee may demonstrate the representation in

various contexts. Each addressee can interpret the

representational function of a single poetic text

differently.

In communicative interaction, direct communicative

units between interlocutors and a specific object (or

situation) or objects are directly related. This function

allows the speaker to refer to a specific object, while

allowing the listener to compare it directly to that

object, providing the possibility of association . Thus,

the representational function is directly related to

poetic thought. Linguistic representation is formed

based on metaphors. The creative process of an artist,

the transmission of a message to the listener, allows

the listener to imagine another object in their mind. For

example:

"Women cry at night, writing letters to the moon,

Men lie down on the ground, gazing at the stars,

Friend, the one who doesn't know pain in the

darkness

Hides in the clouds and cries."

"Shavkat Rahmon. Saylanma."

T.: Sharq, 1997.

219

pages.

Through this text, the author sometimes reflects on

the moments when the homeland is left empty, and

even nights seem to witness the departure.

Sometimes, the gathering of "moons" (guests) from

various families and their departure leaves us feeling


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Publisher:

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melancholic. When the author refers to the term

"moon," the reader might envision a woman, a home,

a mother, a daughter. While the creator directly

addresses the "moon," in reality, it represents the sky,

the vast expanse that encompasses the entire

universe, primarily depicted in a singular, whole form.

However, in poetic texts, the phrase "moons gather" is

often used in the plural form. As a result, we can

observe the creation of a metaphorical meaning. This

implies that girls, women are noticed and admired.

Objects, things, and events expressed through literary

means via personification or metaphor are considered

the representative function of language.

In poetic texts, the author indicates his own perception

by providing a proposition based on the similarity of

specific objects to others and expresses a metaphorical

meaning . Here, " The propositional act being

described arises from the strength of comparison,

reflecting the speaker's intention. " . For example:

I'm in paradise, my heart is in a garden,

My mint, you're in the desert's expanse.

My sister, golden in the light of the meadow,

I am yearning for you in the world.

Your eyes weep, mine dry up,

How many lifetimes must I search?

If I could transfer my pain to your tongue

I would have left its trace on your palate.

I'm not a poet, nor am I versed,

My poetry isn't suitable for fame.

Through one kindness, I've endured a thousand

lapses,

I remain indifferent to your charm.

Oh, my fair one, my azure-skinned one,

I shall come to match your embrace,

If I sigh, it's only because you do,

Like a breeze coming down from the hill.

In this poetic text, the word "mint" is used to express

a beautiful similarity in the third line of the first stanza:

My sister, golden in the light of the meadow

Here, the reader perceives a beautiful analogy

between "mint" and "sister" (even if there is no direct

connection). Usually, one would not associate a poplar

tree with a pine tree. It's a metaphorical creation to

perceive the scent of the poplar near the pine, implying


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that the scent of the beloved, in the guise of a poplar,

is seen, thus creating a metaphorical meaning. The

speaker chooses the "mint" to represent the object for

his purpose. In this instance, the author demonstrates

his unique, individual style. The representative function

of language can also be observed in the first and

second lines of the final stanza. Here, "mint" is likened

to a blue dress. The "mint" is considered a fragrant, tall

perennial plant. Therefore, the author, as the creator

of the text, compares the "mint" to the "sister." The

fragrance of the "mint" merges with the scent of the

pine (especially, the scent of one's mother comes from

the pine, as it is said). In the following lines, addressing

"mint," "your eyes," and "my blue dress," there is an

apparent connection and correlation between similar

and dissimilar objects and concepts.

In poetic texts, the expression of metaphorical

meaning is often found in various contexts. For

example:

The waters now recede, it's time to plant cotton,

Summer. People are tending to the fields.

Attention, news is spreading,

Our guest is about to arrive!

They came. We saw. And what a welcome!

(Those who recognized said, "Attention").

The village was in a festive mood

Our guest must be a poet.

We spent a day wandering the valleys,

One day we climbed the hills and picked berries.

We're the children of his heart,

He's searching for topics for his poetry.

But as evening descended,

He patted my shoulder with his hand,

Whispered softly into my ear:

"There's no art in hospitality...

Our guest left. I was left speechless,

I couldn't find a response.

