Authors

  • Aziza Mirzaeva Shavkatovna
    BSMI, Teacher Of English Language Department, Uzbekistan

DOI:

https://doi.org/10.37547/ajps/Volume02Issue11-05

Keywords:

Contextualization culture and religious beliefs intertextual component

Abstract

The article supports the idea that Lodge’s campus novels can be decoded as an argument for tolerance (expressed in a humorous and playful manner, but utterly serious in its message) towards all the aspects which make people different from each other, starting from the familial background and the education and reaching profession, social status, culture and religious beliefs which shape people’s views on life.


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Volume 02 Issue 11-2022

29


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

02

I

SSUE

11

Pages:

29-35

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

OCLC

1121105677

METADATA

IF

5.963















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

The article supports the idea that Lodge’s campus novels can be decoded as an argument for tolerance (expressed in

a humorous and playful manner, but utterly serious in its message) towards all the aspects which make people

different from each other, starting from the familial background and the education and reaching profession, social

status, culture and religious beliefs which shape people’s views on life.

KEYWORDS

Contextualization, culture and religious beliefs, intertextual component, intertextuality and interculturality.

INTRODUCTION

The intertextual component of the novels always

brings the readers closer to literary texts. On one hand,

if the intertextual reference hints at texts which are

known to the readers, they feel somehow flattered by

the discovery, even proud that their previous

knowledge helped them to understand the reference,

and they always search for more. On the other hand, if

the intertextual reference is overt enough for the

Research Article

THE INTERTEXTUAL AND INTERCULTURAL REFERENCES IN LODGE’S

CAMPUS NOVELS

Submission Date:

November 01, 2022,

Accepted Date:

November 10, 2022,

Published Date:

November 18, 2022

Crossref doi:

https://doi.org/10.37547/ajps/Volume02Issue11-05


Aziza Mirzaeva Shavkatovna

BSMI, Teacher Of English Language Department, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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Volume 02 Issue 11-2022

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VOLUME

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Pages:

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SJIF

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)

OCLC

1121105677

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5.963















































Publisher:

Oscar Publishing Services

Servi

readers to realize which the text in question is, even

though they do not know it, then they become curious

what that text is about, and maybe look for it.

Intertextuality also marks a highly significant aspect,

namely that all texts are connected, which means that

the mentalities which shape them are based on the

same structures. This idea emphasizes the connection

between intertextuality and interculturality.

The contemporary world needs more openness and

tolerance, and these are achieved through enhancing

one’s horizons with the help of education and of

experience. Thus, intercultural exchanges help people

to discover new cultures and to respect their diversity.

The intercultural references included in literary works

encourage openness and acceptance. Moreover, in the

novels, the inherent discrepancies between different

cultures can be easily presented through the means of

devices like irony and humor, thus making it much

easier to overcome the cultural differences and to

restrain from transforming them into insurmountable

obstacles. The main primary sources will be only the

novels which form The Campus Trilogy, but the article

will also incorporate relevant aspects from other works

by David Lodge, focusing on the novels which are

thematically related to the topic of research, as well as

on the theoretical volumes which are significant for the

ideas analyzed. Last but not least, there are always

difficulties in guessing and analyzing the trends in

literature as they are emerging. Maybe this is the

reason for which there are very few critical sources

regarding Lodge’s novels written after 1990. Most of

the critics focus on the two biographical novels he

wrote after this year and not so many critics discussed

aspects of his other works.

The names Lodge chose for the characters are highly

significant from this perspective, as well as the

rhetorical devices he employed. His theoretical works

are very helpful in this endeavour, as Lodge includes in

them examples and explanations based on his personal

experience in novel writing. The next level analyzed in

the second section consists of the structure of the

novels where intertextuality takes the form of pastiche

or parody. The roles of the narrative structures in the

three novels are presented in turns, shifting from one

novel to another, emphasizing the way in which other

novels are parodied or mirrored through the narrative

structures. The irony and the humorous effect are not

omitted as they play a significant part in attracting the

public towards the world of academia. The feminist

component existent in all three novels, on the

explanations of the critical theories embraced by one

character or another, especially as the developments

and notably the rivalries in the field of literary theory

represent one of the themes in the second novel of the

Campus Trilogy. It does not disregard the general

manner in which literary theory is presented

throughout the trilogy

, consistent with Lodge’s own

ideas exposed in his critical works. Finally, the fourth


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Publisher:

