Volume 04 Issue 09-2024
81
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
09
P
AGES
:
81-83
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
This article
discuss about the role of water in Alisher Navoi’s works and meaning of water analyzes based on “Hamsa”.
It is shown that “endless”, “life” and “emotion” are described to open the hero’s character and lifestyle
.
KEYWORDS
Water, concept, Alisher Navoi.
INTRODUCTION
Alisher Navoi, a revered figure in Uzbek literature,
skillfully incorporated vivid imagery and deep
symbolism into his poetry and prose. Among the
myriad themes he explored, water stands out as a
potent symbol that captures various facets of human
experience, spirituality, and the natural world. In his
seminal work "Khamsa," which consists of five epic
poems, water is employed not only as a physical
element but also as a metaphor for life, love, and the
passage of time.
METHOD
Water frequently represents the core of life itself in
Navoi's poems. His depictions of the natural world,
with its meandering rivers and placid lakes, exemplify
life and plenty. For example, in "Farhad and Shirin," the
two protagonists' passionate love tale is set against
the backdrop of water. The rivers that cut through the
landscapes are more than simply natural elements;
they stand for the vitality that sustains their goals and
love. The streams represent the difficulties Farhad
Research Article
THE WATER CONCEPT IN UZBEK CLASSICAL WORKS
Submission Date:
Sep 20, 2024,
Accepted Date:
Sep 25, 2024,
Published Date:
Sep 30, 2024
Crossref doi
https://doi.org/10.37547/ajps/Volume04Issue09-12
Haydarova Umida
Teacher, Applied English department, Fergana state university, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ajps
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 09-2024
82
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
09
P
AGES
:
81-83
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
encounters as he works to cut a route through the
mountains to get to Shirin, as well as the beauty that
awaits him.
The connection between water and purity and spiritual
cleaning in Navoi's writings is another important
feature of the element. In "Layli and Majnun," the deep
emotional currents that flow through desire and love
are represented by water. Majnun frequently finds
streams of water on his travels through the desert, and
these locations serve as centers of contemplation and
renewal. Here, Majnun's inner anguish and the purity
of his love for Layli are reflected through the imagery
of water. Taking a dip in a serene lake or sipping from
a clean stream represents a moment of clarity and
comfort among the turmoil of his feelings.
Another symbol of time in Navoi's poems is water. The
moments of life run endlessly, just like rivers do. This
idea is most striking in "The Seven Faces," where the
stages of human existence are paralleled by the cyclical
nature of water. The cyclical nature of life, growth, and
decay is embodied in the concept that water comes
from the mountains, nourishes the land, and eventually
returns to the sea. Navoi considers the fleeting beauty
of existence and the certainty of change via these
metaphors.
Water has more symbolic meaning in Navoi's works
than only physical or emotional aspects. It frequently
denotes knowledge and spiritual enlightenment.
Seeking water is frequently used as a metaphor for the
pursuit of knowledge and the truth. This is especially
clear in his philosophical poetry, in which he compares
the clarity of knowledge to the purity of water. For
example, the imagery of rain represents inspiration
and divine favors because it nourishes the ground and
promotes growth.
The cultural and historical background of Central Asia,
where water is a valuable resource, has also a major
influence on the meaning of water in Navoi's works.
Water is a symbol of survival and prosperity in the
region because of its harsh deserts and dry terrain.
Because it mirrors both the external environment and
the interior lives of Navoi's characters, this cultural
context heightens the emotional impact of water in his
stories.
In Navoi’s works, water typically intertwines with
themes of love and longing. The idea of rivers of tears
conjures up the intense emotional currents that go
along with love. Water may mirror both joy and grief,
as demonstrated by the way it plays with longing in
"Farhad and Shirin," which intensifies their love tale.
Because of this duality, which highlights the
complexity of human emotions, water is an effective
storytelling device.
Navoi employs water as a means of bridging the sacred
and the natural. A calm lake or a meandering stream
are frequently used as metaphors for heavenly grace.
Volume 04 Issue 09-2024
83
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
09
P
AGES
:
81-83
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
Through portraying nature as imbued with spiritual
meaning, Navoi inspires readers to acknowledge the
sanctity of the natural world. This link between
spirituality, nature, and water encourages us to
appreciate the beauty all around us on a deeper level.
CONCLUSION
Throughout summary, Alisher Navoi provides
significant insights into the human condition through
his investigation of water throughout his works. He
creates a complex tapestry that speaks to readers on
many levels by utilizing symbols of life, purity, time
passing, and spiritual enlightenment. As portrayed in
"Khamsa" and other works, water goes beyond simple
imagery to represent the intricacies of love, life's
cycles, and the pursuit of knowledge. Because of
Navoi's mastery of this symbolism, water will always be
a popular theme in literature, encouraging readers to
explore the subject's deeper connotations.
REFERENCES
1.
Gengqing Chen & Weiwei Wang, “Metaphorical
Analysis of the Image of Water in Beloved”,
Qinhuangdao Branch of Northeast Petroleum
University, Qinhuangdao, China
2.
Hareshvar Roy, Water and literature, Scientific
journal, 2018 European journal of science archives
conferences
series/
Konferenzreihe
der
europäischen Zeitschrift für Wissenschaftsarchive
https://doi.org/10.5281/zenodo.7427525
31
NOVEMBER-2022
3.
Haydarova, U. (2022). Yapon mumtoz adabiy
manbalarida qo ‘llangan metaforalar va ularning
diniy-falsafiy
talqini.
Oriental
renaissance:
Innovative, educational, natural and social
sciences, 2(1), 950-958.
4.
Haydarova, U. X. (2021). Yapon mumtoz adabiy
manbalarida
diniy-fa
lsafiy
ma’no
ifodalagan
metaforalarning lisoniy xususiyatlari. Oriental
renaissance: Innovative, educational, natural and
social sciences, 1(8), 535-539.
5.
Haydarova, U. (2022). The translations and
meanings of metaphors that used in “hojoki”.
Oriental renaissance: Innovative, educational,
natural and social sciences, 2(Special Issue 22), 54-
57.
