Volume 04 Issue 09-2024
101
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
09
P
AGES
:
101-105
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
National clothing plays a significant role in expressing cultural identity, historical legacy, and social norms in both
English and Uzbek cultures. This study aims to compare the evolution and cultural importance of traditional attire in
these two nations by examining historical records, dictionaries, and modern practices. We utilized explanatory
dictionaries in both languages to define key clothing terms and analyze their social and symbolic roles. The results
demonstrate how English traditional attire evolved from functional to ceremonial use, while Uzbek clothing retains a
strong connection to national identity and craftsmanship. The study highlights the significance of national clothing as
a form of cultural expression, emphasizing how it shapes and reflects the identity of both nations.
KEYWORDS
N
ational clothing, culture, periods, blending, tunic, kilt, chopon, do‘ppi, explanatory dictionary
.
INTRODUCTION
Clothing serves as more than just protection from
environmental factors; it is a means of expressing
cultural identity, social status, and historical memory.
Clothing and fashion have always played a vital role in
the identity and culture of both the English-speaking
world and the Uzbek people. The evolution of clothing
reflects historical, social, economic, and even
geographical
factors
that
have
shaped
the
development of both societies over centuries. The role
of national clothing in both English and Uzbek cultures
Research Article
NATIONAL CLOTHING IN ENGLISH AND UZBEK CULTURES: A
COMPARATIVE STUDY OF THE NAMES OF CLOTHING
Submission Date:
Sep 20, 2024,
Accepted Date:
Sep 25, 2024,
Published Date:
Sep 30, 2024
Crossref doi
https://doi.org/10.37547/ajps/Volume04Issue09-16
Jumanova Sevara
The teacher of Karshi State University, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ajps
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 09-2024
102
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
09
P
AGES
:
101-105
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
reflects deep-seated cultural values, societal roles, and
historical influences. English traditional attire, from
medieval tunics to Victorian suits, has evolved
significantly over time, now often reserved for
ceremonial or historical purposes. In contrast, Uzbek
clothing, with its vibrant atlas and adras fabrics,
remains a visible aspect of both daily and celebratory
life. This paper aims to explore how national clothing
has evolved in these two cultures and how explanatory
dictionaries in both languages reflect their significance.
The specific objectives of this study are:
1. To compare the definitions and cultural significance
of traditional clothing in English and Uzbek
explanatory dictionaries.
2. To analyze the evolution of clothing in both cultures
from historical, social, and cultural perspectives.
3. To highlight the role of clothing as a marker of
national identity and its continued relevance today.
METHODS
This study adopts a qualitative research approach,
relying on primary sources from “English and Uzbek
explanatory dictionaries”, as well as secondary sources
that explore the cultural significance and historical
development of clothing in these cultures. The
dictionaries used include:
Oxford English Dictionary (OED) for English definitions.
O
ʻ
zbek tilining izohli lug
ʻ
ati for Uzbek terms.
Data collection involved selecting key terms related to
traditional clothing from each language’s dictionary,
such as tunic, kilt, chapan, and do‘ppi. We then
compared these definitions, focusing on how each
term is described in terms of cultural and historical
importance.
Additionally, we reviewed academic literature on the
evolution of clothing in both cultures, analyzing how
historical events, such as the Industrial Revolution in
England and the Silk Road’s influence in Uzbekistan,
shaped their clothing traditions.
RESULTS
The results are presented in two parts: (1) the
comparison of national clothing terms as reflected in
English and Uzbek dictionaries, and (2) the cultural
evolution of clothing in each nation.
National Clothing Terms in English and Uzbek
Dictionaries
A comparison of dictionary definitions reveals key
differences
in
how
traditional
clothing
is
conceptualized in each culture.
English Traditional Clothing: In the OED, traditional
English clothing terms like “tunic” and “kilt” are
defined largely in historical and functional terms. For
example, a “tunic” is described as “a loose garment
Volume 04 Issue 09-2024
103
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
09
P
AGES
:
101-105
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
typically worn by men in ancient and medieval
periods,” with little emphasis on ongoing cultural
significance. Similarly, the “kilt” is primarily defined by
its association with Scotland and its ceremonial use.
Uzbek Traditional Clothing: In contrast, the “O
ʻ
zbek
tilining izohli lug
ʻ
ati
”
defines traditional Uzbek clothing
such as the
“
chapan
”
(robe) with an emphasis on its
role in both everyday life and cultural celebrations. The
do‘ppi is described not only as headwear but as a
symbol of Uzbek identity. Terms like “atlas” (silk
fabric) are elaborated upon in the context of their
intricate craftsmanship and use in celebratory
garments. Traditional Uzbek clothing reflects the
climate of Central Asia, favoring loose, comfortable
clothing to adapt to the region’s hot summers and cold
winters. Both men and women wore ko‘ylak (shirt or
tunic) and ishton (trousers) made from silk or cotton.