Oscar Publishing Services

Servi

chapter focuses on the role of academia in the context

of interculturality and globalization. This article firstly

analyzes the manner in which characters from Britain

and America interact with characters from various

European countries and perceive their culture. Then it

proceeds to presenting the complex mechanisms

through which the activity of storytelling is culturally

bound, focusing on the importance of storytelling in

shaping the Self, according to Jerome Bruner, and

analyzing the particular instance when characters from

Britain and Turkey interact. Religious beliefs represent

an important element in the complex constellation of

one person’s cultural background, as

well as one of the

most prominent themes of Lodge’s novels. Religion is

rather a marginal theme in The Campus Trilogy,

however it is present enough to mark interesting

parallels between characters in different novels by

Lodge and to emphasize the significance it has in

shaping the choices and decisions taken by the

characters in the trilogy. Eventually, the intercultural

relations are considered from a wider perspective,

exemplified through interactions between people who

share the same nationality but belong to different

cultural categories like socio-professional, economical,

educational and so on. The British literature published

in the second half of the twentieth century is marked

by the co-existence of modernist and postmodernist

characteristics which confer it considerable complexity

in terms of both the form and the themes. As the first

novel written by David Lodge was published in the

1960, the British author born in 1935 is among the

writers who successfully combine features of both

literary tendencies in order to shape new and

attractive literary worlds. Lodge published fourteen

novels, one collection of stories, three plays (one of

them was based on his eleventh novel and another was

turned into a novella), twelve works of literary theory

and criti

cism. The author’s most recent volume is his

autobiography and it was published in January 2015,

marking his eightieth birthday. Lodge’s campus novels

represent the main object of analysis for this work

which will present the intertextual references and the

intercultural aspects the author included in this

particular type of novels. Elements of Lodge’s

biography are essential in order to better understand

his choice of topics for the works of fiction he

published. The author obtained a permanent job in

1960 as a lecturer at the University of Birmingham and

sixteen years after, he became Professor of English

Literature at the same university. His academic

trajectory included the University of California,

Berkeley, where he was an Associate Professor in 1969.

In 1987, Lodge chose to retire from his academic career

and to go on with his novel writing. Thus, in his campus

novels, he pictures worlds he is thoroughly acquainted

with and his familiarity with the academic context

makes the novels highly enjoyable. Besides academia,

religion is a theme favoured by Lodge in his novels as

his Catholic education strongly influenced him during

his younger years. Changing Places: A Tale of Two


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Publisher:

Oscar Publishing Services

Servi

Campuses, published in 1975, is the first volume of the

Campus Trilogy making the object of analysis for this

work. The main theme of the novel is academia, as

Lodge contrasts the American and the British

universities and ultimately societies. He presents two

university professors, the American Morris Zapp from

Euphoric State, sometimes known as Euphoria, and the

British Philip Swallow from Rummidge, who are both

part of an exchange scheme, each taking the others’

place for one semester. Lodge builds his novel on

binary oppositions, as he alternately presents each

professor’s experience

s in the foreign cultural context.

He points out the strong influence that each society

has upon the visiting professors through alternating

narrative structures. Such structures used are the

traditional narrative, epistolary narrative, pieces of

newspaper articles and flyers, and film script. Just like

the narrative structures evolved chronologically, the

characters’ lives and ideas gradually change when they

encounter different mentalities in a foreign society. If

the human life follows a traditional narrative pattern,

then choosing the film script for the final part of the

novel suggests that the characters’ lives were

thoroughly changed by the visiting scheme. The

visiting professors find themselves thrown in

humorous and unexpected situations when trying to

adapt to the foreign cultures. In his second book of the

Campus Trilogy, Small World: An Academic Romance,

published in 1984, Lodge transposes the myth of the

Holy Grail into the contemporary world which is

moving inexorably towards globalization. Lodge

describes all the details of the academic world, as he is

very well acquainted with them. The readers meet

again Zapp, Swallow and their wives, as well as other

professors; the characters have affairs with their

colleagues and problems with their partners; they try

hard to write something good, and struggle with each

other for a favorable review. Everything happens while

travelling from one conference to another or while

lecturing in various countries, as the global campus

implies mobility and openness. The novel contains

typical humorous contexts: characters facing

unexpected situations, coincidences, and sudden turns

in the development of the plot. As Lodge is thoroughly

acquainted with English literature, he employs plenty

of intertextual references and borrows various

elements from the romance genre, as well as from the

narrative structure of the grail quest. The romance

patterns are transposed onto the “real life” of the

contemporary times, which gives them an old-

fashioned air and thus creates several humorous

situations. The universal symbol of the grail becomes

an allegory which represents the personal quest

pursued by each character striving to fulfill his or her

wishes and at the same time playing a certain narrative

role in the quests of the other characters. In 1988 the

final volume of the trilogy was published; it is the last

novel which features Morris Zapp and Philip Swallow.

