Authors

  • Ruzieva Saodat Hasanovna
    Bsmi, Teacher Of English Language Department, Uzbekistan

DOI:

https://doi.org/10.37547/ajps/Volume02Issue11-11

Keywords:

World literature postmodernism modernism trends literary approaches

Abstract

This article describes the emergence of postmodernism in world literature, its stages of development, its formation as a separate trend from modernism, and its current state on the basis of various literary approaches.


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Volume 02 Issue 11-2022

82


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

02

I

SSUE

11

P

AGES

:

82-87

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

OCLC

1121105677

METADATA

IF

5.963















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

This article describes the emergence of postmodernism in world literature, its stages of development, its formation

as a separate trend from modernism, and its current state on the basis of various literary approaches.

KEYWORDS

World literature, postmodernism, modernism, trends, literary approaches.

INTRODUCTION

First of all, we should emphasize that postmodern

literature and postmodernism in general as a full-

fledged movement are concepts that are difficult to

explain with specific words. The 20th century, as the

most powerful century in human history, presented

them not only with two world wars, the peak of

scientific achievements, absolute changes in human

psychology, but also with two global trends such as

modernism and postmodernism. The current of

modernism, which made a sharp turn in literature, not

only rejected the traditional forms and styles of fiction,

but also encouraged to understand the deep

Research Article

IDEAS OF POSTMODERNISM IN THE LITERATURE OF THE XXI CENTURY

Submission Date:

November 05, 2022,

Accepted Date:

November 15, 2022,

Published Date:

November 29, 2022

Crossref doi:

https://doi.org/10.37547/ajps/Volume02Issue11-11


Ruzieva Saodat Hasanovna

Bsmi, Teacher Of English Language Department, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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OCLC

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Publisher:

Oscar Publishing Services

Servi

psychological processes in a person by penetrating

into the mind of the character of the work. And

postmodernism managed to bring the artistic textual

features of literature, which have been formed and

interpreted differently in different periods, to the

scene of an unimaginable level of revolution.

Mature scholars of the world of literature have not yet

been able to come to a conclusion about the specific

features, scope and importance of postmodernism. In

this work, the conclusions of world scientists on

postmodernism based on different approaches serve

as the most important sources for the interpretation of

this movement. Based on their conclusions, we should

emphasize that before defining postmodernism as a

philosophical and literary movement, we should first

analyze it more deeply on the basis of its emergence -

the state of postmodern times. Postmodernism in its

original state is neither a philosophical nor a literary

movement. The well-known French scientist Jean-

Francois Lyotard describes the state of science in

societies that have reached the peak of development

as the postmodern state [23, 3]. Like all currents, the

emergence, rise and fall of postmodernism are not

defined by exact dates. Some critics sometimes point

to the beginning of postmodernism as a "rough

border" with the deaths of Irish writer James Joyce and

English writer Virginia Woolf in 1941, vacating the

literary scene. Another group of literary scholars argue

that the starting point of postmodern literature can be

determined by the rise of important publications or

literary events. We saw the first publication of John

Hawkes' Cannibal and Alan Ginsberg's The Cry in 1949,

the first staged performances of Waiting for Godot and

Naked Lunch in 1953, and Jacques Derrida's Structure,

Sign and Death in 1966. yin" or later in 1971, the

Egyptian-American literary critic and writer Ihab Hasan

presented a two-pillar scheme in "The Disintegration of

Orpheus" that allowed us to further distinguish

postmodernism from modernism. We can show as a

proof of our word that the flow of postmodernism

entered the scene of world literature as a literary flow.

If we look at the history of the term postmodernism,

we will come across information that the term

postmodern, which is its basis, was used for the first

time in 1926. In her bibliographic work, "A Bibliography

of Postmodernism: 1926-1994," Deborah Medson

points out that the term postmodernism was used

more than 20 years before it was recorded in the

Oxford English Dictionary. In some sources, we can

see the ideas of postmodernism. Chapman proposes a

postmodern style in art in order to move away from

French impressionism. J.M. Thompson, in a 1914 article

published in Gibbert's Philosophical Review, uses the

term "Post-Modernism" to describe changes in

attitudes and views of criticism of religion. The

compound "post", which is the main part of

postmodernism, was used for the first time as a

starting point of the "postalization" process in the


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Publisher:

Oscar Publishing Services

Servi

1880s as part of the terms "Post-Impressionism" and

"post-industrial" between 1914-1922, and in the 1960s

led to the development of literature, social ideas,

economics and even religion (for example, Post-

Christianity) in a "post" form. We can shed some light

on the factors that led to the development of various

industries in the "post" form and the transition of

development to the "postalization" process. Scientists

put forward the opinion that "the negative mood after

a very strong and significant creative flow

(Modernism)" or a way to get out of the negative

ideological environment caused by this negative mood

is the current of postmodernism.

