Authors

  • Murodullayeva Shamsikamar Bahodirjon Kizi
    Andijan State University Faculty Of Art History 4th Year Student Of Fine Arts And Engineering Graphics, Uzbekistan

DOI:

https://doi.org/10.37547/ajps/Volume03Issue07-07

Keywords:

Fine art drawing imagination

Abstract

The main goal of modern primary education is the upbringing and development of the child's personality. In younger schoolchildren, in contrast to other age periods, personal orientation is determined by the focus on the external objective world, visual-figurative thinking and emotional-sensory perception of reality prevail in them, and gaming activity remains relevant for them. The specificity of art, its artistic nature is the best way to meet the personal needs of a younger student.


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Volume 03 Issue 07-2023

36


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

03

ISSUE

07

P

AGES

:

36-42

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

(2023:

6.

555

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

The main goal of modern primary education is the upbringing and development of the child's personality. In younger

schoolchildren, in contrast to other age periods, personal orientation is determined by the focus on the external

objective world, visual-figurative thinking and emotional-sensory perception of reality prevail in them, and gaming

activity remains relevant for them. The specificity of art, its artistic nature is the best way to meet the personal needs

of a younger student.

KEYWORDS

Fine art, drawing, imagination, memory, method.

INTRODUCTION

Any kind of art “thinks” in images, and the image is

integral in its artistic nature. In any artistic image, as in

a drop of water, the whole world is reflected.

In elementary school, children form an idea of artistic

and musical culture as an integral part of spiritual

culture. Artistic and musical knowledge, skills and

abilities are no longer the goal, but the main means of

forming the culture of the individual. Such concepts as

composition, form, rhythm, proportions, space, color,

sound, word, tempo are grouped around the general

patterns of the artistic and figurative language of

music and visual arts. This approach makes it possible

Research Article

THE ROLE OF VISUAL ART TRAINING IN DEVELOPING SPATIAL
IMAGINATION, DEVELOPING DRAWING BASED ON OBJECTS IN
INCREASING STUDENTS' ACTIVITY

Submission Date:

July 04, 2023,

Accepted Date:

July 09, 2023,

Published Date:

July 14, 2023

Crossref doi:

https://doi.org/10.37547/ajps/Volume03Issue07-07


Murodullayeva Shamsikamar Bahodirjon Kizi

Andijan State University Faculty Of Art History 4th Year Student Of Fine Arts And Engineering Graphics,
Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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Volume 03 Issue 07-2023

37


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

03

ISSUE

07

P

AGES

:

36-42

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

(2023:

6.

555

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

to create integrated courses that also solve the

problem of forming a complete picture of the world in

a child. With the help of lines, colors, composition,

dynamics of the image, the child satisfies his need to

tell about himself, to express his attitude to what he

saw. An important facet of the upbringing and

development of the personality is the moral and

aesthetic education of the child. It is the younger

school age that is the most favorable for this.

Switching students from scientific disciplines to artistic

activities helps to reduce children's overload.

Moreover, artistic activities have a significant

psychotherapeutic effect on the junior schoolchild,

relieving the neuropsychic stress caused by other

lessons, and thereby preserving the child's health.

MАTЕRIАLS АND MЕTHОDS

Along with art classes, I use the origami method in art

classes in elementary school. Origami is an activity that

involves both hands. In this regard, origami seems to

be a very appropriate activity that helps to increase the

activity of both the left and right hemispheres of the

brain. Thus, the active work of the hands, along with

the work of the intellect, creates effective conditions

for the development of a person's mental abilities. The

plasticity of the child's brain and the minimal

dominance of one hemisphere over the other in

childhood is fertile ground for the harmonious

development of personality.

Ekaterina and Yuri Shumakov, psychologists from

Europe, conducted special studies on the role of

origami in the development of cognitive and

psychomotor abilities in children. As a result of this

work, statistically significant conclusions were made

that origami:

1)

improves the skills of small and precise movements

of the fingers of both the right and left hands;

2)

increases the activity of the right and left

hemispheres of the brain;

3)

increases intellectual abilities;

4)

activates thinking, increases its speed and

flexibility;

5)

develops spatial imagination;

6)

improves the eye;

7)

reduces anxiety;

8)

increases and stabilizes the psycho-emotional

state at a high level.

RЕSULTS АND DISСUSSIОN

After my students mastered the basic techniques for

making handmade paper crafts in the origami style, I

had the opportunity to organize work with them to

create plot-thematic compositions on a flat basis. At

the same time, children can actively use their

experience in making crafts, applying it to display a

specific theme. This contributes to the development of

students' creative activity and their design abilities.