In Nice Work, Lodge introduces Robyn Penrose, a

young academic, and Victor Wilcox, the managing


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Servi

director of an engineering company. Through the

relationships between them, the author presents the

decreasing

importance

of

academia

in

the

contemporary world. Being an academic himself, it

must be hard for Lodge to draw a picture of the sad

situation in which ordinary people living in a world

dominated by mass production and making money,

consider the work of academics’ as having no value

whatsoever. However, he manages to preserve the

humoristic tone throughout his last novel of the

Campus Trilogy. Lodge contrasts academia with the life

of businessmen; while on the level of narrative

structure, he chooses to use a pastiche of the Victorian

industrial novel. The irony triggered by the obvious

contrasts

between

academia

and

company

management create the humorous effect in the novel.

One of the secondary objectives reached by this thesis

is to prove that humour and irony can always bring a

topic closer to the public through their effect of

annihilating any tensions, either overt or latent. These

millennium-old devices acquire a significant role in the

contemporary context of globalization, as they pave

the way towards openness and tolerance. Any kinds of

cultural gaps can be overcome through benevolence

and humour, embracing the differences and accepting

every person’s cultural back

ground. From this

perspective, the thesis supports the idea that Lodge’s

campus novels can be decoded as an argument for

tolerance (expressed in a humorous and playful

manner, but utterly serious in its message) towards all

the aspects which make people different from each

other, starting from the familial background and the

education and reaching profession, social status,

culture and religious beliefs which shape people’s

views on life. Moreover, the fact that Lodge employed

devices like humour and irony in his campus novels

serves the purpose of bringing the academia closer to

the public and of discouraging the malevolent

stereotyping which presents the academics as

detached from the world, hidden in their ivory tower,

without any connection to the realities outside

academia. However biased, this image is unfortunately

widespread, as presented in Lodge’s Nice Work, and

the thesis proves that playful irony and humour

employed by the author in these novels turn them into

a plea for tolerance and a means for reasserting,

through questioning, the importance of academia in

the contemporary world. As a powerful institution of

education, academia plays a crucial part due to its

ability to preach respect and tolerance for anything

which is different, as well as to its role in enhancing the

students’ views and opening new horizons for them.

Therefore, in the contemporary globalized world,

academia is fundamental for educating more and more

generations to be tolerant and to embrace cultural

diversity. The relation between intertextual references

and intercultural aspects represents one of the main

personal contributions, as it brings a new perspective

of analysis in the field, drawing significant connections

between literature and the domain of cultural studies,


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Publisher:

Oscar Publishing Services

Servi

and at the same time emphasizing the importance of

education in the world of globalization. The distinction

between the layers of intertextuality presented in the

third chapter and shaped on the mechanisms of

analysis proper to the novels in question is among

other personal contributions included in this thesis, as

well as the choice of relevant and interesting examples

(taken mainly from English literature, but not

exclusively) employed in order to illustrate the

different types of irony. Other personal contributions

worth mentioning here are the connection between

storytelling and culture and the manner in which

storytelling is anchored in the cultural context. Other

directions for future research projects include the role

of the theme of religion in Lodge’s nov

els, a

comparison between the two biographic novels Lodge

wrote, the gradual manner in which the theme of

getting old became more and more present in his

novels, and an analysis of the father-son relationships

as they are presented throughout several of Lo

dge’s

novels. Hopefully, at least some of these various

possible topics will be turned into ample research

projects achieving successful results, as they are both

relevant for the literary world and pleasant to follow

and to work on. These possible research topics would

fill several gaps in the field of literary studies, and so did

the present thesis which compared, contrasted and

connected various aspects which had not yet been

associated among them.

REFERENCES

1.

Lodge, David. "Adapting Nice Work for

Tel

evision.” Novel Images: Literature in

Performance. Ed. Peter Reynolds. London:

Routledge, 1993.

2.

Lodge, David. After Bakhtin: Essays on Fiction

and Criticism. London: Routledge, 1990.

3.

Lodge, David. Changing Places: A Tale of Two

Campuses. 1975. Harmondsworth: Penguin,

1985.

