Volume 04 Issue 10-2024
44
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
10
P
AGES
:
44-52
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
In this scientific article, the creative spirit and the nature of artistic creativity are discussed in detail based on the
evidence of the different and common aspects of scientific views in world and Uzbek literature. The process of writing
down the conclusions about life on the basis of thinking, intelligence, strong mental impressions of the creative people
, the personality of the creative person, the psychology of creativity is subjected to psychoanalytical analysis. We have
analyzed the images of the creator depicted in the stories and stories of Uzbek writers Sh.Kholmirzayev, E.Azam,
N.Eshonkul based on the psychological method, and how the image of the creator is depicted in these works, the
hero's worldview, character, and the social conditions and social environment in the formation of these characters.
We observed the effect.
Valuable opinions were expressed on such important issues as the creative person, his natural talent, the creator and
the environment, the role of social life in the formation of the creative worldview, the formation of true talent as an
artistic individuality, the horizons of artistic creativity, and the artist's artistic level.
KEYWORDS
Creator, talent, character, spirit, image, thinking, style.
Research Article
PSYCHOANALYTIC ANALYSIS OF THE CREATIVE PSYCHOLOGY AND THE
NATURE OF ARTISTIC CREATION
Submission Date:
Sep 30, 2024,
Accepted Date:
Oct 05, 2024,
Published Date:
Oct 10, 2024
Crossref doi
https://doi.org/10.37547/ajps/Volume04Issue10-07
Shokhista Mahmudova Abdusalomovna
Head teacher of East philology department big o ' teacher, Alfraganus University, Uzbekistan
ORCID
: 0009-0003-1095-1723
Journal
Website:
https://theusajournals.
com/index.php/ajps
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 10-2024
45
American Journal Of Philological Sciences
(ISSN
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2771-2273)
VOLUME
04
ISSUE
10
P
AGES
:
44-52
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
INTRODUCTION
The achievements in literary studies, the expansion of
their role in the life of the society, as well as the study
of the works of artistic wordsmiths, which are of great
importance in the development of the spiritual life and
culture of the people, are becoming increasingly
important.
Personal worldview plays an important role in creating
a work of art and expressing one's ideas. Every artist
has his own interpretation of life. The artist describes
the events happening around him, the problems in life,
the feelings of people, giving an artistic touch based on
his conclusions. In this process, the artist's mentality,
worldview, imagination skills are very important.
The spiritual nature of the creator, human psychology
in general, the mind and activity of the individual, and
created his own school in the field of psychology,
touched on the image of the human psyche in the work
of art: "Anyone who lives with an inner life When a
person looks back to analyze his path, memories arise
in his mind of the fact that certain unique, happy
moments of his life left a deep imprint as bright
experiences. Describing the psychology of the hero, it
is not without reason that wordsmiths strive to
highlight his experiences - his individual path to growth
and maturity as the turning points of his life. Union,
human experiences are the subjective side of his real
life , the subjective aspect of a person's life path.
So who is the creator? The artist is a painter, the artist
is a sculptor, the artist is a composer, the artist is a
writer... They are artists who express human emotions,
pain, suffering, joy and happiness through delicate
images. All creativity is activity, but not all activity is
creativity. Creativity is the activity of people with
creative thinking and feeling in life. Creativity is their
way of life. Therefore, we are used to seeing artists
constantly observing, analyzing, coming to a certain
conclusion about them, in inspiration, in spiritual and
physical discomfort, so that not only their works, but
also their talent, creativity maturity, worldview, ideal,
cultural level, lifestyle, personal qualities are always
interesting to the reader.
That is why the attention to the analysis of such issues
as the nature of creativity, the psychology of creativity,
the social process, and the personality of the creator is
increasing more and more.
To the topic about literature analysis (Literature
review).
Basically, from the 1960s, some research was
conducted on the psychology of creativity, theory and
the study of the creative personality, and a number of
pamphlets and articles were published. For example,
scientists such as LSVygotsky, AGKovalev, GMLenobl,
AGSeytlin, MAArnaudov, IIIlin tried to study the artistic
personality and social process as consistently as
possible, analyze the stages of the creative process,
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researchers
such
as
MBXrapchenko,
Ya.A.Ponomoryov, BSMeylakh and more often they
analyze the subject of the artist in a general theoretical,
philosophical-aesthetic way.