A lot of people emphasize that in order to understand

postmodernism and to fully understand its essence, it

is necessary to analyze modernism sufficiently, to

study the history of its development as a literary

movement in depth. Although at first glance the term

postmodernism seems to be a special continuation of

modernism,

it

is

appropriate

to

interpret

postmodernism as a separate and deeply independent

trend, taking into account the fact that there are more

differences than similarities between them. At this

point, we will be able to go deeper into its artistic

features by listing the different aspects of

postmodernism from modernism. It is safe to say that

the sharp political, social and economic changes at the

end of the 19th century and the beginning of the 20th

century confused the people of that time. As a result,

people were offered only a few ways to live life.

American modernist writer William Faulkner's work

"The Noise and the Fury" can be a great proof of our

above opinion. The heroes of modern times emdiv

three categories of the same age: like Quentin, they

escape from life's bargains by taking their own lives,

like Jacob, they worship money only after possessions,

or like Benjamin, they make a fool of themselves in this

way. overcome life. The postmodern hero is not like

any of the above. He is quite perfect, his perfection is

that he is immune to all external and internal forces. As

a proof of these words, we present the story of the

appointment of Noah as God's representative on earth

in the work of the English writer Julian Barnes, "The

History of the World in 10 ½ Chapters", a passenger

without a ticket.

- We can cite the Wood Worm as an example.

Professor of Boston University David W. Scott in his

2011 lecture "On Postmodernism" argued that the

reason for the development of postmodernism as a

"post" i.e. "state after modernity" is its criticism and

rejection of the ideas and aspects of "modernity".

states that he found the opposite [2, 3]. The scientist

points out that in order to understand postmodernism,

we need to pay attention to how postmodernism

rejects the literary aspects of modernism, in what way

it encourages understanding of the world, and what it

encompasses more. In his opinion, postmodernism

rejects historical progress and emphasizes the


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Publisher:

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Servi

importance of the idea that history is progressing for

modernism. Postmodernism rejects this idea mainly

because it is "metanarrative", that is, based on

someone else's story. In our opinion, here the author

emphasizes that postmodern writers are based on the

concept that there is no truth in history based on

people's stories. Also, postmodernists reject the

optimism of modernists towards people. Of course,

postmodernists do not put forward the strong idea

that all people are bad, but they describe the human

attempts to dominate and satisfy other desires as the

characteristics of their imperfection and describe it as

an undeniable truth. And again, they emphasize that

the claims of modernists that people can achieve

perfection are inappropriate and that it is extremely

dangerous to portray them as perfect. While

modernists tend to use symbolism as a symbolic

association to fully understand the essence of values,

postmodernists seek refuge from Dadaism by publicly

demonstrating the absence of meaning in a

meaningless world [1, 32]. Modernists use the power

of art and literature to advance their hierarchical goals,

postmodernists, who have achieved the totality of

knowledge, use the opportunity given to them, and are

inclined to a stronger anarchy. It is more important for

them to feel free to reject a lot of unjustified views and

currents than to admit something and live by it.

In conclusion, we can say that the reasons for the

emergence of postmodernism and the stages of its

development emphasize the need to consider it as a

separate movement. In their writings, modernists

recognized that disturbances in human psychology

have caused mass and rapid changes in all aspects of

life, whether positive or negative, and that people can

overcome these changes by developing these

characteristics. 'stated that postmodern writers have

learned that their postmodern characters have learned

the difference between fact and fiction, and now

accept or believe them to be true in history books or

other books designed to present 'universal truths'.

they cannot convince of their things. In conclusion, we

should note that postmodernism differs from

modernism, which led to two world wars that ended

tragically, and operated under the idea of "unification",

in its logical views and in its importance and co-

operation. If we take into account the current of

postmodernism, a deeper study is required.