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Volume 03 Issue 07-2023

38


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

03

ISSUE

07

P

AGES

:

36-42

SJIF

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MPACT

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(2022:

5.

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)

(2023:

6.

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OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

Using the origami method in art lessons, one can

achieve the ability to convey coherent content,

combine images and objects with each other in size,

color, and spatial arrangement.

One of the difficult tasks for students is the problem of

the correct spatial arrangement of objects on a plane.

Here they should be able to determine the connections

between objects, understand the features of

conventionality used both to convey the images

themselves and to arrange them, based on the

intentions of the work. Very often, students, not yet

knowing compositional techniques, independently

find bold, original, unexpected solutions. As a rule,

they are best at simple, purely “childish” compositions,

when objects are placed on one horizontal line. In this

case, the relationship between individual images is

linear. Quite often, the child places the main figure in

the middle of the composition, and then to the left and

right of it in a certain order he places origami-style

crafts, i.e. uses the principle of mirror symmetry.

So, despite the well-known conventionality of images

and their actions, characteristic of origami, in the

composition the stiffness of the image is overcome, it

acquires expressiveness, and hence artistry. At the

same time, the child is constantly looking for ways to

solve the problem facing him: what turn of the head to

choose, how to make the figures the most stable, etc.

Thus, conditional figurines for children, as it were,

come to life, gain a new life. Therefore, it is so

important to create a creative atmosphere in the

classroom.

Very often I use the technique of placing figures on the

so-called wide strip, when its upper edge is a boundary,

a horizon and separates, for example, the surface of

the earth, a river from the plane of the sky, either

expanding or narrowing them. So children have an idea

of the depth of space of a sheet of paper. The use of

such compositional techniques develops in children

the ability to accurately orient themselves on the plane

of the sheet.

Children should pay attention to how the main

properties of objects change when they are removed,

brought closer, moved higher or lower. This helps to

develop in children a sense of the center of symmetry,

which underlies various compositional techniques.

To give expressiveness to the compositions, a variety

of colors for figures made in the origami style is of

great importance. I teach children how to use color to

enhance the characteristic feature of an object, to

express their attitude towards it, to distinguish it from

other objects. Therefore, in the process of making

figures in the origami style, children should learn to use

color “stamps” (grass is green, the sky is blue, the sun

is yellow, the earth is black), which does not in the least

limit their creative freedom, because you can use the

richness of the transition of the same color from the


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Volume 03 Issue 07-2023

39


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

03

ISSUE

07

P

AGES

:

36-42

SJIF

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MPACT

FACTOR

(2022:

5.

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)

(2023:

6.

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)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

lightest to the darkest tones. With the help of color, a

child can convey a certain mood.

Watching the children during the lessons, I noticed that

paper is an accessible and versatile material for the

child. And making colorful crafts by repeatedly folding

and bending is an exciting and useful activity for

children. The child rejoices that the toy he made with

his own hands works: the spinner spins, the boat floats,

the plane takes off. Thus, through various actions with

paper, children learn to aesthetically comprehend the

images of familiar objects, to convey them in visual

activity, emphasizing the beauty and color of their

appearance in a transformed form. When making a

figurine from colored paper, the child creates models

of objects, displaying their characteristic features in a

generalized form, distracting from secondary features

and highlighting the most striking and attractive

details. As a result, the image acquires new features, an

original interpretation, which is typical for the art of

origami. The generalization of images does not prevent

the child from recognizing real objects in them and

vividly supplementing the image with the missing

details. Such activity is of great importance in the

development of the child's creative imagination, his

imagination, artistic taste, accuracy, instills the ability

to carefully and economically use the material, outline

the sequence of operations, encourages him to

actively strive to obtain a positive result.

For origami, it is very important to see the essence of

the object, its individuality, to notice the most

characteristic, to hint at it. Indeed, for real art, only a

hint is enough - the viewer must think it through,

complete the image in his imagination. Thanks to this,

the art of origami is one of the significant factors that

stimulate the imagination and create the prerequisites

for creative activity.

Figures from a paper sheet sometimes have no value at

all - the material is inexpensive and fragile, and almost

everyone can do the same. But the art of origami came

to us from Japan - from a country where they know

how to pay attention to what is fragile, for a moment,

for the smallest little thing, they know how to

appreciate the moment and catch the breath of

eternity in the little things, because in the world

everything is connected with everything .

Fine art lesson in 3rd grade

Theme "Russian architecture". Lesson Objectives:

1. Continue to develop general educational skills and

abilities (plan work, control yourself) and graphic skills.

