Authors

  • Mamataliyeva Iroda Abdinazarovna
    2nd-year Master's student at the University of Natural and Social Sciences, Uzbekistan
  • Mamatova F.M
    Scientific advisor, PhD, University of Natural and Social Sciences, Uzbekistan

DOI:

https://doi.org/10.71337/inlibrary.uz.eijps.88761

Keywords:

Fashion terminology discourse analysis linguistic shift

Abstract

This article examines the linguistic and cultural evolution of key fashion terms—such as “corset,” “suit,” “streetwear,” and digital-era neologisms like “drip” and “core aesthetics.” By tracing their etymology, sociopolitical context, and semantic transformation, the study highlights how fashion terminology functions as a mirror of identity, ideology, and technological change. Supplementary terms including “le smoking,” “athleisure,” “grunge,” “genderless fashion,” and “Y2K” are also analyzed to explore the intersection of subculture, media, and linguistic branding.


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European International Journal of Philological Sciences

72

https://eipublication.com/index.php/eijps

TYPE

Original Research

PAGE NO.

72-75

DOI

10.55640/eijps-05-04-17



OPEN ACCESS

SUBMITED

28 February 2025

ACCEPTED

24 March 2025

PUBLISHED

28 April 2025

VOLUME

Vol.05 Issue 04 2025

COPYRIGHT

© 2025 Original content from this work may be used under the terms
of the creative commons attributes 4.0 License.

Linguistic Evolution in
Fashion Discourse: A
Diachronic Case Study of
Significant Fashion Terms
from the 19th To The 21st
Century

Mamataliyeva Iroda Abdinazarovna

2nd-year Master's student at the University of Natural and Social Sciences,
Uzbekistan

Mamatova F.M

Scientific advisor, PhD, University of Natural and Social Sciences,
Uzbekistan

Abstract

: This article examines the linguistic and cultural

evolution of key fashion terms

—such as “corset,” “suit,”

“streetwear,” and digital

-

era neologisms like “drip” and

“core aesthetics.” By tracing their etymology,

sociopolitical context, and semantic transformation, the
study highlights how fashion terminology functions as a
mirror of identity, ideology, and technological change.

Supplementary

terms

including

“le

smoking,”

“athleisure,” “grunge,” “genderless fashion,” and “Y2K”

are also analyzed to explore the intersection of
subculture, media, and linguistic branding.

Keywords:

Fashion terminology, discourse analysis,

linguistic shift, fashion history, cultural identity,
semiotics, 19th

21st century fashion, digital fashion

language.

Introduction:

Language plays a crucial role in fashion

not only as a tool of description but also as a means of
constructing identity, communicating ideology, and
reflecting societal change. Beyond mere nomenclature,
fashion terminology serves as a site of ideological
contestation, aesthetic value, and cultural narrative.
The lexicon of fashion is a dynamic system shaped by
historical events, subcultural movements, technological
developments, and cultural revolutions. As linguistic


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expressions evolve, they reflect broader social
realignments

including shifting perceptions of

gender, power, authenticity, and resistance. This study
explores the diachronic evolution of select fashion
terms, emphasizing how shifts in language reveal
underlying transformations in cultural discourse,
power structures, and visual semiotics. Through the
analysis of historically significant and digitally
emergent terms, the study aims to contribute to
ongoing conversations about the intersection of
language, style, and cultural identity in a globalized and
mediatized world.

METHODOLOGY

This article adopts a qualitative case study approach,
analyzing the evolution of select fashion terms across
three centuries. Case study methodology is particularly
suited to this inquiry due to its emphasis on contextual
depth and interpretive insight. The selected terms

ranging from historically rooted garments like the
"corset" to contemporary digital expressions like "drip"
and "core"

are examined through triangulated data

sources that include historical texts, fashion
journalism, social media discourse, and academic
literature.

The research methodology draws on etymological
dictionaries and fashion glossaries to establish lexical

origins and trace semantic change. Foundational
theories from fashion scholars such as Roland Barthes
(1983), Joanne Entwistle (2000), and Valerie Steele
(2001) provide a semiotic and sociocultural framework.
The work of Dick Hebdige (1979) and J.B. Paoletti (2012)
is instrumental in understanding subcultural style and
gendered language respectively. Additionally, media
studies sources

particularly those addressing the

impact of Instagram, TikTok, and other digital
platforms

support the examination of newer terms

and aesthetic microtrends. Rather than attempting a
comprehensive lexical survey, the article employs
purposive sampling, selecting fashion terms that
exemplify significant cultural and linguistic shifts. The
analysis is diachronic and comparative, allowing for
both historical context and cross-term reflection.
Emphasis is placed on identifying semantic shifts such as
generalization, pejoration, metaphorization, and
reclamation, as well as examining the cultural,
technological, and political forces driving these linguistic
changes.