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Appignanesi R., Garratt Ch. Postmodernizmga

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AQSH.: 2002.

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Lyotard J.F. Postmodern holat: Ilmlar sarhisobi.

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Malpas S. Postmodern.

BQ.: 1999.

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Habibova, M. N. (2021). Jorjina Houellning

“Queen of the desert” biografik asarid

a


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VOLUME

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82-87

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I

MPACT

FACTOR

(2022:

5.

445

)

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5.963















































Publisher:

Oscar Publishing Services

Servi

gertruda Bell timsoli tasviri. Academic research

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Mirzaeva, A. S. (2022). INTRA-LINGUISTIC AND

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LANGUAGE AND VOCABULARY OF THE BASIC

CONCEPTS

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RENAISSANCE

ENGLISH

PHILOSOPHY. Eurasian Journal of Social

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Aziza,

M.

(2022).

THE

THEORY

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IMPACT OF THIS THEORY ON TRANSLATION.

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990-995.

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Мирзаева, А. Ш. (2021). РЕМИНИСЦЕНЦИЯ

КАК ЭЛЕМЕНТ ИНТЕРТЕКСТУАЛЬНОСТИ В

ПРОИЗВЕДЕНИИ РИКА РИОРДАНА “PERCУ

JACKSON AND THE LIGHTN ING THIEF”.

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INTERTEXTUALITY AND THREE SEAMLESS

INTERTEXTS: M. BUTTERFLV BY DAVID H.

HWANG, AS IS BY WILLIAM M. HOFFMAN, AND

EXECUTION OF JUSTICE BY EMILY MANN.


background image

Volume 02 Issue 11-2022

87


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

02

I

SSUE

11

P

AGES

:

82-87

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

OCLC

1121105677

METADATA

IF

5.963















































Publisher:

Oscar Publishing Services

Servi

Oriental renaissance: Innovative, educational,

natural and social sciences, 2(5-2), 160-165.

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Shavkatovna, M. A. (2022). ENLIGHTENMENT-

MORAL, PHILOSOPHICAL, LINGUISTIC VIEWS

OF MODERN CREATORS.

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Shavkatovna, M. A. . (2022). Interrextuality in

Rick Riordan’s Work. American Journal of

Social and Humanitarian Research, 3(9), 180

185.

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ticle/view/1507.

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Mirzaeva Aziza Shavkatovna. (2021). Allusion

As The Way Of Rendering Elements Of Ancient

Greek Mythology In The Tissue Of Modern

Literature. The American Journal of Social

Science and Education Innovations, 3(01), 505-

514.

https://doi.org/10.37547/tajssei/Volume03Issue

01-91

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Shavkatovna, M. A. . (2022). Interrextuality in

Rick Riordan’s Work. American Journal of

Social and Humanitarian Research, 3(9), 180

185.

Retrieved

from

https://www.grnjournals.us/index.php/ajshr/ar

ticle/view/1507.

21.

Aziza Mirzaeva Shavkatovna. (2022). THE

INTERTEXTUAL

AND

INTERCULTURAL

REFERENCES IN LODGE’S CAMPUS NOVELS.

American Journal Of Philological Sciences,

2(11),

29

35.

https://doi.org/10.37547/ajps/Volume02Issue11-

05 .

22.

Aziza,

M.

(2022).

THE

THEORY

OF

INTERTEXTUALITY AS A PARADIGM AND THE

IMPACT OF THIS THEORY ON TRANSLATION.

References

Appignanesi R., Garratt Ch. Postmodernizmga kirish. – BQ.: 1999. - B. 193.

Butler Ch. Postmodernizm. Qisqacha kirish. – AQSH.: 2002.

Lyotard J.F. Postmodern holat: Ilmlar sarhisobi. – BQ.: 2010. - B. 23

Malpas S. Postmodern. – BQ.: 1999.

Habibova, M. N. (2021). Jorjina Houellning “Queen of the desert” biografik asarida gertruda Bell timsoli tasviri. Academic research in educational sciences, 2(2), 770-778.

Habibova, M. N. (2021). The theme feminism in the epistolary novels in modern times. ISJ Theoretical & Applied Science, 11(103), 1101-1105.

Habibova, M. N. (2022). THE HISTORY OF THE RUSSIAN EPISTOLARY NOVEL IN EIGHTEENTH CENTURY. Eurasian Journal of Social Sciences, Philosophy and Culture, 2(3), 135-139.

