Авторы

  • Gulnorakhon Niyazova
    Associate professor (PhD), Renaissance Education University, Tashkent, Uzbekistan

DOI:

https://doi.org/10.71337/inlibrary.uz.dptms.122903

Ключевые слова:

private discourse linguistic features discourse types sociopragmatics cognitive approach communicative strategy detective fiction.

Аннотация

This article analyzes scientific perspectives on private discourse, its linguistic description, cognitive and sociopragmatic characteristics, as well as the approaches in Russian, English, and Uzbek linguistics. The study highlights participants, goals, communication tools, strategies, and tactics as key factors in describing private discourse. The article also explores the conceptual foundations of private speech, its discursive structure, and theoretical and terminological issues.


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EXPLORING PRIVATE DISCOURSE: LINGUISTIC, COGNITIVE AND

SOCIOPRAGMATIC DIMENSIONS IN DETECTIVE FICTION

Niyazova Gulnorakhon Gulyamovna

Associate professor (PhD),

Renaissance Education University,

Tashkent, Uzbekistan

E-mail: niyazovagulnorakhon@gmail.com

ORCID ID: 0000-0001-5905-2129

https://doi.org/10.5281/zenodo.15868635

Abstract:

This article analyzes scientific perspectives on private discourse,

its linguistic description, cognitive and sociopragmatic characteristics, as well as
the approaches in Russian, English, and Uzbek linguistics. The study highlights
participants, goals, communication tools, strategies, and tactics as key factors in
describing private discourse. The article also explores the conceptual
foundations of private speech, its discursive structure, and theoretical and
terminological issues.

Keywords:

private discourse, linguistic features, discourse types,

sociopragmatics, cognitive approach, communicative strategy, detective fiction.

Annotatsiya

: Ushbu maqola shaxsiy diskursga ilmiy yondashuvlarni, uning

lingvistik tasvirini, kognitiv va ijtimoiy-pragmatik xususiyatlarini, shuningdek,
rus, ingliz va o‘zbek lingvistikasidagi yondashuvlarni tahlil qiladi. Tadqiqot
shaxsiy diskursni tasvirlashda ishtirokchilar, maqsadlar, aloqa vositalari,
strategiyalar va taktikalar kabi asosiy omillarni ta’kidlaydi. Maqola shuningdek,
shaxsiy nutqning kontseptual asoslari, diskursiv tuzilishi va nazariy hamda
terminologik masalalarni o‘rganadi.

Kalit so‘zlar

: shaxsiy diskurs, lingvistik xususiyatlar, diskurs turlari,

ijtimoiy-pragmatika, kognitiv yondashuv, kommunikativ strategiya, detektiv
fantastika.

Introduction

In modern linguistics, the concept of discourse allows for a complex

approach to the study of human communication. Among the various approaches
to discourse, personal discourse occupies a special place, as its study serves to
reveal the connection between language and thought, as well as between the
individual and society. This article is focused on the essence of personal
discourse, its linguistic aspects, and the theoretical and practical approaches to
its study.

The scientific advancements of the 17th and 18th centuries significantly

contributed to the development and diversification of intuitive and discursive


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interpretations of knowledge. These studies laid the groundwork for a more
comprehensive understanding of the interaction between intuition and logical
thinking in the process of cognition, influencing the development of various
scientific and philosophical fields.

Literature review

The term discourse was first introduced into linguistic theory during the

structuralist period of the 20th century, particularly in the 1950s. French
linguist Emile Benveniste, while developing speech theory, used the term to
refer to “the speech product that arises every time we engage in conversation”
[Benveniste, 1974]. This notion was significantly developed by Z. Harris in his
1952 article “Discourse Analysis,” marking a key milestone in the study of
discourse. Teun A. van Dijk helped broaden the understanding of discourse
beyond textual analysis, proposing that it encompasses not only linguistic
structures but also extralinguistic elements such as world knowledge, thoughts,
attitudes, and communicative goals [Van Dijk, 1989]. Similar perspectives were
developed by Russian linguists like N.D. Arutyunova and V.I. Karasik.
Arutyunova emphasized the integral link between linguistic, pragmatic, socio-
cultural, and psychological aspects [Arutyunova, 1989], while Karasik described
discourse as a communicative system shaped by actual and potential contexts
within specific communicative situations [Karasik, 2002].

