American Journal Of Philological Sciences
83
https://theusajournals.com/index.php/ajps
VOLUME
Vol.05 Issue01 2025
PAGE NO.
83-85
10.37547/ajps/Volume05Issue01-22
Social-philosophical analysis of the possibilities of art in
the process of spiritual upgrade of new Uzbekistan
Shokirov Otabek Bahodirovich
Researcher, Fergana State University, Uzbekistan
Received:
26 October 2024;
Accepted:
28 December 2024;
Published:
30 January 2025
Abstract:
The article studies the theoretical foundations of the socio-philosophical analysis of the factor of art in
the process of spiritual upliftment, the socio-philosophical aspects of the possibilities of art in the process of
spiritual upliftment, the future tasks of the development of art in the process of spiritual upliftment. Also, the
socio-philosophical analysis of the possibilities of art in the process of spiritual upliftment of New Uzbekistan is
carried out.
Keywords:
Spiritual growth, social laws, the factor of art, tradition and modernity, comparative analysis, analysis
and synthesis, systematic and functional, socio-philosophical analysis, liberalization, dialectic, social education
function, modernization.
Introduction:
Art is a broad concept. For example, the
ancient Greeks considered music, dance, and poetry to
be art. By the Middle Ages, it also included fine arts,
medical treatment, and pharmacy. Today, the word
“art” is used in the meanings of creative reflection of
reality through artistic images, “knowledge of the eye
of the work”
and “the process of showing skill”, “any
work itself and the level of skill it requires”.
The “Explanatory Dictionary of the Uzbek Language”
emphasizes that art mainly reflects meanings such as
work, labor, skill, and profession. Accordingly, art is any
specific area of social culture that provides aesthetic
pleasure, reflects reality through artistic images, such
as music, painting, and sculpture; a specific working
style and system of various practical and applied fields;
high skill, mastery, talent in a certain field of activity; in
literary studies: a means of providing the poetics of a
work of art.
METHODS
The spiritual foundations and social functions of art are
discussed by Hauve, D. Kerven, Y.E. Jacques-Dalcroze,
L. Daniel and F. Lissek, R. Munich, D. Karomatli, T. Levin,
E.B. Abdullin, B.M. Teplov, A.N. Sokhor, V.G. Mozgot,
V.I. Petrushin, B.V. Asafyev, V. Beloborodova, T.V.
Cherednichenko, S.F. Gurbanaliyeva, E. Abdulin, Y.E.
Bodina, N. Ivanov, A. Nizamov, V. Rajnikov, F. Khalilov,
D. Soipova, O.A. Ibrohimov, D. Karimova, R.
Khonazarova, S. Makhmudova, M.S. Mukhitdinova, Z.
Oripov, Sh. Omankulova, Q. Panjiyev, R. Azizov, X.A.
Turaqulov, M. Khojdayeva, Scientists such as G.
Sharipova and U.Y. Yuldashev were engaged in this.
RESULTS AND DISCUSSION
It is not without reason that the concept of art is
interpreted in such a broad sense, because art is a set
of things created, created, and created by human
creative labor, intelligence, and consciousness. Art
represents a type of creativity in human activity, and
each work of art reflects the unique talent of the
individual. Art, of course, is closely related to human
skill.
Art in a broad sense includes works of art (artistic
values), as well as the processes of their creation
(artistic
creation)
and
consumption
(artistic
perception). Art has developed in connection with
social development. The images of animals carved on
rocks found in ancient Central Asia, Spain, the Sahara,
and a number of other countries still have aesthetic
value from the point of view of the present day. They
express important signs of aesthetic activity, such as
creating according to the criteria of each type of thing,
that is, observing the laws of creativity, proportion, and
joy in the process of their creation.
American Journal Of Philological Sciences
84
https://theusajournals.com/index.php/ajps
American Journal Of Philological Sciences (ISSN
–
2771-2273)
The buds of artistic activity appeared due to aesthetic
need. It gradually manifested itself in the form of
satisfying artistic needs. On this basis, mental and
physical labor were combined and developed in a
unique way in the field of art. The balance of
intelligence and manual activity led to the creation of
amazing, amazing miracles of art.
The need for people to work together created the need
for mutual exchange of information. This, in turn, led to
the constant development and improvement of human
feelings in harmony and proportion. For example, an
eagle's eye can see far and wide. But humans have the
ability to see, understand, sense, and feel more aspects
of things than eagles. Just as the ear serves to detect
musical tones and the eye serves to distinguish the
shape of objects, the other sense organs that enable
humans to enjoy real life are also sharply different from
those of animals.
Man seeks to enrich the content of his daily life by
creating the tools and means necessary for the material
expression of artistic ideas. In the distant past, people
drew the first patterns with stone tools and carved
various images on rocks. Thus, art developed in
harmony with labor. Therefore, forms of artistic activity
arose on the basis of human labor and were directly
inextricably linked with labor processes.
The oldest forms of artistic activity, without being
separated from each other, integrally reflected the
culture of the primitive community. Mythological
thinking combines both healthy and weak imagination
at the same time. Mythology reflects the weakness and
helplessness of man, and reveals the buds of science,
aesthetic imagination, the simplest rules of moral
values, and at the same time, various misconceptions,
"meanings".
Religious content is widespread in mythology. Egyptian
myths mainly had a religious content. The religious
content of Greek myths formed the basis of Greek art.
