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VERBO-VISUAL FIGURES IN POETIC TEXTS
Yunusova Hilola Ravshan qizi
– EFl teacher FerSU
It is well known that stylistic devices increase the expressiveness of speech. In
this regard, a number of scientific researches have been carried out in world
(Ts.Todorov)
84
, Russian (G.G.Khazagerov, V.P.Moskvin)
85
and Uzbek
(A.Mamajonov, O.Mamaziyaev, S.Fazildinova)
86
linguistics. However, the process of
visualization of tropes and figures can also be observed in visual poetic texts that is
considered to be a “multisemiotic system”
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. In this article some examples of verbo-
visual figures and their features will be discussed.
Verbo-visual anaphora and epiphora.
It is well known that in a poetic text,
visuality can be reflected in unusual arrangement of verses. Verbo-visual anaphora
and epiphora can be identified in such poetic texts. In the following passage from the
poet's poem, the compound "shu haqda" forms a verbo-visual anaphora. Such a
repetition in the text does not fail to attract the attention of the addressee visually.
The role of the punctuation mark " – " is also important here. The phrase "shu haqda"
comes in a series of 11 lines of a poetic text:
(Fakhriyor)
In the following text, the word “ҳам” serves as a verbo-visual epiphora because
it is separated from the main part of the text by a large space.
(T.Kahhor)
84
Tropes et figures // To honor R. Jakobson… T. 3. The Hague; Paris, 1967
85
Хазагеров Г.Г. Функции стилистических фигур в газетных заголовках (по материалам “Комсомольской
правды”): автореф. дисс.. канд. филол. наук. – Ростов-на-Дону, 1984. – 24 с.; Москвин В.П. Язык поэзии:
Приёмы и стили. Терминологический словарь. – М., 2017
86
Мамажонов
А.
Қўшма гап стилистикаси
. – Т., 1990;
Мамазияев
О.Х. Ўзбек поэтик нутқида
хиазм
ва
градация: филол.фан.номз...дис.автреф. – Фарғона, 2004;
Nematovna, F. S. (2021). USING THE SIMILE IN THE
CLASSICAL LITERATURES AND THE PROBLEMS OF TRANSLATING THEM FROM UZBEK INTO
ENGLISH ON THE BASE OF “ALEXANDER'S WALL” BY ALISHER NAVOI.
Web of Scientist: International
Scientific Research Journal
,
2
(11), 326-329.
;
Fazildinova, S. N. (2022). THE MATTERS OF TRANSLATING THE
FIGURATIVE LANGUAGE DEVICES USED BY ALISHER NAVOI IN DESCRIPTION OF WORD, LANGUAGE
AND SPEECH ETHICS.
Mental Enlightenment Scientific-Methodological Journal
,
2022
(1), 106-118.
87
Khakimov, M.K. (2021). VISUAL POETIC TEXTS AS MULTISEMIOTIC SYSTEM.
Theoretical & Applied
Science
, (8), 185-188.
Respublika ilmiy-amaliy konferensiya
74
Verbo-visual inversion.
Inversion is an undeniable phenomenon in poetic texts.
One of the main inversions in the following text happens due to the fact that the
adverbial "sangijumonga" comes after the predicate in the sentence, which is
normally is supposed to be constructed this way:
турналар баҳорни сангижумонга
судраб келади.
The verbo-visual essence of this inversion is that the final destination
of the flock of birds is the village of Sangijumon, the name of which is in the very
center, at the head of the flock of cranes, which means that the cranes are flying in
that direction.
(Fakhriyor)
Verbo-visual hyperbola.
The following poem by B.Ruzimuhammad depicts a
hyperbole. In the text, the author states that the tear drops hit the chest like a stone
and pierced it. In this case, the word drops (томчилар) is divided into syllables,
which are likened to the position of stones falling from the top to the bottom.
( B.Ruzimuhammad)
Verbo-visual gradation.
Gradation in texts often leads to hyperbole. Verbo-
visual gradation is manifested in poetic texts by giving words or sentences in a
hierarchical form or by allocating a separate line for them. In Uzbek poetry, in many
cases, one can encounter gradations consisting of numbers. In the first of the
following poetic texts, a separate line is assigned to each of the numbers that form a
gradation, while in the second example, the numbers are presented in a hierarchical
form, causing visualization in the text:
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(I.Otamurod)
(I.Otamurod)
In both cases, gradation causes hyperbola to occur.
Verbo-visual rhetorical questioning.
Rhetorical questioning can also be
visualized through font manipulations:
(Ya.Togha)
Verbo-visual antithesis.
The methodological tool of antithesis is visualized in
the following poetic text by bringing the black and white triangles in a position facing
each other. Even without reading the rest of the verbal part of the text, it is not
difficult to understand through the colors of the triangles that contrast is used here.
But we will also need to read the rest of the text to find out exactly which concepts or
things are being opposed to each other. For this reason, we also call the antithesis or
any other means of artistic imagery verbo-visual, not visual. Returning to the text, the
feelings of pain and joy, hopes and hopes in human life, although opposite to each
other, are constantly moving side by side, alternating like night and day in the spring
equinox:
(Fakhriyor)
In short, it should be noted that in visual poetic texts, stylistic devices are not
only visual but also verbal, since we need to address the verbal part of the text in
order to understand what is meant by applied visuality.
Respublika ilmiy-amaliy konferensiya
76
Literature
1.
Fazildinova, S. N. (2022). THE MATTERS OF TRANSLATING THE
FIGURATIVE LANGUAGE DEVICES USED BY ALISHER NAVOI IN
DESCRIPTION OF WORD, LANGUAGE AND SPEECH ETHICS.
Mental
Enlightenment Scientific-Methodological Journal
,
2022
(1), 106-118.
2.
Khakimov, M. K. (2021). VISUAL POETIC TEXTS AS MULTISEMIOTIC
SYSTEM.
Theoretical & Applied Science
, (8), 185-188.
3.
Nematovna, F. S. (2021). USING THE SIMILE IN THE CLASSICAL
LITERATURES AND THE PROBLEMS OF TRANSLATING THEM FROM
UZBEK INTO ENGLISH ON THE BASE OF “ALEXANDER'S WALL” BY
ALISHER
NAVOI.
Web
of
Scientist:
International
Scientific
Research
Journal
,
2
(11), 326-329.
4.
Todorov Tz. Tropes et figures // To honor R. Jakobson… T. 3. The Hague;
Paris, 1967.
5.
Мамажонов
А.
Қўшма гап стилистикаси
. – Т., 1990;
6.
Мамазияев
О.Х.
Ўзбек поэтик нутқида
хиазм
ва градация:
филол.фан.номз...дис.автреф. – Фарғона, 2004;
7.
Москвин В.П. Язык поэзии: Приёмы и стили. Терминологический
словарь. – М., 2017
8.
Хазагеров Г.Г. Функции стилистических фигур в газетных заголовках
(по материалам “Комсомольской правды”): автореф. дисс.. канд. филол. наук. –
Ростов-на-Дону, 1984. – 24 с.;