These approaches reflect the shift in modern linguistic and cognitive

research toward viewing discourse as a multidimensional phenomenon that
shapes and reflects social and individual consciousness. As Sinitsina puts it,
“Discourse is a linguistic formation associated with the fields of human
cognition. Thus, discourse is formed in the process of life” [Sinitsina, 2010].

Theoretical approaches

Discourse, as a dynamic and evolving process, is shaped by social, cultural,

and cognitive factors. It is inherently interactive and dialogical, constructing
meaning through participant interaction. Beyond its linguistic features,
discourse also reflects power structures, ideologies, and social hierarchies,
making its study relevant across sociocultural and psychological contexts.

A significant domain of discourse analysis is personal discourse, where the

speaker’s individuality takes precedence over group identity. According to A.N.
Leontiev, personal discourse conveys a speaker’s unique thoughts and emotions,
characterized by "liking," "attention selection," emotional coloring, and cognitive
processes linked to personal needs and desires [Leontiev, 1975]. Scholars like
V.V. Krasnix and V.I. Karasik emphasize that the concept of "I"—the speaker’s


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inner world—is central to spoken and poetic manifestations of personal
discourse [Krasnix, 2003; Karasik, 2004]. This approach shifts focus from social
roles to individual experience, allowing for more intimate and subjective
communication.

Personal discourse is commonly categorized into two forms:

existential

discourse

, which addresses profound personal or philosophical concerns, often

monologic in nature; and

everyday discourse

, which emerges in informal

settings and focuses on resolving day-to-day issues. The latter is typically
dialogical and emotionally nuanced, relying heavily on context and non-verbal
cues. In modern discourse analysis, especially in Western traditions, the focus is
primarily on spontaneous, dialogical speech—studied through methods like
conversation analysis, ethnomethodology, speech ethnography, and interactive
sociolinguistics.

Exploring personal discourse provides valuable insights into how

individuals express their inner "selves" and how personal identity shapes
communicative behavior. This field, which intersects with psychology,
linguistics, and literary studies, underscores the importance of subjective and
emotional dimensions in communication—an area thoroughly explored by
Leontiev, Krasnix, and Karasik.

Methods

The study of personal discourse is primarily based on the analysis of

naturally occurring conversations. Methods such as conversation analysis,
ethnomethodology, and membership categorization analysis are applied to
investigate everyday discourse. In addition, speech ethnography and interactive
sociolinguistics are essential tools for exploring the spontaneous, dialogical
nature of personal communication.

Example

1:

The

Hound

of

the

Baskervilles

Consider the analysis of a dialogue from The Hound of the Baskervilles, where
Holmes and Watson are engaged in a conversation that reveals authority
dynamics:

Holmes:

"Watson, you need to go to the village and inquire about any

strange occurrences."

Watson:

"Yes, Holmes, of course. But how will I know who

to speak to?"

Holmes:

"Ask about the locals' suspicions. I trust you will manage."

Here, the verbal exchange serves to reinforce the hierarchical relationship

between the characters. Holmes employs directive speech acts, asserting control
over Watson’s actions, while Watson responds in a deferential manner. This
reflects a cognitive aspect of discourse where the speaker's authority and


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control are linguistically enacted, and the addressee’s passive role is
linguistically marked by their responses.

Example 2: Murder on the Orient Express (Agatha Christie)

In Murder on the Orient Express, Hercule Poirot’s interactions with others
exemplify power relations and cognitive processes. Consider this exchange:

Poirot:

"You must not lie to me, I know you are hiding

something."

Passenger:

"I’m not lying, Monsieur Poirot, I swear it!"

Poirot:

"You

are, and I will prove it."

Poirot’s utterances demonstrate his manipulation of discourse to control

the situation. His declarative and directive sentences (“You must not lie”) set the
tone of authority, while the passenger’s defensive responses (“I’m not lying”)
reflect an attempt to resist the authoritative discourse, which is ultimately
ineffective. This illustrates how power and authority are embedded in discourse
and the cognitive process of persuasion within the communication.