4.

Lodge, David. Foreword. 20th Century Literary

Criticism: A Reader. Ed. David Lodge. London:

Longman, 1972.

5.

Lodge, David. Language of Fiction: Essays in

Criticism and Verbal Analysis of the English

Novel. London: Routledge, 1966.

6.

Shavkatovna, M. A. . (2022). Interrextuality in

Rick Riordan’s Work. American Journal of

Social and Humanitarian Research, 3(9), 180

185.

Retrieved

from

https://www.grnjournals.us/index.php/ajshr/ar

ticle/view/1507.

7.

Shavkatovna, M. A. (2022). ENLIGHTENMENT-

MORAL, PHILOSOPHICAL, LINGUISTIC VIEWS

OF MODERN CREATORS.

8.

Mirzaeva,

A.

S.

(2022).

THEORY

IN

INTERTEXTUALITY AND THREE SEAMLESS

INTERTEXTS: M. BUTTERFLV BY DAVID H.

HWANG, AS IS BY WILLIAM M. HOFFMAN, AND


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Volume 02 Issue 11-2022

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American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

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I

SSUE

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Pages:

29-35

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

OCLC

1121105677

METADATA

IF

5.963















































Publisher:

Oscar Publishing Services

Servi

EXECUTION OF JUSTICE BY EMILY MANN.

Oriental renaissance: Innovative, educational,

natural and social sciences, 2(5-2), 160-165.

9.

Мирзаева, А. Ш. (2021). РЕМИНИСЦЕНЦИЯ

КАК ЭЛЕМЕНТ ИНТЕРТЕКСТУАЛЬНОСТИ В

ПРОИЗВЕДЕНИИ РИКА РИОРДАНА “PERCУ

JACKSON AND THE LIGHTN ING THIEF”.

МЕЖДУНАРОДНЫЙ ЖУРНАЛ ИСКУССТВО

СЛОВА, 4(3).

10.

Aziza,

M.

(2022).

THE

THEORY

OF

INTERTEXTUALITY AS A PARADIGM AND THE

IMPACT OF THIS THEORY ON TRANSLATION.

Eurasian Journal of Academic Research, 2(5),

990-995.

11.

Mirzaeva, A. S. (2022). INTRA-LINGUISTIC AND

EXTRA-LINGUISTIC FACTORS RELATED TO THE

LANGUAGE AND VOCABULARY OF THE BASIC

CONCEPTS

OF

RENAISSANCE

ENGLISH

PHILOSOPHY. Eurasian Journal of Social

Sciences, Philosophy and Culture, 1(5), 9-17.

12.

Habibova,

M.

N.

(2022).

EVALUATIVE

OBSERVATION

ON

DH

LAWRENCE'S

EPISTOLARY

ACHIEVEMENT.

EURASIAN

JOURNAL OF ACADEMIC RESEARCH, 2 (4),

489

494.

13.

Habibova,

M.

(2022).

THEORIES

OF

INTERTEXTUALITY

AND

THE

BASIC

FRAMEWORK OF KRISTEVA’S FORMULATION

OF HER THEORY OF INTERTEXTUALITY.

Eurasian Journal of Social Sciences, Philosophy

and Culture, 2(5), 301-307.

14.

Habibova, M. N. (2022). A BIOGRAPHY IS A

SPECIALIZED FORM OF HISTORY AND BASIC

TYPES OF BIOGRAPHIES. Oriental renaissance:

Innovative, educational, natural and social

sciences, 2(5), 495-503.

15.

Habibova, M. N. (2022). Epistolary Novel as a

Scientific Problem. American Journal of Social

and Humanitarian Research, 3(10), 211

214.

Retrieved

from

https://www.grnjournals.us/index.php/ajshr/ar

ticle/view/1575

16.

Habibova, M. N. (2022). The Epistolary Form

and Art in Modernist Literature. American

Journal of Social and Humanitarian Research,

3(10),

206

210.

Retrieved

from

https://www.grnjournals.us/index.php/ajshr/ar

ticle/view/1574

17.

Nematova, Z. (2022). ADVANTAGES OF USING

VIDEOS IN ENGLISH LESSONS.

18.

Tursunboevna, N. Z. (2022). Various types of

assessment in language teaching and learning.

Eurasian journal of social sciences, philosophy

and culture, 2(3), 140-145.

19.