Uzbek literary scholars have also conducted a number
of scientific researches about the concept of a creative
person. In particular, in the works of I. Sultonov, M.
Koshjanov, H. Yaqubov, O. Sharafiddinov, U.
Normatov, AG'afurov, H. Umurov, O'. Nosirov, the
nature of the creative process, the secrets of creativity
and the psychology of creativity are specific literary
works. , the poetic skill learned on the basis of the work
of certain writers, relevant conclusions are given
regarding the history of the creation of the work.
METHODOLOGY
The perception of the creator's psyche as a historically
changing phenomenon requires partial approaches to
its study, first of all, the importance of comparative-
historical, biographical, structural, hermeneutic
methods in scientific investigation, goal-oriented
synthesis, examination of the problem as a whole.
"Creativity is not a talent, but human nature. The ability
to be creative is present in every person, but he cannot
open the genetic treasure of creativity for himself,"
writes GSAltshuller . According to PKEngelmeyer:
"There is life in creativity, and creativity in life" and
connects the creative process with desire, knowledge
and intelligence, BGAnan'yev expresses the following
opinion: "Creativity is a thought process, that is, a
process of expressing the inner world of a person." .
1908 Mathematician Henri Poincaré talks about the
creative process in his personal life in his document:
"Every day I sit at my desk and spend an hour or two
working on large equations, but without any result. it
won't happen." At this moment, suddenly, he talks
about an unconscious phenomenon, at some point, a
sudden thought in his mind prompts him to find the
key. He says: “One evening, I was drinking my usual
habit of black coffee, I couldn't sleep, ideas started
pouring into my head, I could feel how they collided.
For now, the two ideas corresponding to this equation
are compatible. Poincaré says that with consciousness,
but through some divine miracle, this can happen.
Jacques Adamard replied: "I have never believed in
divine feeling, and I have never heard anyone else feel
it except Poincaré . "Z. Freud, K. Jung, who studied the
creative process as a psychoanalyst, connect the
creative process with the activity of the unconscious.
Many creators go through the process of creation as a
result of their mental and spiritual potential, and these
processes do not give a person peace. No matter what
profession they work in, creativity prevails. If you look
at the biographies of some artists, you can see the
ability of artistic creativity in other professions. For
example, the composer Borodin worked in the
chemical laboratory. The writer Saint-Exupére was a
pilot. The poet Tyutchev served in the Ministry of
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American Journal Of Philological Sciences
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Publisher:
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Foreign Affairs. They did not create great works on the
basis of any demand, but they created to release the
inner knots of the soul. Thus, a person can feel his
sense of freedom, he must feel his freedom in
connection with the world, in connection with his inner
deep feelings.
In this regard, the well-known literary scholar Bahodir
Karimov in his collection of literary-scientific articles
entitled "Spiritual Alphabet" describes as follows:
"While the original creator expresses his identity in his
works, his life beliefs and social-philosophical views
appear in the artistic hero. Therefore, in the study of a
creative person, factors such as his nationality, family,
parents, social status, genetic characteristics and
beliefs are important. The artist unconsciously puts his
signature on the artistic work based on the
environment and the spirit of the nation.
The power of words, the power of creativity is not
limited to the work being written. The artist
incorporates the bright sides of his life into his works
as well as his tragedy.
He harmonizes his spiritual world, character, situation,
div, and the world of his heroes. True, this process is
not absorbed into the works of the writer all at once,
but continues to appear in the form of small details. In
this way, the creative biography of the writer takes
perfect form.
According to the literary scholar Abdulla Ulug'ov: "A
work of art is studied in close connection with its
author and the hero of the work. This connection is
related to the personality of the author, that is, the
creative person in world literature. Each work reflects
a creative person to a certain extent. This is clearly
visible in the construction of sentences, narration of
events, construction of plot, composition of work, use
of details, approach to the reality of life. A creative
person reveals artistic truth through artistic images.
