This article provides a detailed analysis of symbolisms as one of the aspect of intertextuality in the drama "Aureng-zebe" by John Dryden. The article reveals examples of symbolisms used in the play which have a direct and figurative meaning, helping the reader to comprehend the meaning of the drama as well as the author's intention. The recent research is focused on the study of the phenomenon of symbols as a part of intertextuality in different communicative layers of the language which helps to understand the text not only from the linguistic side, but also from the social, political, historical and cultural sides more deeply, connecting the writer’s idea with the reader’s, interpreting the new meaning into our perception as well as conveying the thoughts of the writer and his philosophical ideas into the deeper consciousness of the reader.
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