Nematova, Z. T. (2019). THE USAGE OF

SUGGESTOPEDIA FOR TEACHING FOREIGN

LANGUAGES AND INCREASE SPEECH ACTIVITY.

Новый день в медицине, (3), 21

-24.

References

Lodge, David. "Adapting Nice Work for Television.” Novel Images: Literature in Performance. Ed. Peter Reynolds. London: Routledge, 1993.

Lodge, David. After Bakhtin: Essays on Fiction and Criticism. London: Routledge, 1990.

Lodge, David. Changing Places: A Tale of Two Campuses. 1975. Harmondsworth: Penguin, 1985.

Lodge, David. Foreword. 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972.

Lodge, David. Language of Fiction: Essays in Criticism and Verbal Analysis of the English Novel. London: Routledge, 1966.

Shavkatovna, M. A. . (2022). Interrextuality in Rick Riordan’s Work. American Journal of Social and Humanitarian Research, 3(9), 180–185. Retrieved from https://www.grnjournals.us/index.php/ajshr/article/view/1507.

Shavkatovna, M. A. (2022). ENLIGHTENMENT-MORAL, PHILOSOPHICAL, LINGUISTIC VIEWS OF MODERN CREATORS.

Mirzaeva, A. S. (2022). THEORY IN INTERTEXTUALITY AND THREE SEAMLESS INTERTEXTS: M. BUTTERFLV BY DAVID H. HWANG, AS IS BY WILLIAM M. HOFFMAN, AND EXECUTION OF JUSTICE BY EMILY MANN. Oriental renaissance: Innovative, educational, natural and social sciences, 2(5-2), 160-165.

Мирзаева, А. Ш. (2021). РЕМИНИСЦЕНЦИЯ КАК ЭЛЕМЕНТ ИНТЕРТЕКСТУАЛЬНОСТИ В ПРОИЗВЕДЕНИИ РИКА РИОРДАНА “PERCУ JACKSON AND THE LIGHTN ING THIEF”. МЕЖДУНАРОДНЫЙ ЖУРНАЛ ИСКУССТВО СЛОВА, 4(3).

Aziza, M. (2022). THE THEORY OF INTERTEXTUALITY AS A PARADIGM AND THE IMPACT OF THIS THEORY ON TRANSLATION. Eurasian Journal of Academic Research, 2(5), 990-995.

Mirzaeva, A. S. (2022). INTRA-LINGUISTIC AND EXTRA-LINGUISTIC FACTORS RELATED TO THE LANGUAGE AND VOCABULARY OF THE BASIC CONCEPTS OF RENAISSANCE ENGLISH PHILOSOPHY. Eurasian Journal of Social Sciences, Philosophy and Culture, 1(5), 9-17.

Habibova, M. N. (2022). EVALUATIVE OBSERVATION ON DH LAWRENCE'S EPISTOLARY ACHIEVEMENT. EURASIAN JOURNAL OF ACADEMIC RESEARCH, 2 (4), 489–494.

Habibova, M. (2022). THEORIES OF INTERTEXTUALITY AND THE BASIC FRAMEWORK OF KRISTEVA’S FORMULATION OF HER THEORY OF INTERTEXTUALITY. Eurasian Journal of Social Sciences, Philosophy and Culture, 2(5), 301-307.

Habibova, M. N. (2022). A BIOGRAPHY IS A SPECIALIZED FORM OF HISTORY AND BASIC TYPES OF BIOGRAPHIES. Oriental renaissance: Innovative, educational, natural and social sciences, 2(5), 495-503.

Habibova, M. N. (2022). Epistolary Novel as a Scientific Problem. American Journal of Social and Humanitarian Research, 3(10), 211–214. Retrieved from https://www.grnjournals.us/index.php/ajshr/article/view/1575

Habibova, M. N. (2022). The Epistolary Form and Art in Modernist Literature. American Journal of Social and Humanitarian Research, 3(10), 206–210. Retrieved from https://www.grnjournals.us/index.php/ajshr/article/view/1574

Nematova, Z. (2022). ADVANTAGES OF USING VIDEOS IN ENGLISH LESSONS.

Tursunboevna, N. Z. (2022). Various types of assessment in language teaching and learning. Eurasian journal of social sciences, philosophy and culture, 2(3), 140-145.

Nematova, Z. T. (2019). THE USAGE OF SUGGESTOPEDIA FOR TEACHING FOREIGN LANGUAGES AND INCREASE SPEECH ACTIVITY. Новый день в медицине, (3), 21-24.