RESULTS
When the artist writes a work, he mainly relies on the
facts of life, the logic of social and political changes. He
makes a philosophical observation about the
environment and events in which he lives, and
approaches the study of people's psyche from a
psychological point of view. Such situations,
observations, and the impact of social and political life
of the past period on artists are given a wide place in
the works of artists such as Sh.Kholmirzayev, E.Azam,
N.Eshonkul. Artists have different views on the
creative process. A. Qadiri writes about this: " The
writer's own contribution plays a big role in the literary
work. But I don't write anything about what I haven't
seen or known in marriage. Every work of mine is
written by an event that happened in marriage. There
are a lot of thoughts like this. At the heart of it all, the
condition of a person "not being able to stop writing",
the lifestyle of a restless soul is expressed in one way
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or another. The poet does not try to purify himself
directly and artlessly like common people, he is looking
for a clear artistic form. This is because certain
experiences meet the requirements of certain artistic
creations. Finding the spirit, training talent in creative
work, sharpening, reading and learning, artistic level,
self-awareness, trust and faith in creative ability, rich
experience, figurative mastering of reality, human
relations discovering one's own methods, deep
observation, imaginative thinking are important tasks
of the creative process. It is required from the writer to
believe in himself, to revive the spirit of creativity in
himself, not to adapt to ready-made forms of life (of
course, they tend to influence every writer), but to find
the strength in himself to overcome them. The fact
that the creator absorbs the reality and images
depicted in the work and does not get influenced by
them, but instead enters the role of the representative
of events, images, and a certain idea based on them,
and stamps his personal attitude on them, also gives
the reader a sense of knowing who the author is. Sure,
to strengthen. "Knowing who the author is" in turn is a
growing interest in studying the psychology of
creativity. Knowledge of the psychology of creativity
leads to understanding the laws of creative activity, to
consider the personality of the creator together with
his works. Knowing the artist is not only about his
biography and literary heritage. Perhaps these include
many issues, such as the creative process of creating a
work, creative worldview, relationship with reality,
artistic thinking.
When thinking about artistic thinking, of course, it goes
back to the human problem. Literature becomes a
destiny for a creator who has his own inner creative
environment, who is a unique individual, who has
created a strong inner belief in his heart and is able to
turn this belief into a main idea. Shukur Kholmirzayev,
who considered literature to be his destiny, said in one
of his interviews, "A writer should be a human being
first of all." As a proof of this word, in the story "The
Writer" Odil Yakubov is depicted not in the image of a
creator, but in the image of a real human being. Many
penmen, who were not formed as human beings, were
influenced by the unnatural development of ecological
and social life, the writer explains as follows: "They
were the products of the artificial age. Having gone
through the whole past as a new person... like Pavlik
Morozov, he sold his father... And at the same time,
selling his nation... he fundamentally changed the
meaning of all his values. And he was brought up in the
spirit of these. Of course, many writers have become
small figures in our imagination and cannot respond to
the imagination of the writer in general. Such people
became heralds of ideological literature. Since they
assigned only an ideological task to their heroes, they
could not create either a positive hero or a true work
of art.
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Talented writer Khurshid Dostmuhammad, today's
literary community forgets to make observations on
the topic of the creator's personality, what is the place
and position of the creator's personality in the current
situation, whether the writer has matured as a person
or not, what is his humanity reflected in says that there
should be clear ideas about, that is, the relationship of
the writer with time and space is important. He writes:
"The ability to perceive the world artistically raises
human perfection to extraordinary heights. The artist
is not a living person, his artistic world, his artistic point
of view serves to educate the mentality of the whole
society and humanity, to raise their quality level. A
writer who has reached such maturity can express his
own point of view about time and space. Such a writer
can express his judgments in any reality, and these
judgments are expressed in the works he creates. In
these conclusions, the writer's own "personal views" -
creative methods are visible, through which he
evaluates reality. So, only when the creator himself
rises to the human level, the characters created by him
can also rise to the human level.
Creators rarely cases personal marriage regarding to
success they achieve Lombrozo (2006) writes:
Talented people whole life during lonely, cold, to his
family careless, careless they live Michelangelo own
marriage his friend to art replaced repeatedly
repeated. Goethe, Heyne, Byron, Cellini , Napoleon,
Newton this about even if they don't speak , theirs
actions with this about negative their views proof they
did Lombroso lifetime tall alone lived talent owners (
Schopenhauer , Descartes , Leibniz , Kant, Spinoza,
Michelangelo , Newton , Gogol, Lermontov, Turgenev)
and family of those who built one how many unhappy
( Socrates , Shakespeare , Dante, Byron ) . passes.
VESemenov (1988) studied the personal life history of
creative people (writer, poet, artist) and says that
there are types of creative people who do not want to
build a family for creativity (this is only in men). Family
built creators while in art abilities are different will be,
that is family life good, but creativity the way failed will
pass When of the creator marriage a friend to him both
life and creativity on the way helper if only, they
relatively happy they live
Creative people have another abnormal habit, they
want to live only in solitude. Creator's around all
friends, brothers, people relatives, family even though
he himself always feels alone. He is only own heart,
heart with they become friends.