Example

3:

Shaytanat

(Tohir

Malik)

In the Uzbek novel Shaytanat by Tohir Malik, the interaction between the
detective and the assistant is rich with power dynamics:

Detective:

"Boshqa bir kishini surishtiring, ular nimani bilishini so'rang."

("Ask someone else and find out what they know.")

Assistant:

"Ha, bosh

qo'llayman. Yana nimani tekshiraman?" ("Yes, I will check it. What else should I
investigate?")

This dialogue exemplifies hierarchical communication in detective

discourse. The detective’s command (“Boshqa bir kishini surishtiring”) is a clear
directive, and the assistant’s response (“Yana nimani tekshiraman?”) shows a
subservient, question-driven strategy that defers to the authority of the
detective. The assistant's hesitation to proceed without further instructions
reveals the cognitive dependence on the detective’s authority.

Example

4:

The

Godfather

(Mario

Puzo)

In the Godfather, verbal exchanges among the characters convey deep power
and cognitive manipulation. A key moment between Vito Corleone and Sollozzo
reveals authority and negotiation:

Sollozzo:

"I need your help, Don Corleone. I offer you, my loyalty."

Don

Corleone:

"Your loyalty is nothing. What you need is protection, and you will

pay for it."

Sollozzo:

"I don’t want protection, I want respect."

Don

Corleone:

"You will get both, but the price is high."

This interaction demonstrates a negotiation of power through discourse.

Don Corleone uses calculated, firm responses to establish dominance and


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control over the situation. Sollozzo's appeal for loyalty is met with a
counteroffer, A which redefines the terms of the agreement. The transactional
nature of the exchange highlights how discourse is shaped by social roles and
cognitive processes of bargaining and persuasion.

Results

Our analysis of dialogues from various genres of detective fiction, including

works like Shaytanat, The Hound of the Baskervilles, Murder on the Orient
Express, and The Godfather, reveals how personal discourse operates within
literary contexts. In these texts, the interaction between characters often hinges
on the socio-cognitive dynamics of power, trust, and authority. The linguistic
choices made by the characters (such as the use of directives, questions, and
responses) illustrate the underlying cognitive and sociopragmatic aspects of
communication.

For instance, in The Hound of the Baskervilles, Sherlock Holmes frequently

uses declarative sentences to direct the assistant's actions, showcasing his
intellectual dominance. Meanwhile, Watson’s responses, often marked by
hedging or deference, indicate his subordinate role. This reflects the broader
power dynamics in detective discourse, where knowledge, intellect, and
authority are central to the construction of identity.

In Shaytanat, the communication between characters is similarly structured

around hierarchies of knowledge and authority. The linguistic markers of
politeness and deference, such as the use of respectful titles and indirect speech
acts, highlight the role of power in shaping discourse. These findings suggest
that personal discourse, especially in literary genres like detective fiction, is
heavily influenced by cognitive and social factors such as status, trust, and role
expectations.

Discussion

The findings of this study highlight the complex interplay of cognitive and

sociopragmatic factors in personal discourse, particularly in the context of
detective fiction. In both English and Uzbek texts, the linguistic markers that
denote power, authority, and subordination are key to the construction of
character relationships. These markers reflect broader social structures,
demonstrating how discourse is not only a linguistic phenomenon but also a
social and cognitive one.

By examining the dialogue structures in The Hound of the

Baskervilles and Shaytanat, we can see how personal discourse is shaped by the
characters’ social roles and cognitive schemas. The detective’s authoritative


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language contrasts with the assistant's more passive responses, which
reinforces the hierarchical relationship between the characters. This dynamic is
not only a reflection of power but also a demonstration of how personal
discourse is used to shape and maintain social order.

Conclusion

Personal discourse is a multifaceted phenomenon that reflects the cognitive

and sociopragmatic aspects of communication. Through the analysis of
dialogues in detective fiction, we have demonstrated how power dynamics,
social roles, and cognitive structures shape the way individuals communicate.
The linguistic markers used by characters in works like The Hound of the
Baskervilles and Shaytanat reveal the underlying social hierarchies and
cognitive processes that guide their interactions. This study highlights the
importance of considering both linguistic and extralinguistic factors in the
analysis of discourse, particularly in literary texts, where language plays a
crucial role in constructing meaning and identity.