During the Soviet period, traditional clothing started to
blend with Western influences. Uzbek women began
wearing sarafans (simple dresses), while Soviet-style
military or professional uniforms became common for
men. Despite Soviet attempts to modernize, traditional
dress persisted, particularly in rural areas. For special
occasions, women continued to wear brightly colored
atlas dresses and elaborate accessories.
Cultural Evolution of Clothing
English Clothing: Over centuries, English clothing
transitioned from practical garments worn for warmth
and modesty to elaborate fashion statements during
the Renaissance and Victorian periods. The Industrial
Revolution (late 18th
–
19th centuries) marked a turning
point, as mass production of textiles made clothing
more accessible, but also more uniform. By the 20th
century, traditional English clothing became largely
symbolic, worn mainly during formal events, national
holidays, or cultural reenactments.
Uzbek Clothing: Traditional Uzbek clothing, by
contrast, retained its importance in everyday life and
ce
remonial contexts. The “Silk Road” facilitated the
development of luxurious fabrics such as “atlas” and
“adras”, and national dress continues to be worn at
festivals, weddings, and religious ceremonies. Post-
Soviet Uzbekistan has seen a resurgence of interest in
national dress as a symbol of cultural pride, with
traditional garments like the “xalat (robe) becoming
increasingly popular alongside modern attire.
DISCUSSION
The findings suggest that while both English and Uzbek
national clothing began as practical solutions to
environmental conditions, their paths diverged
significantly due to historical, social, and economic
influences.
English
clothing,
shaped
by
industrialization and Western fashion trends, became
ceremonial over time, with items like the
“kilt” and
“suit” gaining significance as markers of tradition
rather than everyday wear.
Volume 04 Issue 09-2024
104
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
09
P
AGES
:
101-105
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
In Uzbekistan, national clothing remains deyeply
rooted in daily and celebratory life. The country’s
geographical position along the Silk Road fostered a
rich tradition of textile production, and national attire
like the “chapan” and “do‘ppi” is imbued with cultural
symbolism . Even with the adoption of modern
clothing styles, these garments retain a sense of
identity and heritage that is actively preserved in both
rural and urban communities.
The study reveals the pivotal role of explanatory
dictionaries in reflecting cultural attitudes toward
national clothing. English dictionaries tend to focus
more on historical and functional descriptions, while
Uzbek dictionaries emphasize the cultural and
symbolic importance of traditional garments,
reflecting their ongoing relevance in daily life.
CONCLUSION
This study highlights the contrasting trajectories of
national clothing in English and Uzbek cultures. While
traditional English attire has largely become symbolic,
Uzbek clothing remains a vital part of national identity.
The comparison of dictionary definitions underscores
the cultural importance attached to traditional
garments in each society, with Uzbek definitions
focusing on craftsmanship and identity, and English
definitions leaning toward historical significance.
English fashion evolved through interactions with
Europe and later the global world, especially through
colonization. Uzbek fashion, meanwhile, was heavily
influenced by Persian, Mongol, and Islamic traditions.
Uzbek clothing historically was designed to cope with
the hot, dry summers and cold winters, while English
clothing adapted to the temperate, often rainy British
climate. Uzbek clothing often emphasized wealth and
social status through bright colors and embroidery,
while English clothing, especially post-Industrial
Revolution, began to emphasize practicality and mass
production. Western fashion rapidly evolved in the
20th century, embracing casual styles, while
Uzbekistan has balanced both tradition and modernity,
with a focus on preserving cultural identity.
Future research could explore how globalization
continues to influence the wearing and interpretation
of national clothing in both countries. Additionally, a
deyeper examination of regional variations within
Uzbekistan could provide more insight into how
national clothing reflects not just a national, but also
local identities.
REFERENCES
1.
Merriam-Webster Dictionary. (2023). Definition of
National Costume. Retrieved from [merriam-
webster.com]
(https://www.merriam-
webster.com)
2.
Oxford English Dictionary. (2023). “Definition of
Tunic”. Oxford University Press.
Volume 04 Issue 09-2024
105
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
09
P
AGES
:
101-105
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
3.
O
ʻ
zbek tilining izohli lug
ʻ
ati. (2023).
“
Choponning
ta
’
rifi
”
.
O
‘
zbekiston
Respublikasi
Fanlar
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4.
Alimov, M. (2019). “The Evolution of Uzbek
Clothing Along the Silk Road”. Journal of Central
Asian Studies, 21(3), 45-59.
5.
Smith, A. (2020).
“The History of English Clothing:
From Function to Fashion”. Routledge.
6.
Tashkent Institute of Culture. (2021). “Cultural
Significance of Traditional Uzbek Attire”. Uzbek
Culture Review, 5(2), 14-25.
7.
Энциклопедия моды и одежды. –
© 2009-2015
Энциклопедии
&
Словари:
Коллекция
энциклопедий и словарей. –
URL: http://enc-
dic.com/enc_fashion/