Ultimately, the methodology is interpretive and
interdisciplinary, engaging linguistics, cultural studies,
and fashion theory to explore the evolving relationship
between language, clothing, and identity across time.

CASE STUDIES OF FASHION TERMS

Table 1. Summary of Fashion Terms and Their Semantic Evolution

Term / Concept Period

Original Context

Contemporary

Usage

/

Semantic Shift

Corset

19th century Female discipline, modesty

Empowerment,

fashion

statement

Suit

19th–20th c. Masculine professionalism

Gender-neutral,

self-

expression

Streetwear

1990s–

present

Subcultural (skate, hip-hop) Global luxury trend

Le Smoking

1966

Feminized tuxedo, androgyny

Iconic

empowerment

symbol

Athleisure

2000s–

present

Athletic/leisure hybrid

Lifestyle wear across social

settings


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Term / Concept Period

Original Context

Contemporary

Usage

/

Semantic Shift

Grunge / Punk

1970s–

1990s

Music-rooted rebellion

Marketed

anti-fashion

aesthetic

Mini / Maxi

1960s–

2000s

Feminist symbolism (freedom

vs. modesty)

Trend

cycles,

political

commentary

Genderless

Fashion

2010s–

present

Marginal concept

Inclusive, non-binary design

philosophy

Y2K

Late 1990s–

2020s

Youth-centric tech nostalgia Gen Z digital revival

Drip / Core

2010s–

present

AAVE

slang,

aesthetic

labeling

Online vernacular for niche

identities

3.1 Corset

A Victorian garment once synonymous

with discipline and femininity, the corset has
transformed into a modern emblem of empowerment
and retro fashion. Initially designed to mold the female
figure, it came under feminist scrutiny for symbolizing
patriarchal control. In the 21st century, its revival
reflects aesthetic nostalgia and self-styled femininity.

3.2 Suit

From 19th-century male uniformity to 21st-

century gender-neutral styling, the suit exemplifies
how a term can evolve from conformity to self-

expression. The emergence of the “power suit” in the

1980s marked a linguistic and symbolic shift as women
entered corporate spaces. Today, relaxed tailoring and

inclusive sizing further diversify the suit’s terminology.

3.3 Streetwear

Rooted in skate and hip-hop culture,

“streetwear” emerged as a subcultural term in th

e

1990s. It has since entered luxury fashion through
collaborations and hype culture. Modern usage

includes “drop,” “OG,” “cop,” and “collab,” reflecting

the commercial gamification of style.

3.4 Le Smoking

Yves Saint Laurent’s 1966 tuxedo for

women challenged gender norms and introduced a

new language of feminine power. The term “Le
Smoking” now denotes any tailored women’s suit,

emdiving androgyny, seduction, and elegance.

3.5 Athleisure

A neologism reflecting blurred lines

between athletic and casua

l wear, “athleisure”

captures the rise of lifestyle dressing. Popularized by
brands like Lululemon and Nike, the term reflects shifts

in work-life balance, div culture, and consumer
expectations.

3.6 Grunge and Punk

These music-rooted styles

produced ri

ch terminologies of rebellion: “DIY fashion,”

“distressed,” “anti

-

fashion,” and “normcore.” Though

initially anti-establishment, these terms have been co-
opted into mainstream branding.

3.7 Mini/Maxi Hemlines

The “mini skirt” symbolized

sexual freedom in

the 1960s, while the “maxi dress”

invoked romantic or modest aesthetics. Both terms
engage with div politics and continue to reflect
changing gender ideologies.

3.8 Genderless Fashion

Terms such as “non

-binary

style,” “ungendered clothing,” and “fluid silhouettes”

signify a cultural departure from binary fashion. The
discourse reflects expanding recognition of LGBTQ+
identities and inclusive representation.

3.9 Y2K Fashion

Coined in retrospect, “Y2K”

designates

late-1990s/early-2000s

fashion

characterized by metallic fabrics, crop tops, and
nostalgic futurism. Reappropriated by Gen Z, it is

sustained through terms like “bubblegum pop style”
and “cybercore.”

3.10 Drip and Core

“Drip” from AAVE gained

widespread use to describe flashy style, while the suffix

-

core” created new micro

-aesthetic categories (e.g.,

“cottagecore,” “goblincore”). These online

-native terms

reflect meme culture, performativity, and identity
signaling.


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DISCUSSION

These linguistic shifts reflect more than changes in
fashion

they reveal social negotiations around

gender, class, authenticity, and media. The evolution
of fashion terminology serves as a lens through which
we can interpret deeper cultural dynamics, including
the politicization of identity and the commodification
of subculture.

