Vol. 2 No. 09 (2022): Volume02 Issue09

This article explores the ideas and themes that emerged in new Korean poetry during the 20th century. Drawing from a comparative analysis of significant works and poets, it sheds light on the evolving landscape of Korean poetry and its response to social, political, and cultural changes. The study traces the trajectory of Korean poetry from early 20th-century modernism to later avant-garde movements, highlighting key poetic concepts and techniques employed by influential poets. By examining the works of major figures such as Yi Sang, Kim Sowol, and Ko Un, the article seeks to identify the central ideas that shaped the development of Korean poetry in the 20th century. Additionally, it delves into the influence of Korean history, national identity, and the Korean War on poetic expression, as well as the impact of Western literary movements on Korean poets. By providing a comprehensive overview of the ideas and themes explored in new Korean poetry, this article contributes to a deeper understanding of the rich cultural and literary heritage of Korea and its significance in the global context.

This article covers aspects related to the popularity of Alisher Navoi’s “Khamsa”, existing epics. Warm thoughts of Navoi’s contemporaries and students about “Khamsa” were also reflected. It was also mentioned that Alisher Navoiy used more than 26 thousand words of vocabulary in his creative heritage. In this context, information is given about plural dictionaries compiled according to Navoi’s works. Alisher Navoiy comments of Alisher Navoiy’s manuscripts of “Khamsa” kept in Uzbekistan. the attention of scientists who have studied Alisher Navoi’s “Khamsa” aim is enlighten to the general public about the issues that have escaped.

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