In artistic activity, aspects related to religious worship
were the main ones, combined with useful - practical
aspects. For example, ancient people wanted to
demonstrate the inevitability of their future success in
hunting by depicting wild animals with a bow and
arrow. Thus, aesthetic activity was based on knowledge
of reality, and in the minds of ancient people, myth and
knowledge did not merge, discovering a holistic form.
The thematic orientation of ancient aesthetic cultural
monuments is also noteworthy. Animals associated
with hunting were taken as objects for the main image
(rock paintings) and imitation (dances). Our ancient
ancestors embodied and deepened their imagination
about them by creating images of bulls, elephants,
deer.
The first works of art in the history of mankind also
performed a mentoring and educational function.
Images, patterns, dances, fairy tales and legends
embodied practical, moral, and aesthetic experience
passed down from generation to generation. The first
forms of artistic activity also performed the functions
of organization and unification. The scene of victory
over an animal in a hunt, which could be achieved
through the actions and efforts of a whole community
united and united in the struggle for survival, was
reflected. These images were also one of the most
important factors in the unification of ancient people
into a community.
Many signs and features of art are visible in paintings,
which are the first examples of human artistic activity.
However, they lack the factor of an individual person.
Ancient people lived only with feelings and
imaginations common to the clan and tribe, and could
not separate themselves from reality. Art, however,
begins with the individual from beginning to end, is
formed with the individual, and finds its roots with the
individual. A person, being a creator of art, a creator of
artistic values, is also the main object and subject of art.
In the process of artistic activity of primitive people, the
buds of symbolic-figurative reflection of nature were
formed. It was in these first symbolic-figurative
reflections that the author's "hand"-style of man
appeared. Thus, the artistic symbol-figurative
manifested the unique talent of the author-creator.
Art has always satisfied social needs in the process of
historical development. Art is associated with the
complex relations of social life, and is simultaneously a
special type of labor, a special sphere of social
production, a form of social consciousness, a specific
field of knowledge, and a form of creative activity.
Art is primarily a form of social consciousness. All its
other characteristics stem from this quality and are
based on this analysis. Art is associated with the
processes of social life. This is clearly visible in the
desire of ancient people to create material and spiritual
wealth, that is, to create things that please them and
please their hearts. Social life directly influenced the
development of art. Later, it also influenced social
structures, philosophical-religious, political views,
moral rules, and spiritual values.
The relatively independent functioning of art in social
life is also associated with the manifestation of the law
of succession. Succession, which applies to all forms of
social consciousness, is also inherent in art. Succession
is most manifested in the spheres of political and legal
consciousness associated with the material basis of
society.
Succession is present in all aspects of social life. But in
American Journal Of Philological Sciences
85
https://theusajournals.com/index.php/ajps
American Journal Of Philological Sciences (ISSN
–
2771-2273)
art, which encompasses all aspects of life and is far
removed from the economic base, inheritance is clearly
and widely manifested. In all aspects of art, its subject
matter, ideological and spiritual rules and tones,
creative beliefs, stylistic types and forms, and means of
expression, inheritance is especially pronounced.
Inheritance is never subject to the personal "whims" of
the creator. When each creator creates something new
in art, he creates based on the artistic, ideological and
spiritual, and methodological means of expression of
his predecessors. Even a genius who opens a
completely new direction in art always "stands on the
shoulders" of his predecessors.
The answer to the question of how much of the
previous artistic heritage can be used and what part
should be rejected is also based on the laws of
inheritance.
As in other forms of social consciousness, in art,
knowledge and ideology are intertwined and
interconnected. At different historical stages and in
different forms of art, knowledge and ideology operate
in a reciprocal relationship.
CONCLUSION
Art, like science, has unparalleled cognitive and
perceptual capabilities within its subject. However, the
artistic cognitive and perceptual process of art occurs
within its own specific characteristics. Art helps to
understand reality more fully and attractively through
artistic means.
As is known, each form of social consciousness reflects
a certain aspect of reality. Art, as a form of social
consciousness, allows us to understand reality in an
artistic and figurative form. Many branches of science
deal with the issues of human cognitive and perceptual
activity. For example, while natural sciences study man
as a biological being, social sciences analyze him as a
person, approaching the human personality from the
perspective of their own tasks: psychology studies the
inner world of man, his spiritual experiences; economic
theory views man as an important productive force;
political science deals with the issue of the role of man
in the process of political relations; Ethics studies
humans in relation to the rules of behavior.
REFERENCES
Белов Г. История философия науки. –Москва:
Издательский дом МГУ, 2012. –432 с
Вебер М. Наука как призвание и профессия // М.
Вебер. Избранные произведения.
-
М.: Прогресс,
1990.
–
456 с
Jabborov I. A place of high culture and unique
spirituality.
–
Tashkent: Uzbekistan, 2012. - 316
p.Отамуратов С. Глобаллашув ва миллат.
-
Тошкент:
Янги аср авлоди, 2008. –
204 б
Umarov E., Abdullaev M., Khakimov E. Aesthetics. - T.:
Uzinkomtse
ntr, 2003Шестаков В.П. Очерки истори
эстетики. (От Сократа до Гегеля).
-
М.: Мўсль, 1978
Explanatory dictionary of the Uzbek language. Volume
three. - T.: National Encyclopedia of Uzbekistan, 2007.
447 pages.