Terms such as “corset” and “power suit” illustrate how

garments once imbued with control and conformity
have been linguistically recontextualized to symbolize
empowerment and rebellion. This reflects not only
shifts

in

fashion

but

broader

ideological

transformations in gender politics and professional
identity. Meanwhile, the terminology surrounding

“streetwear” and “drip” exposes the dialectic between

cultural appropriation and innovation, raising critical
questions about linguistic ownership, especially when
terms rooted in marginalized communities are
commercialized by global brands.

The discussion also extends to the mechanics of
linguistic spread and standardization. Social media
platforms

particularly TikTok and Instagram

play a

central role in accelerating the adoption of new fashion
terms. Hashtags, short-form video content, and
algorithmic visibility shape the way micro-aesthetics

like “cottagecore” or “balletcore” are labeled

,

disseminated, and linguistically stabilized. These terms
evolve into what could be called 'aesthetic signifiers'

compact, emotionally loaded linguistic codes that
signify alignment with specific values, moods, or
subcultures. Moreover, the increasing use of inclusive

fashion terminology such as “gender

-

neutral,”

“adaptive clothing,” and “plus

-

size visibility” signals a

progressive shift in how language is employed to
represent

marginalized

identities.

These

developments not only enrich the lexicon but also
promote a more equitable and reflective discourse
within the fashion industry.

Ultimately, the evolution of fashion terminology

underscores language’s dual function: it serves both as

a mirror of social realities and as an agent of cultural
change. Understanding how these terms shift,
circulate, and settle into popular usage provides critical
insight into the values, tensions, and aspirations of
contemporary society.

CONCLUSION

Fashion terminology is a living archive of social
transformation, offering insight into the shifting
ideologies, aesthetic sensibilities, and communicative
practices of different historical moments. As the case
studies illustrate, fashion words do not simply describe
garments

they narrate cultural histories, signify

resistance or conformity, and project future identities.
The transformation of terms like "corset" from discipline
to empowerment, or "drip" from subcultural slang to
mainstream label, underscores how fashion language is
embedded in broader discourses of gender, race, class,
and technology.

Importantly, this study highlights that fashion
terminology is neither static nor trivial. It carries with it
the weight of cultural memory, the urgency of political
change, and the vibrancy of expressive possibility. In an
era of digital acceleration and aesthetic pluralism, the
speed at which terms emerge, evolve, and sometimes
vanish reveals the dynamic relationship between
communication and style. Platforms like TikTok and
Instagram not only reflect trends but generate new
forms of fashion expression that hinge on accessible and
emotionally resonant vocabulary.

Ultimately, understanding the linguistic evolution of
fashion terms enriches our grasp of fashion as a semiotic
and sociocultural system. It provides critical tools for
decoding how language mediates identity, visibility, and
belonging in an increasingly globalized and visually
driven world. Continued research at the intersection of
linguistics, fashion studies, and digital media will be vital
for tracking how language continues to shape, and be
shaped by, the fashion cultures of tomorrow.

REFERENCES

Crystal Abidin, Tama Leaver, and Tim Highfield,
Instagram: Visual Social Media Cultures, Polity Press,
2020.

Caroline Evans, Fashion at the Edge, Yale University
Press, 2003.

David Muggleton and Rupert Weinzierl, The Post-
subcultures Reader, Berg, 2003.

Dick Hebdige, Subculture, Routledge, 1979.

Jennifer Craik, Fashion: The Key Concepts, Berg, 2009.

Joanne Entwistle, The Fashioned Body, Polity Press,
2000.

Jo B. Paoletti, Pink and Blue, Indiana University Press,
2012.

Leigh Summers, Bound to Please, Berg Publishers, 2003.

Teri Agins, Hijacking the Runway, Penguin, 2018.

Valerie Mendes and Amy de la Haye, Fashion Since
1900, Thames & Hudson, 2010.

Valerie Steele, The Corset, Yale University Press, 2001.

References

Crystal Abidin, Tama Leaver, and Tim Highfield, Instagram: Visual Social Media Cultures, Polity Press, 2020.

Caroline Evans, Fashion at the Edge, Yale University Press, 2003.

David Muggleton and Rupert Weinzierl, The Post-subcultures Reader, Berg, 2003.

Dick Hebdige, Subculture, Routledge, 1979.

Jennifer Craik, Fashion: The Key Concepts, Berg, 2009.

Joanne Entwistle, The Fashioned Body, Polity Press, 2000.

Jo B. Paoletti, Pink and Blue, Indiana University Press, 2012.

Leigh Summers, Bound to Please, Berg Publishers, 2003.

Teri Agins, Hijacking the Runway, Penguin, 2018.

Valerie Mendes and Amy de la Haye, Fashion Since 1900, Thames & Hudson, 2010.

Valerie Steele, The Corset, Yale University Press, 2001.