Future research in this area could explore additional genres and contexts to

further understand how personal discourse functions across different
communicative situations. By expanding our analysis to include a broader range
of texts, we can gain deeper insights into the role of discourse in shaping social
reality and human cognition..

1.

References:

1.

Arutyunova, N.D. (1990). Diskurs [Discourse]. In Teoriya metafory (pp.

136-183). Moscow: Progress.
2.

Benveniste, É. (1974). Obshchaya lingvistika [General linguistics].

Moscow: Progress.
3.

van Dijk, T.A. (1989). Yazyk. Poznanie. Kommunikatsiya [Language.

Cognition. Communication]. Moscow: Progress.
4.

Karasik, V.I. (2002). Yazykovoy krug: lichnost', kontsepty, diskurs

[Language circle: Personality, concepts, discourse]. Volgograd: Peremena.
5.

Karasik, V. I. (2004). Tipy diskursa [Types of discourse]. Chelovek. Yazyk.

Kultura, 1, 32-35.
6.

Krasnykh, V.V. (2003). Etnopsikholingvistika i lingvokul'turologiya

[Ethnopsycholinguistics and linguistic culturology]. Moscow: Gnosis.
7.

Leontiev, A.N. (1975). Deyatel'nost', soznanie, lichnost' [Activity,

consciousness, personality]. Moscow: Politizdat.
8.

Sinitsina, A. (2010). Diskurs kak oblast' poznaniya cheloveka [Discourse as

a domain of human cognition]. Moscow: LENAND.


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9.

Harris, Z.S. (1965). Diskursivnyy analiz [Discourse analysis]. Novoe v

lingvistike, 1, 416-431.
10.

Malik, T. (2008). Shaytanat [The Devil's Trick]. Tashkent: Adabiyot.

11.

Puzo, M. (1969). The Godfather. New York: G.P. Putnam's Sons.

12.

Doyle, A.C. (1902). The Hound of the Baskervilles. London: George Newnes

Ltd.
13.

Niyazova G. Pragmatic adaptation in detective fiction. Science and

Innovation international Scientific Journal. Vol. 3, January, 2024.
14.

Niyazova G. Cultural cognition in Uzbek detective fiction: The role of

private Discourse. / American Journal of Philological Sciences. Vol. 5(06), 2025

Библиографические ссылки

Arutyunova, N.D. (1990). Diskurs [Discourse]. In Teoriya metafory (pp. 136-183). Moscow: Progress.

Benveniste, É. (1974). Obshchaya lingvistika [General linguistics]. Moscow: Progress.

van Dijk, T.A. (1989). Yazyk. Poznanie. Kommunikatsiya [Language. Cognition. Communication]. Moscow: Progress.

Karasik, V.I. (2002). Yazykovoy krug: lichnost', kontsepty, diskurs [Language circle: Personality, concepts, discourse]. Volgograd: Peremena.

Karasik, V. I. (2004). Tipy diskursa [Types of discourse]. Chelovek. Yazyk. Kultura, 1, 32-35.

Krasnykh, V.V. (2003). Etnopsikholingvistika i lingvokul'turologiya [Ethnopsycholinguistics and linguistic culturology]. Moscow: Gnosis.

Leontiev, A.N. (1975). Deyatel'nost', soznanie, lichnost' [Activity, consciousness, personality]. Moscow: Politizdat.

Sinitsina, A. (2010). Diskurs kak oblast' poznaniya cheloveka [Discourse as a domain of human cognition]. Moscow: LENAND.

Harris, Z.S. (1965). Diskursivnyy analiz [Discourse analysis]. Novoe v lingvistike, 1, 416-431.

Malik, T. (2008). Shaytanat [The Devil's Trick]. Tashkent: Adabiyot.

Puzo, M. (1969). The Godfather. New York: G.P. Putnam's Sons.

Doyle, A.C. (1902). The Hound of the Baskervilles. London: George Newnes Ltd.

Niyazova G. Pragmatic adaptation in detective fiction. Science and Innovation international Scientific Journal. Vol. 3, January, 2024.

Niyazova G. Cultural cognition in Uzbek detective fiction: The role of private Discourse. / American Journal of Philological Sciences. Vol. 5(06), 2025