Sh. Kholmirzayev's " Sunny-ku in the sky wandering
around in the story " Yuribdi ". creative image Power is
also life meaninglessness about, his loneliness about
speaks: " Around look, - I said to myself, - everyone
animals in pairs! And you are alone! Yours your life is
unnatural life ..." he reads. " Cloud in the story "to' sgan
oy" . main hero Power up life about views while so was:
" I am." their sasini hearing themselves watching enjoy
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and sweet one sigh with of the Buddha famous He
remembers the word very well I said : " Man is different
unhappy If I am , I will light up my world seeing from
standing happy to be need Because him I don't see
possible was ". Then while our prophet Muhammad
from hadiths in one of a person per head descender all
burdens , the heart to shake puter sufferings Allah may
Allah bless him and grant him peace by servant to try
for it will be given , illo servant thanks to them if he
does , he is prosperous days the heart happy doer of
joys to the value more reach about message what they
gave I remembered Moreover , this two wisdom - to
me comfort , strength The giver was " my companions
" . So here it is words of the author life during great
proverbs that we understand and this proverbs of the
author in the story image Powerhouse from the
language it is said.
In the story of E.Azam " The Writer ". The teacher (
teacher ) is also in Chilanzor two room his house leave
, chairman dry gave small in the yard lives From the
story " Momokoshiq " by N. Eshanqul creator Shamsi
Salah is also from loneliness suffering is described : "
People from my words like laughing or as if not
understanding it seems to me Compressed you go
person They are your your opinion no , your color , your
hair , your clothes , how a cigarette your smoking
discussion they do . " From these sentences, we can
see Sh. Salah's heartily alone , people inside living from
them far away that let's see can Or the story "Night
bars ". let's take In the story creative from loneliness
spirit suffering so says : " I have always been people
living came and now leave they left home i 'm like of
the house the window dimly crack out into the
darkness spear the pin standing the lamp is mine too in
my chest already off This lamp myself did i delete or
another someone - him until now I don't know . I myself
looking for of fate so many to the streets like millet
scattered I left, as if countless " I's" beyond my div
out of the city yuh to the streets come in disappeared
as it is . Every year two or three times to the village i will
go and every time from there again I'm disappointed
pir be I will return, - them If I see, my heart worse it
hurts Myself unnecessary and never to something
possible not enough , in the river scattered flowing
going I feel like an ant . Theirs between there is no
place for me They are for some reason believe, hope
with they live And I am to the village sometimes to my
return I don't even hope ... ". Here it is in images
creative in life own purpose lost put in the future
hopeless in the mood is described.
Creators rely on the philosophy of the absurd, that is,
their views on the meaninglessness of life, unworthy of
living, unite their worldview. Literary scholar U.
Normatov 1980s the end of the 1990s in their heads
situation we have absurd literature , absurd man of the
image birth for the ground prepared as follows
explains : " Absurd literature again one important
feature that is , then intelligence , own his life brutally
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critical perception reach , check to do priority ,
therefore for also in it tragedy strong Man own activity
, labor meaninglessness , situation and life from the
absurd consists of that it is realize enough of minutes
only later really a tragedy begins ". Same as well as
writers this period reflection made in his works heroes
too tragedies in what that they are understand they are
enough. A short story and in stories creators from
loneliness spirit they suffer. They are himself to suffer
welcome sees Aristotle's catharsis to the doctrine
according to life suffering through they try to purify
themselves.
CONCLUSION
creativity nature, creativity psychology, creativity the
psyche learning and analysis to do has been attention
more and more increased is going That's why for we
creators watching them spiritual in the world changes,
inspiration in Ogush troubles their story and in the
stories creative image based on analysis we did
Creators artistic in his works He emphasizes that
freedom of thought is important for writers and
creators. Any talented person can make new
discoveries or show his talent fully only if he has
creative freedom. As long as there is captivity in a
person's mind and worldview, there will be no creative
changes in his life and lifestyle. Such people cannot rise
to bright, high peaks, but sink deeper into the abyss
and darkness. In the heart human they feel Faded,
satanic to feelings are given Such event not only one
human, perhaps whole one society is also harmful for
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