2. Continue to develop spatial imagination.

3. a) To cultivate accuracy in the performance of work;

b) set students up for creative search in their works;


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Volume 03 Issue 07-2023

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Publisher:

Oscar Publishing Services

Servi

c) expand the idea of the content and rhythm of the

pattern (geometric elements, plot images and

symmetry).

Equipment: dynamic tables and drawings of houses,

square sheets of paper and pencils.

During the classes.

I. Organizational part.

II. Exam Game.

From each row, one student comes up to the teacher's

table, and each takes one ticket, which are laid out on

the table. In the ticket for one question:

1. What do we call architecture or architecture?

2. What is the name of the drawing if it has a center and

identical patterns are located from the center at equal

insistence?

3. What do we call graphics?

CONVERSATION

As you guessed, guys, today at the lesson we will talk

about Russian architecture. Russian craftsmen are

famous for their rich artistic traditions in woodcarving.

Wood was an affordable and practical material from

which houses were built, utensils and tools were made.

Peasant huts can serve as a vivid example of the art of

folk craftsmen. The facade of the hut is clearly divided

into two geometric volumes - a frame and a roof. There

are red windows in the upper half of the log house.

Their architraves with open shutters form a

magnificent decorative belt on the facade of the

house. The ornamental decoration of the façade is

completed with a pattern on the cornice and frontal

board. The last two elements not only decorate the

house, they serve a practical purpose - they cover the

junction of the frame and the roof.

The upper part of the facade, bounded by a gable roof,

has a triangular shape - this is the pediment. It is filled

with carved decorations in such a way as to visually

balance the richness of the lace pattern of the log

house. An expressive ornament is placed on the boards

framing the triangle of the pediment. In the center of

the pediment there is a small window surrounded by

rich architraves.

Let's remember in our lesson the great Russian artist

Viktor Vasnetsov. He began his creative career as a

genre painter, but he found his true calling by turning

to the plots of Russian fairy tales and epics. Rus' with

its legendary past - that's what constantly beckoned to

itself, worried the artist. The new, original language of

his works sounded fresh, strong, unexpected in

Russian painting.

“I only want to preserve my native antiquity as it li

ves

in the poetic world of the people,” wrote Vasnetsov.

Practical work


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Volume 03 Issue 07-2023

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American Journal Of Philological Sciences
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ISSUE

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SJIF

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Publisher:

Oscar Publishing Services

Servi

All students of the class are divided into 3 groups

(optional). We will make origami-style houses from

paper squares (see diagram on p. 49).

Then we will colorfully decorate the facade of each

house.

With a verb, a purse and a beam

The house was built with a carved porch, With

deliberate elegant taste, And each with its own face.

The guys should get individual houses. Then each

group will design the street of the holiday village.

Home

Make a fold along the vertical axis and bend the sheet

along the horizontal axis.

СОNСLUSIОN

Before the finished product appears on store shelves,

a lot of preliminary work is carried out. One of its stages

is the development of fabric sketches, which are made

by the artist. Preparing to create a sketch, the artist

collects the necessary information about existing

similar products, carries out their critical analysis. The

artist necessarily coordinates his creative ideas with

the ideas of other members of the team, since the

original form of the product may, from the point of

view of an economist, be unprofitable or, from the

point of view of a technologist, difficult to implement.

The artist must feel the proportions of the product


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Volume 03 Issue 07-2023

42


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

03

ISSUE

07

P

AGES

:

36-42

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

(2023:

6.

555

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

well, see the beauty of the lines, not forgetting about

its working function - after all, clothes should be not

only beautiful, but also comfortable. The work of an

artist is accompanied by a constant creative search, he

needs to have good eyesight, an excellent eye, a steady

hand.

RЕFЕRЕNСЕS

1.

Kuzin V.S., Eremenko E.O. Program and

methodological materials “Fine Arts”, elementary

school.

M.: Bustard, 2011.

2.

Mikheyshina M. Drawing lessons.

Minsk:

Polygraphmarket, 2018.

3.

Afonkin S.Yu., Afonkina E.Yu. Encyclopedia of

origami for children and adults.

M.; St.

Petersburg: Crystal, 2010.

4.

www.ziyonet.uz

5.

www.natlib.uz

6.

www.jdu.uz

References

Kuzin V.S., Eremenko E.O. Program and methodological materials “Fine Arts”, elementary school. – M.: Bustard, 2011.

Mikheyshina M. Drawing lessons. – Minsk: Polygraphmarket, 2018.

Afonkin S.Yu., Afonkina E.Yu. Encyclopedia of origami for children and adults. – M.; St. Petersburg: Crystal, 2010.

www.ziyonet.uz

www.natlib.uz

www.jdu.uz