Summer. People are tending to the fields,

But I couldn't return home.

If I go back: they'll ask if my tongue is missing,


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If I return: they'll ask if my eyes are gone.

They'll ask if my words have disappeared.

In the island, cotton candy,

A statue of Marhamats

From the above lines, it is evident that the author has

conveyed the importance of the cotton policy to the

state's significance to some extent.

Human sociability has led to the creation of a specific

worldview and is closely related to politics . It is known

to us that during the cotton dictatorship period in

Andijan, cotton cultivation was always prioritized, and

it was at the forefront even in the delivery of cotton.

The author acknowledges this fact by stating " In the

island, cotton candy, a statue of Marhamats.” In these

two lines, the author's urgency is evident. The poetical

text encompasses the author's observations of the

contemporary era, the cotton policy, the nation's

prosperous destiny, and the depiction of the Andijan

people who did not emerge from the depths of winter

and summer. "We know that the governance system of

any state in the world is analyzed in terms of its

development and societal events. In this analysis,

attention is paid to the reforms and initiatives

undertaken by the government, the attitude of the

citizens towards these reforms and initiatives in that

country. In countries where democracy is weak, the

public's criticism of politics and initiatives is subtly

expressed. In the poetical text above, the pain of the

people is depicted skillfully, with ", A statue of

Marhamats " representing the collective outcry of the

entire nation. This representation demonstrates the

language's representative function. Despite the

absence of a direct connection between similar and

dissimilar objects, the poetic text's chain-like

connection can be observed. The juxtaposition of

cotton shrouds with the embodiment of a statue of

Marhamats is only possible within this context of

metaphorical creation.

REFERENCES

1.

A. E. Mamatov. The Most Important 100 Functions

of Language.

Tashkent: "BAYOZ", 2014. p. 5.

2.

Khusanova M. Expressiveness in Farida Afro'z's

Poetry: A Monograph

Fergana, 2023.

p. 9.

3.

Madjidova R.U., Mukhiddinova Kh.S., Sultanova

Sh.M. Introduction to Linguistics.

Tashkent, 2015.

p. 6.

4.

Abdulloev A. The Expression of Expressiveness in

the Uzbek Language.

Tashkent: "Fan", 1983. p. 6.

5.

uz.warbletoncouncil.org

(date

of

access:

13.03.2022)

6.

Abdurahmonov X, Mahmudov N. The Aesthetics of

Language.

Tashkent: "Fan", 1981. p. 4.

7.

Galkina-Fedoruk E.M., Gorshkova K.V., Shaiskiy

N.M. Modern Russian Language.

T, 1962.

p. 99.

8.

Khusanova M. Expressiveness in Farida Afro'z's

Poetry: A Monograph

Fergana, 2023.


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Publisher:

Oscar Publishing Services

Servi

9.

Khusanova M. Expressiveness in Farida Afro'z's

Poetry: A Monograph

Fergana, 2023.

10.

Fergana Pragmalinguistics School. U. Nosirova.

Poetics.

References

A. E. Mamatov. The Most Important 100 Functions of Language. – Tashkent: "BAYOZ", 2014. p. 5.

Khusanova M. Expressiveness in Farida Afro'z's Poetry: A Monograph – Fergana, 2023. – p. 9.

Madjidova R.U., Mukhiddinova Kh.S., Sultanova Sh.M. Introduction to Linguistics. – Tashkent, 2015. p. 6.

Abdulloev A. The Expression of Expressiveness in the Uzbek Language. – Tashkent: "Fan", 1983. p. 6.

uz.warbletoncouncil.org (date of access: 13.03.2022)

Abdurahmonov X, Mahmudov N. The Aesthetics of Language. – Tashkent: "Fan", 1981. p. 4.

Galkina-Fedoruk E.M., Gorshkova K.V., Shaiskiy N.M. Modern Russian Language. – T, 1962. – p. 99.

Khusanova M. Expressiveness in Farida Afro'z's Poetry: A Monograph – Fergana, 2023.

Khusanova M. Expressiveness in Farida Afro'z's Poetry: A Monograph – Fergana, 2023.

Fergana Pragmalinguistics School. U. Nosirova. Poetics.