Habibova, M. N. (2022). EVALUATIVE OBSERVATION ON DH LAWRENCE'S EPISTOLARY ACHIEVEMENT. EURASIAN JOURNAL OF ACADEMIC RESEARCH, 2 (4), 489–494.

Habibova, M. (2022). THEORIES OF INTERTEXTUALITY AND THE BASIC FRAMEWORK OF KRISTEVA’S FORMULATION OF HER THEORY OF INTERTEXTUALITY. Eurasian Journal of Social Sciences, Philosophy and Culture, 2(5), 301-307.

Habibova, M. N. (2022). A BIOGRAPHY IS A SPECIALIZED FORM OF HISTORY AND BASIC TYPES OF BIOGRAPHIES. Oriental renaissance: Innovative, educational, natural and social sciences, 2(5), 495-503.

Habibova, M. N. (2022). Epistolary Novel as a Scientific Problem. American Journal of Social and Humanitarian Research, 3(10), 211–214. Retrieved from https://www.grnjournals.us/index.php/ajshr/article/view/1575

Habibova, M. N. (2022). The Epistolary Form and Art in Modernist Literature. American Journal of Social and Humanitarian Research, 3(10), 206–210. Retrieved from https://www.grnjournals.us/index.php/ajshr/article/view/1574

Mirzaeva, A. S. (2022). INTRA-LINGUISTIC AND EXTRA-LINGUISTIC FACTORS RELATED TO THE LANGUAGE AND VOCABULARY OF THE BASIC CONCEPTS OF RENAISSANCE ENGLISH PHILOSOPHY. Eurasian Journal of Social Sciences, Philosophy and Culture, 1(5), 9-17.

Aziza, M. (2022). THE THEORY OF INTERTEXTUALITY AS A PARADIGM AND THE IMPACT OF THIS THEORY ON TRANSLATION. Eurasian Journal of Academic Research, 2(5), 990-995.

Мирзаева, А. Ш. (2021). РЕМИНИСЦЕНЦИЯ КАК ЭЛЕМЕНТ ИНТЕРТЕКСТУАЛЬНОСТИ В ПРОИЗВЕДЕНИИ РИКА РИОРДАНА “PERCУ JACKSON AND THE LIGHTN ING THIEF”. МЕЖДУНАРОДНЫЙ ЖУРНАЛ ИСКУССТВО СЛОВА, 4(3).

Mirzaeva, A. S. (2022). THEORY IN INTERTEXTUALITY AND THREE SEAMLESS INTERTEXTS: M. BUTTERFLV BY DAVID H. HWANG, AS IS BY WILLIAM M. HOFFMAN, AND EXECUTION OF JUSTICE BY EMILY MANN. Oriental renaissance: Innovative, educational, natural and social sciences, 2(5-2), 160-165.

Shavkatovna, M. A. (2022). ENLIGHTENMENT-MORAL, PHILOSOPHICAL, LINGUISTIC VIEWS OF MODERN CREATORS.

Shavkatovna, M. A. . (2022). Interrextuality in Rick Riordan’s Work. American Journal of Social and Humanitarian Research, 3(9), 180–185. Retrieved from https://www.grnjournals.us/index.php/ajshr/article/view/1507.

Mirzaeva Aziza Shavkatovna. (2021). Allusion As The Way Of Rendering Elements Of Ancient Greek Mythology In The Tissue Of Modern Literature. The American Journal of Social Science and Education Innovations, 3(01), 505-514. https://doi.org/10.37547/tajssei/Volume03Issue01-91

Shavkatovna, M. A. . (2022). Interrextuality in Rick Riordan’s Work. American Journal of Social and Humanitarian Research, 3(9), 180–185. Retrieved from https://www.grnjournals.us/index.php/ajshr/article/view/1507.

Aziza Mirzaeva Shavkatovna. (2022). THE INTERTEXTUAL AND INTERCULTURAL REFERENCES IN LODGE’S CAMPUS NOVELS. American Journal Of Philological Sciences, 2(11), 29–35. https://doi.org/10.37547/ajps/Volume02Issue11-05 .

Aziza, M. (2022). THE THEORY OF INTERTEXTUALITY AS A PARADIGM AND THE IMPACT OF THIS THEORY ON TRANSLATION.